London Leatherboys Liedtext Deutsche Übersetzung
Akzeptieren – London Leatherboys
by Accept
🌐 Deutsch çevirisi — İngilizce orijinal için tıklayın
As recorded by Accept
Wie von Accept aufgezeichnet
(From the 1986 Album BALLS TO THE WALL)
(Aus dem Album BALLS TO THE WALL von 1986)
Words and Music by Accept
Worte und Musik von Accept
Arranged by Accept
Arrangiert durch Akzeptieren
Gtr I (E A D G B E) - 'Guitar'
Gtr I (E A D G B E) – „Gitarre“
Gtr II (E A D G B E) - 'Solo Guitar'
Gtr II (E A D G B E) – „Sologitarre“
Q=100
Q=100
Gtr I
Gtr I
W W W W W
W W W W W
E E E E S S S S S E. E E E E S S S S +Q E E E E S S S S S E.
E E E E S S S S S E. E E E E S S S S +Q E E E E S S S S S E.
||o----------------------|----------------------|----------------------|
||o----------------------|--------|----------------------|
||o-----0----------------|-----0----------------|-----0----------------|
||o-----0----------------|-----0----------------|-----0----------------|
E E E E E S S +Q E E E E E S S +Q S S S S Q S S S S Q
E E E E E S S +Q E E E E E S S +Q S S S S Q S S S S Q
|--------------------o||--------------------||o------------------------|
|------o||------||o----------|
|-----0--------------o||-----0-------5-(5)--||o-2-2-2-2-2--5-5-5-5-5---|
|-----0--------------o||-----0-------5-(5)--||o-2-2-2-2-2--5-5-5-5-5---|
S S S S E. S +H S S S S Q S S S S Q S S S S E S S +Q E E
S S S S E. S +H S S S S Q S S S S Q S S S S E S S +Q E E
|---------------------|-----------------------|-------------------------o||
|-------|---------|-------------------------o||
|-0-0-0-0-0--2-(2)----|-2-2-2-2-2--5-5-5-5-5--|-7-7-7-7-7---4-(4)----0--o||
|-0-0-0-0-0--2-(2)----|-2-2-2-2-2--5-5-5-5-5--|-7-7-7-7-7---4-(4)----0--o||
H H E E E E S S S S S E. E E E E S S S S +Q
H H E E E E S S S S E. E E E E S S S S +Q
E E E E S S S S S E. E E E E E S S +Q S S S S Q S S S S Q
E E E E S S S S S E. E E E E E S S +Q S S S S Q S S S S Q
S S S S E. S +H S S S S Q S S S S Q S S S S E S S +Q E E
S S S S E. S +H S S S S Q S S S S Q S S S S E S S +Q E E
S S S S Q S S S S Q S S S S E. S +H H H
S S S S Q S S S S Q S S S S E. S +H H H
S S E Q H E S S E S S E E Q E S S E S S E E Q
S S E Q H E S S E S S E E Q E S S E S S E E Q
E S S E S S E E Q Q Q +H E E E E S S S S S E.
E S S E S S E E Q Q Q +H E E E E S S S S S E.
E E E E S S S S +Q E E E E S S S S S E. E E E E E S S +Q
E E E E S S S S +Q E E E E S S S S S E. E E E E E S S +Q
Gtr I
Gtr I
E E E E S S S S S E. E E E E S S S S +Q
E E E E S S S S S E. E E E E S S S S +Q
| Gtr II
| Gtr II
| E. T T E E S S S S +Q +Q S S S S S S S S E. T T
| E. T T E E S S S S +Q +Q S S S S S S S S E. T T
E E E E S S S S S E.
E E E E S S S S S E.
| Q S S S S S S S S S S S S S E
| Q S S S S S S S S S S S S S E
|-4b6-----4b6---4b6-4p2h==4---2---4-2------2-2b3==|
|-4b6-----4b6---4b6-4p2h==4---2---4-2------2-2b3==|
E E E E E S S +Q
E E E E E S S +Q
| +E Q E E. Q +S
| +E Q E E. Q +S
|-----------17b19---17b19-----(17)-|
|-----------17b19---17b19-----(17)-|
S S S S Q S S S S Q S S S S E. S +H
S S S S Q S S S S Q S S S S E. S +H
| W W
| W W
S S S S Q S S S S Q S S S S E S S +Q E E S S S S Q S S S S Q
S S S S Q S S S S Q S S S S E S S +Q E E S S S S Q S S S S Q
S S S S E. S +H H H S S E Q H E S S E S S E E Q
S S S S E. S +H H H S S E Q H E S S E S S E E Q
E S S E S S E E Q E S S E S S E E Q Q Q +H
E S S E S S E E Q E S S E S S E E Q Q Q +H
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
Guitar Solo
Gitarrensolo
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
| Gtr II
| Gtr II
| W H Q. S S
| W H Q. S S
H E S S +S S E
H E S S + S S E
| E S S E S S Q E S S
| E S S E S S Q E S S
H E S S +S S E H E S S +S S E
H E S S +S S E H E S S +S S E
| E S S E S S E. E S S S S S S S S E. H
| E S S E S S E. E S S S S S S S S E. H
E S S +S S E Q Q
E S S +S S E Q Q
| H E. S E. S
| H E. S. E. S
S S S S S S S S S E. S S S S
S S S S S S S S S E. S S S S
| S S S S S S S S S S S S S S S S S S S S S S S S
| S S S S S S S S S S S S S S S S S S S S S S
S S S S E S S +E S S S S S S
S S S S E S S +E S S S S S S
| S S S S S S S S S S S S Q S S S S S S
| S S S S S S S S S S S S Q S S S S S S
S S S S S S S S S E. S S S S
S S S S S S S S S E. S S S S
| S S S S S S S S S S S S S S S S S S S S S +E
| S S S S S S S S S S S S S S S S S S S S +E
|-------10-9-10-----------10-9-10------------10-9-10---------9b11r(9)b11======|
|-------10-9-10-----------10-9-10------------10-9-10---------9b11r(9)b11======|
S S S S E S S +Q S S S S S S S S S S S S S E. S S S S
S S S S E S S +Q S S S S S S S S S S S S S E. S S S S
| +Q E. Q S S S S S Q S S S S Q S S S S
| +Q E. Q S S S S S Q S S S S Q S S S S
|-(9)r-------b11--------------x-7-x-x-|-7--------------------x-7-x-x-|
|-(9)r-------b11--------------x-7-x-x-|-7--------------------x-7-x-x-|
S S S S E S S +E S S S S S S
S S S S E S S +E S S S S S S
| Q E S S Q S S S S S S S
| Q E S S Q S S S S S S S
|-----------7-8---------5h6p==5-----5-6---7-|
|-----------7-8---------5h6p==5-----5-6---7-|
S S S S S S S S S E. S S S S
S S S S S S S S S E. S S S S
| S S S S S S S S S S S S S S Q S S S S S S
| S S S S S S S S S S S S S S Q S S S S S S
|---------------------7h8p==7-----7h8p==7-7----7h8p==7------------|
|-------7h8p==7-----7h8p==7-7----7h8p==7------------|
|-7h8p==7-----7-8---9---------9-----------------------------------|
|-7h8p==7-----7-8---9---------9--------------------|
S S S S E S S +S S E Q
S S S S E S S +S S E Q
| S S S S S S S S S S S S Q +Q
| S S S S S S S S S S S S Q +Q
|-8p7---6-9p8---7-10p9-8-11p10---9-12------(12)--|
|-8p7---6-9p8---7-10p9-8-11p10---9-12------(12)--|
Q E S S H Q E S S H
Q E S S H Q E S S H
| W W
| W W
Q E S S Q Q +W +W
Q E S S Q Q +W +W
E S S E S S E E Q E S S E S S E E Q
E S S E S S E E Q E S S E S S E E Q
||o--------------------|--------------------|
||o--------------------|------|
||o-2-2-2-2-2-2-2-5-7--|-2-2-2-2-2-2-2-5-0--|
||o-2-2-2-2-2-2-2-5-7--|-2-2-2-2-2-2-2-5-0--|
E S S E S S E E Q Q Q +H 4x +Q S S S S S S S S Q
E S S E S S E E Q Q Q +H 4x +Q S S S S S S S S Q
|--------------------|--------------o||--------------------------*|
|------|-------------o||------------*|
|-2-2-2-2-2-2-2-5-7--|-2--5--(5)----o||-(5)------4-2-4-2-0-2-----*|
|-2-2-2-2-2-2-2-5-7--|-2--5--(5)----o||-(5)------4-2-4-2-0-2-----*|
Duration Legend
Legende zur Dauer
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W – ganz; H - halb; Q - Viertel; E - 8.; S - 16.; T - 32.; X – 64.; a - Acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - Note mit der vorherigen verknüpft; . - Note punktiert; .. - Hinweis doppelt gepunktet
Uncapitalized letters represent notes that are staccato (1/2 duration)
Nicht großgeschriebene Buchstaben stehen für Staccato-Noten (1/2 Dauer).
Irregular groupings are notated above the duration line
Unregelmäßige Gruppierungen werden oberhalb der Dauerlinie vermerkt
Duration letters will always appear directly above the note/fret number it represents the
Die Buchstaben für die Dauer erscheinen immer direkt über der Noten-/Bundnummer, die sie darstellt
duration for. Duration letters with no fret number below them represent rests. Multi-
Dauer für. Längenbuchstaben ohne Bundnummer darunter stellen Pausen dar. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
Taktpausen werden in der Form Wxn notiert, wobei n die Anzahl der Takte ist, für die Pausen gemacht werden sollen. Niedrig
melody durations appear below the staff
Die Melodiedauer wird unterhalb der Notenzeile angezeigt
Tablature Legend
Tabulaturlegende
h - hammer-on
h – Hammer-on
p - pull-off
p - Abzug
b - bend
b - Biegung
pb - pre-bend
pb - Vorbiegung
r - bend release (if no number after the r, then release immediately)
r – Biegefreigabe (wenn nach dem r keine Zahl steht, dann loslassen
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
(n) - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.
