London Leatherboys Paroles Traduction Française

As recorded by Accept
Tel qu'enregistré par Accepter
(From the 1986 Album BALLS TO THE WALL)
(De l'album 1986 BALLES AU MUR)
Words and Music by Accept
Paroles et musique par Accept
Arranged by Accept
Organisé par Accepter
Gtr I (E A D G B E) - 'Guitar'
Gtr I (E A D G B E) - 'Guitare'
Gtr II (E A D G B E) - 'Solo Guitar'
Gtr II (E A D G B E) - 'Guitare solo'
Q=100
Q=100
Gtr I
RTM I
W W W W W
W W W W W
E E E E S S S S S E. E E E E S S S S +Q E E E E S S S S S E.
E E E E S S S S S E. E E E E S S S S +Q E E E E S S S S S E.
||o----------------------|----------------------|----------------------|
||o----------------------|------------|----------------------|
||o-----0----------------|-----0----------------|-----0----------------|
||o-----0----------------|-----0----------------|-----0----------------|
E E E E E S S +Q E E E E E S S +Q S S S S Q S S S S Q
E E E E E S S +Q E E E E E S S +Q S S S S Q S S S S Q
|--------------------o||--------------------||o------------------------|
|----------------------------------o||--------------------||o------------------------|
|-----0--------------o||-----0-------5-(5)--||o-2-2-2-2-2--5-5-5-5-5---|
|-----0--------------o||-----0-------5-(5)--||o-2-2-2-2-2--5-5-5-5-5---|
S S S S E. S +H S S S S Q S S S S Q S S S S E S S +Q E E
S S S S E. S + H S S S S Q S S S S Q S S S S E S S + Q E E
|---------------------|-----------------------|-------------------------o||
|-----------|-----------------------|-------------------------o||
|-0-0-0-0-0--2-(2)----|-2-2-2-2-2--5-5-5-5-5--|-7-7-7-7-7---4-(4)----0--o||
|-0-0-0-0-0--2-(2)----|-2-2-2-2-2--5-5-5-5-5--|-7-7-7-7-7---4-(4)----0--o||
H H E E E E S S S S S E. E E E E S S S S +Q
H H E E E E S S S S S E. E E E E S S S S +Q
E E E E S S S S S E. E E E E E S S +Q S S S S Q S S S S Q
E E E E S S S S S E. E E E E E S +Q S S S S Q S S S S Q
S S S S E. S +H S S S S Q S S S S Q S S S S E S S +Q E E
S S S S E. S + H S S S S Q S S S S Q S S S S E S S + Q E E
S S S S Q S S S S Q S S S S E. S +H H H
S S S S Q S S S S Q S S S S E. S + H H H
S S E Q H E S S E S S E E Q E S S E S S E E Q
S S E Q H E S S E S S E E Q E S S E S S E E Q
E S S E S S E E Q Q Q +H E E E E S S S S S E.
E S S E S S E E Q Q Q +H E E E E S S S S S E.
E E E E S S S S +Q E E E E S S S S S E. E E E E E S S +Q
E E E E S S S S +Q E E E E S S S S E. E E E E E S S +Q
Gtr I
RTM I
E E E E S S S S S E. E E E E S S S S +Q
E E E E S S S S S E. E E E E S S S S +Q
| Gtr II
| RTM II
| E. T T E E S S S S +Q +Q S S S S S S S S E. T T
| E. T T E E S S S S +Q +Q S S S S S S S S S E. T T
E E E E S S S S S E.
E E E E S S S S S E.
| Q S S S S S S S S S S S S S E
| Q S S S S S S S S S S S S S E
|-4b6-----4b6---4b6-4p2h==4---2---4-2------2-2b3==|
|-4b6-----4b6---4b6-4p2h==4---2---4-2------2-2b3==|
E E E E E S S +Q
E E E E E S S +Q
| +E Q E E. Q +S
| +E Q E E. Q +S
|-----------17b19---17b19-----(17)-|
|-----------17b19---17b19-----(17)-|
S S S S Q S S S S Q S S S S E. S +H
S S S S Q S S S S Q S S S S E. S + H
| W W
| WW
S S S S Q S S S S Q S S S S E S S +Q E E S S S S Q S S S S Q
S S S S Q S S S S Q S S S S E S S +Q E E S S S S Q S S S S Q
S S S S E. S +H H H S S E Q H E S S E S S E E Q
S S S S E. S + H H H S S E Q H E S S E S S E E Q
E S S E S S E E Q E S S E S S E E Q Q Q +H
E S S E S S E Q E S S E S S E E Q Q Q +H
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
S S S S S S S S S S S S S E. S S S S S S S S S S S S Q
Guitar Solo
Solo de guitare
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
S S S S S S S S S S S S S E. S S S S S S S S E S S +Q
| Gtr II
| RTM II
| W H Q. S S
| W H Q. S S
H E S S +S S E
H E S S + S S E
| E S S E S S Q E S S
| E S S E S S Q E S S
H E S S +S S E H E S S +S S E
H E S S + S S E H E S S + S S E
| E S S E S S E. E S S S S S S S S E. H
| E S S E S S E. E S S S S S S S S E. H
E S S +S S E Q Q
E S S + S S E Q Q
| H E. S E. S
| H.E.S.E.S
S S S S S S S S S E. S S S S
S S S S S S S S S E. S S S S
| S S S S S S S S S S S S S S S S S S S S S S S S
| S S S S S S S S S S S S S S S S S S S S S S S
S S S S E S S +E S S S S S S
S S S S E S S +E S S S S S S
| S S S S S S S S S S S S Q S S S S S S
| S S S S S S S S S S S S Q S S S S S S
S S S S S S S S S E. S S S S
S S S S S S S S S E. S S S S
| S S S S S S S S S S S S S S S S S S S S S +E
| S S S S S S S S S S S S S S S S S S S S +E
|-------10-9-10-----------10-9-10------------10-9-10---------9b11r(9)b11======|
|-------10-9-10---------------10-9-10------------10-9-10---------9b11r(9)b11======|
S S S S E S S +Q S S S S S S S S S S S S S E. S S S S
S S S S E S S +Q S S S S S S S S S S S S S E. S S S S
| +Q E. Q S S S S S Q S S S S Q S S S S
| +Q E. Q S S S S S Q S S S S Q S S S S
|-(9)r-------b11--------------x-7-x-x-|-7--------------------x-7-x-x-|
|-(9)r-------b11--------------x-7-x-x-|-7--------------------x-7-x-x-|
S S S S E S S +E S S S S S S
S S S S E S S +E S S S S S S
| Q E S S Q S S S S S S S
| Q E S S Q S S S S S S S
|-----------7-8---------5h6p==5-----5-6---7-|
|-----------7-8---------5h6p==5-----5-6---7-|
S S S S S S S S S E. S S S S
S S S S S S S S S E. S S S S
| S S S S S S S S S S S S S S Q S S S S S S
| S S S S S S S S S S S S S S Q S S S S S S
|---------------------7h8p==7-----7h8p==7-7----7h8p==7------------|
|---------------------7h8p==7-----7h8p==7-7----7h8p==7------------|
|-7h8p==7-----7-8---9---------9-----------------------------------|
|-7h8p==7-----7-8---9---------9-----------------------------------|
S S S S E S S +S S E Q
S S S S E S S + S S E Q
| S S S S S S S S S S S S Q +Q
| S S S S S S S S S S S S Q +Q
|-8p7---6-9p8---7-10p9-8-11p10---9-12------(12)--|
|-8p7---6-9p8---7-10p9-8-11p10---9-12------(12)--|
Q E S S H Q E S S H
Q E S S H Q E S S H
| W W
| WW
Q E S S Q Q +W +W
Q E S S Q Q + W + W
E S S E S S E E Q E S S E S S E E Q
E S S E S S E E Q E S S E S S E E Q
||o--------------------|--------------------|
||o--------------------|--------------------|
||o-2-2-2-2-2-2-2-5-7--|-2-2-2-2-2-2-2-5-0--|
||o-2-2-2-2-2-2-2-5-7--|-2-2-2-2-2-2-2-5-0--|
E S S E S S E E Q Q Q +H 4x +Q S S S S S S S S Q
E S S E S S E E Q Q Q +H 4x +Q S S S S S S S S Q
|--------------------|--------------o||--------------------------*|
|------------------------|--------------o||----------------------------------------*|
|-2-2-2-2-2-2-2-5-7--|-2--5--(5)----o||-(5)------4-2-4-2-0-2-----*|
|-2-2-2-2-2-2-2-5-7--|-2--5--(5)----o||-(5)------4-2-4-2-0-2-----*|
Duration Legend
Légende de durée
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - entier ; H - la moitié ; Q - trimestre ; E - 8ème ; S-16ème ; T - 32e ; X-64ème ; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - note liée à la précédente ; . - note en pointillés ; .. - note double pointillé
Uncapitalized letters represent notes that are staccato (1/2 duration)
Les lettres sans majuscule représentent des notes saccadées (1/2 durée)
Irregular groupings are notated above the duration line
Les regroupements irréguliers sont notés au-dessus de la ligne de durée
Duration letters will always appear directly above the note/fret number it represents the
Les lettres de durée apparaîtront toujours directement au-dessus du numéro de note/frette qu'elles représentent.
duration for. Duration letters with no fret number below them represent rests. Multi-
durée pour. Les lettres de durée sans numéro de frette en dessous représentent des silences. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
les repose-barres sont notés sous la forme Wxn, où n est le nombre de barres pour lesquelles se reposer. Faible
melody durations appear below the staff
les durées des mélodies apparaissent sous la portée
Tablature Legend
Légende des tablatures
h - hammer-on
h - marteler
p - pull-off
p - retrait
b - bend
b - plier
pb - pre-bend
pb - pré-courbure
r - bend release (if no number after the r, then release immediately)
r - relâchez le pliage (s'il n'y a pas de numéro après le r, alors relâchez
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
(n) - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths