Marching on a Dead End Road Lyrics

As recorded by Arch Enemy
(From the 2003 Album ANTHEMS OF REBELLION)
Music by Christopher Amott
Arranged by Christopher Amott
AX
Gtr I (E A D G B E) - '12 string'
Gtr II (E A D G B E) - '12 string'
Gtr III (E A D G B E) - 'Lead'
Gtr IV (E A D G B E) - 'Lead Harmony'
Gtr V (E A D G B E) - 'Six String Ryhthm'
Gtr VI (E A D G B E) - 'Electric Lead'
Moderately Q=111
Gtrs I, II
| Gtr III
| H Q Q Q H +E. T T T E E
| H. E E H E S S S E E
| Q. +H +E +Q E E H
|-13b15-----(13)-------(13)-|-(13)---11-10----------|
Fmaj7sus4/D N.C.
| +Q E E H +H. +E. T T T
Gtrs I, II
| Gtr III
| S S S S S S S S S S S S S S S S S S S S S S S S Q +E. T T T
| Gtr IV
| W H Q E. T T T
Gtrs I, II
| Gtr III
| S S S S S S S S S S S S S S S S
| Gtr IV
| S S S S S S S S S S S S S S S S
| S S S S S S S S Q. +E
| S S S S S S S S Q. +E
maj7sus4/
Gtrs I, II
| S T T T Q Q Q +Q S S W
|---------6---8---/10---(10)---10p8-|-10---------------|
| E T T T Q Q a Q +E +E.
|-----------8---10-----10h12---(12)---(12)---|
N.C.
| +E +T T T T Q Q Q Q Q
Gtr VI
W +W
Gtr III
Q. E. E. +H +W
| Gtr V
| Gtrs I, II
| E E E E E E E E +E Q Q E S S S E
|------------3--------3-1-|--(1)-3---0---1-0h1p0---|
+W +W
+W W
|------1s3-1---0-1-----|--0h1--------------|
AX
Gtr VI
W +W
Gtr V
| Gtrs I, II
| E E E E E E E E +E Q Q E S S S E
|-------3-----3-1-|-(1)-3---0---1-0h1p0---|
W W
|---1s3-1---0h1-----|-^0-3--------------|
W +W
| E E E E E E E E +E Q Q E S S S E
|-------3-----3-1-|-(1)-3---0---1-0h1p0---|
+W +W
|----1s3-1---0h1-----|--0h1--------------|
AX
W +W
| E E E E E E E E +E Q Q E S S S E
|-------3-----3-1-|-(1)-3---0---1-0h1p0---|
H.=H Q=60
G AX Dm
W W W
E E E E E E E E E E E E E E E E W
| E a E E E E E E E E E E E E E E E W
|---1s3-1---0h1-----|-^0-3-------------|-^1----*|
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
(n) - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths