My Apocalypse Lyrics

As recorded by Arch Enemy
(From the 2005 Album DOOMSDAY MACHINE)
Words by Angela Gossow Music by Michael Amott, Daniel Erlandsson, Christopher Amott.
Gtr I (C F Bb Eb G C) - 'Untitled'
Gtr II (C F Bb Eb G C) - 'Untitled'
Gtr III (C F Bb Eb G C) - 'Synth'
Gtr IV (C F Bb Eb G C) - 'Untitled'
Gtr V (C F Bb Eb G C) - 'Clean'
Gtr VI (C F Bb Eb G C) - 'Untitled'
Q=120
N.C.
Gtr I
PM-| PM-|
S S E Q E E E E S S E Q E E E E
||o--------------------------|----------------------------|
||o-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7b8-7--7b8-7-/10-7-|
PM-| PM-| PM-| PM-| PM-|
S S E Q E E E E S S E S S E S S E S S E
|--------------------------|-----------------------------------------o||
|-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7-(7)-(7)-7-(7)-(7)-5-(7)-(7)-5-o||
PM-| PM-| PM-| PM-|
S S E Q E E E E S S E S S E S S E Q
|-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7-(7)-(7)-7-(7)-(7)-5----|
$
N.C.
Gtr III
Q H Q W
||o--------------------------|----------------------------|
||o-------------7------------|----------------------------|
| Gtrs I, II
| PM-| PM-|
| S S E Q E E E E S S E Q E E E E
||o--------------------------|----------------------------|
||o-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7b8-7--7b8-7-/10-7-|
To Coda
Gtrs I, II
PM-| PM-| PM-| PM-| PM-|
S S E Q E E E E S S E S S E S S E S S E
|--------------------------|-----------------------------------------o||
|-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7-(7)-(7)-7-(7)-(7)-5-(7)-(7)-5-o||
Verse I
F#5 N.C.
Gtrs I, II
q q S S S S +S S E +E +E Q S S S S +S S E
|-2-----2-2-2---------1-|-(1)b2-(1)pb2----2-2-2---------2-|
+Q Q S S S S +S S E
Gtr I
+Q Q S S S S +S S E
| Gtr II
| +Q Q S S S S +S S E
+E +E Q S S S S S S E Q q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|---------------------|
| +E +E Q S S S S S S E Q q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|---------------------|
Q q S S S S S S E Q q S S S S S S E
| Q q S S S S S S E Q q S S S S S S E
Csus4 N.C.
Q q S S S S S S E E
| Q q S S S S S S E E
Gtrs I, II
+E +E Q S S S S +S S E
|-(1)b2-(1)pb2----2-2-2---------2-|
+Q Q S S S S +S S E +Q Q S S S S +S S E
Gtr I
+E +E Q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|
| Gtr II
| +E +E Q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|
Q q S S S S S S E Q q S S S S S S E
| Q q S S S S S S E Q q S S S S S S E
D.S. al Coda
Q q S S S S S S E Q q S S S S Q
| Q q S S S S S S E Q q S S S S Q
Verse II
&
N.C.
Gtrs I, II
E +E Q S S S S +S S E +Q Q S S S S +S S E
|-1b2-(1)pb2----2-2-2---------2-|-(2)-----2-2-2---------2-|
Gtr I
+Q Q S S S S +S S E
| Gtr II
| +Q Q S S S S +S S E
+E +E Q S S S S S S E Q q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|---------------------|
| +E +E Q S S S S S S E Q q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|---------------------|
Q q S S S S S S E Q q S S S S S S E
| Q q S S S S S S E Q q S S S S S S E
Csus4 N.C.
Q q S S S S S S E E
| Q q S S S S S S E E
N.C.
Gtrs I, II
+E +E Q S S S S +S S E
|-(1)b2-(1)pb2----2-2-2---------2-|
+Q Q S S S S +S S E +Q Q S S S S +S S E
Gtr I
+E +E Q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|
| Gtr II
| +E +E Q S S S S S S E
|-(1)b2-(1)pb2----2-2-2---------|
Q q S S S S S S E Q q S S S S S S E
| Q q S S S S S S E Q q S S S S S S E
Q q S S S S S S E Q q S S S S Q
| Q q S S S S S S E Q q S S S S Q
N.C.
Gtr III
Q H Q W
||o--------------------------|----------------------------|
||o-------------7------------|----------------------------|
| Gtrs I, II
| PM-| PM-|
| S S E Q E E E E S S E Q E E E E
||o--------------------------|----------------------------|
||o-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7b8-7--7b8-7-/10-7-|
Gtrs I, II
PM-| PM-| PM-| PM-| PM-|
S S E Q E E E E S S E S S E S S E S S E 4x
|--------------------------|-----------------------------------------o||
|-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7-(7)-(7)-7-(7)-(7)-5-(7)-(7)-5-o||
Gtr IV
H.. S S E E +E S S E E +E S S H. E E +W
| Gtrs I, II
| q H. W W W
H.. S S E E +E S S E E +E S S H. E E +H H
|-----------x-x-|-7-7-(7)-x-x-7-7-(7)-x-x-|---------7-7-|-(7)----^----|
|-----------x-x-|-7-7-(7)-x-x-7-7-(7)-x-x-|---------8-7-|-(7)----^----|
|-----------x-x-|-7-7-(7)-x-x-7-7-(7)-x-x-|---------9-7-|-(7)----^----|
Gtr V
E E Q E E Q E E Q E E Q 4x E E E E E E Q
||o-----8------7--|-----5------7--o||------------------------|
||o-7------5------|-3------5------o||-------------------------------|
+E E E E E E Q +E E E E E E Q
|----------------------------||o----------------------------|
|-----------------------------------||o-----------------------------------|
+E E E E E E Q 3x
|----------------------------o||
|-----------------------------------o||
Lead - Michael Amott
Gtr I
| Gtr II
| W W
| Gtr V
| E E Q E E Q E E Q E E Q
+W +W
|-(14)-------------------|-(14)pb16--------------|
| H.. E +H H
|------------------15b17-|-(15)pb17------15------|
| E E Q E E Q E E Q E E Q
E E E E +E E E E +E E E E +E E Q
| W W
| E E Q E E Q E E Q E E Q
W Q E E E +E +Q
|-19-------------|-22b24---22-20-19-(19)pb20r(19)--|
| W W
| E E Q E E Q E E Q E E Q
E S S S E E +E E E E +E S S S E E +E E Q
|-/19-17h19p17-15-17-(17)-15-14-15-|-(15)-14h15p14----14-(14)--------|
| E S S S E E +E E E E +E S S S E E +E E Q
|-/15-14h15p14----14-(14)----------|---------------------------------|
|--------------17---------17-15-17-|-(17)-15h17p15----15-(15)--------|
| E E Q E E Q E E Q E E Q
W +W
| W +W
| E E Q E E Q E E Q E E Q
E E E E +E S S S E E +E E E E +E E Q
|-/19-17-15-17-(17)-15h17p15-14-15-|-(15)-14----14-(14)--------|
| E E E E +E S S S E E +E E E E +E E Q
|--------17---------17h19p17-15-17-|-(17)-15----15-(15)--------|
| E E Q E E Q E E Q E E Q
W +W
|-22b24-------------|-(22)pb24---------------|
| W +W
|-17b19-------------|-(17)pb19---------------|
| E E Q E E Q E E Q E E Q
Gtr VI
H E E E E +H. E E +H E E E E +E E Q H
| Gtr II
| PM--|
| H. E E +H. E E +H. E E +H E E E E
H E E E E +H. E E +H E E E E +E S S Q H
| PM----|
| +H. E E +H. E E +H. E E +H E E E E
Lead - C. Amott
Gtr VI
H E E E E +H. E E
| Gtr II
| H E E E E +H. E E
| Gtr I
| H. E E +H. E E
+H E E E E +E E Q H
| +H E E E E +E E Q H
| PM--|
| +H. E E +H E E E E
H E E E E +H. E E
| H E E E E +H. E E
| +H. E E +H. E E
+H Q Q Q Q. S S H
|-(15)----19-17---15---|-19b20---19-17-15---------|
| +H Q Q Q Q. S S H
| PM----|
| +H. E E +H E E E E
E (Em) N.C.
+W +Q +q H
| +W +Q +q H
| W +H. Q
Intro Revisited
N.C.
Gtr III
Q H Q W
||o--------------------------|----------------------------|
||o-------------7------------|----------------------------|
| Gtr I
| PM-| PM-|
| S S E Q E E E E S S E Q E E E E
||o--------------------------|----------------------------|
||o-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7b8-7--7b8-7-/10-7-|
Gtr I
PM-| PM-| PM-| PM-| PM-|
S S E Q E E E E S S E S S E S S E S S E
|--------------------------|-----------------------------------------o||
|-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7-(7)-(7)-7-(7)-(7)-5-(7)-(7)-5-o||
PM-| PM-| PM-| PM-|
S S E Q E E E E S S E S S E S S E Q
|-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7-(7)-(7)-7-(7)-(7)-5----|
N.C.
Gtr III
Q H Q W
||o--------------------------|----------------------------|
||o-------------7------------|----------------------------|
| Gtrs I, II
| PM-| PM-|
| S S E Q E E E E S S E Q E E E E
||o--------------------------|----------------------------|
||o-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7b8-7--7b8-7-/10-7-|
Gtrs I, II
PM-| PM-| PM-| PM-| PM-|
S S E Q E E E E S S E S S E S S E S S E 4x
|--------------------------|-----------------------------------------o||
|-(7)-(7)-7b8-7--7b8-7-5-7-|-(7)-(7)-7-(7)-(7)-7-(7)-(7)-5-(7)-(7)-5-o||
PM-| PM-| PM-| PM-|
S S E S S E S S E S S E
PM-| PM-| PM-| PM-|
S S E S S E S S E S S E
Bb Bb N.C.
Gtr III
>
PM-| PM-| PM-|
S S E S S E S S E Q W
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
(n) - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths