Cyanide Testo Traduzione Italiana

This is the version of Cyanide on "Volatile Existence", and not "Mind Control".
Questa è la versione di Cyanide su "Volatile Existence" e non su "Mind Control".
Arde
Brucia
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C||--5~----------------|--8--7--5--5--8--7--5--5--8--7--5--5--8-10-7-10-|
C||--5~----------------|--8--7--5--5--8--7--5--5--8--7--5--5--8-10-7-10-|
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S S S S S S S S H E E E E E E E E
S S S S S S S L E E E E E E E E
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PM PM PM TP TP TP TP
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E E E E E E E E E E E E 3x Q Q Q Q
E E E E E E E E E E E E E 3x Q Q Q Q
TP TP TP TP TP TP TP TP
TP TP TP TP TP TP TP
Q Q Q Q Q Q Q Q H H
Q Q Q Q Q Q Q Q H H
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S S S S S S S S T T T T T T T T T T T T T T T T
S S S S S S S T T T T T T T T T T T T T T
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S S S S S S S S S S S S S S S S S S Q
S S S S S S S S S S S S S S S S S S Q
No clue on this part
Nessun indizio su questa parte
S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S Q.
S S S S S S S S S S S S S S S Q.
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E E E E E E E E E E E E E E S S E
E E E E E E E E E E E E E E E S S E
--9--------9--------9-----|--5--------5--------5S-7S-5--|
--9--------9--------9-----|--5--------5----5S-7S-5--|
--9--------9--------9-----|--5--------5--------5S-7S-5--|
--9--------9--------9-----|--5--------5----5S-7S-5--|
--7--7--7--7--7--7--7--7--|--3--3--3--3--3--3--3S-5S-3--|
--7--7--7--7--7--7--7--7--|--3--3--3--3--3--3--3S-5S-3--|
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E E E E E E E E E E E E E E S S E
E E E E E E E E E E E E E E E S S E
--2--------2--------2-----|--4--------4--------4S-5S-4--|
--2--------2--------2-----|--4--------4----4S-5S-4--|
--2--------2--------2-----|--4--------4--------4S-5S-4--|
--2--------2--------2-----|--4--------4----4S-5S-4--|
--0--0--0--0--0--0--0--0--|--2--2--2--2--2--2--2S-3S-2--|
--0--0--0--0--0--0--0--0--|--2--2--2--2--2--2--2S-3S-2--|
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E E E E E E E E E E E E E E S S E
E E E E E E E E E E E E E E E S S E
--9--------9--------9-----|--5--------5--------5S-7S-5--|
--9--------9--------9-----|--5--------5----5S-7S-5--|
--9--------9--------9-----|--5--------5--------5S-7S-5--|
--9--------9--------9-----|--5--------5----5S-7S-5--|
--7--7--7--7--7--7--7--7--|--3--3--3--3--3--3--3S-5S-3--|
--7--7--7--7--7--7--7--7--|--3--3--3--3--3--3--3S-5S-3--|
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E E E E E E E E E E E E E E Q
E E E E E E E E E E E E E E E Q
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PM PM PM PM PM PM PM
TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP
TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP
TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP
TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP
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PM
PM
S Q. S
S Q.S
Duration Legend
Legenda della durata
W - whole
W - intero
H - half
H - metà
Q - quarter
Q - quarto
E - 8th
E - 8°
S - 16th
S - 16
T - 32nd
T - 32esimo
X - 64th
X-64esimo
. - note dotted
. - nota tratteggiata
|-n-| - n-tuplets
|-n-| - n-gruppi irregolari
Tablature Legend
Legenda dell'intavolatura
L - tied note
L - nota legata
x - dead note
x - nota morta
g - grace note
g - nota di abbellimento
(n) - ghost note
(n) - nota fantasma
> - accentuded note
> - nota accentata
NH - natural harmonic
NH - armonico naturale
AH - artificial harmonic
AH - armonico artificiale
TH - tapped harmonic
TH - armonica prelevata
SH - semi harmonic
SH - semiarmonico
PH - pitch harmonic
PH - altezza armonica
h - hammer on
h - martello
p - pull off
p - staccarsi
b - bend
b - piegare
br - bendRelease
br - piegaRilascia
pb - preBend
pb - prepiega
pbr - preBendRelease
pbr - preBendRelease
brb - bendReleaseBend
brb - piegaRilasciaPiega
\n/ - tremolo bar dip
\n/ - dip della barra del tremolo
\n - tremolo bar dive
\n - immersione nella barra del tremolo
-/n - tremolo bar Release up
-/n - barra del tremolo Rilasciare
/n\ - tremolo bar inverted dip
/n\ - barra del tremolo dip invertita
/n - tremolo bar return
/n - ritorno della barra del tremolo
-\n - tremolo bar Release down
-\n - barra del tremolo Rilascia verso il basso
S - shift slide
S - diapositiva del cambio
s - legato slide
s - diapositiva legata
/ - slide into from below or out of upwards
/ - inserire dal basso o dall'alto
\ - slide into from above or out of downwards
\ - inserire dall'alto o dal basso
~ - vibrato
~ - vibrato
W - wide vibrato
W - vibrato ampio
tr - trill
tr - trillo
TP - tremolo picking
TP - tocco del tremolo
T - tapping
T - toccando
S - slap
S - schiaffo
P - pop
P-pop
< - fade in
< - dissolvenza in apertura
^ - brush up
^ - rispolverare
v - brush down
v - spazzolare
Chris
Chris
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W S S S S S S S S S S S S S S S S
W S S S S S S S S S S S S S S S S
C||--8~----------------|--8--7--5--5--8--7--5--5--8--7--5--5--8-10-7-10-|
C||--8~----------------|--8--7--5--5--8--7--5--5--8--7--5--5--8-10-7-10-|
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S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
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S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
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S S S S S S S S E E E E
S S S S S S S E E E E
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E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
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E S S S S S S E S S S S S S S S
E S S S S S E S S S S S S S S
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E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
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E S S S S S S E S S S S S S S S
E S S S S S E S S S S S S S S
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E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
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E S S S S S S E S S S S S S S S
E S S S S S E S S S S S S S S
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E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
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E S S S S S S E S S S S S S S S Q Q E E E E
E S S S S S E S S S S S S S S Q Q E E E E
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PM PM PM PM PM PM
Q Q E E E E Q Q E E E E Q Q E E E E
Q Q E E E E Q Q E E E E Q Q E E E E
TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP
TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP TP
Q Q E E E E Q Q E E E E Q Q E E E E
Q Q E E E E Q Q E E E E Q Q E E E E
TP TP TP TP TP TP PM PM PM PM PM PM PM PM PM PM PM PM
TP TP TP TP TP TP PM PM PM PM PM PM PM PM PM PM
Q Q E E E E S S S S S S S S S S S S S S S S
Q Q E E E E S S S S S S S S S S S S S S S S
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S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
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S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
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PM PM PM PM PM PM PM PM
S S S S S S S S E E E E
S S S S S S S E E E E
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PM PM PM PM PM PM
E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
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PM PM PM PM PM PM PM PM
E S S S S S S E S S S S S S S S
E S S S S S E S S S S S S S S
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E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
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E S S S S S S E S S S S S S S S
E S S S S S E S S S S S S S S
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E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
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E S S S S S S E S S S S S S S S
E S S S S S E S S S S S S S S
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E S S S S S S S S E S S S S S S S S
E S S S S S S S S E S S S S S S S S
PM PM PM PM PM PM PM PM PM
PM PM PM PM PM PM PM PM
E S S S S S S E S S S S S S S S Q Q Q Q
E S S S S S E S S S S S S S S Q Q Q Q
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
PM
PM
S S S S S S S S S S S S S S S S S S S S S S S S H
S S S S S S S S S S S S S S S S S S S S S S S H
PM PM PM PM PM PM PM
PM PM PM PM PM PM PM
PM PM PM PM PM PM PM
PM PM PM PM PM PM PM
PM PM PM PM PM PM PM
PM PM PM PM PM PM PM
PM PM PM PM PM PM PM
PM PM PM PM PM PM PM
TP TP TP TP TP TP TP TP TP TP TP TP
TP TP TP TP TP TP TP TP TP TP
Q Q Q Q Q Q Q Q Q Q Q Q
Q Q Q Q Q Q Q Q Q Q Q Q