This Perfect World Paroles Traduction Française

Subject: Correction to "Bad Reputation" Freedy Johnston
Objet : Correction de la « mauvaise réputation » de Freedy Johnston
Someone pointed out a lyric mistake in my original post. I posted a
Quelqu'un a signalé une erreur de paroles dans mon message d'origine. j'ai posté un
correction, but didn't see the correction make it to any of the mirrors. So
correction, mais je n'ai vu la correction atteindre aucun des miroirs. Alors
I'm dropping this note. I've also added chords to the rest of the lyrics to
Je laisse tomber cette note. J'ai également ajouté des accords au reste des paroles pour
make it easier for some to follow. Enjoy.
faciliter le suivi pour certains. Apprécier.
Bad Reputation - Freedy Johnston
Mauvaise réputation - Freedy Johnston
From "This Perfect World"
Extrait de "Ce monde parfait"
(no warrantees expressed or implied - have fun)
(aucune garantie expresse ou implicite - amusez-vous)
(1st verse:)
(1er verset :)
I know I got a bad repu - ta - tion
Je sais que j'ai une mauvaise réputation
and it isn't just talk, talk, talk.
et il ne s'agit pas seulement de parler, parler, parler.
If I could only give you every - thing
Si seulement je pouvais tout te donner
you know I haven't got...
tu sais que je n'ai pas...
I couldn't have one conver -sa - tion
Je ne pouvais pas avoir une seule conversation
if it wasn't for the lies, lies, lies
s'il n'y avait pas eu les mensonges, mensonges, mensonges
And still I wanna tell you every - thing
Et je veux toujours tout te dire
Em D (Refrain:)
Em D (S'abstenir :)
`till I close my eyes. Sudden -ly I'm
jusqu'à ce que je ferme les yeux. Soudain, je suis
on the street, seven years dis - ap -
dans la rue, sept ans dis - ap -
pear be - low my feet. Been break - in'
poire soit - baisse mes pieds. J'ai été cambriolé
down. Do you want me now? Do you want me
vers le bas. Tu me veux maintenant ? Est-ce que tu me veux
now? Sudden - ly I'm down in
maintenant ? Soudain, je suis en bas
Herald Square. Lookin' in the crowd your
Place du Héraut. Je regarde dans la foule ton
face is ever - y - where. Been turn - in'
le visage est toujours - et - où. J'ai été rendu
`round. Do you want me now? Do you want me
'rond. Tu me veux maintenant ? Est-ce que tu me veux
now?
maintenant ?
(solo)
(seul)
(solo)
(seul)
(solo)
(seul)
(2nd verse:)
(2ème verset :)
Don't try to be an inspiration.
N'essayez pas d'être une source d'inspiration.
Just waistin' your time, time, time.
Je perds juste ton temps, ton temps, ton temps.
You know about the best I'll ever be
Tu sais à propos du meilleur que je serai jamais
I see it in your eyes.
Je le vois dans tes yeux.
I know I got a bad reputation
Je sais que j'ai une mauvaise réputation
and it isn't just talk, talk, talk.
et il ne s'agit pas seulement de parler, parler, parler.
If I could only give you everything
Si seulement je pouvais tout te donner
you know I haven't got.
tu sais que je ne l'ai pas.
(Refrain:)
(S'abstenir :)
Suddenly I'm on the street.
Soudain, je me retrouve dans la rue.
Seven years disappear below my feet.
Sept ans disparaissent sous mes pieds.
Been breakin' down.
Je suis en panne.
Do you want me now?
Tu me veux maintenant ?
Do you want me now?
Tu me veux maintenant ?
Suddenly I'm in another place.
Soudain, je me retrouve dans un autre endroit.
Lookin' in the crowd I think I see your face.
En regardant dans la foule, je pense voir ton visage.
Been turnin' `round.
J'ai fait demi-tour.
Do you want me now?
Tu me veux maintenant ?
Do you want me now?
Tu me veux maintenant ?
(down, down, down)
(en bas, en bas, en bas)
Do you want me now?
Tu me veux maintenant ?
Do you want me now?
Tu me veux maintenant ?
(down, down, down)
(en bas, en bas, en bas)
Do you want me now?
Tu me veux maintenant ?
Do you want me now?
Tu me veux maintenant ?
Don't you think I've heard the talk?
Ne penses-tu pas que j'ai entendu le discours ?
Nobody's going to tell me who to love.
Personne ne me dira qui aimer.
Been breakin' down.
Je suis en panne.
Do you want me now?
Tu me veux maintenant ?
Do you want me now?
Tu me veux maintenant ?
Suddenly I'm down in Herald Square.
Soudain, je me retrouve à Herald Square.
Lookin' in the crowd your face is everywhere.
En regardant dans la foule, ton visage est partout.
Just turnin' `round.
Je fais juste demi-tour.
Do you want me now?
Tu me veux maintenant ?
Do you want me now?
Tu me veux maintenant ?
Been breakin' down.
Je suis en panne.
Do you want me now?
Tu me veux maintenant ?
Do you want me now?
Tu me veux maintenant ?
I'm just breakin
je suis juste en train de casser
down, down, down, down.
en bas, en bas, en bas, en bas.
Been breakin'
J'ai cassé
down, down, down, down. (Repeats and fades)
en bas, en bas, en bas, en bas. (Répétitions et fondus)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, administrateur de systèmes joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
Société de technologies concurrentes 814/269.2633 ---+--
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From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
De : joseph@sgi50.ctc.com (Norman P. B. Joseph)
Here's cut #2:
Voici le extrait n°2 :
Evie's Tears - Freedy Johnston
Les larmes d'Evie - Freedy Johnston
From "This Perfect World"
Extrait de "Ce monde parfait"
(no warrantees expressed or implied - have fun)
(aucune garantie expresse ou implicite - amusez-vous)
(intro)
(introduction)
(1st verse)
(1er verset)
In the middle of her con - fes - sion,
Au milieu de sa confession,
he comes over and pulls her hair.
il vient et lui tire les cheveux.
I wake up, she is crying.
Je me réveille, elle pleure.
A E B7 E (chorus)
A E B7 E (refrain)
I guess he was here a - gain. Evie's
Je suppose qu'il était là pour un gain. chez Evie
tears are ne - ver gon - na
les larmes ne vont jamais - na
dry. E - vie's sec - ret
sec. E-vie's sec-ret
tears burn this bed she
les larmes brûlent ce lit, elle
comes to on - ly when its right.
ne vient à l'esprit que quand c'est juste.
(night? light?)
(la nuit ? la lumière ?)
(2nd verse)
(2ème verset)
We met in a lonely summer,
Nous nous sommes rencontrés lors d'un été solitaire,
two survivors of paradise.
deux survivants du paradis.
She ran off when I first touched her.
Elle s'est enfuie quand je l'ai touchée pour la première fois.
Now she wakes me every night.
Maintenant, elle me réveille toutes les nuits.
(chorus)
(refrain)
Evie's tears are never gonna dry.
Les larmes d'Evie ne sécheront jamais.
Evie's secret tears
Les larmes secrètes d'Evie
burn this bed she comes to only when its right.
brûle ce lit où elle ne vient que quand c'est juste.
(1st bridge)
(1er pont)
Faith - less girl, you've been dreamin'.
Faith - moins de fille, tu as rêvé.
Star - ing up, your face is white with
En levant les étoiles, ton visage est blanc avec
fear. O - K, now I'm list - nin'.
peur. O-K, maintenant je suis list-nin'.
You're not mine and he's not here-------------|
Tu n'es pas à moi et il n'est pas là-------------|
(solo for chorus)
(solo pour chœur)
Now I'm list - nin'.
Maintenant, je suis en liste - nin'.
You're not mine and he's not here-------------|
Tu n'es pas à moi et il n'est pas là-------------|
(3rd verse)
(3ème verset)
In the middle of Evie's garden,
Au milieu du jardin d'Evie,
in a simple iron chair.
dans une simple chaise en fer.
Wind's blowin' and she is singin'.
Le vent souffle et elle chante.
Begs the moon to disappear.
Supplie la lune de disparaître.
(chorus)
(refrain)
Evie's tears are never gonna dry.
Les larmes d'Evie ne sécheront jamais.
Evie's guilty tears
Les larmes coupables d'Evie
burn this bed she comes to only when its right.
brûle ce lit où elle ne vient que quand c'est juste.
Tears. Evie's tears. Evie's tears,
Larmes. Les larmes d'Evie. Les larmes d'Evie,
burn this bed she comes to only when its light.
brûle ce lit où elle ne vient que lorsqu'il fait jour.
(2nd bridge)
(2ème pont)
Catholic girl, you've been dreamin'.
Fille catholique, tu as rêvé.
Staring up, your face is white with fear.
En levant les yeux, ton visage est blanc de peur.
OK, now I'm listnin'.
OK, maintenant j'écoute.
E B (fades out...)
E B (disparaît...)
You're not mine and he's not here.
Tu n'es pas à moi et il n'est pas là.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, administrateur de systèmes joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
Société de technologies concurrentes 814/269.2633 ---+--
NI|KA
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From rec.music.makers.guitar.tablature Mon Apr 24 18:21:16 1995
Extrait de rec.music.makers.guitar.tablature lundi 24 avril 18:21:16 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
De : joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:55:02 -0400
Date : 24 avril 1995 10:55:02 -0400
Newsgroups: rec.music.makers.guitar.tablature
N
Subject: CRD: Freedy Johnston: This Perfect World, 3/12
Here's cut #3:
Can't Sink This Town - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
E F#m Bm D (hold for count)
(one..., two..., three..., four...)
(solo over verse)
(1st verse)
A bare - foot whore
walk - in' by a fa - mous clock.
A - gainst her door,
wait - ing for the chimes to stop.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd glad - ly drown - than
let you leave me lone - ly.
(2nd verse)
She pulled the cord.
On a night like this she never works.
I said no more.
Do I think I'm understood with her?
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown.
I thought you said you were lonely?
(solo over verse)
(3rd verse)
Tell you what,
is a broken promise cheap enough?
It's all I got.
Looks so sad, talks to tough.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown
I thought you said you were lonely?
I thought you said you were lonely?
I thought you said you were lonely?
(solo over verse)
E Bm (hold & fade...)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:56:35 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 4/12
Here's cut #4:
This Perfect World - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
You might want to try a capo on the 4th fret and use the following
shapes instead of barring:
F for A
G for B
This seems to sound closest to the record. Or, you could practice
your barring technique :-). Or you could just find the chords without
a capo, but the sound won't be -quite- right, especially for the intro
arpeggios. But, hey, fool around: you're here to learn!
Try these chords (who knows what their -real- names are?):
(intro)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| | 1 - 1 - barre 1 - 1 - 1 1 barre 1 - 1 - 1 1 barre
(verses)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| 1 - - - 1 barre | 1 - - - - barre 1 - 1 - 1 1 barre
(intro arpeggio)
(1st verse)
You ought to see your face.
You ought to hear your voice.
Last time I was here I
would - n't turn a - round.
You ought to lock that door.
Some - body might get in.
Didn't I teach you tha -
G#7+4 (chorus) E
- - t? This per -fect world.
So blue I Can't be - gin to
say. This per -fect world.
I know I ne - ver should have
gone a - wa - y.
But I still de - serve to
say good - bye no matt - er what I've
do - - - ne. No
matt - er what I've
F#m+6 (intro arpeggio)
done.
(2nd verse)
I see her in your face.
I hear her in your voice.
Last time I was here they'd found her in the lake.
You ought to see my scars.
You think I'm made of stone.
Didn't you tell me that--?
(chorus)
This perfect world. So blue I can't begin to say.
This perfect world. They say that soon I will be gone away.
But I still deserve to say goodbye no matter what I've done.
This perfect world.
This perfect world.
Now I've come around it's far too late.
And these pills won't even let me cry.
No one knows you even when your gone.
But I still deserve to say goodbye no matter what I've done - -.
F#m+6 (intro arpeggio) G#7+4 G#7
No matter what I've done.
(3rd verse)
You ought to see your face.
You ought to hear your voice.
Lock this after me - - -.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:57:46 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 5/12Here's cut #5:
Cold Again - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Sorry, I didn't have the patience to figure out the chords he's using
in this song, so I'll post the unadorned lyrics instead, and hope that
someone a little more talented can match up the right chords.
(intro)
(1st verse)
When I woke up, I was already evicted.
And when you say lie, do you think I believe anything?
(chorus)
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
(2nd verse)
When you walked up, I was lookin' at the wrong ___.
And now I'm locked out, I will be back in familiar spots.
(chorus)
Cold again, cold again, back alone before the end.
Cold again, cold again, do you really think I'd turn you in?
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
Keywords:
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:59:08 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 6/12
Here's cut #6:
Two Lovers - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
The "C+" chord below (I don't know what the proper name is) is an open C
chord with G on the top and an added A. This is how I finger it:
X===X======
I dunno, sounds pretty close to me. Corrections always welcome.
(intro)
Em C C+ (hold)
(1st verse)
Lovers cry, one last
kiss by the edge then hand in hand.
Two lovers stop their hearts,
Em C C+ (hold)
Bet - ter than to be a - part.
They had
run from her father to the high - est bri - dge.
Hold - ing to- gether as they jumped i - n.
(2nd verse)
Lovers fly on the hill where they once lay side by side.
Two lovers stop their hearts, better than to be apart.
(solo, follows intro chords)
She was rich, he was common, but she wouldn't say no.
Lying together on the rocks below.
They had run from her father to the highest bridge.
Holding together as they jumped in.
(3rd verse)
Lovers cry. One last kiss by the edge, then hand in hand.
Two lovers stop their hearts, better than to be apart.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
G Bm Em C C+ (hold)
Lovers cry. Lovers cry. Lovers cry.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:18 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:01:09 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 7/12
Here's cut #7:
Across The Avenue - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Though you've gone a - wa - - y,
I play your favo - rite songs.
In the blue and go - - ld,
with your dark glass - es on.
(chorus)
I al - ways think I see you
a - cross the a - ven - ue.
Walk - in' by where I lost you.
It's all I e - ver do.
(2nd verse)
You just walked a - wa - - y.
"We'll meet to - night." "O - K."
Go - in' a - gainst the li - - ght.
Run down in front of me.
I al - ways think I see you
a - cross the a - ven - ue.
Some day I'll come to meet you
on the o - ther side. A -
cross the A - ven - ue.
cross the A - ven - ue.
(solo)
(3rd verse)
Though you've gone away, I wear your favorite shirt.
Sitting in the sun, by the library lion.
(chorus)
I always think I see you across the avenue.
Someday I'll come to meet you on the other side.
Across the avenue.
Across the avenue.
Across the avenue.
Across the avenue.
(repeates and fades)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:02:21 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 8/12
Here's cut #8:
Gone Like The Water - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
red suit - case she'll ne - ver miss,
lea - ther coat he used to wear.
Think-in' tough, look-in' tired, with
D G (chorus)
momm - a's money and dadd - y's ring. He's
Go - ne like the wa - ter down to
N - Y - C.
Sleep-in' on the Eight-O - Two a -
long this river runn-in' down. He's
Go - ne like the wa - ter down the
de - pot drai - - n.
Dis - a - pear - in' in the city.
(2nd verse)
Twenty-four and goin' pale. Growin' out, cuttin' back.
Drew a face on a ticket stub with momma's hands and daddy's pen.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
(solo on verse & chorus)
(3rd verse)
Talk all night, cook all day. Lookin' for a new place to stay.
Thinkin' hard, lookin' bad, with momma's dollar in daddy's coat.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:03:29 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 9/12
Here's cut #9:
Delores - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
As best I can tell, this tune is really played a half step lower than
I've tabbed it here, that is, in Gb (F#?) rather than G. Adjust
accordingly, if so inclined.
(intro)
De -
(1st verse)
lores was her middle name. She'd
read the book & every - thing.
Now I know how old I am.
Have you ever seen that film?
Talkin' to a ho - tel mirror with my glasses
off.
Now you know just what he's cryin' about.
(2nd verse)
Delores was her middle name.
Dangling from a silver chain.
Where'd you learn to talk that way?
I look like James Mason's ghost.
Talking to a friend after school but you don't see
that she's really lookin' right at me. Yeah, yeah, yeah.
(solo on verse)
(3rd verse)
Delores was her middle name.
And now her mother's wonderin',
"If I could see my wrinkled face."
Paint her lovely toenails red.
Writin' all my problems in a secret little book.
Now I know just what he should have done.
Talkin' to me like I'm just a little late.
Now you know just what he's talkin' about--.
(solo)
Delores was her middle name.
Delores was her middle name. Yeah, yeah, yeah.
G / D / C / / / D / / / G (hold)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:20 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:04:51 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 10/12
Here's cut #10:
Evie's Garden - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Try fingerpicking these chord shapes for the intro and verse:
(intro)
G D open A, open D
X------------------------------|X-+-+-+-+ III X-X-+-+-+-+ II
| | | | 1-1 barre | | | 1---1-| barre
(intro)
|-------&-------2-------&-------3-------&-------4-------&-------|
(1st verse)
In the mid - dle of
E - vie' - s gar - den
was a rock she could
ne - ver move.
Worn a - way by a
faith - ful ha - nd 'till
no - one knows the
date.
(chorus)
Bring back the
rain, we'll go
walkin'. Mmm - mmm - -
mmm -- .
Bring back the
wind like you
do. Mmm - mmm - -
mmm -- .
(2nd verse)
Of the flowers in Evie's garden
one would never go out of bloom.
Planted over a well, forgotten.
Opened by the moon.
(chorus)
Bring back the rain we'll go walkin' Mmm mmm mmm.
Bring back the wind like you do. Mmm mmm mmm.
Bring back the rain to Evie's garden. Mmm mmm mmm.
I'm at the gate looking through.
(3rd verse)
In the middle of Evie's garden
was a rock she could never move.
Nearly buried in a night bloom angle.
Pale and smooth as skin.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:06:25 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 11/12
Here's cut #11:
Disappointed Man - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Did you take your mother's name so
you could sleep more eas - i - ly?
She took you back too late and
now you ne - ver e - ven call.
Did you take that mon - ey drawer while
she was praying?
They said you dis - ap - peared
just like wa - ter down a drain.
(chorus)
Why'd you call me?
Must be bad.
Dis - ap - point - ed
man. Where've you been?
Hide your - self so
well in this city.
Dis - ap - point - ed
Am Am+C Dm (hold for count)
man.
///////////m
(2nd verse)
Did you sell your father's ring so you could stay one more night?
It shone like his glass eye in the worn, velvet case.
Did you fill this hired room with guilty words?
Your white piano hands flutter like poisoned birds.
(chorus)
Why'd you call me? Must be bad.
Disappointed man where've you been?
Hide yourself so well in this city.
Disappointed man where've you been?
Disappointed man where've you been?
Dm Dm+F G Am Am+C Dm (hold)
Disappointed man.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:07:30 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 12/12
Here's cut #12:
I Can Hear The Laughs - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)