This Perfect World Songtekst Nederlandse Vertaling

Subject: Correction to "Bad Reputation" Freedy Johnston
Onderwerp: Correctie op "Slechte reputatie" Freedy Johnston
Someone pointed out a lyric mistake in my original post. I posted a
Iemand wees op een tekstfout in mijn oorspronkelijke bericht. Ik postte een
correction, but didn't see the correction make it to any of the mirrors. So
correctie, maar zag de correctie niet in een van de spiegels terechtkomen. Dus
I'm dropping this note. I've also added chords to the rest of the lyrics to
Ik laat dit briefje vallen. Ik heb ook akkoorden aan de rest van de tekst toegevoegd
make it easier for some to follow. Enjoy.
maken het voor sommigen gemakkelijker om te volgen. Genieten.
Bad Reputation - Freedy Johnston
Slechte reputatie - Freedy Johnston
From "This Perfect World"
Uit "Deze perfecte wereld"
(no warrantees expressed or implied - have fun)
(geen garanties expliciet of impliciet - veel plezier)
(1st verse:)
(1e vers :)
I know I got a bad repu - ta - tion
Ik weet dat ik een slechte reputatie heb
and it isn't just talk, talk, talk.
en het is niet alleen maar praten, praten, praten.
If I could only give you every - thing
Kon ik je maar alles geven
you know I haven't got...
Je weet dat ik geen...
I couldn't have one conver -sa - tion
Ik kon niet één gesprek voeren
if it wasn't for the lies, lies, lies
als er geen leugens, leugens, leugens waren
And still I wanna tell you every - thing
En toch wil ik je alles vertellen
Em D (Refrain:)
Em D (Refrein:)
`till I close my eyes. Sudden -ly I'm
'Tot ik mijn ogen sluit.' Plotseling ben ik
on the street, seven years dis - ap -
op straat, zeven jaar dis - ap -
pear be - low my feet. Been break - in'
peer wees - laat mijn voeten zakken. Ingebroken geweest
down. Do you want me now? Do you want me
naar beneden. Wil je mij nu? Wil je mij
now? Sudden - ly I'm down in
nu? Plotseling ben ik beneden
Herald Square. Lookin' in the crowd your
Herald-plein. Kijk in de menigte, jij
face is ever - y - where. Been turn - in'
gezicht is altijd - y - waar. Ben aan de beurt geweest
`round. Do you want me now? Do you want me
`rond. Wil je mij nu? Wil je mij
now?
nu?
(solo)
(solo)
(solo)
(solo)
(solo)
(solo)
(2nd verse:)
(2e vers :)
Don't try to be an inspiration.
Probeer geen inspiratie te zijn.
Just waistin' your time, time, time.
Je verspilt gewoon je tijd, tijd, tijd.
You know about the best I'll ever be
Je weet ongeveer de beste die ik ooit zal zijn
I see it in your eyes.
Ik zie het in je ogen.
I know I got a bad reputation
Ik weet dat ik een slechte reputatie heb
and it isn't just talk, talk, talk.
en het is niet alleen maar praten, praten, praten.
If I could only give you everything
Kon ik je maar alles geven
you know I haven't got.
Je weet dat ik dat niet heb.
(Refrain:)
(Onthoud:)
Suddenly I'm on the street.
Ineens sta ik op straat.
Seven years disappear below my feet.
Zeven jaar verdwijnen onder mijn voeten.
Been breakin' down.
Het is kapot gegaan.
Do you want me now?
Wil je mij nu?
Do you want me now?
Wil je mij nu?
Suddenly I'm in another place.
Ineens ben ik op een andere plek.
Lookin' in the crowd I think I see your face.
Kijkend in de menigte denk ik dat ik je gezicht zie.
Been turnin' `round.
Ben aan het draaien geweest.
Do you want me now?
Wil je mij nu?
Do you want me now?
Wil je mij nu?
(down, down, down)
(naar beneden, naar beneden, naar beneden)
Do you want me now?
Wil je mij nu?
Do you want me now?
Wil je mij nu?
(down, down, down)
(naar beneden, naar beneden, naar beneden)
Do you want me now?
Wil je mij nu?
Do you want me now?
Wil je mij nu?
Don't you think I've heard the talk?
Denk je niet dat ik het gesprek heb gehoord?
Nobody's going to tell me who to love.
Niemand gaat mij vertellen van wie ik moet houden.
Been breakin' down.
Het is kapot gegaan.
Do you want me now?
Wil je mij nu?
Do you want me now?
Wil je mij nu?
Suddenly I'm down in Herald Square.
Plotseling ben ik op Herald Square.
Lookin' in the crowd your face is everywhere.
Kijkend in de menigte is je gezicht overal.
Just turnin' `round.
Gewoon omdraaien.
Do you want me now?
Wil je mij nu?
Do you want me now?
Wil je mij nu?
Been breakin' down.
Het is kapot gegaan.
Do you want me now?
Wil je mij nu?
Do you want me now?
Wil je mij nu?
I'm just breakin
Ik ben gewoon aan het inbreken
down, down, down, down.
omlaag, omlaag, omlaag, omlaag.
Been breakin'
Ik heb gebroken
down, down, down, down. (Repeats and fades)
omlaag, omlaag, omlaag, omlaag. (Herhalingen en vervaagt)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, systeembeheerder joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
NI|KA
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Van: joseph@sgi50.ctc.com (Norman P.B. Joseph)
Here's cut #2:
Hier is fragment #2:
Evie's Tears - Freedy Johnston
Evie's tranen - Freedy Johnston
From "This Perfect World"
Uit "Deze perfecte wereld"
(no warrantees expressed or implied - have fun)
(geen garanties expliciet of impliciet - veel plezier)
(intro)
(inleiding)
(1st verse)
(1e vers)
In the middle of her con - fes - sion,
Midden in haar bekentenis,
he comes over and pulls her hair.
hij komt naar haar toe en trekt aan haar haar.
I wake up, she is crying.
Ik word wakker, ze huilt.
A E B7 E (chorus)
A E B7 E (refrein)
I guess he was here a - gain. Evie's
Ik denk dat hij hier met winst was. Evie's
tears are ne - ver gon - na
tranen zijn nooit - ver gon - na
dry. E - vie's sec - ret
droog. E - vie's geheim - ret
tears burn this bed she
tranen branden dit bed, zij
comes to on - ly when its right.
komt pas tevoorschijn als het goed is.
(night? light?)
(nacht? licht?)
(2nd verse)
(2e vers)
We met in a lonely summer,
We ontmoetten elkaar in een eenzame zomer,
two survivors of paradise.
twee overlevenden van het paradijs.
She ran off when I first touched her.
Ze rende weg toen ik haar voor het eerst aanraakte.
Now she wakes me every night.
Nu maakt ze mij elke nacht wakker.
(chorus)
(refrein)
Evie's tears are never gonna dry.
Evie's tranen zullen nooit drogen.
Evie's secret tears
Evie's geheime tranen
burn this bed she comes to only when its right.
verbrand dit bed waar ze alleen komt als het goed is.
(1st bridge)
(1e brug)
Faith - less girl, you've been dreamin'.
Geloof - minder meisje, je hebt gedroomd.
Star - ing up, your face is white with
Als je naar boven staart, is je gezicht wit van
fear. O - K, now I'm list - nin'.
angst. O - K, nu ben ik lijst - negen.
You're not mine and he's not here-------------|
Je bent niet van mij en hij is niet hier-------------|
(solo for chorus)
(solo voor koor)
Now I'm list - nin'.
Nu ben ik lijst-nin'.
You're not mine and he's not here-------------|
Je bent niet van mij en hij is niet hier-------------|
(3rd verse)
(3e vers)
In the middle of Evie's garden,
Midden in Evie's tuin,
in a simple iron chair.
in een eenvoudige ijzeren stoel.
Wind's blowin' and she is singin'.
De wind waait en zij zingt.
Begs the moon to disappear.
Smeekt de maan om te verdwijnen.
(chorus)
(refrein)
Evie's tears are never gonna dry.
Evie's tranen zullen nooit drogen.
Evie's guilty tears
Evie's schuldige tranen
burn this bed she comes to only when its right.
verbrand dit bed waar ze alleen komt als het goed is.
Tears. Evie's tears. Evie's tears,
Tranen. Evie's tranen. Evie's tranen,
burn this bed she comes to only when its light.
Verbrand dit bed waar ze alleen komt als het licht is.
(2nd bridge)
(2e brug)
Catholic girl, you've been dreamin'.
Katholiek meisje, je hebt gedroomd.
Staring up, your face is white with fear.
Als je omhoog staart, is je gezicht wit van angst.
OK, now I'm listnin'.
Oké, nu luister ik.
E B (fades out...)
E B (vervaagt...)
You're not mine and he's not here.
Je bent niet van mij en hij is niet hier.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, systeembeheerder joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:16 1995
Van rec.music.makers.guitar.tablature ma 24 april 18:21:16 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Van: joseph@sgi50.ctc.com (Norman P.B. Joseph)
Date: 24 Apr 1995 10:55:02 -0400
Datum: 24 april 1995 10:55:02 -0400
Newsgroups: rec.music.makers.guitar.tablature
N
Subject: CRD: Freedy Johnston: This Perfect World, 3/12
Here's cut #3:
Can't Sink This Town - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
E F#m Bm D (hold for count)
(one..., two..., three..., four...)
(solo over verse)
(1st verse)
A bare - foot whore
walk - in' by a fa - mous clock.
A - gainst her door,
wait - ing for the chimes to stop.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd glad - ly drown - than
let you leave me lone - ly.
(2nd verse)
She pulled the cord.
On a night like this she never works.
I said no more.
Do I think I'm understood with her?
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown.
I thought you said you were lonely?
(solo over verse)
(3rd verse)
Tell you what,
is a broken promise cheap enough?
It's all I got.
Looks so sad, talks to tough.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown
I thought you said you were lonely?
I thought you said you were lonely?
I thought you said you were lonely?
(solo over verse)
E Bm (hold & fade...)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:56:35 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 4/12
Here's cut #4:
This Perfect World - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
You might want to try a capo on the 4th fret and use the following
shapes instead of barring:
F for A
G for B
This seems to sound closest to the record. Or, you could practice
your barring technique :-). Or you could just find the chords without
a capo, but the sound won't be -quite- right, especially for the intro
arpeggios. But, hey, fool around: you're here to learn!
Try these chords (who knows what their -real- names are?):
(intro)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| | 1 - 1 - barre 1 - 1 - 1 1 barre 1 - 1 - 1 1 barre
(verses)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| 1 - - - 1 barre | 1 - - - - barre 1 - 1 - 1 1 barre
(intro arpeggio)
(1st verse)
You ought to see your face.
You ought to hear your voice.
Last time I was here I
would - n't turn a - round.
You ought to lock that door.
Some - body might get in.
Didn't I teach you tha -
G#7+4 (chorus) E
- - t? This per -fect world.
So blue I Can't be - gin to
say. This per -fect world.
I know I ne - ver should have
gone a - wa - y.
But I still de - serve to
say good - bye no matt - er what I've
do - - - ne. No
matt - er what I've
F#m+6 (intro arpeggio)
done.
(2nd verse)
I see her in your face.
I hear her in your voice.
Last time I was here they'd found her in the lake.
You ought to see my scars.
You think I'm made of stone.
Didn't you tell me that--?
(chorus)
This perfect world. So blue I can't begin to say.
This perfect world. They say that soon I will be gone away.
But I still deserve to say goodbye no matter what I've done.
This perfect world.
This perfect world.
Now I've come around it's far too late.
And these pills won't even let me cry.
No one knows you even when your gone.
But I still deserve to say goodbye no matter what I've done - -.
F#m+6 (intro arpeggio) G#7+4 G#7
No matter what I've done.
(3rd verse)
You ought to see your face.
You ought to hear your voice.
Lock this after me - - -.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:57:46 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 5/12Here's cut #5:
Cold Again - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Sorry, I didn't have the patience to figure out the chords he's using
in this song, so I'll post the unadorned lyrics instead, and hope that
someone a little more talented can match up the right chords.
(intro)
(1st verse)
When I woke up, I was already evicted.
And when you say lie, do you think I believe anything?
(chorus)
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
(2nd verse)
When you walked up, I was lookin' at the wrong ___.
And now I'm locked out, I will be back in familiar spots.
(chorus)
Cold again, cold again, back alone before the end.
Cold again, cold again, do you really think I'd turn you in?
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
Keywords:
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:59:08 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 6/12
Here's cut #6:
Two Lovers - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
The "C+" chord below (I don't know what the proper name is) is an open C
chord with G on the top and an added A. This is how I finger it:
X===X======
I dunno, sounds pretty close to me. Corrections always welcome.
(intro)
Em C C+ (hold)
(1st verse)
Lovers cry, one last
kiss by the edge then hand in hand.
Two lovers stop their hearts,
Em C C+ (hold)
Bet - ter than to be a - part.
They had
run from her father to the high - est bri - dge.
Hold - ing to- gether as they jumped i - n.
(2nd verse)
Lovers fly on the hill where they once lay side by side.
Two lovers stop their hearts, better than to be apart.
(solo, follows intro chords)
She was rich, he was common, but she wouldn't say no.
Lying together on the rocks below.
They had run from her father to the highest bridge.
Holding together as they jumped in.
(3rd verse)
Lovers cry. One last kiss by the edge, then hand in hand.
Two lovers stop their hearts, better than to be apart.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
G Bm Em C C+ (hold)
Lovers cry. Lovers cry. Lovers cry.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:18 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:01:09 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 7/12
Here's cut #7:
Across The Avenue - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Though you've gone a - wa - - y,
I play your favo - rite songs.
In the blue and go - - ld,
with your dark glass - es on.
(chorus)
I al - ways think I see you
a - cross the a - ven - ue.
Walk - in' by where I lost you.
It's all I e - ver do.
(2nd verse)
You just walked a - wa - - y.
"We'll meet to - night." "O - K."
Go - in' a - gainst the li - - ght.
Run down in front of me.
I al - ways think I see you
a - cross the a - ven - ue.
Some day I'll come to meet you
on the o - ther side. A -
cross the A - ven - ue.
cross the A - ven - ue.
(solo)
(3rd verse)
Though you've gone away, I wear your favorite shirt.
Sitting in the sun, by the library lion.
(chorus)
I always think I see you across the avenue.
Someday I'll come to meet you on the other side.
Across the avenue.
Across the avenue.
Across the avenue.
Across the avenue.
(repeates and fades)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:02:21 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 8/12
Here's cut #8:
Gone Like The Water - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
red suit - case she'll ne - ver miss,
lea - ther coat he used to wear.
Think-in' tough, look-in' tired, with
D G (chorus)
momm - a's money and dadd - y's ring. He's
Go - ne like the wa - ter down to
N - Y - C.
Sleep-in' on the Eight-O - Two a -
long this river runn-in' down. He's
Go - ne like the wa - ter down the
de - pot drai - - n.
Dis - a - pear - in' in the city.
(2nd verse)
Twenty-four and goin' pale. Growin' out, cuttin' back.
Drew a face on a ticket stub with momma's hands and daddy's pen.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
(solo on verse & chorus)
(3rd verse)
Talk all night, cook all day. Lookin' for a new place to stay.
Thinkin' hard, lookin' bad, with momma's dollar in daddy's coat.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:03:29 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 9/12
Here's cut #9:
Delores - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
As best I can tell, this tune is really played a half step lower than
I've tabbed it here, that is, in Gb (F#?) rather than G. Adjust
accordingly, if so inclined.
(intro)
De -
(1st verse)
lores was her middle name. She'd
read the book & every - thing.
Now I know how old I am.
Have you ever seen that film?
Talkin' to a ho - tel mirror with my glasses
off.
Now you know just what he's cryin' about.
(2nd verse)
Delores was her middle name.
Dangling from a silver chain.
Where'd you learn to talk that way?
I look like James Mason's ghost.
Talking to a friend after school but you don't see
that she's really lookin' right at me. Yeah, yeah, yeah.
(solo on verse)
(3rd verse)
Delores was her middle name.
And now her mother's wonderin',
"If I could see my wrinkled face."
Paint her lovely toenails red.
Writin' all my problems in a secret little book.
Now I know just what he should have done.
Talkin' to me like I'm just a little late.
Now you know just what he's talkin' about--.
(solo)
Delores was her middle name.
Delores was her middle name. Yeah, yeah, yeah.
G / D / C / / / D / / / G (hold)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:20 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:04:51 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 10/12
Here's cut #10:
Evie's Garden - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Try fingerpicking these chord shapes for the intro and verse:
(intro)
G D open A, open D
X------------------------------|X-+-+-+-+ III X-X-+-+-+-+ II
| | | | 1-1 barre | | | 1---1-| barre
(intro)
|-------&-------2-------&-------3-------&-------4-------&-------|
(1st verse)
In the mid - dle of
E - vie' - s gar - den
was a rock she could
ne - ver move.
Worn a - way by a
faith - ful ha - nd 'till
no - one knows the
date.
(chorus)
Bring back the
rain, we'll go
walkin'. Mmm - mmm - -
mmm -- .
Bring back the
wind like you
do. Mmm - mmm - -
mmm -- .
(2nd verse)
Of the flowers in Evie's garden
one would never go out of bloom.
Planted over a well, forgotten.
Opened by the moon.
(chorus)
Bring back the rain we'll go walkin' Mmm mmm mmm.
Bring back the wind like you do. Mmm mmm mmm.
Bring back the rain to Evie's garden. Mmm mmm mmm.
I'm at the gate looking through.
(3rd verse)
In the middle of Evie's garden
was a rock she could never move.
Nearly buried in a night bloom angle.
Pale and smooth as skin.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:06:25 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 11/12
Here's cut #11:
Disappointed Man - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Did you take your mother's name so
you could sleep more eas - i - ly?
She took you back too late and
now you ne - ver e - ven call.
Did you take that mon - ey drawer while
she was praying?
They said you dis - ap - peared
just like wa - ter down a drain.
(chorus)
Why'd you call me?
Must be bad.
Dis - ap - point - ed
man. Where've you been?
Hide your - self so
well in this city.
Dis - ap - point - ed
Am Am+C Dm (hold for count)
man.
///////////m
(2nd verse)
Did you sell your father's ring so you could stay one more night?
It shone like his glass eye in the worn, velvet case.
Did you fill this hired room with guilty words?
Your white piano hands flutter like poisoned birds.
(chorus)
Why'd you call me? Must be bad.
Disappointed man where've you been?
Hide yourself so well in this city.
Disappointed man where've you been?
Disappointed man where've you been?
Dm Dm+F G Am Am+C Dm (hold)
Disappointed man.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:07:30 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 12/12
Here's cut #12:
I Can Hear The Laughs - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)