This Perfect World Tekst Piosenki Tłumaczenie na Polski

Subject: Correction to "Bad Reputation" Freedy Johnston
Temat: Poprawka do „Złej reputacji” Freedy’ego Johnstona
Someone pointed out a lyric mistake in my original post. I posted a
Ktoś zwrócił uwagę na błąd liryczny w moim pierwotnym poście. zamieściłem
correction, but didn't see the correction make it to any of the mirrors. So
korekcję, ale nie widziałem, żeby korekta dotarła do żadnego z lusterek. Więc
I'm dropping this note. I've also added chords to the rest of the lyrics to
Upuszczam tę notatkę. Dodałem także akordy do reszty tekstu
make it easier for some to follow. Enjoy.
ułatwić niektórym naśladowanie. Cieszyć się.
Bad Reputation - Freedy Johnston
Zła reputacja – Freedy Johnston
From "This Perfect World"
Z „Tego doskonałego świata”
(no warrantees expressed or implied - have fun)
(żadnych gwarancji wyraźnych ani dorozumianych – baw się dobrze)
(1st verse:)
(pierwszy wers :)
I know I got a bad repu - ta - tion
Wiem, że mam złą reputację
and it isn't just talk, talk, talk.
i to nie jest tylko rozmowa, rozmowa, rozmowa.
If I could only give you every - thing
Gdybym tylko mógł dać ci wszystko
you know I haven't got...
wiesz, że nie mam...
I couldn't have one conver -sa - tion
Nie mogłem odbyć jednej rozmowy
if it wasn't for the lies, lies, lies
gdyby nie kłamstwa, kłamstwa, kłamstwa
And still I wanna tell you every - thing
A mimo to chcę ci wszystko powiedzieć
Em D (Refrain:)
Em D (Powstrzymaj się :)
`till I close my eyes. Sudden -ly I'm
dopóki nie zamknę oczu. Nagle jestem
on the street, seven years dis - ap -
na ulicy, siedem lat dis - ap -
pear be - low my feet. Been break - in'
gruszka, opuść moje stopy. Było włamanie
down. Do you want me now? Do you want me
w dół. Czy chcesz mnie teraz? Czy chcesz mnie?
now? Sudden - ly I'm down in
teraz? Nagle - jestem na dole
Herald Square. Lookin' in the crowd your
Plac Herolda. Patrząc w tłumie, jesteś
face is ever - y - where. Been turn - in'
twarz jest zawsze - y - gdzie. Odwróciłem się
`round. Do you want me now? Do you want me
`okrągły. Czy chcesz mnie teraz? Czy chcesz mnie?
now?
teraz?
(solo)
(solo)
(solo)
(solo)
(solo)
(solo)
(2nd verse:)
(drugi werset :)
Don't try to be an inspiration.
Nie próbuj być inspiracją.
Just waistin' your time, time, time.
Po prostu marnuję swój czas, czas, czas.
You know about the best I'll ever be
Wiesz o najlepszym, jakim kiedykolwiek będę
I see it in your eyes.
Widzę to w twoich oczach.
I know I got a bad reputation
Wiem, że mam złą reputację
and it isn't just talk, talk, talk.
i to nie jest tylko rozmowa, rozmowa, rozmowa.
If I could only give you everything
Gdybym tylko mógł dać ci wszystko
you know I haven't got.
wiesz, że nie mam.
(Refrain:)
(Powstrzymaj się :)
Suddenly I'm on the street.
Nagle jestem na ulicy.
Seven years disappear below my feet.
Siedem lat znika pod moimi stopami.
Been breakin' down.
Załamałem się.
Do you want me now?
Czy chcesz mnie teraz?
Do you want me now?
Czy chcesz mnie teraz?
Suddenly I'm in another place.
Nagle jestem w innym miejscu.
Lookin' in the crowd I think I see your face.
Patrząc w tłum, myślę, że widzę twoją twarz.
Been turnin' `round.
Kręciłem się.
Do you want me now?
Czy chcesz mnie teraz?
Do you want me now?
Czy chcesz mnie teraz?
(down, down, down)
(dół, dół, dół)
Do you want me now?
Czy chcesz mnie teraz?
Do you want me now?
Czy chcesz mnie teraz?
(down, down, down)
(dół, dół, dół)
Do you want me now?
Czy chcesz mnie teraz?
Do you want me now?
Czy chcesz mnie teraz?
Don't you think I've heard the talk?
Nie sądzisz, że słyszałem tę rozmowę?
Nobody's going to tell me who to love.
Nikt nie będzie mi mówił, kogo mam kochać.
Been breakin' down.
Załamałem się.
Do you want me now?
Czy chcesz mnie teraz?
Do you want me now?
Czy chcesz mnie teraz?
Suddenly I'm down in Herald Square.
Nagle znajduję się na Herald Square.
Lookin' in the crowd your face is everywhere.
Patrząc w tłum, twoja twarz jest wszędzie.
Just turnin' `round.
Po prostu się odwracam.
Do you want me now?
Czy chcesz mnie teraz?
Do you want me now?
Czy chcesz mnie teraz?
Been breakin' down.
Załamałem się.
Do you want me now?
Czy chcesz mnie teraz?
Do you want me now?
Czy chcesz mnie teraz?
I'm just breakin
Po prostu się łamię
down, down, down, down.
dół, dół, dół, dół.
Been breakin'
łamałem się
down, down, down, down. (Repeats and fades)
dół, dół, dół, dół. (Powtarza się i zanika)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, administrator systemów joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
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From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Od: joseph@sgi50.ctc.com (Norman P.B. Joseph)
Here's cut #2:
Oto fragment nr 2:
Evie's Tears - Freedy Johnston
Łzy Evie – Freedy Johnston
From "This Perfect World"
Z „Tego doskonałego świata”
(no warrantees expressed or implied - have fun)
(żadnych gwarancji wyraźnych ani dorozumianych – baw się dobrze)
(intro)
(wprowadzenie)
(1st verse)
(pierwszy werset)
In the middle of her con - fes - sion,
W środku jej spowiedzi,
he comes over and pulls her hair.
podchodzi i ciągnie ją za włosy.
I wake up, she is crying.
Budzę się, ona płacze.
A E B7 E (chorus)
AE B7 E (refren)
I guess he was here a - gain. Evie's
Myślę, że był tu dla zysku. Evie
tears are ne - ver gon - na
łzy są nigdy - ver gon - na
dry. E - vie's sec - ret
suchy. E - vie's sec - ret
tears burn this bed she
łzy spalają to łóżko, ona
comes to on - ly when its right.
pojawia się tylko wtedy, gdy jest to właściwe.
(night? light?)
(noc? światło?)
(2nd verse)
(drugi werset)
We met in a lonely summer,
Poznaliśmy się w samotne lato,
two survivors of paradise.
dwójka ocalałych z raju.
She ran off when I first touched her.
Uciekła, kiedy ją po raz pierwszy dotknąłem.
Now she wakes me every night.
Teraz budzi mnie co noc.
(chorus)
(refren)
Evie's tears are never gonna dry.
Łzy Evie nigdy nie wyschną.
Evie's secret tears
Sekretne łzy Evie
burn this bed she comes to only when its right.
spal to łóżko, do którego przychodzi tylko wtedy, gdy jest to właściwe.
(1st bridge)
(pierwszy most)
Faith - less girl, you've been dreamin'.
Wiara - mniej dziewczyno, marzyłaś.
Star - ing up, your face is white with
Patrząc w górę, twoja twarz jest biała od
fear. O - K, now I'm list - nin'.
strach. O - K, teraz jestem na liście - dziewiąta.
You're not mine and he's not here-------------|
Nie jesteś mój, a jego tu nie ma------------|
(solo for chorus)
(solo dla chóru)
Now I'm list - nin'.
Teraz jestem na liście - dziewięć.
You're not mine and he's not here-------------|
Nie jesteś mój, a jego tu nie ma------------|
(3rd verse)
(trzeci werset)
In the middle of Evie's garden,
W środku ogrodu Evie,
in a simple iron chair.
na prostym żelaznym krześle.
Wind's blowin' and she is singin'.
Wieje wiatr, a ona śpiewa.
Begs the moon to disappear.
Błaga księżyc, aby zniknął.
(chorus)
(refren)
Evie's tears are never gonna dry.
Łzy Evie nigdy nie wyschną.
Evie's guilty tears
Łzy winy Evie
burn this bed she comes to only when its right.
spal to łóżko, do którego przychodzi tylko wtedy, gdy jest to właściwe.
Tears. Evie's tears. Evie's tears,
Łzy. Łzy Evie. łzy Evie,
burn this bed she comes to only when its light.
spal to łóżko, do którego przychodzi tylko wtedy, gdy jest jasno.
(2nd bridge)
(drugi most)
Catholic girl, you've been dreamin'.
Katolicka dziewczyno, marzyłaś.
Staring up, your face is white with fear.
Patrząc w górę, twoja twarz jest blada ze strachu.
OK, now I'm listnin'.
OK, teraz słucham.
E B (fades out...)
E B (zanika...)
You're not mine and he's not here.
Nie jesteś moja, a jego tu nie ma.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, administrator systemów joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
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From rec.music.makers.guitar.tablature Mon Apr 24 18:21:16 1995
Z rec.music.makers.guitar.tablature pon. 24 kwietnia, 18:21:16 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Od: joseph@sgi50.ctc.com (Norman P.B. Joseph)
Date: 24 Apr 1995 10:55:02 -0400
Data: 24 kwietnia 1995 10:55:02 -04:00
Newsgroups: rec.music.makers.guitar.tablature
N
Subject: CRD: Freedy Johnston: This Perfect World, 3/12
Here's cut #3:
Can't Sink This Town - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
E F#m Bm D (hold for count)
(one..., two..., three..., four...)
(solo over verse)
(1st verse)
A bare - foot whore
walk - in' by a fa - mous clock.
A - gainst her door,
wait - ing for the chimes to stop.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd glad - ly drown - than
let you leave me lone - ly.
(2nd verse)
She pulled the cord.
On a night like this she never works.
I said no more.
Do I think I'm understood with her?
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown.
I thought you said you were lonely?
(solo over verse)
(3rd verse)
Tell you what,
is a broken promise cheap enough?
It's all I got.
Looks so sad, talks to tough.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown
I thought you said you were lonely?
I thought you said you were lonely?
I thought you said you were lonely?
(solo over verse)
E Bm (hold & fade...)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
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From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:56:35 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 4/12
Here's cut #4:
This Perfect World - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
You might want to try a capo on the 4th fret and use the following
shapes instead of barring:
F for A
G for B
This seems to sound closest to the record. Or, you could practice
your barring technique :-). Or you could just find the chords without
a capo, but the sound won't be -quite- right, especially for the intro
arpeggios. But, hey, fool around: you're here to learn!
Try these chords (who knows what their -real- names are?):
(intro)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| | 1 - 1 - barre 1 - 1 - 1 1 barre 1 - 1 - 1 1 barre
(verses)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| 1 - - - 1 barre | 1 - - - - barre 1 - 1 - 1 1 barre
(intro arpeggio)
(1st verse)
You ought to see your face.
You ought to hear your voice.
Last time I was here I
would - n't turn a - round.
You ought to lock that door.
Some - body might get in.
Didn't I teach you tha -
G#7+4 (chorus) E
- - t? This per -fect world.
So blue I Can't be - gin to
say. This per -fect world.
I know I ne - ver should have
gone a - wa - y.
But I still de - serve to
say good - bye no matt - er what I've
do - - - ne. No
matt - er what I've
F#m+6 (intro arpeggio)
done.
(2nd verse)
I see her in your face.
I hear her in your voice.
Last time I was here they'd found her in the lake.
You ought to see my scars.
You think I'm made of stone.
Didn't you tell me that--?
(chorus)
This perfect world. So blue I can't begin to say.
This perfect world. They say that soon I will be gone away.
But I still deserve to say goodbye no matter what I've done.
This perfect world.
This perfect world.
Now I've come around it's far too late.
And these pills won't even let me cry.
No one knows you even when your gone.
But I still deserve to say goodbye no matter what I've done - -.
F#m+6 (intro arpeggio) G#7+4 G#7
No matter what I've done.
(3rd verse)
You ought to see your face.
You ought to hear your voice.
Lock this after me - - -.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:57:46 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 5/12Here's cut #5:
Cold Again - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Sorry, I didn't have the patience to figure out the chords he's using
in this song, so I'll post the unadorned lyrics instead, and hope that
someone a little more talented can match up the right chords.
(intro)
(1st verse)
When I woke up, I was already evicted.
And when you say lie, do you think I believe anything?
(chorus)
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
(2nd verse)
When you walked up, I was lookin' at the wrong ___.
And now I'm locked out, I will be back in familiar spots.
(chorus)
Cold again, cold again, back alone before the end.
Cold again, cold again, do you really think I'd turn you in?
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
Keywords:
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:59:08 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 6/12
Here's cut #6:
Two Lovers - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
The "C+" chord below (I don't know what the proper name is) is an open C
chord with G on the top and an added A. This is how I finger it:
X===X======
I dunno, sounds pretty close to me. Corrections always welcome.
(intro)
Em C C+ (hold)
(1st verse)
Lovers cry, one last
kiss by the edge then hand in hand.
Two lovers stop their hearts,
Em C C+ (hold)
Bet - ter than to be a - part.
They had
run from her father to the high - est bri - dge.
Hold - ing to- gether as they jumped i - n.
(2nd verse)
Lovers fly on the hill where they once lay side by side.
Two lovers stop their hearts, better than to be apart.
(solo, follows intro chords)
She was rich, he was common, but she wouldn't say no.
Lying together on the rocks below.
They had run from her father to the highest bridge.
Holding together as they jumped in.
(3rd verse)
Lovers cry. One last kiss by the edge, then hand in hand.
Two lovers stop their hearts, better than to be apart.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
G Bm Em C C+ (hold)
Lovers cry. Lovers cry. Lovers cry.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:18 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:01:09 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 7/12
Here's cut #7:
Across The Avenue - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Though you've gone a - wa - - y,
I play your favo - rite songs.
In the blue and go - - ld,
with your dark glass - es on.
(chorus)
I al - ways think I see you
a - cross the a - ven - ue.
Walk - in' by where I lost you.
It's all I e - ver do.
(2nd verse)
You just walked a - wa - - y.
"We'll meet to - night." "O - K."
Go - in' a - gainst the li - - ght.
Run down in front of me.
I al - ways think I see you
a - cross the a - ven - ue.
Some day I'll come to meet you
on the o - ther side. A -
cross the A - ven - ue.
cross the A - ven - ue.
(solo)
(3rd verse)
Though you've gone away, I wear your favorite shirt.
Sitting in the sun, by the library lion.
(chorus)
I always think I see you across the avenue.
Someday I'll come to meet you on the other side.
Across the avenue.
Across the avenue.
Across the avenue.
Across the avenue.
(repeates and fades)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:02:21 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 8/12
Here's cut #8:
Gone Like The Water - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
red suit - case she'll ne - ver miss,
lea - ther coat he used to wear.
Think-in' tough, look-in' tired, with
D G (chorus)
momm - a's money and dadd - y's ring. He's
Go - ne like the wa - ter down to
N - Y - C.
Sleep-in' on the Eight-O - Two a -
long this river runn-in' down. He's
Go - ne like the wa - ter down the
de - pot drai - - n.
Dis - a - pear - in' in the city.
(2nd verse)
Twenty-four and goin' pale. Growin' out, cuttin' back.
Drew a face on a ticket stub with momma's hands and daddy's pen.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
(solo on verse & chorus)
(3rd verse)
Talk all night, cook all day. Lookin' for a new place to stay.
Thinkin' hard, lookin' bad, with momma's dollar in daddy's coat.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:03:29 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 9/12
Here's cut #9:
Delores - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
As best I can tell, this tune is really played a half step lower than
I've tabbed it here, that is, in Gb (F#?) rather than G. Adjust
accordingly, if so inclined.
(intro)
De -
(1st verse)
lores was her middle name. She'd
read the book & every - thing.
Now I know how old I am.
Have you ever seen that film?
Talkin' to a ho - tel mirror with my glasses
off.
Now you know just what he's cryin' about.
(2nd verse)
Delores was her middle name.
Dangling from a silver chain.
Where'd you learn to talk that way?
I look like James Mason's ghost.
Talking to a friend after school but you don't see
that she's really lookin' right at me. Yeah, yeah, yeah.
(solo on verse)
(3rd verse)
Delores was her middle name.
And now her mother's wonderin',
"If I could see my wrinkled face."
Paint her lovely toenails red.
Writin' all my problems in a secret little book.
Now I know just what he should have done.
Talkin' to me like I'm just a little late.
Now you know just what he's talkin' about--.
(solo)
Delores was her middle name.
Delores was her middle name. Yeah, yeah, yeah.
G / D / C / / / D / / / G (hold)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:20 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:04:51 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 10/12
Here's cut #10:
Evie's Garden - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Try fingerpicking these chord shapes for the intro and verse:
(intro)
G D open A, open D
X------------------------------|X-+-+-+-+ III X-X-+-+-+-+ II
| | | | 1-1 barre | | | 1---1-| barre
(intro)
|-------&-------2-------&-------3-------&-------4-------&-------|
(1st verse)
In the mid - dle of
E - vie' - s gar - den
was a rock she could
ne - ver move.
Worn a - way by a
faith - ful ha - nd 'till
no - one knows the
date.
(chorus)
Bring back the
rain, we'll go
walkin'. Mmm - mmm - -
mmm -- .
Bring back the
wind like you
do. Mmm - mmm - -
mmm -- .
(2nd verse)
Of the flowers in Evie's garden
one would never go out of bloom.
Planted over a well, forgotten.
Opened by the moon.
(chorus)
Bring back the rain we'll go walkin' Mmm mmm mmm.
Bring back the wind like you do. Mmm mmm mmm.
Bring back the rain to Evie's garden. Mmm mmm mmm.
I'm at the gate looking through.
(3rd verse)
In the middle of Evie's garden
was a rock she could never move.
Nearly buried in a night bloom angle.
Pale and smooth as skin.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:06:25 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 11/12
Here's cut #11:
Disappointed Man - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Did you take your mother's name so
you could sleep more eas - i - ly?
She took you back too late and
now you ne - ver e - ven call.
Did you take that mon - ey drawer while
she was praying?
They said you dis - ap - peared
just like wa - ter down a drain.
(chorus)
Why'd you call me?
Must be bad.
Dis - ap - point - ed
man. Where've you been?
Hide your - self so
well in this city.
Dis - ap - point - ed
Am Am+C Dm (hold for count)
man.
///////////m
(2nd verse)
Did you sell your father's ring so you could stay one more night?
It shone like his glass eye in the worn, velvet case.
Did you fill this hired room with guilty words?
Your white piano hands flutter like poisoned birds.
(chorus)
Why'd you call me? Must be bad.
Disappointed man where've you been?
Hide yourself so well in this city.
Disappointed man where've you been?
Disappointed man where've you been?
Dm Dm+F G Am Am+C Dm (hold)
Disappointed man.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:07:30 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 12/12
Here's cut #12:
I Can Hear The Laughs - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)