This Perfect World Letras Tradução em Português

Subject: Correction to "Bad Reputation" Freedy Johnston
Assunto: Correção para "má reputação" Freedy Johnston
Someone pointed out a lyric mistake in my original post. I posted a
Alguém apontou um erro de letra na minha postagem original. Eu postei um
correction, but didn't see the correction make it to any of the mirrors. So
correção, mas não vi a correção chegar a nenhum dos espelhos. Então
I'm dropping this note. I've also added chords to the rest of the lyrics to
Estou deixando cair esta nota. Eu também adicionei acordes ao resto da letra para
make it easier for some to follow. Enjoy.
tornar mais fácil para alguns seguirem. Aproveitar.
Bad Reputation - Freedy Johnston
Má reputação - Freedy Johnston
From "This Perfect World"
De "Este mundo perfeito"
(no warrantees expressed or implied - have fun)
(sem garantias expressas ou implícitas - divirta-se)
(1st verse:)
(1º verso:)
I know I got a bad repu - ta - tion
Eu sei que tenho uma má reputação
and it isn't just talk, talk, talk.
e não é só falar, falar, falar.
If I could only give you every - thing
Se eu pudesse te dar tudo
you know I haven't got...
você sabe que eu não tenho...
I couldn't have one conver -sa - tion
Eu não poderia ter uma conversão
if it wasn't for the lies, lies, lies
se não fosse pelas mentiras, mentiras, mentiras
And still I wanna tell you every - thing
E ainda assim eu quero te contar tudo
Em D (Refrain:)
Em D (refrão:)
`till I close my eyes. Sudden -ly I'm
`até eu fechar meus olhos. De repente estou
on the street, seven years dis - ap -
na rua, sete anos dis - ap -
pear be - low my feet. Been break - in'
pêra seja - abaixe meus pés. Fui arrombado
down. Do you want me now? Do you want me
para baixo. Você me quer agora? Você me quer
now? Sudden - ly I'm down in
agora? De repente, estou em baixo
Herald Square. Lookin' in the crowd your
Praça Arauto. Olhando na multidão, você
face is ever - y - where. Been turn - in'
rosto está sempre - y - onde. Foi entregue
`round. Do you want me now? Do you want me
`redondo. Você me quer agora? Você me quer
now?
agora?
(solo)
(sozinho)
(solo)
(sozinho)
(solo)
(sozinho)
(2nd verse:)
(2º verso:)
Don't try to be an inspiration.
Não tente ser uma inspiração.
Just waistin' your time, time, time.
Apenas desperdiçando seu tempo, tempo, tempo.
You know about the best I'll ever be
Você sabe sobre o melhor que eu já serei
I see it in your eyes.
Eu vejo isso em seus olhos.
I know I got a bad reputation
Eu sei que tenho uma má reputação
and it isn't just talk, talk, talk.
e não é só falar, falar, falar.
If I could only give you everything
Se eu pudesse te dar tudo
you know I haven't got.
você sabe que eu não tenho.
(Refrain:)
(Refrão:)
Suddenly I'm on the street.
De repente estou na rua.
Seven years disappear below my feet.
Sete anos desaparecem sob meus pés.
Been breakin' down.
Estou desmoronando.
Do you want me now?
Você me quer agora?
Do you want me now?
Você me quer agora?
Suddenly I'm in another place.
De repente estou em outro lugar.
Lookin' in the crowd I think I see your face.
Olhando no meio da multidão, acho que vejo seu rosto.
Been turnin' `round.
Tenho me virado.
Do you want me now?
Você me quer agora?
Do you want me now?
Você me quer agora?
(down, down, down)
(para baixo, para baixo, para baixo)
Do you want me now?
Você me quer agora?
Do you want me now?
Você me quer agora?
(down, down, down)
(para baixo, para baixo, para baixo)
Do you want me now?
Você me quer agora?
Do you want me now?
Você me quer agora?
Don't you think I've heard the talk?
Você não acha que ouvi a conversa?
Nobody's going to tell me who to love.
Ninguém vai me dizer quem amar.
Been breakin' down.
Estou desmoronando.
Do you want me now?
Você me quer agora?
Do you want me now?
Você me quer agora?
Suddenly I'm down in Herald Square.
De repente, estou na Herald Square.
Lookin' in the crowd your face is everywhere.
Olhando na multidão, seu rosto está em toda parte.
Just turnin' `round.
Apenas me virando.
Do you want me now?
Você me quer agora?
Do you want me now?
Você me quer agora?
Been breakin' down.
Estou desmoronando.
Do you want me now?
Você me quer agora?
Do you want me now?
Você me quer agora?
I'm just breakin
Estou apenas quebrando
down, down, down, down.
para baixo, para baixo, para baixo, para baixo.
Been breakin'
Estive quebrando
down, down, down, down. (Repeats and fades)
para baixo, para baixo, para baixo, para baixo. (Repete e desaparece)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, Administrador de Sistemas joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
NI|KA
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
De: joseph@sgi50.ctc.com (Norman PB Joseph)
Here's cut #2:
Aqui está o corte nº 2:
Evie's Tears - Freedy Johnston
As Lágrimas de Evie - Freedy Johnston
From "This Perfect World"
De "Este mundo perfeito"
(no warrantees expressed or implied - have fun)
(sem garantias expressas ou implícitas - divirta-se)
(intro)
(introdução)
(1st verse)
(1º verso)
In the middle of her con - fes - sion,
No meio de sua confissão,
he comes over and pulls her hair.
ele se aproxima e puxa o cabelo dela.
I wake up, she is crying.
Eu acordo, ela está chorando.
A E B7 E (chorus)
A E B7 E (refrão)
I guess he was here a - gain. Evie's
Acho que ele esteve aqui para ganhar. Evie
tears are ne - ver gon - na
lágrimas nunca vão - na
dry. E - vie's sec - ret
seco. E - segredo de vie - ret
tears burn this bed she
lágrimas queimam esta cama ela
comes to on - ly when its right.
só acontece quando está certo.
(night? light?)
(noite? luz?)
(2nd verse)
(2º verso)
We met in a lonely summer,
Nos conhecemos em um verão solitário,
two survivors of paradise.
dois sobreviventes do paraíso.
She ran off when I first touched her.
Ela fugiu quando a toquei pela primeira vez.
Now she wakes me every night.
Agora ela me acorda todas as noites.
(chorus)
(refrão)
Evie's tears are never gonna dry.
As lágrimas de Evie nunca vão secar.
Evie's secret tears
As lágrimas secretas de Evie
burn this bed she comes to only when its right.
queime esta cama para onde ela só vem quando está certo.
(1st bridge)
(1ª ponte)
Faith - less girl, you've been dreamin'.
Fé - menos garota, você está sonhando.
Star - ing up, your face is white with
Começando, seu rosto está branco de
fear. O - K, now I'm list - nin'.
medo. OK, agora estou na lista.
You're not mine and he's not here-------------|
Você não é meu e ele não está aqui -------------|
(solo for chorus)
(solo para refrão)
Now I'm list - nin'.
Agora estou na lista - nada.
You're not mine and he's not here-------------|
Você não é meu e ele não está aqui -------------|
(3rd verse)
(3º verso)
In the middle of Evie's garden,
No meio do jardim de Evie,
in a simple iron chair.
em uma simples cadeira de ferro.
Wind's blowin' and she is singin'.
O vento está soprando e ela está cantando.
Begs the moon to disappear.
Implora que a lua desapareça.
(chorus)
(refrão)
Evie's tears are never gonna dry.
As lágrimas de Evie nunca vão secar.
Evie's guilty tears
As lágrimas culpadas de Evie
burn this bed she comes to only when its right.
queime esta cama para onde ela só vem quando está certo.
Tears. Evie's tears. Evie's tears,
Lágrimas. As lágrimas de Evie. As lágrimas de Evie,
burn this bed she comes to only when its light.
queime esta cama para onde ela só vem quando está claro.
(2nd bridge)
(2ª ponte)
Catholic girl, you've been dreamin'.
Garota católica, você está sonhando.
Staring up, your face is white with fear.
Olhando para cima, seu rosto está branco de medo.
OK, now I'm listnin'.
OK, agora estou ouvindo.
E B (fades out...)
E B (desaparece...)
You're not mine and he's not here.
Você não é meu e ele não está aqui.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Norman Joseph, Administrador de Sistemas joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
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From rec.music.makers.guitar.tablature Mon Apr 24 18:21:16 1995
De rec.music.makers.guitar.tablature Seg, 24 de abril 18:21:16 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
De: joseph@sgi50.ctc.com (Norman PB Joseph)
Date: 24 Apr 1995 10:55:02 -0400
Data: 24 de abril de 1995 10:55:02 -0400
Newsgroups: rec.music.makers.guitar.tablature
N
Subject: CRD: Freedy Johnston: This Perfect World, 3/12
Here's cut #3:
Can't Sink This Town - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
E F#m Bm D (hold for count)
(one..., two..., three..., four...)
(solo over verse)
(1st verse)
A bare - foot whore
walk - in' by a fa - mous clock.
A - gainst her door,
wait - ing for the chimes to stop.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd glad - ly drown - than
let you leave me lone - ly.
(2nd verse)
She pulled the cord.
On a night like this she never works.
I said no more.
Do I think I'm understood with her?
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown.
I thought you said you were lonely?
(solo over verse)
(3rd verse)
Tell you what,
is a broken promise cheap enough?
It's all I got.
Looks so sad, talks to tough.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown
I thought you said you were lonely?
I thought you said you were lonely?
I thought you said you were lonely?
(solo over verse)
E Bm (hold & fade...)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:56:35 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 4/12
Here's cut #4:
This Perfect World - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
You might want to try a capo on the 4th fret and use the following
shapes instead of barring:
F for A
G for B
This seems to sound closest to the record. Or, you could practice
your barring technique :-). Or you could just find the chords without
a capo, but the sound won't be -quite- right, especially for the intro
arpeggios. But, hey, fool around: you're here to learn!
Try these chords (who knows what their -real- names are?):
(intro)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| | 1 - 1 - barre 1 - 1 - 1 1 barre 1 - 1 - 1 1 barre
(verses)
x-x-+-+-+-+ IV +-+-+-+-+-+ IV +-+-+-+-+-+ IV
| 1 - - - 1 barre | 1 - - - - barre 1 - 1 - 1 1 barre
(intro arpeggio)
(1st verse)
You ought to see your face.
You ought to hear your voice.
Last time I was here I
would - n't turn a - round.
You ought to lock that door.
Some - body might get in.
Didn't I teach you tha -
G#7+4 (chorus) E
- - t? This per -fect world.
So blue I Can't be - gin to
say. This per -fect world.
I know I ne - ver should have
gone a - wa - y.
But I still de - serve to
say good - bye no matt - er what I've
do - - - ne. No
matt - er what I've
F#m+6 (intro arpeggio)
done.
(2nd verse)
I see her in your face.
I hear her in your voice.
Last time I was here they'd found her in the lake.
You ought to see my scars.
You think I'm made of stone.
Didn't you tell me that--?
(chorus)
This perfect world. So blue I can't begin to say.
This perfect world. They say that soon I will be gone away.
But I still deserve to say goodbye no matter what I've done.
This perfect world.
This perfect world.
Now I've come around it's far too late.
And these pills won't even let me cry.
No one knows you even when your gone.
But I still deserve to say goodbye no matter what I've done - -.
F#m+6 (intro arpeggio) G#7+4 G#7
No matter what I've done.
(3rd verse)
You ought to see your face.
You ought to hear your voice.
Lock this after me - - -.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:57:46 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 5/12Here's cut #5:
Cold Again - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Sorry, I didn't have the patience to figure out the chords he's using
in this song, so I'll post the unadorned lyrics instead, and hope that
someone a little more talented can match up the right chords.
(intro)
(1st verse)
When I woke up, I was already evicted.
And when you say lie, do you think I believe anything?
(chorus)
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
(2nd verse)
When you walked up, I was lookin' at the wrong ___.
And now I'm locked out, I will be back in familiar spots.
(chorus)
Cold again, cold again, back alone before the end.
Cold again, cold again, do you really think I'd turn you in?
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
Keywords:
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 10:59:08 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 6/12
Here's cut #6:
Two Lovers - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
The "C+" chord below (I don't know what the proper name is) is an open C
chord with G on the top and an added A. This is how I finger it:
X===X======
I dunno, sounds pretty close to me. Corrections always welcome.
(intro)
Em C C+ (hold)
(1st verse)
Lovers cry, one last
kiss by the edge then hand in hand.
Two lovers stop their hearts,
Em C C+ (hold)
Bet - ter than to be a - part.
They had
run from her father to the high - est bri - dge.
Hold - ing to- gether as they jumped i - n.
(2nd verse)
Lovers fly on the hill where they once lay side by side.
Two lovers stop their hearts, better than to be apart.
(solo, follows intro chords)
She was rich, he was common, but she wouldn't say no.
Lying together on the rocks below.
They had run from her father to the highest bridge.
Holding together as they jumped in.
(3rd verse)
Lovers cry. One last kiss by the edge, then hand in hand.
Two lovers stop their hearts, better than to be apart.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
G Bm Em C C+ (hold)
Lovers cry. Lovers cry. Lovers cry.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:18 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:01:09 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 7/12
Here's cut #7:
Across The Avenue - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Though you've gone a - wa - - y,
I play your favo - rite songs.
In the blue and go - - ld,
with your dark glass - es on.
(chorus)
I al - ways think I see you
a - cross the a - ven - ue.
Walk - in' by where I lost you.
It's all I e - ver do.
(2nd verse)
You just walked a - wa - - y.
"We'll meet to - night." "O - K."
Go - in' a - gainst the li - - ght.
Run down in front of me.
I al - ways think I see you
a - cross the a - ven - ue.
Some day I'll come to meet you
on the o - ther side. A -
cross the A - ven - ue.
cross the A - ven - ue.
(solo)
(3rd verse)
Though you've gone away, I wear your favorite shirt.
Sitting in the sun, by the library lion.
(chorus)
I always think I see you across the avenue.
Someday I'll come to meet you on the other side.
Across the avenue.
Across the avenue.
Across the avenue.
Across the avenue.
(repeates and fades)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:02:21 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 8/12
Here's cut #8:
Gone Like The Water - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
red suit - case she'll ne - ver miss,
lea - ther coat he used to wear.
Think-in' tough, look-in' tired, with
D G (chorus)
momm - a's money and dadd - y's ring. He's
Go - ne like the wa - ter down to
N - Y - C.
Sleep-in' on the Eight-O - Two a -
long this river runn-in' down. He's
Go - ne like the wa - ter down the
de - pot drai - - n.
Dis - a - pear - in' in the city.
(2nd verse)
Twenty-four and goin' pale. Growin' out, cuttin' back.
Drew a face on a ticket stub with momma's hands and daddy's pen.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
(solo on verse & chorus)
(3rd verse)
Talk all night, cook all day. Lookin' for a new place to stay.
Thinkin' hard, lookin' bad, with momma's dollar in daddy's coat.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:03:29 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 9/12
Here's cut #9:
Delores - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
As best I can tell, this tune is really played a half step lower than
I've tabbed it here, that is, in Gb (F#?) rather than G. Adjust
accordingly, if so inclined.
(intro)
De -
(1st verse)
lores was her middle name. She'd
read the book & every - thing.
Now I know how old I am.
Have you ever seen that film?
Talkin' to a ho - tel mirror with my glasses
off.
Now you know just what he's cryin' about.
(2nd verse)
Delores was her middle name.
Dangling from a silver chain.
Where'd you learn to talk that way?
I look like James Mason's ghost.
Talking to a friend after school but you don't see
that she's really lookin' right at me. Yeah, yeah, yeah.
(solo on verse)
(3rd verse)
Delores was her middle name.
And now her mother's wonderin',
"If I could see my wrinkled face."
Paint her lovely toenails red.
Writin' all my problems in a secret little book.
Now I know just what he should have done.
Talkin' to me like I'm just a little late.
Now you know just what he's talkin' about--.
(solo)
Delores was her middle name.
Delores was her middle name. Yeah, yeah, yeah.
G / D / C / / / D / / / G (hold)
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:20 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:04:51 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 10/12
Here's cut #10:
Evie's Garden - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
Try fingerpicking these chord shapes for the intro and verse:
(intro)
G D open A, open D
X------------------------------|X-+-+-+-+ III X-X-+-+-+-+ II
| | | | 1-1 barre | | | 1---1-| barre
(intro)
|-------&-------2-------&-------3-------&-------4-------&-------|
(1st verse)
In the mid - dle of
E - vie' - s gar - den
was a rock she could
ne - ver move.
Worn a - way by a
faith - ful ha - nd 'till
no - one knows the
date.
(chorus)
Bring back the
rain, we'll go
walkin'. Mmm - mmm - -
mmm -- .
Bring back the
wind like you
do. Mmm - mmm - -
mmm -- .
(2nd verse)
Of the flowers in Evie's garden
one would never go out of bloom.
Planted over a well, forgotten.
Opened by the moon.
(chorus)
Bring back the rain we'll go walkin' Mmm mmm mmm.
Bring back the wind like you do. Mmm mmm mmm.
Bring back the rain to Evie's garden. Mmm mmm mmm.
I'm at the gate looking through.
(3rd verse)
In the middle of Evie's garden
was a rock she could never move.
Nearly buried in a night bloom angle.
Pale and smooth as skin.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:06:25 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 11/12
Here's cut #11:
Disappointed Man - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)
(1st verse)
Did you take your mother's name so
you could sleep more eas - i - ly?
She took you back too late and
now you ne - ver e - ven call.
Did you take that mon - ey drawer while
she was praying?
They said you dis - ap - peared
just like wa - ter down a drain.
(chorus)
Why'd you call me?
Must be bad.
Dis - ap - point - ed
man. Where've you been?
Hide your - self so
well in this city.
Dis - ap - point - ed
Am Am+C Dm (hold for count)
man.
///////////m
(2nd verse)
Did you sell your father's ring so you could stay one more night?
It shone like his glass eye in the worn, velvet case.
Did you fill this hired room with guilty words?
Your white piano hands flutter like poisoned birds.
(chorus)
Why'd you call me? Must be bad.
Disappointed man where've you been?
Hide yourself so well in this city.
Disappointed man where've you been?
Disappointed man where've you been?
Dm Dm+F G Am Am+C Dm (hold)
Disappointed man.
Norman Joseph, Systems Administrator joseph@ctc.com IC|XC
Concurrent Technologies Corporation 814/269.2633 --+--
NI|KA
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995
From: joseph@sgi50.ctc.com (Norman P. B. Joseph)
Date: 24 Apr 1995 11:07:30 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 12/12
Here's cut #12:
I Can Hear The Laughs - Freedy Johnston
From "This Perfect World"
(no warrantees expressed or implied - have fun)
(intro)