Ride the Lightning Liedtext Deutsche Übersetzung

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~~/ -~|| __||_ __// || | | | | | / __/| .\~~
~~/ -~|| __||_ __// || | | | | | / __/| .\~~
/ . . || __| | | / ' || |__| |__ | || (__ | \
/ . . || __| | | / ' || |__| |__ | || (__ | \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
Contents....
Inhalt....
1. Fight Fire With Fire : UNKNOWN
1. Feuer mit Feuer bekämpfen: UNBEKANNT
2. Ride The Lightning : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
2. Ride The Lightning: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
3. For Whom The Bell Tolls : Tim Scott
3. Für wen die Glocke schlägt: Tim Scott
4. Fade To Black : Carl Culpepper and A.J.Harsley
4. Fade To Black: Carl Culpepper und A.J.Harsley
5. Trapped Under Ice : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
5. Unter Eis gefangen: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Escape : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Flucht: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
7. Creeping Death : Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
7. Creeping Death: Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
8. The Call Of Ktulu : Kaz Shinyashiki (shinyash@fraser.sfu.ca)
8. Der Ruf von Ktulu: Kaz Shinyashiki (shinyash@fraser.sfu.ca)
Fight Fire With Fire
Feuer mit Feuer bekämpfen
CHORDS (EADgbe):
Akkorde (EADgbe):
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
INTRO: (Moderately,82 bpm.)
INTRO: (Mäßig, 82 bpm.)
Gtr.I (Two gtrs. arr. for one)
Gtr.I (Zwei Gtrs. arr. für einen)
Vol.Swell with increasing distortion (C)
Vol.Swell mit zunehmender Verzerrung (C)
Fast Rock (184 bpm.)
Fast Rock (184 bpm.)
Rhy. Fig.1
Rhy. Abb.1
(end Rhy. Fig.1)
(Ende Rhy. Abb.1)
(Gtr. II:1st time tacet, 2nd time play slashes,
(Gtr. II: 1. Mal Tacet, 2. Mal Schrägstriche spielen,
3rd and 4th times double Gtr. I)
3. und 4. Mal Doppel-Gtr. ich)
Rhy. Fig.2A (end Rhy. Fig.2A)
Rhy. Abb.2A (Ende Rhy. Abb.2A)
NC F#5 G5 NC F#5 F#5
NC F#5 G5 NC F#5 F#5
e e s s s s e s s e e e e s s s s q q
e e s s s s s s e e e s s s s q q
Rhy. Fig.2B (end Rhy. Fig.2B)
Rhy. Abb.2B (Ende Rhy. Abb.2B)
NC F#5 G5 NC F#5
NC F#5 G5 NC F#5
e e s s s s e s s e e e e s s s s e
e e s s s s s e e e s s s s e
%
%
w/Rhy. Fig.1 (2 times)
mit Rhy. Abb.1 (2 mal)
VERSE 1:
VERS 1:
Do__ un - to__ oth - ers__ as__ they've_ done_ to you.___
Tun_un-zu__anderen_wie__sie_dir_angetan_ haben.___
But__ what_ the__ hell is__ this__ world_ com - ing to?____
Aber__ was zum Teufel kommt auf diese Welt zu?____
w/Rhy. Fig. 2A w/Rhy. Fig.2B
mit Rhy. Abb. 2A mit Rhy. Abb.2B
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
_____________________
_____________________
VERSE 2:
VERS 2:
Blow the universe into nothingness.
Blasen Sie das Universum ins Nichts.
Nuclear warfare shall lay us to rest.
Der Atomkrieg wird uns zur Ruhe bringen.
VERSE 3:
VERS 3:
Time is like a fuse, short and burning fast.
Die Zeit ist wie eine Sicherung, kurz und schnell brennend.
Armageddon is here, like said in the past.
Armageddon ist da, wie bereits in der Vergangenheit gesagt wurde.
VERSE 4:
VERS 4:
Soon to fill our lungs, the hot winds of death.
Bald werden die heißen Winde des Todes unsere Lungen füllen.
The gods are laughing, so take your last breath.
Die Götter lachen, also nimm deinen letzten Atemzug.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Bekämpfe Feuer mit Feuer.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
End - ing is near.
Das Ende ist nahe.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Bekämpfe Feuer mit Feuer.
$ (2nd time to Coda I, 3rd time to Coda II)
$ (2. Mal zu Coda I, 3. Mal zu Coda II)
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Burst ing with fear. (Spoken:)We all shall die!
Voller Angst. (Gesprochen:)Wir werden alle sterben!
w/Rhy. Fig. 1 D.S.(no repeat) al Coda I (%)
mit Rhy. Abb. 1 D.S.(keine Wiederholung) al Coda I (%)
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
$ Coda I
$ Coda I
Half time feel (end half time feel)
Halbzeitgefühl (Gefühl am Ende der Halbzeit)
Rhy. Fig. 3
Rhy. Abb. 3
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E E s s s E E s E s E |
E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E |
(End Rhy. Fig. 3)
(Ende Rhy. Abb. 3)
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
Rhy. Fig. 4
Rhy. Abb. 4
E q E E q E | E q E E E q
E q E E q E | E q E E E q
(End Rhy. Fig. 4)
(Ende Rhy. Abb. 4)
E q E E q E | E q E E E q
E q E E q E | E q E E E q
w/Rhy. Fig.3 full full
mit Rhy. Abb.3 voll voll
s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s ss t t
s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s s t t
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
__3__
__3__
e q s s s e s e s s s e s e s s s s s s s s s s s s s s s s s
e q s s s s s s s s s s s s s s s s s s s s s s s s s s s
s s s s s s s e s s s s s s s e e q. e e. q. e e. q. e e q e e
s s s s s s s s s s s s s s e e q. e e. q. e e. q. e e q e e
full
voll
ssssssssssss
ssssssssssss
full full full full
voll voll voll voll
s s s s s s s s q q q q
s s s s s s s s q q q q
half
die Hälfte
q s s e s s s s s s s s s s s s s s s s s
q s s s s s s s s s s s s s s s s s s s s
sssssssssssss
ssssssssssss
w/Rhy. Fig. 4
mit Rhy. Abb. 4
s s s s s s s s s s s s s s e f
s s s s s s s s s s s s s s e f
Two Guitars *
Zwei Gitarren *
s
s
* Downstemmed guitar is notated to the right of slashes
* Downstem-Gitarre wird rechts von Schrägstrichen notiert
w/Rhy. Fig.3
mit Rhy. Abb.3
E E E E E E E E E q E E q E
E E E E E E E E E q E E q E
e s s s s e e q e e s s s s e
e s s s s e e q e s s s s e
E q s s E E E E E q s s E E E E E q.
E q s s E E E E E q s s E E E E E q.
______________________________________________
______________________________________________
e s s e s s e e e s s
e s s s s e e s s
___________________________________
___________________________________
E E E s s E E q
E E E s s E E q
Play Rhy.Fig.4 once.
Spielen Sie Rhy.Abb.4 einmal.
Decrease Volume and Distortion
Lautstärke und Verzerrung verringern
___________________________________________________________________
___________________________________________________________________
D.S.(no repeat) al Coda II (%)
D.S.(keine Wiederholung) al Coda II (%)
_____________________________________________________________________
_____________________________________________________________________
$
$
Coda II
Coda II
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Bekämpfe Feuer mit Feuer.
Play eight Times
Spielen Sie acht Mal
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight! (Sing first time only)
Kämpfe! (Nur beim ersten Mal singen)
w/Fill 2
mit Füllung 2
Fill 1
Füllen Sie 1
w/Feedback
mit Feedback
Fill 2
Füllen Sie 2
Harm. w/Trem. Bar
Schaden. mit Trem. Bar
Ride The Lightning
Reite den Blitz
Tuning Normal (E, A, G...)
Stimmung Normal (E, A, G...)
x=Couldn't find the note but it is there.
x=Die Notiz konnte nicht gefunden werden, ist aber vorhanden.
Start bit. May be two guitars. Can be approximated by playing the lower
Startbit. Möglicherweise zwei Gitarren. Kann durch Spielen der unteren angenähert werden
of the notes if need be. The bass can be approximated with open E (E|--0--)
der Notizen ggf. Der Bass kann mit offenem E angenähert werden
After start bit.
Middle/Backing in solo.
Just before "oh God help me, OH please god help me"
A riff close to the end.
For Whom The Bell Tolls
Transcription by Tim Scott
Edited by Brant Stoner
Rhythm A
(Lead over Rhythm transcribed for guitar...4x w/Rhythm A and 4x w/Rhythm B)
|-Z----------------|-----------------|-------------------------------------
Rhythm B 8x
4x Rhythm C
Rhythm D
2x Rhythm C 2x Rhythm D 2x
Rhythm C 2x Rhythm D 2x (slower..till fade)
I'm not sure if the notation is absolutely correct -- I wrote this down
a while ago. Z = rests. Parentheses around chords signify half/whole note
notation...
Fade To Black
Keyed in by A.J.Harsley
Notes by AJH:
I've tried to include as much information below as is given in the
original tablature. It might make it more difficult to understand but it's all
there if you want it. At the top of each section of tab is the chord for the
bar (bar lines included). I haven't included note lengths or rests. You'll have
to listen to the actual song and work them out for yourself. The bar lines
should give you an idea towards timing. The song's in 4/4 time, 116 bpm.
All tab markings are at the top of the tab. Markings used:
P - pull off.
H - hammer on.
T - tap - fret at note shown, tap at note in brackets.
.---. - sustained note.
sl - slide.
vibrato - vibrate string. (or use tremolo).
)\ - bend and release
) - string bend (usually full - f)
// - repeat previous beat (used for 1/16 notes)
'/, - repeat previous measure (bar)
x - rake - drag pick across strings shown from low to high
Bm(flat 6) Bm/A Bm(flat 6) A/C#
Rhy. Fig 1 (acoustic guitar) end Rhy Fig 1
| Elec Gtr. w/flanger or chorus |
w/Rhy Fig 1 (4 times)
Bm(flat 6) Bm/A Bm(flat 6)
sl .---. ' P P sl H P `
A/C# Bm(flat 6) Bm/A Bm(flat 6) A/C#
H .---. sl P sl vibrato
B |-7--8--7-----7-------|-------------|---------8|-7------------8/|10^^^^^^^^-|
Bm(flat 6) full )\
P / \ vibrato
G |--------|------------16--------------14--------------16--14-|(14)^^^^^^^^--|
Bm(flat 6) A/C#
H vibrato H H P H
D |---------14^^^^^^^^--14--16-|---------------------------------------|------|
Bm(flat 6_ Bm/A
vibrato
G |-----------------------|--------16^^^^^^^^---------|--------14-------------|
Bm(flat 6) A/C# F6 E/G# E/B
H P


Am C G
H T T T
| Rhy. Fig. 2 |
| H H H |
T T
| sl H H H |
T T T
| H P sl |
FILL 2 FILL 3
1st,2nd verses
w/Rhy. Fig. 2
1. Life it seems will fade away, drifting further every day.
2. Things not what they used to be, missing one inside of me.
1. Getting lost within myself, nothing matters, no one else.
2. Deathly lost, this can't be real, cannot stand this hell I feel.
W/Rhy. Fig 2 (1st 7 bars only)
1. I have lost the will to live, simply nothing more to give.
2. Emptiness is filling me, to the point of agony.
1. There is nothing more for me. Need the end to set__
2. Growing darkness taking dawn, I was me, but now__
w/Fill 3
1.|__me free
2.|__ he's gone____________.
w/Rhy. Fig. 2
sl sl
Gtr 1 B |-10^^^^^^--10--12-|-13^^^^^^--13/15--13--12-|-----------------|
Gtr 2 G |--9^^^^^^---9--11-|-12^^^^^^--12/14--12--11-|-12^^^^^^--12/14-|
D |------------------|-------------------------|-12^^^^^^--12/14-|
Em Am C full )\
sl sl sl / \
B |----------------------|------------------12-|-13^^^^^^--15------13----|
G |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14--11-|-12^^^^^^--14------12----|
D |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14-----|-------------------------|
full (Gtr I + II)
B |-15--15--15--15-|-(15)^^^^^^-----------|
G |-14--14--14--14-|-(14)^^^^^^-----------|
Rhy. Fig. 3
Faster 144 bpm
sl sl
sl sl
w/Rhy. Fig. 3
1. No one but me can save myself but it's too late
2. Yesterday seems as though it never existed
1. Now I can't think, think why I should even try.
2. Death greats me warm, now I will just say goodbye.
w/Rhy. Fig. 3
sl sl
Gtr I B |-7/8--9--8^^^^^^-|-7/8--8--12--10^^^^^^-|-7--7-----------12--12-|
G |-----------------|----------------------|-------7^^^^^^---------|
Gtr II D |-7/9--9--9^^^^^^-|-7/9--9--12--11^^^^^^-|-7--7--7^^^^^^--12--12-|
N.C. (no chord) D5 E5 D5 E5 G5 F#5
sl sl
B |-12--10--10--10--8--8--8--7--7--7----|-7/8--8--8^^^^^^-|-7/8--8--12--10^^^^|
D |-12--11--11--11--9--9--9--7--7--7--9-|-7/9--9--9^^^^^^-|-7/9--9--12--10^^^^|
D5 N.C.
Gtr I G |-11--11--11^^^^^^--7--7-|-7----6--6--6----4--4--4----2--2--2----4-||
Gtr II D |--7---7---8^^^^^^-------|-----------------------------------------||
Gtr II A |--9---9---9^^^^^^-------|-----------------------------------------||
N.C. E5 N.C. G5 F#5 N.C. D
Rhy. Fig. 4
Two Gtrs. Gtr II to left of !
Riff A Gtr I A5
sl sl
D |------/4--2!5-|-(2/5)--4--2--------------|----/4--2!5-|-(2!5)--4--2--------|
A |-2!5----------|--------5--4--2!5--4------|-4----------|--------5--4--2/5---|
E |--------------|-------------------5--2!5-|-5----------|--------------------|
sl sl
D |--------|----/4--2!5-|-(2!5)--4--2--------------|----/4--2!5-|
A |-4------|-2----------|--------5--4--2!5--4------|-4----------|
E |-5--2/5-|-3----------|-------------------5--2!5-|-5----------|
w/Rhy. Fig. 4 & Riff A (till fade)