Ride the Lightning Letra Traducción al Español

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.-~ / ____ ______ __ _ _ _ ____| ~-._
~~/ -~|| __||_ __// || | | | | | / __/| .\~~
~~/ -~|| __||_ __// || | | | | | / __/| .\~~
/ . . || __| | | / ' || |__| |__ | || (__ | \
/ . . || __| | | /' || |__| |__ | || (__ | \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
Contents....
Contenido....
1. Fight Fire With Fire : UNKNOWN
1. Combatir el fuego con fuego: DESCONOCIDO
2. Ride The Lightning : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
2. Monta el relámpago: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
3. For Whom The Bell Tolls : Tim Scott
3. Por quién doblan las campanas: Tim Scott
4. Fade To Black : Carl Culpepper and A.J.Harsley
4. Fundido a negro: Carl Culpepper y A.J.Harsley
5. Trapped Under Ice : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
5. Atrapado bajo el hielo: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Escape : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Escape: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
7. Creeping Death : Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
7. Muerte progresiva: Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
8. The Call Of Ktulu : Kaz Shinyashiki (shinyash@fraser.sfu.ca)
8. La llamada de Ktulu: Kaz Shinyashiki (shinyash@fraser.sfu.ca)
Fight Fire With Fire
Combatir el fuego con fuego
CHORDS (EADgbe):
ACORDES (EADgbe):
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
La=(5xxxxx), Sol=(3xxxxx), F#=(2xxxxx)
INTRO: (Moderately,82 bpm.)
INTRODUCCIÓN: (Moderadamente, 82 bpm.)
Gtr.I (Two gtrs. arr. for one)
Gtr.I (Dos gtrs. arreglados para uno)
Vol.Swell with increasing distortion (C)
Vol.Swell con distorsión creciente (C)
Fast Rock (184 bpm.)
Rock rápido (184 bpm.)
Rhy. Fig.1
Rhy. Fig.1
(end Rhy. Fig.1)
(fin de Rhy. Fig.1)
(Gtr. II:1st time tacet, 2nd time play slashes,
(Gtr. II: tacet por primera vez, barras de juego por segunda vez,
3rd and 4th times double Gtr. I)
3º y 4º veces doble Gtr. yo)
Rhy. Fig.2A (end Rhy. Fig.2A)
Rhy. Fig.2A (final de la rima. Fig.2A)
NC F#5 G5 NC F#5 F#5
NC Fa#5 G5 NC Fa#5 Fa#5
e e s s s s e s s e e e e s s s s q q
e e e e s s s e s e e e e s s s s q q
Rhy. Fig.2B (end Rhy. Fig.2B)
Rhy. Fig.2B (final Rhy. Fig.2B)
NC F#5 G5 NC F#5
NC Fa#5 G5 NC Fa#5
e e s s s s e s s e e e e s s s s e
e e s s s e s e e e e s s s e
%
%
w/Rhy. Fig.1 (2 times)
con Rhy. Fig.1 (2 veces)
VERSE 1:
VERSO 1:
Do__ un - to__ oth - ers__ as__ they've_ done_ to you.___
Haz__ un - to__ otros__ como__ te_ han hecho_ a ti.___
But__ what_ the__ hell is__ this__ world_ com - ing to?____
¿Pero a qué diablos está llegando este mundo?
w/Rhy. Fig. 2A w/Rhy. Fig.2B
con Rhy. Fig. 2A con Rhy. Figura 2B
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
_____________________
_____________________
VERSE 2:
VERSO 2:
Blow the universe into nothingness.
Sopla el universo hasta la nada.
Nuclear warfare shall lay us to rest.
La guerra nuclear nos hará descansar.
VERSE 3:
VERSO 3:
Time is like a fuse, short and burning fast.
El tiempo es como una mecha, corta y que arde rápidamente.
Armageddon is here, like said in the past.
El Armagedón está aquí, como se dijo en el pasado.
VERSE 4:
VERSO 4:
Soon to fill our lungs, the hot winds of death.
Pronto para llenar nuestros pulmones, los vientos calientes de la muerte.
The gods are laughing, so take your last breath.
Los dioses se ríen, así que toma tu último aliento.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Sib5 Si5 Sib5
Fight fi - re with fi - re.
Combatir el fuego con fuego.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Sib5 Si5 Sib5
End - ing is near.
El final está cerca.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Sib5 Si5 Sib5
Fight fi - re with fi - re.
Combatir el fuego con fuego.
$ (2nd time to Coda I, 3rd time to Coda II)
$ (2ª vez a Coda I, 3ª vez a Coda II)
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Sib5 Si5 Sib5
Burst ing with fear. (Spoken:)We all shall die!
Estallando de miedo. (Hablado:) ¡Todos moriremos!
w/Rhy. Fig. 1 D.S.(no repeat) al Coda I (%)
con Rhy. Fig. 1 D.S.(sin repetición) al Coda I (%)
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
$ Coda I
$ Coda I
Half time feel (end half time feel)
Sensación de medio tiempo (sensación de final de medio tiempo)
Rhy. Fig. 3
Rhy. figura 3
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E E s s s E E s E s E |
E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E |
(End Rhy. Fig. 3)
(Fin de la rima. Fig. 3)
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
Rhy. Fig. 4
Rhy. Figura 4
E q E E q E | E q E E E q
mi q mi mi q mi | mi q mi mi mi q
(End Rhy. Fig. 4)
(Fin de la rima. Fig. 4)
E q E E q E | E q E E E q
mi q mi mi q mi | mi q mi mi mi q
w/Rhy. Fig.3 full full
con Rhy. Fig.3 lleno lleno
s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s ss t t
s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s s t t
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
__3__
__3__
e q s s s e s e s s s e s e s s s s s s s s s s s s s s s s s
e q s s s e s s s e s e s s s s s s s s s s s s s s s
s s s s s s s e s s s s s s s e e q. e e. q. e e. q. e e q e e
s s s s s s s e s s s s s s s e e q. e e. q. e e. q. e e q e e
full
lleno
ssssssssssss
ssssssssssss
full full full full
lleno lleno lleno lleno
s s s s s s s s q q q q
s s s s s s s q q q q
half
la mitad
q s s e s s s s s s s s s s s s s s s s s
q s s e s s s s s s s s s s s s s s s
sssssssssssss
sssssssssssss
w/Rhy. Fig. 4
con Rhy. Figura 4
s s s s s s s s s s s s s s e f
ss s s s s s s s s s s s e f
Two Guitars *
Dos guitarras *
s
s
* Downstemmed guitar is notated to the right of slashes
* La guitarra con tallo bajo está anotada a la derecha de las barras.
w/Rhy. Fig.3
con Rhy. Fig.3
E E E E E E E E E q E E q E
E E E E E E E E E q E E q E
e s s s s e e q e e s s s s e
e s s s e e q e e s s s e
E q s s E E E E E q s s E E E E E q.
E q s s E E E E E q s s E E E E E q.
______________________________________________
______________________________________________
e s s e s s e e e s s
e s s e s e e e s s
___________________________________
___________________________________
E E E s s E E q
E E E s s E E q
Play Rhy.Fig.4 once.
Toca Rhy.Fig.4 una vez.
Decrease Volume and Distortion
Disminuir el volumen y la distorsión
___________________________________________________________________
___________________________________________________________________
D.S.(no repeat) al Coda II (%)
D.S.(sin repetición) al Coda II (%)
_____________________________________________________________________
_______________________________________________________________________
$
$
Coda II
Coda II
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Sib5 Si5 Sib5
Fight fi - re with fi - re.
Combatir el fuego con fuego.
Play eight Times
Juega ocho veces
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Sib5 Si5 Sib5
Fight! (Sing first time only)
¡Lucha! (Canta solo la primera vez)
w/Fill 2
con relleno 2
Fill 1
Llenar 1
w/Feedback
con comentarios
Fill 2
Llenar 2
Harm. w/Trem. Bar
Daño. con temblor. barra
Ride The Lightning
Montar el relámpago
Tuning Normal (E, A, G...)
Afinación normal (E, A, G...)
x=Couldn't find the note but it is there.
x=No se pudo encontrar la nota pero está ahí.
Start bit. May be two guitars. Can be approximated by playing the lower
Bit de inicio. Pueden ser dos guitarras. Se puede aproximar tocando la parte inferior.
of the notes if need be. The bass can be approximated with open E (E|--0--)
de las notas si es necesario. El bajo se puede aproximar con E abierto.
After start bit.
Middle/Backing in solo.
Just before "oh God help me, OH please god help me"
A riff close to the end.
For Whom The Bell Tolls
Transcription by Tim Scott
Edited by Brant Stoner
Rhythm A
(Lead over Rhythm transcribed for guitar...4x w/Rhythm A and 4x w/Rhythm B)
|-Z----------------|-----------------|-------------------------------------
Rhythm B 8x
4x Rhythm C
Rhythm D
2x Rhythm C 2x Rhythm D 2x
Rhythm C 2x Rhythm D 2x (slower..till fade)
I'm not sure if the notation is absolutely correct -- I wrote this down
a while ago. Z = rests. Parentheses around chords signify half/whole note
notation...
Fade To Black
Keyed in by A.J.Harsley
Notes by AJH:
I've tried to include as much information below as is given in the
original tablature. It might make it more difficult to understand but it's all
there if you want it. At the top of each section of tab is the chord for the
bar (bar lines included). I haven't included note lengths or rests. You'll have
to listen to the actual song and work them out for yourself. The bar lines
should give you an idea towards timing. The song's in 4/4 time, 116 bpm.
All tab markings are at the top of the tab. Markings used:
P - pull off.
H - hammer on.
T - tap - fret at note shown, tap at note in brackets.
.---. - sustained note.
sl - slide.
vibrato - vibrate string. (or use tremolo).
)\ - bend and release
) - string bend (usually full - f)
// - repeat previous beat (used for 1/16 notes)
'/, - repeat previous measure (bar)
x - rake - drag pick across strings shown from low to high
Bm(flat 6) Bm/A Bm(flat 6) A/C#
Rhy. Fig 1 (acoustic guitar) end Rhy Fig 1
| Elec Gtr. w/flanger or chorus |
w/Rhy Fig 1 (4 times)
Bm(flat 6) Bm/A Bm(flat 6)
sl .---. ' P P sl H P `
A/C# Bm(flat 6) Bm/A Bm(flat 6) A/C#
H .---. sl P sl vibrato
B |-7--8--7-----7-------|-------------|---------8|-7------------8/|10^^^^^^^^-|
Bm(flat 6) full )\
P / \ vibrato
G |--------|------------16--------------14--------------16--14-|(14)^^^^^^^^--|
Bm(flat 6) A/C#
H vibrato H H P H
D |---------14^^^^^^^^--14--16-|---------------------------------------|------|
Bm(flat 6_ Bm/A
vibrato
G |-----------------------|--------16^^^^^^^^---------|--------14-------------|
Bm(flat 6) A/C# F6 E/G# E/B
H P


Am C G
H T T T
| Rhy. Fig. 2 |
| H H H |
T T
| sl H H H |
T T T
| H P sl |
FILL 2 FILL 3
1st,2nd verses
w/Rhy. Fig. 2
1. Life it seems will fade away, drifting further every day.
2. Things not what they used to be, missing one inside of me.
1. Getting lost within myself, nothing matters, no one else.
2. Deathly lost, this can't be real, cannot stand this hell I feel.
W/Rhy. Fig 2 (1st 7 bars only)
1. I have lost the will to live, simply nothing more to give.
2. Emptiness is filling me, to the point of agony.
1. There is nothing more for me. Need the end to set__
2. Growing darkness taking dawn, I was me, but now__
w/Fill 3
1.|__me free
2.|__ he's gone____________.
w/Rhy. Fig. 2
sl sl
Gtr 1 B |-10^^^^^^--10--12-|-13^^^^^^--13/15--13--12-|-----------------|
Gtr 2 G |--9^^^^^^---9--11-|-12^^^^^^--12/14--12--11-|-12^^^^^^--12/14-|
D |------------------|-------------------------|-12^^^^^^--12/14-|
Em Am C full )\
sl sl sl / \
B |----------------------|------------------12-|-13^^^^^^--15------13----|
G |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14--11-|-12^^^^^^--14------12----|
D |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14-----|-------------------------|
full (Gtr I + II)
B |-15--15--15--15-|-(15)^^^^^^-----------|
G |-14--14--14--14-|-(14)^^^^^^-----------|
Rhy. Fig. 3
Faster 144 bpm
sl sl
sl sl
w/Rhy. Fig. 3
1. No one but me can save myself but it's too late
2. Yesterday seems as though it never existed
1. Now I can't think, think why I should even try.
2. Death greats me warm, now I will just say goodbye.
w/Rhy. Fig. 3
sl sl
Gtr I B |-7/8--9--8^^^^^^-|-7/8--8--12--10^^^^^^-|-7--7-----------12--12-|
G |-----------------|----------------------|-------7^^^^^^---------|
Gtr II D |-7/9--9--9^^^^^^-|-7/9--9--12--11^^^^^^-|-7--7--7^^^^^^--12--12-|
N.C. (no chord) D5 E5 D5 E5 G5 F#5
sl sl
B |-12--10--10--10--8--8--8--7--7--7----|-7/8--8--8^^^^^^-|-7/8--8--12--10^^^^|
D |-12--11--11--11--9--9--9--7--7--7--9-|-7/9--9--9^^^^^^-|-7/9--9--12--10^^^^|
D5 N.C.
Gtr I G |-11--11--11^^^^^^--7--7-|-7----6--6--6----4--4--4----2--2--2----4-||
Gtr II D |--7---7---8^^^^^^-------|-----------------------------------------||
Gtr II A |--9---9---9^^^^^^-------|-----------------------------------------||
N.C. E5 N.C. G5 F#5 N.C. D
Rhy. Fig. 4
Two Gtrs. Gtr II to left of !
Riff A Gtr I A5
sl sl
D |------/4--2!5-|-(2/5)--4--2--------------|----/4--2!5-|-(2!5)--4--2--------|
A |-2!5----------|--------5--4--2!5--4------|-4----------|--------5--4--2/5---|
E |--------------|-------------------5--2!5-|-5----------|--------------------|
sl sl
D |--------|----/4--2!5-|-(2!5)--4--2--------------|----/4--2!5-|
A |-4------|-2----------|--------5--4--2!5--4------|-4----------|
E |-5--2/5-|-3----------|-------------------5--2!5-|-5----------|
w/Rhy. Fig. 4 & Riff A (till fade)