Ride the Lightning Paroles Traduction Française

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/ . . || __| | | / ' || |__| |__ | || (__ | \
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/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
Contents....
Contenu....
1. Fight Fire With Fire : UNKNOWN
1. Combattre le feu par le feu : INCONNU
2. Ride The Lightning : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
2. Montez sur le Lightning : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
3. For Whom The Bell Tolls : Tim Scott
3. Pour qui sonne le glas : Tim Scott
4. Fade To Black : Carl Culpepper and A.J.Harsley
4. Fondu au noir : Carl Culpepper et A.J.Harsley
5. Trapped Under Ice : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
5. Piégé sous la glace : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Escape : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Évasion : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
7. Creeping Death : Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
7. Mort rampante : Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
8. The Call Of Ktulu : Kaz Shinyashiki (shinyash@fraser.sfu.ca)
8. L'appel de Ktulu : Kaz Shinyashiki (shinyash@fraser.sfu.ca)
Fight Fire With Fire
Combattre le feu par le feu
CHORDS (EADgbe):
ACCORDS (EADgbe):
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
Fa#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
INTRO: (Moderately,82 bpm.)
INTRO : (Modérément, 82 bpm.)
Gtr.I (Two gtrs. arr. for one)
Gtr.I (Deux RTM. arr. pour un)
Vol.Swell with increasing distortion (C)
Vol.Swell avec une distorsion croissante (C)
Fast Rock (184 bpm.)
Fast Rock (184 bpm.)
Rhy. Fig.1
Rhy. Figure 1
(end Rhy. Fig.1)
(fin Rhy. Fig.1)
(Gtr. II:1st time tacet, 2nd time play slashes,
(Gtr. II : 1ère fois, jouer des barres obliques pour la 2ème fois,
3rd and 4th times double Gtr. I)
3ème et 4ème fois double Gtr. je)
Rhy. Fig.2A (end Rhy. Fig.2A)
Rhy. Fig.2A (fin Rhy. Fig.2A)
NC F#5 G5 NC F#5 F#5
NC Fa#5 Sol5 NC Fa#5 Fa#5
e e s s s s e s s e e e e s s s s q q
e e s s s s s e e e s s s q q
Rhy. Fig.2B (end Rhy. Fig.2B)
Rhy. Fig.2B (fin Rhy. Fig.2B)
NC F#5 G5 NC F#5
NC Fa#5 Sol5 NC Fa#5
e e s s s s e s s e e e e s s s s e
e e s s s s e e e s s s e
%
%
w/Rhy. Fig.1 (2 times)
avec Rhy. Fig.1 (2 fois)
VERSE 1:
VERSET 1 :
Do__ un - to__ oth - ers__ as__ they've_ done_ to you.___
Faites__ aux__ autres__ comme__ ils vous ont_ fait_.___
But__ what_ the__ hell is__ this__ world_ com - ing to?____
Mais__ vers quoi_ diable ce__ monde_ arrive-t-il ?____
w/Rhy. Fig. 2A w/Rhy. Fig.2B
avec Rhy. Figure 2A avec Rhy. Figure 2B
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
_____________________
_____________________
VERSE 2:
VERSET 2 :
Blow the universe into nothingness.
Soufflez l'univers dans le néant.
Nuclear warfare shall lay us to rest.
La guerre nucléaire nous apportera le repos.
VERSE 3:
VERSET 3 :
Time is like a fuse, short and burning fast.
Le temps est comme un fusible, court et brûlant rapidement.
Armageddon is here, like said in the past.
Armageddon est là, comme on l'a dit dans le passé.
VERSE 4:
VERSET 4 :
Soon to fill our lungs, the hot winds of death.
Bientôt pour remplir nos poumons, les vents chauds de la mort.
The gods are laughing, so take your last breath.
Les dieux rient, alors respirez votre dernier souffle.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Combattez le feu par le feu.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
End - ing is near.
La fin est proche.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Combattez le feu par le feu.
$ (2nd time to Coda I, 3rd time to Coda II)
$ (2ème fois à Coda I, 3ème fois à Coda II)
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Burst ing with fear. (Spoken:)We all shall die!
Débordant de peur. (Parlé :) Nous allons tous mourir !
w/Rhy. Fig. 1 D.S.(no repeat) al Coda I (%)
avec Rhy. Fig. 1 D.S. (pas de répétition) al Coda I (%)
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
||: NC G5 NC F#5 | NC G5 NC Fa#5 | NC G5 NC Fa#5 | NC G5 NC F#5 NC F5 :||
$ Coda I
$ Coda I
Half time feel (end half time feel)
Sensation de mi-temps (sensation de fin de mi-temps)
Rhy. Fig. 3
Rhy. Figure 3
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E E s s s E E s E s E |
E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E |
(End Rhy. Fig. 3)
(Fin du Rhy. Fig. 3)
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
Rhy. Fig. 4
Rhy. Figure 4
E q E E q E | E q E E E q
E q E E q E | E q E E E q
(End Rhy. Fig. 4)
(Fin du Rhy. Fig. 4)
E q E E q E | E q E E E q
E q E E q E | E q E E E q
w/Rhy. Fig.3 full full
avec Rhy. Fig.3 plein plein
s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s ss t t
sssssssssssssssssssssssssssssssssssssse. s s ss t t
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s e
__3__
__3__
e q s s s e s e s s s e s e s s s s s s s s s s s s s s s s s
e q s s s s s s s s s s s s s s s s s s s s s s
s s s s s s s e s s s s s s s e e q. e e. q. e e. q. e e q e e
s s s s s s s s s s s s e e q. e e. q. e e. q. e e q e e
full
plein
ssssssssssss
ssssssssssss
full full full full
plein plein plein plein
s s s s s s s s q q q q
s s s s s s s q q q q
half
la moitié
q s s e s s s s s s s s s s s s s s s s s
q s s s s s s s s s s s s s s s s s
sssssssssssss
sssssssssssss
w/Rhy. Fig. 4
avec Rhy. Figure 4
s s s s s s s s s s s s s s e f
s s s s s s s s s s s s s e f
Two Guitars *
Deux guitares *
s
s
* Downstemmed guitar is notated to the right of slashes
* La guitare à tige basse est notée à droite des barres obliques
w/Rhy. Fig.3
avec Rhy. Figure 3
E E E E E E E E E q E E q E
E E E E E E E E E q E E q E
e s s s s e e q e e s s s s e
e s s s e e q e e s s s e
E q s s E E E E E q s s E E E E E q.
E q s s E E E E E q s s E E E E E q.
______________________________________________
____________________________________________________________
e s s e s s e e e s s
e s e s voir e e s s
___________________________________
___________________________________
E E E s s E E q
E E E s s E E q
Play Rhy.Fig.4 once.
Jouez à Rhy.Fig.4 une fois.
Decrease Volume and Distortion
Diminuer le volume et la distorsion
___________________________________________________________________
_________________________________________________________________________________
D.S.(no repeat) al Coda II (%)
D.S. (pas de répétition) al Coda II (%)
_____________________________________________________________________
_____________________________________________________________________
$
$
Coda II
Coda II
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Combattez le feu par le feu.
Play eight Times
Jouez huit fois
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight! (Sing first time only)
Combattez ! (Chantez pour la première fois seulement)
w/Fill 2
avec remplissage 2
Fill 1
Remplir 1
w/Feedback
avec commentaires
Fill 2
Remplissez 2
Harm. w/Trem. Bar
Dommage. avec Trem. Barre
Ride The Lightning
Chevauchez la foudre
Tuning Normal (E, A, G...)
Accordage normal (E, A, G...)
x=Couldn't find the note but it is there.
x=Impossible de trouver la note mais elle est là.
Start bit. May be two guitars. Can be approximated by playing the lower
Commencez un peu. Peut-être deux guitares. Peut être approché en jouant le plus bas
of the notes if need be. The bass can be approximated with open E (E|--0--)
des notes si nécessaire. La basse peut être approchée avec un E ouvert
After start bit.
Middle/Backing in solo.
Just before "oh God help me, OH please god help me"
A riff close to the end.
For Whom The Bell Tolls
Transcription by Tim Scott
Edited by Brant Stoner
Rhythm A
(Lead over Rhythm transcribed for guitar...4x w/Rhythm A and 4x w/Rhythm B)
|-Z----------------|-----------------|-------------------------------------
Rhythm B 8x
4x Rhythm C
Rhythm D
2x Rhythm C 2x Rhythm D 2x
Rhythm C 2x Rhythm D 2x (slower..till fade)
I'm not sure if the notation is absolutely correct -- I wrote this down
a while ago. Z = rests. Parentheses around chords signify half/whole note
notation...
Fade To Black
Keyed in by A.J.Harsley
Notes by AJH:
I've tried to include as much information below as is given in the
original tablature. It might make it more difficult to understand but it's all
there if you want it. At the top of each section of tab is the chord for the
bar (bar lines included). I haven't included note lengths or rests. You'll have
to listen to the actual song and work them out for yourself. The bar lines
should give you an idea towards timing. The song's in 4/4 time, 116 bpm.
All tab markings are at the top of the tab. Markings used:
P - pull off.
H - hammer on.
T - tap - fret at note shown, tap at note in brackets.
.---. - sustained note.
sl - slide.
vibrato - vibrate string. (or use tremolo).
)\ - bend and release
) - string bend (usually full - f)
// - repeat previous beat (used for 1/16 notes)
'/, - repeat previous measure (bar)
x - rake - drag pick across strings shown from low to high
Bm(flat 6) Bm/A Bm(flat 6) A/C#
Rhy. Fig 1 (acoustic guitar) end Rhy Fig 1
| Elec Gtr. w/flanger or chorus |
w/Rhy Fig 1 (4 times)
Bm(flat 6) Bm/A Bm(flat 6)
sl .---. ' P P sl H P `
A/C# Bm(flat 6) Bm/A Bm(flat 6) A/C#
H .---. sl P sl vibrato
B |-7--8--7-----7-------|-------------|---------8|-7------------8/|10^^^^^^^^-|
Bm(flat 6) full )\
P / \ vibrato
G |--------|------------16--------------14--------------16--14-|(14)^^^^^^^^--|
Bm(flat 6) A/C#
H vibrato H H P H
D |---------14^^^^^^^^--14--16-|---------------------------------------|------|
Bm(flat 6_ Bm/A
vibrato
G |-----------------------|--------16^^^^^^^^---------|--------14-------------|
Bm(flat 6) A/C# F6 E/G# E/B
H P


Am C G
H T T T
| Rhy. Fig. 2 |
| H H H |
T T
| sl H H H |
T T T
| H P sl |
FILL 2 FILL 3
1st,2nd verses
w/Rhy. Fig. 2
1. Life it seems will fade away, drifting further every day.
2. Things not what they used to be, missing one inside of me.
1. Getting lost within myself, nothing matters, no one else.
2. Deathly lost, this can't be real, cannot stand this hell I feel.
W/Rhy. Fig 2 (1st 7 bars only)
1. I have lost the will to live, simply nothing more to give.
2. Emptiness is filling me, to the point of agony.
1. There is nothing more for me. Need the end to set__
2. Growing darkness taking dawn, I was me, but now__
w/Fill 3
1.|__me free
2.|__ he's gone____________.
w/Rhy. Fig. 2
sl sl
Gtr 1 B |-10^^^^^^--10--12-|-13^^^^^^--13/15--13--12-|-----------------|
Gtr 2 G |--9^^^^^^---9--11-|-12^^^^^^--12/14--12--11-|-12^^^^^^--12/14-|
D |------------------|-------------------------|-12^^^^^^--12/14-|
Em Am C full )\
sl sl sl / \
B |----------------------|------------------12-|-13^^^^^^--15------13----|
G |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14--11-|-12^^^^^^--14------12----|
D |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14-----|-------------------------|
full (Gtr I + II)
B |-15--15--15--15-|-(15)^^^^^^-----------|
G |-14--14--14--14-|-(14)^^^^^^-----------|
Rhy. Fig. 3
Faster 144 bpm
sl sl
sl sl
w/Rhy. Fig. 3
1. No one but me can save myself but it's too late
2. Yesterday seems as though it never existed
1. Now I can't think, think why I should even try.
2. Death greats me warm, now I will just say goodbye.
w/Rhy. Fig. 3
sl sl
Gtr I B |-7/8--9--8^^^^^^-|-7/8--8--12--10^^^^^^-|-7--7-----------12--12-|
G |-----------------|----------------------|-------7^^^^^^---------|
Gtr II D |-7/9--9--9^^^^^^-|-7/9--9--12--11^^^^^^-|-7--7--7^^^^^^--12--12-|
N.C. (no chord) D5 E5 D5 E5 G5 F#5
sl sl
B |-12--10--10--10--8--8--8--7--7--7----|-7/8--8--8^^^^^^-|-7/8--8--12--10^^^^|
D |-12--11--11--11--9--9--9--7--7--7--9-|-7/9--9--9^^^^^^-|-7/9--9--12--10^^^^|
D5 N.C.
Gtr I G |-11--11--11^^^^^^--7--7-|-7----6--6--6----4--4--4----2--2--2----4-||
Gtr II D |--7---7---8^^^^^^-------|-----------------------------------------||
Gtr II A |--9---9---9^^^^^^-------|-----------------------------------------||
N.C. E5 N.C. G5 F#5 N.C. D
Rhy. Fig. 4
Two Gtrs. Gtr II to left of !
Riff A Gtr I A5
sl sl
D |------/4--2!5-|-(2/5)--4--2--------------|----/4--2!5-|-(2!5)--4--2--------|
A |-2!5----------|--------5--4--2!5--4------|-4----------|--------5--4--2/5---|
E |--------------|-------------------5--2!5-|-5----------|--------------------|
sl sl
D |--------|----/4--2!5-|-(2!5)--4--2--------------|----/4--2!5-|
A |-4------|-2----------|--------5--4--2!5--4------|-4----------|
E |-5--2/5-|-3----------|-------------------5--2!5-|-5----------|
w/Rhy. Fig. 4 & Riff A (till fade)