Ride the Lightning Testo Traduzione Italiana

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/ . . || __| | | / ' || |__| |__ | || (__ | \
/ . . || __| | | /' || |__| |__ | || (__ | \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
//~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
Contents....
Contenuto....
1. Fight Fire With Fire : UNKNOWN
1. Combatti il fuoco con il fuoco: SCONOSCIUTO
2. Ride The Lightning : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
2. Cavalca il fulmine: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
3. For Whom The Bell Tolls : Tim Scott
3. Per chi suona la campana: Tim Scott
4. Fade To Black : Carl Culpepper and A.J.Harsley
4. Dissolvenza in nero: Carl Culpepper e A.J.Harsley
5. Trapped Under Ice : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
5. Intrappolato sotto il ghiaccio: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Escape : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Fuga: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
7. Creeping Death : Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
7. Morte strisciante: Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
8. The Call Of Ktulu : Kaz Shinyashiki (shinyash@fraser.sfu.ca)
8. Il richiamo di Ktulu: Kaz Shinyashiki (shinyash@fraser.sfu.ca)
Fight Fire With Fire
Combattere il fuoco con il fuoco
CHORDS (EADgbe):
ACCORDI (EADgbe):
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
FA#5=(133xxx), MI5=(011xxx), LA5=(577xxx), MI=(0xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
LA=(5xxxxx), SOL=(3xxxxx), FA#=(2xxxxx)
INTRO: (Moderately,82 bpm.)
INTRO: (moderatamente, 82 bpm.)
Gtr.I (Two gtrs. arr. for one)
Gtr.I (Due gtr. arr. per uno)
Vol.Swell with increasing distortion (C)
Vol.Swell con distorsione crescente (C)
Fast Rock (184 bpm.)
Rock veloce (184 bpm.)
Rhy. Fig.1
Rhy. Fig.1
(end Rhy. Fig.1)
(fine rima. Fig.1)
(Gtr. II:1st time tacet, 2nd time play slashes,
(Gtr. II: tacet della prima volta, barre del secondo tempo di gioco,
3rd and 4th times double Gtr. I)
3° e 4° tempo doppia Gtr. io)
Rhy. Fig.2A (end Rhy. Fig.2A)
Rhy. Fig.2A (fine Rit. Fig.2A)
NC F#5 G5 NC F#5 F#5
NC FA#5 SOL5 NC FA#5 FA#5
e e s s s s e s s e e e e s s s s q q
e e s s s e s e e e e s s s s q q
Rhy. Fig.2B (end Rhy. Fig.2B)
Rhy. Fig.2B (fine Rit. Fig.2B)
NC F#5 G5 NC F#5
NC FA#5 SOL5 NC FA#5
e e s s s s e s s e e e e s s s s e
e esssssss eeeesssss e
%
%
w/Rhy. Fig.1 (2 times)
con Rhy. Fig.1 (2 volte)
VERSE 1:
VERSO 1:
Do__ un - to__ oth - ers__ as__ they've_ done_ to you.___
Fai__ un - a__ altri - ers__ come__ hanno_ fatto_ a te.___
But__ what_ the__ hell is__ this__ world_ com - ing to?____
Ma__ a che__ diavolo sta__ sto__ mondo_ andando?____
w/Rhy. Fig. 2A w/Rhy. Fig.2B
con Rhy. Fig. 2A con Rhy. Fig.2B
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
NC FA#5 SOL5 NC FA#5 NC FA#5 SOL5 NC FA#5
_____________________
_____________________
VERSE 2:
VERSO 2:
Blow the universe into nothingness.
Soffia l'universo nel nulla.
Nuclear warfare shall lay us to rest.
La guerra nucleare ci metterà a riposo.
VERSE 3:
VERSO 3:
Time is like a fuse, short and burning fast.
Il tempo è come una miccia, breve e che brucia velocemente.
Armageddon is here, like said in the past.
Armageddon è qui, come detto in passato.
VERSE 4:
VERSO 4:
Soon to fill our lungs, the hot winds of death.
Presto riempiranno i nostri polmoni i venti caldi della morte.
The gods are laughing, so take your last breath.
Gli dei stanno ridendo, quindi fai il tuo ultimo respiro.
E5 G5 NC Bb5 B5 Bb5
MI5 SOL5 NC SIb5 SI5 SIb5
Fight fi - re with fi - re.
Combatti il fuoco con il fuoco.
E5 G5 NC Bb5 B5 Bb5
MI5 SOL5 NC SIb5 SI5 SIb5
End - ing is near.
La fine è vicina.
E5 G5 NC Bb5 B5 Bb5
MI5 SOL5 NC SIb5 SI5 SIb5
Fight fi - re with fi - re.
Combatti il fuoco con il fuoco.
$ (2nd time to Coda I, 3rd time to Coda II)
$ (2a volta a Coda I, 3a volta a Coda II)
E5 G5 NC Bb5 B5 Bb5
MI5 SOL5 NC SIb5 SI5 SIb5
Burst ing with fear. (Spoken:)We all shall die!
Scoppiando di paura. (Parlato:) Moriremo tutti!
w/Rhy. Fig. 1 D.S.(no repeat) al Coda I (%)
con Rhy. Fig. 1 D.S.(nessuna ripetizione) al Coda I (%)
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
||: NC G5 NC FA#5 | NC G5 NC FA#5 | NC G5 NC FA#5 | CN G5 CN FA#5 CN FA5 :||
$ Coda I
$Coda I
Half time feel (end half time feel)
Sensazione di metà tempo (sensazione di fine metà tempo)
Rhy. Fig. 3
Rhy. Figura 3
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E E s s s E E s E s E |
E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E |
(End Rhy. Fig. 3)
(Fine Rima. Fig. 3)
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
Rhy. Fig. 4
Rhy. Figura 4
E q E E q E | E q E E E q
MI q MI MI q MI | MI q MI MI MI q
(End Rhy. Fig. 4)
(Fine Rima. Fig. 4)
E q E E q E | E q E E E q
MI q MI MI q MI | MI q MI MI MI q
w/Rhy. Fig.3 full full
con Rhy. Fig.3 pieno pieno
s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s ss t t
ssssssssssssssssssssssssssssssssssss e. sssstt
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
q.. ssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss
__3__
__3__
e q s s s e s e s s s e s e s s s s s s s s s s s s s s s s s
e q s s e s e s s e s e s s s s s s s s s s s s s
s s s s s s s e s s s s s s s e e q. e e. q. e e. q. e e q e e
ssssssssssssssssssseeq. e e. q. e e. q. eeqee
full
pieno
ssssssssssss
ssssssssssss
full full full full
pieno pieno pieno pieno
s s s s s s s s q q q q
s s s s s s s q q q q
half
metà
q s s e s s s s s s s s s s s s s s s s s
qssesssssssssssssssssssssss
sssssssssssss
sssssssssssss
w/Rhy. Fig. 4
con Rhy. Figura 4
s s s s s s s s s s s s s s e f
s s s s s s s s s s s e f
Two Guitars *
Due Chitarre *
s
s
* Downstemmed guitar is notated to the right of slashes
* La chitarra con il gambo abbassato è annotata a destra delle barre
w/Rhy. Fig.3
con Rhy. Fig.3
E E E E E E E E E q E E q E
E E E E E E E E E q E E q E
e s s s s e e q e e s s s s e
esssss eeq eesssss e
E q s s E E E E E q s s E E E E E q.
E q s s E E E E E q s s E E E E E q.
______________________________________________
______________________________________________
e s s e s s e e e s s
e s e e s e e e s s
___________________________________
___________________________________
E E E s s E E q
E E E s s E E q
Play Rhy.Fig.4 once.
Suona Rhy.Fig.4 una volta.
Decrease Volume and Distortion
Diminuire volume e distorsione
___________________________________________________________________
___________________________________________________________________
D.S.(no repeat) al Coda II (%)
D.S.(nessuna ripetizione) al Coda II (%)
_____________________________________________________________________
_______________________________________________________________________
$
$
Coda II
Coda II
E5 G5 NC Bb5 B5 Bb5
MI5 SOL5 NC SIb5 SI5 SIb5
Fight fi - re with fi - re.
Combatti il fuoco con il fuoco.
Play eight Times
Gioca otto volte
E5 G5 NC Bb5 B5 Bb5
MI5 SOL5 NC SIb5 SI5 SIb5
Fight! (Sing first time only)
Combatti! (Canta solo la prima volta)
w/Fill 2
con riempimento 2
Fill 1
Riempi 1
w/Feedback
con feedback
Fill 2
Riempi 2
Harm. w/Trem. Bar
Danno. con Trem. Barra
Ride The Lightning
Cavalca il fulmine
Tuning Normal (E, A, G...)
Accordatura normale (Mi, La, Sol...)
x=Couldn't find the note but it is there.
x=Impossibile trovare la nota ma c'è.
Start bit. May be two guitars. Can be approximated by playing the lower
Inizia un po'. Potrebbero essere due chitarre. Può essere approssimato suonando il più basso
of the notes if need be. The bass can be approximated with open E (E|--0--)
delle note, se necessario. Il basso può essere approssimato con il Mi aperto
After start bit.
Middle/Backing in solo.
Just before "oh God help me, OH please god help me"
A riff close to the end.
For Whom The Bell Tolls
Transcription by Tim Scott
Edited by Brant Stoner
Rhythm A
(Lead over Rhythm transcribed for guitar...4x w/Rhythm A and 4x w/Rhythm B)
|-Z----------------|-----------------|-------------------------------------
Rhythm B 8x
4x Rhythm C
Rhythm D
2x Rhythm C 2x Rhythm D 2x
Rhythm C 2x Rhythm D 2x (slower..till fade)
I'm not sure if the notation is absolutely correct -- I wrote this down
a while ago. Z = rests. Parentheses around chords signify half/whole note
notation...
Fade To Black
Keyed in by A.J.Harsley
Notes by AJH:
I've tried to include as much information below as is given in the
original tablature. It might make it more difficult to understand but it's all
there if you want it. At the top of each section of tab is the chord for the
bar (bar lines included). I haven't included note lengths or rests. You'll have
to listen to the actual song and work them out for yourself. The bar lines
should give you an idea towards timing. The song's in 4/4 time, 116 bpm.
All tab markings are at the top of the tab. Markings used:
P - pull off.
H - hammer on.
T - tap - fret at note shown, tap at note in brackets.
.---. - sustained note.
sl - slide.
vibrato - vibrate string. (or use tremolo).
)\ - bend and release
) - string bend (usually full - f)
// - repeat previous beat (used for 1/16 notes)
'/, - repeat previous measure (bar)
x - rake - drag pick across strings shown from low to high
Bm(flat 6) Bm/A Bm(flat 6) A/C#
Rhy. Fig 1 (acoustic guitar) end Rhy Fig 1
| Elec Gtr. w/flanger or chorus |
w/Rhy Fig 1 (4 times)
Bm(flat 6) Bm/A Bm(flat 6)
sl .---. ' P P sl H P `
A/C# Bm(flat 6) Bm/A Bm(flat 6) A/C#
H .---. sl P sl vibrato
B |-7--8--7-----7-------|-------------|---------8|-7------------8/|10^^^^^^^^-|
Bm(flat 6) full )\
P / \ vibrato
G |--------|------------16--------------14--------------16--14-|(14)^^^^^^^^--|
Bm(flat 6) A/C#
H vibrato H H P H
D |---------14^^^^^^^^--14--16-|---------------------------------------|------|
Bm(flat 6_ Bm/A
vibrato
G |-----------------------|--------16^^^^^^^^---------|--------14-------------|
Bm(flat 6) A/C# F6 E/G# E/B
H P


Am C G
H T T T
| Rhy. Fig. 2 |
| H H H |
T T
| sl H H H |
T T T
| H P sl |
FILL 2 FILL 3
1st,2nd verses
w/Rhy. Fig. 2
1. Life it seems will fade away, drifting further every day.
2. Things not what they used to be, missing one inside of me.
1. Getting lost within myself, nothing matters, no one else.
2. Deathly lost, this can't be real, cannot stand this hell I feel.
W/Rhy. Fig 2 (1st 7 bars only)
1. I have lost the will to live, simply nothing more to give.
2. Emptiness is filling me, to the point of agony.
1. There is nothing more for me. Need the end to set__
2. Growing darkness taking dawn, I was me, but now__
w/Fill 3
1.|__me free
2.|__ he's gone____________.
w/Rhy. Fig. 2
sl sl
Gtr 1 B |-10^^^^^^--10--12-|-13^^^^^^--13/15--13--12-|-----------------|
Gtr 2 G |--9^^^^^^---9--11-|-12^^^^^^--12/14--12--11-|-12^^^^^^--12/14-|
D |------------------|-------------------------|-12^^^^^^--12/14-|
Em Am C full )\
sl sl sl / \
B |----------------------|------------------12-|-13^^^^^^--15------13----|
G |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14--11-|-12^^^^^^--14------12----|
D |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14-----|-------------------------|
full (Gtr I + II)
B |-15--15--15--15-|-(15)^^^^^^-----------|
G |-14--14--14--14-|-(14)^^^^^^-----------|
Rhy. Fig. 3
Faster 144 bpm
sl sl
sl sl
w/Rhy. Fig. 3
1. No one but me can save myself but it's too late
2. Yesterday seems as though it never existed
1. Now I can't think, think why I should even try.
2. Death greats me warm, now I will just say goodbye.
w/Rhy. Fig. 3
sl sl
Gtr I B |-7/8--9--8^^^^^^-|-7/8--8--12--10^^^^^^-|-7--7-----------12--12-|
G |-----------------|----------------------|-------7^^^^^^---------|
Gtr II D |-7/9--9--9^^^^^^-|-7/9--9--12--11^^^^^^-|-7--7--7^^^^^^--12--12-|
N.C. (no chord) D5 E5 D5 E5 G5 F#5
sl sl
B |-12--10--10--10--8--8--8--7--7--7----|-7/8--8--8^^^^^^-|-7/8--8--12--10^^^^|
D |-12--11--11--11--9--9--9--7--7--7--9-|-7/9--9--9^^^^^^-|-7/9--9--12--10^^^^|
D5 N.C.
Gtr I G |-11--11--11^^^^^^--7--7-|-7----6--6--6----4--4--4----2--2--2----4-||
Gtr II D |--7---7---8^^^^^^-------|-----------------------------------------||
Gtr II A |--9---9---9^^^^^^-------|-----------------------------------------||
N.C. E5 N.C. G5 F#5 N.C. D
Rhy. Fig. 4
Two Gtrs. Gtr II to left of !
Riff A Gtr I A5
sl sl
D |------/4--2!5-|-(2/5)--4--2--------------|----/4--2!5-|-(2!5)--4--2--------|
A |-2!5----------|--------5--4--2!5--4------|-4----------|--------5--4--2/5---|
E |--------------|-------------------5--2!5-|-5----------|--------------------|
sl sl
D |--------|----/4--2!5-|-(2!5)--4--2--------------|----/4--2!5-|
A |-4------|-2----------|--------5--4--2!5--4------|-4----------|
E |-5--2/5-|-3----------|-------------------5--2!5-|-5----------|
w/Rhy. Fig. 4 & Riff A (till fade)