Ride the Lightning Tekst Piosenki Tłumaczenie na Polski

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.-~ / ____ ______ __ _ _ _ ____| ~-._
.-~ / ____ ______ __ _ _ _ ____| ~-._
~~/ -~|| __||_ __// || | | | | | / __/| .\~~
~~/ -~|| __||_ __// || | | | | | / __/| .\~~
/ . . || __| | | / ' || |__| |__ | || (__ | \
/ . . || __| | | / ' || |__| |__ | || (__ | \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
Contents....
Spis treści....
1. Fight Fire With Fire : UNKNOWN
1. Zwalcz ogień ogniem: NIEZNANY
2. Ride The Lightning : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
2. Ride The Lightning: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
3. For Whom The Bell Tolls : Tim Scott
3. Komu bije dzwon: Tim Scott
4. Fade To Black : Carl Culpepper and A.J.Harsley
4. Fade To Black: Carl Culpepper i A.J.Harsley
5. Trapped Under Ice : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
5. Uwięzieni pod lodem: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Escape : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Ucieczka: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
7. Creeping Death : Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
7. Pełzająca śmierć: Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
8. The Call Of Ktulu : Kaz Shinyashiki (shinyash@fraser.sfu.ca)
8. Zew Ktulu: Kaz Shinyashiki (shinyash@fraser.sfu.ca)
Fight Fire With Fire
Zwalcz ogień ogniem
CHORDS (EADgbe):
Akordy (EADgbe):
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
INTRO: (Moderately,82 bpm.)
WSTĘP: (Umiarkowanie, 82 bpm.)
Gtr.I (Two gtrs. arr. for one)
Gtr.I (dwa gtrs. w jednym)
Vol.Swell with increasing distortion (C)
Vol.Swell wraz ze wzrostem zniekształceń (C)
Fast Rock (184 bpm.)
Szybki rock (184 bpm)
Rhy. Fig.1
Ry. Ryc.1
(end Rhy. Fig.1)
(koniec Ryc. Ryc. 1)
(Gtr. II:1st time tacet, 2nd time play slashes,
(Gtr. II: 1-szy raz, 2-gi raz, slashe,
3rd and 4th times double Gtr. I)
3. i 4. razy podwójne Gtr. ja)
Rhy. Fig.2A (end Rhy. Fig.2A)
Ry. Ryc. 2A (koniec Ryc. Ryc. 2A)
NC F#5 G5 NC F#5 F#5
NC F#5 G5 NC F#5 F#5
e e s s s s e s s e e e e s s s s q q
e e s s s e s e e e e s s q q
Rhy. Fig.2B (end Rhy. Fig.2B)
Ry. Ryc. 2B (koniec Ryc. Ryc. 2B)
NC F#5 G5 NC F#5
NC F#5 G5 NC F#5
e e s s s s e s s e e e e s s s s e
e e s e s e s e e e e s e s s e
%
%
w/Rhy. Fig.1 (2 times)
z Rhym. Ryc.1 (2 razy)
VERSE 1:
WERSET 1:
Do__ un - to__ oth - ers__ as__ they've_ done_ to you.___
Zrób__ un - innym - ers__ tak jak__ oni_ zrobili_ tobie.___
But__ what_ the__ hell is__ this__ world_ com - ing to?____
Ale__ czym_ do cholery_ jest__ ten__ świat_ do którego nadchodzi?____
w/Rhy. Fig. 2A w/Rhy. Fig.2B
z Rhym. Ryc. 2A z Rhy. Ryc.2B
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
_____________________
________
VERSE 2:
WERSET 2:
Blow the universe into nothingness.
Wysadź wszechświat w nicość.
Nuclear warfare shall lay us to rest.
Wojna nuklearna położy nas na spoczynek.
VERSE 3:
WERSET 3:
Time is like a fuse, short and burning fast.
Czas jest jak lont, krótki i szybko się pali.
Armageddon is here, like said in the past.
Armagedon nadchodzi, jak powiedziano w przeszłości.
VERSE 4:
WERSET 4:
Soon to fill our lungs, the hot winds of death.
Wkrótce wypełnią nasze płuca gorące wiatry śmierci.
The gods are laughing, so take your last breath.
Bogowie się śmieją, więc weź ostatni oddech.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Gb5 B5 Gb5
Fight fi - re with fi - re.
Zwalcz ogień ogniem.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Gb5 B5 Gb5
End - ing is near.
Koniec jest bliski.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Gb5 B5 Gb5
Fight fi - re with fi - re.
Zwalcz ogień ogniem.
$ (2nd time to Coda I, 3rd time to Coda II)
$ (drugi raz do Coda I, trzeci raz do Coda II)
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Gb5 B5 Gb5
Burst ing with fear. (Spoken:)We all shall die!
Pękam ze strachu. (Mówione:) Wszyscy umrzemy!
w/Rhy. Fig. 1 D.S.(no repeat) al Coda I (%)
z Rhym. Ryc. 1 D.S.(bez powtórzeń) al Coda I (%)
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
$ Coda I
$Coda I
Half time feel (end half time feel)
Poczucie przerwy (poczucie zakończenia połowy)
Rhy. Fig. 3
Ry. Ryc. 3
E s E s E E s E s E | E s E s E E s E s E |
E s E s E s E s E | E s E s E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E s E s E | E s E s E s E s E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E s E s E s E s E | E s E s E s E s E |
E s E s E E s E s E |
E s E s E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E s E s E s E s E s E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E |
E s E s E s E s E s E s E |
(End Rhy. Fig. 3)
(Rys końcowy. Ryc. 3)
E s E s E E s E s E | E s E s E E s E s E |
E s E s E s E s E | E s E s E s E s E |
Rhy. Fig. 4
Ry. Ryc. 4
E q E E q E | E q E E E q
mi q mi mi q mi | Równ. q E E mi q
(End Rhy. Fig. 4)
(Rys końcowy. Ryc. 4)
E q E E q E | E q E E E q
mi q mi mi q mi | Równ. q E E mi q
w/Rhy. Fig.3 full full
z Rhym. Ryc. 3 pełne pełne
s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s ss t t
s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s s t t
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
__3__
__3__
e q s s s e s e s s s e s e s s s s s s s s s s s s s s s s s
e q s s s e s s s e s e s s s s s s s s s s s s s s s
s s s s s s s e s s s s s s s e e q. e e. q. e e. q. e e q e e
s s s s s s s s s s s e e q. e e. q. e e. q. e i q e
full
pełny
ssssssssssss
sssssssss
full full full full
pełne pełne pełne pełne
s s s s s s s s q q q q
s s s s s s q q q q
half
połowa
q s s e s s s s s s s s s s s s s s s s s
q s e s s s s s s s s s s s s s s s
sssssssssssss
ssssssssss
w/Rhy. Fig. 4
z Rhym. Ryc. 4
s s s s s s s s s s s s s s e f
s s s s s s s s s s s s e f
Two Guitars *
Dwie gitary *
s
s
* Downstemmed guitar is notated to the right of slashes
* Gitara z niższym mostkiem jest oznaczona po prawej stronie ukośników
w/Rhy. Fig.3
z Rhym. Ryc.3
E E E E E E E E E q E E q E
E E E E E E E E E q E E q E
e s s s s e e q e e s s s s e
e s s s e e q e s s s s e
E q s s E E E E E q s s E E E E E q.
E q s s E E E E E q s s E E E E E q.
______________________________________________
______________________________________________
e s s e s s e e e s s
e se e e s y
___________________________________
____________________________________
E E E s s E E q
E E E s E E q
Play Rhy.Fig.4 once.
Zagraj raz w Rhy.Fig.4.
Decrease Volume and Distortion
Zmniejsz głośność i zniekształcenia
___________________________________________________________________
______________________________________________________
D.S.(no repeat) al Coda II (%)
DS (bez powtórzeń) al Coda II (%)
_____________________________________________________________________
________________________________________________________
$
$
Coda II
Koda II
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Gb5 B5 Gb5
Fight fi - re with fi - re.
Zwalcz ogień ogniem.
Play eight Times
Zagraj osiem razy
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Gb5 B5 Gb5
Fight! (Sing first time only)
Walcz! (Śpiewaj tylko za pierwszym razem)
w/Fill 2
z wypełnieniem 2
Fill 1
Wypełnij 1
w/Feedback
z informacją zwrotną
Fill 2
Wypełnij 2
Harm. w/Trem. Bar
Szkoda. z Tremem. Bar
Ride The Lightning
Jedź na błyskawicę
Tuning Normal (E, A, G...)
Strojenie Normalne (E, A, G...)
x=Couldn't find the note but it is there.
x=Nie mogłem znaleźć notatki, ale ona tam jest.
Start bit. May be two guitars. Can be approximated by playing the lower
Zacznij trochę. Mogą być dwie gitary. Można to przybliżyć, grając niżej
of the notes if need be. The bass can be approximated with open E (E|--0--)
notatek, jeśli zajdzie taka potrzeba. Bas można przybliżyć otwartym E
After start bit.
Middle/Backing in solo.
Just before "oh God help me, OH please god help me"
A riff close to the end.
For Whom The Bell Tolls
Transcription by Tim Scott
Edited by Brant Stoner
Rhythm A
(Lead over Rhythm transcribed for guitar...4x w/Rhythm A and 4x w/Rhythm B)
|-Z----------------|-----------------|-------------------------------------
Rhythm B 8x
4x Rhythm C
Rhythm D
2x Rhythm C 2x Rhythm D 2x
Rhythm C 2x Rhythm D 2x (slower..till fade)
I'm not sure if the notation is absolutely correct -- I wrote this down
a while ago. Z = rests. Parentheses around chords signify half/whole note
notation...
Fade To Black
Keyed in by A.J.Harsley
Notes by AJH:
I've tried to include as much information below as is given in the
original tablature. It might make it more difficult to understand but it's all
there if you want it. At the top of each section of tab is the chord for the
bar (bar lines included). I haven't included note lengths or rests. You'll have
to listen to the actual song and work them out for yourself. The bar lines
should give you an idea towards timing. The song's in 4/4 time, 116 bpm.
All tab markings are at the top of the tab. Markings used:
P - pull off.
H - hammer on.
T - tap - fret at note shown, tap at note in brackets.
.---. - sustained note.
sl - slide.
vibrato - vibrate string. (or use tremolo).
)\ - bend and release
) - string bend (usually full - f)
// - repeat previous beat (used for 1/16 notes)
'/, - repeat previous measure (bar)
x - rake - drag pick across strings shown from low to high
Bm(flat 6) Bm/A Bm(flat 6) A/C#
Rhy. Fig 1 (acoustic guitar) end Rhy Fig 1
| Elec Gtr. w/flanger or chorus |
w/Rhy Fig 1 (4 times)
Bm(flat 6) Bm/A Bm(flat 6)
sl .---. ' P P sl H P `
A/C# Bm(flat 6) Bm/A Bm(flat 6) A/C#
H .---. sl P sl vibrato
B |-7--8--7-----7-------|-------------|---------8|-7------------8/|10^^^^^^^^-|
Bm(flat 6) full )\
P / \ vibrato
G |--------|------------16--------------14--------------16--14-|(14)^^^^^^^^--|
Bm(flat 6) A/C#
H vibrato H H P H
D |---------14^^^^^^^^--14--16-|---------------------------------------|------|
Bm(flat 6_ Bm/A
vibrato
G |-----------------------|--------16^^^^^^^^---------|--------14-------------|
Bm(flat 6) A/C# F6 E/G# E/B
H P


Am C G
H T T T
| Rhy. Fig. 2 |
| H H H |
T T
| sl H H H |
T T T
| H P sl |
FILL 2 FILL 3
1st,2nd verses
w/Rhy. Fig. 2
1. Life it seems will fade away, drifting further every day.
2. Things not what they used to be, missing one inside of me.
1. Getting lost within myself, nothing matters, no one else.
2. Deathly lost, this can't be real, cannot stand this hell I feel.
W/Rhy. Fig 2 (1st 7 bars only)
1. I have lost the will to live, simply nothing more to give.
2. Emptiness is filling me, to the point of agony.
1. There is nothing more for me. Need the end to set__
2. Growing darkness taking dawn, I was me, but now__
w/Fill 3
1.|__me free
2.|__ he's gone____________.
w/Rhy. Fig. 2
sl sl
Gtr 1 B |-10^^^^^^--10--12-|-13^^^^^^--13/15--13--12-|-----------------|
Gtr 2 G |--9^^^^^^---9--11-|-12^^^^^^--12/14--12--11-|-12^^^^^^--12/14-|
D |------------------|-------------------------|-12^^^^^^--12/14-|
Em Am C full )\
sl sl sl / \
B |----------------------|------------------12-|-13^^^^^^--15------13----|
G |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14--11-|-12^^^^^^--14------12----|
D |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14-----|-------------------------|
full (Gtr I + II)
B |-15--15--15--15-|-(15)^^^^^^-----------|
G |-14--14--14--14-|-(14)^^^^^^-----------|
Rhy. Fig. 3
Faster 144 bpm
sl sl
sl sl
w/Rhy. Fig. 3
1. No one but me can save myself but it's too late
2. Yesterday seems as though it never existed
1. Now I can't think, think why I should even try.
2. Death greats me warm, now I will just say goodbye.
w/Rhy. Fig. 3
sl sl
Gtr I B |-7/8--9--8^^^^^^-|-7/8--8--12--10^^^^^^-|-7--7-----------12--12-|
G |-----------------|----------------------|-------7^^^^^^---------|
Gtr II D |-7/9--9--9^^^^^^-|-7/9--9--12--11^^^^^^-|-7--7--7^^^^^^--12--12-|
N.C. (no chord) D5 E5 D5 E5 G5 F#5
sl sl
B |-12--10--10--10--8--8--8--7--7--7----|-7/8--8--8^^^^^^-|-7/8--8--12--10^^^^|
D |-12--11--11--11--9--9--9--7--7--7--9-|-7/9--9--9^^^^^^-|-7/9--9--12--10^^^^|
D5 N.C.
Gtr I G |-11--11--11^^^^^^--7--7-|-7----6--6--6----4--4--4----2--2--2----4-||
Gtr II D |--7---7---8^^^^^^-------|-----------------------------------------||
Gtr II A |--9---9---9^^^^^^-------|-----------------------------------------||
N.C. E5 N.C. G5 F#5 N.C. D
Rhy. Fig. 4
Two Gtrs. Gtr II to left of !
Riff A Gtr I A5
sl sl
D |------/4--2!5-|-(2/5)--4--2--------------|----/4--2!5-|-(2!5)--4--2--------|
A |-2!5----------|--------5--4--2!5--4------|-4----------|--------5--4--2/5---|
E |--------------|-------------------5--2!5-|-5----------|--------------------|
sl sl
D |--------|----/4--2!5-|-(2!5)--4--2--------------|----/4--2!5-|
A |-4------|-2----------|--------5--4--2!5--4------|-4----------|
E |-5--2/5-|-3----------|-------------------5--2!5-|-5----------|
w/Rhy. Fig. 4 & Riff A (till fade)