Ride the Lightning Versuri Traducere în Română

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/ . . || __| | | / ' || |__| |__ | || (__ | \
/ . . || __| | | / ' || |__| |__ | || (__ | \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
/ / ~| ||____| |_| /_/|_||____|____||_| \___\| |\ \
Contents....
Cuprins....
1. Fight Fire With Fire : UNKNOWN
1. Combate focul cu focul: NECUNOSCUT
2. Ride The Lightning : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
2. Ride The Lightning: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
3. For Whom The Bell Tolls : Tim Scott
3. Pentru cine sună clopoțelul: Tim Scott
4. Fade To Black : Carl Culpepper and A.J.Harsley
4. Fade To Black: Carl Culpepper și A.J.Harsley
5. Trapped Under Ice : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
5. Prins sub gheață: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Escape : Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
6. Evadare: Andrew Bowie (bowie@yoyo.cc.monash.edu.au)
7. Creeping Death : Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
7. Moarte târâtoare: Christopher Sean Forgeron (AESBL1AJM@UK.AC.DCT)
8. The Call Of Ktulu : Kaz Shinyashiki (shinyash@fraser.sfu.ca)
8. Apelul lui Ktulu: Kaz Shinyashiki (shinyash@fraser.sfu.ca)
Fight Fire With Fire
Combate focul cu foc
CHORDS (EADgbe):
COORDURI (EADgbe):
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
Em=(023000), G5(2)=(3x00xx), C=(x32010), G5=(366xxx),
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
F#5=(133xxx), E5=(011xxx), A5=(577xxx), E=(0xxxxx)
A=(5xxxxx), G=(3xxxxx), F#=(2xxxxx)
A=(5xxxxx), G=(3xxxx), F#=(2xxxxx)
INTRO: (Moderately,82 bpm.)
INTRODUCERE: (Moderat, 82 bpm.)
Gtr.I (Two gtrs. arr. for one)
Gtr.I (Două gtrs. arr. pentru unul)
Vol.Swell with increasing distortion (C)
Vol. Se umflă cu distorsiune crescândă (C)
Fast Rock (184 bpm.)
Fast Rock (184 bpm.)
Rhy. Fig.1
Rhy. Fig.1
(end Rhy. Fig.1)
(sfârșitul Rhy. Fig.1)
(Gtr. II:1st time tacet, 2nd time play slashes,
(Gtr. II: prima dată tacet, a doua oară joc slash-uri,
3rd and 4th times double Gtr. I)
Al 3-lea și al 4-lea ori dublu Gtr. eu)
Rhy. Fig.2A (end Rhy. Fig.2A)
Rhy. Fig.2A (capătul Rhy. Fig.2A)
NC F#5 G5 NC F#5 F#5
NC F#5 G5 NC F#5 F#5
e e s s s s e s s e e e e s s s s q q
e e s s s s e s s e e e e s s s q q
Rhy. Fig.2B (end Rhy. Fig.2B)
Rhy. Fig.2B (sfârșitul Rhy. Fig.2B)
NC F#5 G5 NC F#5
NC F#5 G5 NC F#5
e e s s s s e s s e e e e s s s s e
e e s s s s e s s e e e s s s s e
%
%
w/Rhy. Fig.1 (2 times)
cu Rhy. Fig.1 (de 2 ori)
VERSE 1:
versetul 1:
Do__ un - to__ oth - ers__ as__ they've_ done_ to you.___
Fă__ un - to__ altora__ așa cum__ ți-au_ făcut_.___
But__ what_ the__ hell is__ this__ world_ com - ing to?____
Dar__ la ce__ dracu' vine__ lumea asta__?____
w/Rhy. Fig. 2A w/Rhy. Fig.2B
cu Rhy. Fig. 2A cu Rhy. Fig.2B
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
NC F#5 G5 NC F#5 NC F#5 G5 NC F#5
_____________________
_____________________
VERSE 2:
versetul 2:
Blow the universe into nothingness.
Sufla universul în neant.
Nuclear warfare shall lay us to rest.
Războiul nuclear ne va odihni.
VERSE 3:
versetul 3:
Time is like a fuse, short and burning fast.
Timpul este ca o siguranță, scurt și arde rapid.
Armageddon is here, like said in the past.
Armaghedonul este aici, așa cum s-a spus în trecut.
VERSE 4:
versetul 4:
Soon to fill our lungs, the hot winds of death.
În curând să ne umple plămânii, vânturile fierbinți ale morții.
The gods are laughing, so take your last breath.
Zeii râd, așa că ia-ți ultima suflare.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Luptă cu focul cu foc.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
End - ing is near.
Sfârșitul este aproape.
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Luptă cu focul cu foc.
$ (2nd time to Coda I, 3rd time to Coda II)
$ (a 2-a oară la Coda I, a 3-a oară la Coda II)
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Burst ing with fear. (Spoken:)We all shall die!
izbucnind de frică. (Vorbește:) Vom muri cu toții!
w/Rhy. Fig. 1 D.S.(no repeat) al Coda I (%)
cu Rhy. Fig. 1 D.S.(fără repetare) al Coda I (%)
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
||: NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 | NC G5 NC F#5 NC F5 :||
$ Coda I
$ Coda I
Half time feel (end half time feel)
Simt la jumătate de timp (simțire la jumătate de timp)
Rhy. Fig. 3
Rhy. Fig. 3
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E E s s s s E E s E s E |
E s E s E E s E s E E s E s E |
E s E s E E s E s E E s E s E |
(End Rhy. Fig. 3)
(End Rhy. Fig. 3)
E s E s E E s E s E | E s E s E E s E s E |
E s E s E E s E s E | E s E s E E s E s E |
Rhy. Fig. 4
Rhy. Fig. 4
E q E E q E | E q E E E q
E q E E q E | E q E E E q
(End Rhy. Fig. 4)
(End Rhy. Fig. 4)
E q E E q E | E q E E E q
E q E E q E | E q E E E q
w/Rhy. Fig.3 full full
cu Rhy. Fig.3 plin plin
s s s s s s s s s s s s s s s s s s s s s s s s s s s e. s s ss t t
s s s s s s s s s s s s s s s s s s s s s s s s e. s s ss t t
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s s e
q.. s s s s s s s s s s s s s s s s s s s s s s s s s s s e
__3__
__3__
e q s s s e s e s s s e s e s s s s s s s s s s s s s s s s s
e q s s s e s e s s e s e s s s s s s s s s s s s s s
s s s s s s s e s s s s s s s e e q. e e. q. e e. q. e e q e e
s s s s s s e s s s s s s e e q. e e. q. e e. q. e e q e e
full
plin
ssssssssssss
ssssssssssss
full full full full
plin plin plin plin
s s s s s s s s q q q q
s s s s s s s q q q q
half
jumătate
q s s e s s s s s s s s s s s s s s s s s
q s s e s s s s s s s s s s s s s s s
sssssssssssss
sssssssssssss
w/Rhy. Fig. 4
cu Rhy. Fig. 4
s s s s s s s s s s s s s s e f
s s s s s s s s s s s s e f
Two Guitars *
Două chitare *
s
s
* Downstemmed guitar is notated to the right of slashes
* Chitara cu tulpină în jos este notată în dreapta barelor oblice
w/Rhy. Fig.3
cu Rhy. Fig.3
E E E E E E E E E q E E q E
E E E E E E E E E q E E q E
e s s s s e e q e e s s s s e
e s s s s e e q e e s s s s e
E q s s E E E E E q s s E E E E E q.
E q s s E E E E E q s s E E E E E q.
______________________________________________
_____________________________________________
e s s e s s e e e s s
e s s e s s e e e s s
___________________________________
___________________________________
E E E s s E E q
E E E s s E E q
Play Rhy.Fig.4 once.
Joacă Rhy.Fig.4 o dată.
Decrease Volume and Distortion
Reduceți volumul și distorsiunea
___________________________________________________________________
________________________________________________________________________________
D.S.(no repeat) al Coda II (%)
D.S.(fără repetare) al Coda II (%)
_____________________________________________________________________
________________________________________________________________________
$
$
Coda II
Coda II
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight fi - re with fi - re.
Luptă cu focul cu foc.
Play eight Times
Joacă de opt ori
E5 G5 NC Bb5 B5 Bb5
E5 G5 NC Bb5 B5 Bb5
Fight! (Sing first time only)
Luptă! (Cântă doar pentru prima dată)
w/Fill 2
cu umplere 2
Fill 1
Umpleți 1
w/Feedback
cu feedback
Fill 2
Umpleți 2
Harm. w/Trem. Bar
Rău. cu Trem. Bar
Ride The Lightning
Ride The Lightning
Tuning Normal (E, A, G...)
Acordare normală (E, A, G...)
x=Couldn't find the note but it is there.
x=Nu am putut găsi nota, dar este acolo.
Start bit. May be two guitars. Can be approximated by playing the lower
Start bit. Poate fi două chitare. Poate fi aproximat jucând mai jos
of the notes if need be. The bass can be approximated with open E (E|--0--)
a notelor dacă este nevoie. Basul poate fi aproximat cu E deschis
After start bit.
Middle/Backing in solo.
Just before "oh God help me, OH please god help me"
A riff close to the end.
For Whom The Bell Tolls
Transcription by Tim Scott
Edited by Brant Stoner
Rhythm A
(Lead over Rhythm transcribed for guitar...4x w/Rhythm A and 4x w/Rhythm B)
|-Z----------------|-----------------|-------------------------------------
Rhythm B 8x
4x Rhythm C
Rhythm D
2x Rhythm C 2x Rhythm D 2x
Rhythm C 2x Rhythm D 2x (slower..till fade)
I'm not sure if the notation is absolutely correct -- I wrote this down
a while ago. Z = rests. Parentheses around chords signify half/whole note
notation...
Fade To Black
Keyed in by A.J.Harsley
Notes by AJH:
I've tried to include as much information below as is given in the
original tablature. It might make it more difficult to understand but it's all
there if you want it. At the top of each section of tab is the chord for the
bar (bar lines included). I haven't included note lengths or rests. You'll have
to listen to the actual song and work them out for yourself. The bar lines
should give you an idea towards timing. The song's in 4/4 time, 116 bpm.
All tab markings are at the top of the tab. Markings used:
P - pull off.
H - hammer on.
T - tap - fret at note shown, tap at note in brackets.
.---. - sustained note.
sl - slide.
vibrato - vibrate string. (or use tremolo).
)\ - bend and release
) - string bend (usually full - f)
// - repeat previous beat (used for 1/16 notes)
'/, - repeat previous measure (bar)
x - rake - drag pick across strings shown from low to high
Bm(flat 6) Bm/A Bm(flat 6) A/C#
Rhy. Fig 1 (acoustic guitar) end Rhy Fig 1
| Elec Gtr. w/flanger or chorus |
w/Rhy Fig 1 (4 times)
Bm(flat 6) Bm/A Bm(flat 6)
sl .---. ' P P sl H P `
A/C# Bm(flat 6) Bm/A Bm(flat 6) A/C#
H .---. sl P sl vibrato
B |-7--8--7-----7-------|-------------|---------8|-7------------8/|10^^^^^^^^-|
Bm(flat 6) full )\
P / \ vibrato
G |--------|------------16--------------14--------------16--14-|(14)^^^^^^^^--|
Bm(flat 6) A/C#
H vibrato H H P H
D |---------14^^^^^^^^--14--16-|---------------------------------------|------|
Bm(flat 6_ Bm/A
vibrato
G |-----------------------|--------16^^^^^^^^---------|--------14-------------|
Bm(flat 6) A/C# F6 E/G# E/B
H P


Am C G
H T T T
| Rhy. Fig. 2 |
| H H H |
T T
| sl H H H |
T T T
| H P sl |
FILL 2 FILL 3
1st,2nd verses
w/Rhy. Fig. 2
1. Life it seems will fade away, drifting further every day.
2. Things not what they used to be, missing one inside of me.
1. Getting lost within myself, nothing matters, no one else.
2. Deathly lost, this can't be real, cannot stand this hell I feel.
W/Rhy. Fig 2 (1st 7 bars only)
1. I have lost the will to live, simply nothing more to give.
2. Emptiness is filling me, to the point of agony.
1. There is nothing more for me. Need the end to set__
2. Growing darkness taking dawn, I was me, but now__
w/Fill 3
1.|__me free
2.|__ he's gone____________.
w/Rhy. Fig. 2
sl sl
Gtr 1 B |-10^^^^^^--10--12-|-13^^^^^^--13/15--13--12-|-----------------|
Gtr 2 G |--9^^^^^^---9--11-|-12^^^^^^--12/14--12--11-|-12^^^^^^--12/14-|
D |------------------|-------------------------|-12^^^^^^--12/14-|
Em Am C full )\
sl sl sl / \
B |----------------------|------------------12-|-13^^^^^^--15------13----|
G |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14--11-|-12^^^^^^--14------12----|
D |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14-----|-------------------------|
full (Gtr I + II)
B |-15--15--15--15-|-(15)^^^^^^-----------|
G |-14--14--14--14-|-(14)^^^^^^-----------|
Rhy. Fig. 3
Faster 144 bpm
sl sl
sl sl
w/Rhy. Fig. 3
1. No one but me can save myself but it's too late
2. Yesterday seems as though it never existed
1. Now I can't think, think why I should even try.
2. Death greats me warm, now I will just say goodbye.
w/Rhy. Fig. 3
sl sl
Gtr I B |-7/8--9--8^^^^^^-|-7/8--8--12--10^^^^^^-|-7--7-----------12--12-|
G |-----------------|----------------------|-------7^^^^^^---------|
Gtr II D |-7/9--9--9^^^^^^-|-7/9--9--12--11^^^^^^-|-7--7--7^^^^^^--12--12-|
N.C. (no chord) D5 E5 D5 E5 G5 F#5
sl sl
B |-12--10--10--10--8--8--8--7--7--7----|-7/8--8--8^^^^^^-|-7/8--8--12--10^^^^|
D |-12--11--11--11--9--9--9--7--7--7--9-|-7/9--9--9^^^^^^-|-7/9--9--12--10^^^^|
D5 N.C.
Gtr I G |-11--11--11^^^^^^--7--7-|-7----6--6--6----4--4--4----2--2--2----4-||
Gtr II D |--7---7---8^^^^^^-------|-----------------------------------------||
Gtr II A |--9---9---9^^^^^^-------|-----------------------------------------||
N.C. E5 N.C. G5 F#5 N.C. D
Rhy. Fig. 4
Two Gtrs. Gtr II to left of !
Riff A Gtr I A5
sl sl
D |------/4--2!5-|-(2/5)--4--2--------------|----/4--2!5-|-(2!5)--4--2--------|
A |-2!5----------|--------5--4--2!5--4------|-4----------|--------5--4--2/5---|
E |--------------|-------------------5--2!5-|-5----------|--------------------|
sl sl
D |--------|----/4--2!5-|-(2!5)--4--2--------------|----/4--2!5-|
A |-4------|-2----------|--------5--4--2!5--4------|-4----------|
E |-5--2/5-|-3----------|-------------------5--2!5-|-5----------|
w/Rhy. Fig. 4 & Riff A (till fade)