I Used to Hate Cell Phones but Now I Hate Car Accidents Lyrics

I USED TO HATE CELL PHONES, BUT NOW I HATE CAR ACCIDENTS
As recorded by Norma Jean
(From the 2002 Album BLESS THE MARTYR, KISS THE CHILD)
Words by Josh Scogin Music by Norma Jean
Gtr I (Db Ab Db Gb Bb Eb) - 'Untitled'
Gtr II (Db Ab Db Gb Bb Eb) - 'Untitled'
Gtr III (Db Ab Db Gb Bb Eb) - 'Untitled'
Gtr IV (Db Ab Db Gb Bb Eb) - 'Untitled'
Q=180
N.C.
Gtr I
| Gtr II
Q=100
N.C.
E E E E E E E E E E E E E E E E E E E E E E E E W
| E E E E E E E E E E E E E E E E E E E E E E E E W
G#D5N.G#D5N.C.G#D5N.G#D5N.C.G#D5N.G#D5N.C.G#D5N.G#D5N.C.
G#D5N.G#D5N.C.G#D5N.G#D5N.C.G#D5N.G#D5N.C.G#D5N.G#D5N.D5
Q=105
G#D5N.D5 G#D5N.D5 G#D5N.D5 G#D5N.D5
E E E S S S E E E E E E E S S S E E E E
| E E E S S S E E E E E E E S S S E E E E
Break
W W W W
||o----------|----------|----------|------o||
||o-0--------|-0--------|-0--------|-0----o||
| W W W W
||o----------|----------|----------|------o||
||o-0--------|-5--------|-0--------|-5----o||
War
Q=110
G#D5N.D5 G#D5N.D5 G#D5N.D5 G#D5N.D5
E E E S S S E E E E E E E S S S E E E E
| E E E S S S E E E E E E E S S S E E E E
G#D5N.D5 G#D5N.D5 N.C.
E E E S S S E E E E E +E Q E +E Q
|-6-0-6-0-0-0-6-0-6-0-|--------------6-(6)b6.5p0--|
| E E E S S S E E E E E +E Q E +E Q
|-6-0-6-0-0-0-6-0-6-0-|--------------6-(6)b6.5p0--|
PM-------------------------|
E E E E S S S E S S S S S E E
| PM------------------------------
| E E E E H.
Q=170
PM---------------------| PM----------------|
S S S S E. S E E E E +S S E E. S S S S S E. S 4x
||o----------------------|---------------------------o||
||o-0-0-0-0-0----0-0-0-0-|-(0)---0-0----0-0-0-0-0----o||
|--------------------------| PM----------------|
| S S S S E. S E E E E +S S E E. S S S S S E. S 4x
||o----------------------|---------------------------o||
||o-0-0-0-0-0----0-0-0-0-|-(0)---0-0----0-0-0-0-0----o||
PM----------------------------------------
S S S S Q E E E E +E E Q S S S S Q
||o--------------------|---------------------|
||o-0-0-0-0-0--0-0-0-0-|-(0)-0-0--0-0-0-0-0--|
| PM----------------------------------------
| S S S S Q E E E E +E E Q S S S S Q
||o--------------------|---------------------|
||o-0-0-0-0-0--0-0-0-0-|-(0)-0-0--0-0-0-0-0--|
S S S S Q E E E E +E E Q S S S S Q 4x
|--------------------|---------------------o||
|-0-0-0-0-0--0-0-0-0-|-(0)-0-0--0-0-0-0-0--o||
| S S S S Q E E E E +E E Q S S S S Q 4x
|--------------------|---------------------o||
|-0-0-0-0-0--0-0-0-0-|-(0)-0-0--0-0-0-0-0--o||
Q=185
PM---------------------------------|
Q Q Q Q Q Q Q Q Q Q Q Q
| PM---------------------------------|
| Q Q Q Q Q Q Q Q Q Q Q Q
PM---------------------------|
Q Q Q Q Q Q Q Q Q H.
| PM---------------------------|
| Q Q Q Q Q Q Q Q Q H.
Transition
Q=270
N.C.
Q. Q. Q Q. Q. Q Q. Q. Q Q. Q. Q 3x
||o-0----0----0--|-0----0----0--|-0----0----0--|-0----0----0---o||
||o--------------|--------------|--------------|---------------o||
| Q. Q. Q Q. Q. Q Q. Q. Q Q. Q. Q 3x
||o-0----0----0--|-0----0----0--|-0----0----0--|-0----0----0---o||
||o--------------|--------------|--------------|---------------o||
H.=H
N.C.
Q. Q. Q Q. Q. Q Q. Q. Q H +H.
| Q. Q. Q Q. Q. Q Q. Q. Q H +H.
Q=125
Gtr III
W H.. E +W +W
| Gtr IV
| W +W +W +W
|-^5--------|-(5)----------|-(5)--------|-(5)----|
|-^5--------|-(5)----------|-(5)--------|-(5)----|
|-^7--------|-(7)----------|-(7)--------|-(7)----|
|-^7--------|-(7)----------|-(7)--------|-(7)----|
|-^5--------|-(5)----------|-(5)--------|-(5)----|
W +W W +W 6x
||--^5--------|-(5)--------|-^5---------|-(5)-----||
||o-^5--------|-(5)--------|-^5---------|-(5)----o||
||--^7--------|-(7)--------|-^7---------|-(7)-----||
||--^7--------|-(7)--------|-^7---------|-(7)-----||
||o-^5--------|-(5)--------|-^5---------|-(5)----o||
| W +W +W +W 6x
||--^5--------|-(5)--------|-(5)--------|-(5)-----||
||o-^5--------|-(5)--------|-(5)--------|-(5)----o||
||--^7--------|-(7)--------|-(7)--------|-(7)-----||
||--^7--------|-(7)--------|-(7)--------|-(7)-----||
||o-^5--------|-(5)--------|-(5)--------|-(5)----o||
Dsus2 N.C.
Gtr I
W +W W H H
|-^5--------|-(5)--------|-^5---------|-------------|
|-^5--------|-(5)--------|-^5---------|-------------|
|-^7--------|-(7)--------|-^7---------|-10-----9----|
|-^7--------|-(7)--------|-^7---------|-------------|
|-^5--------|-(5)--------|-^5---------|--8-----7----|
| W +W +W +W
|-^5--------|-(5)--------|-(5)--------|-(5)---------|
|-^5--------|-(5)--------|-(5)--------|-(5)---------|
|-^7--------|-(7)--------|-(7)--------|-(7)---------|
|-^7--------|-(7)--------|-(7)--------|-(7)---------|
|-^5--------|-(5)--------|-(5)--------|-(5)---------|
Dsus2 N.C.
W Q. Q. Q W H +E E Q
|-7--------|-10----9----10--|--9---------|--9-----(9)s10s9--|
|-0--------|--8----7-----8--|--7---------|--7-----(7)s=8s7--|
| Gtr II
| W +W +W +W
Dsus2 N.C.
W Q. Q. Q H.. +E W
|-7--------|-10----9----10--|-/14---------(14)S|==7-----|
|-0--------|--8----7-----8--|-/12---------(12)S|==5-----|
| W +W +W +W
Dsus2 N.C.
W Q. Q. Q W W
| W +W +W +W
Dsus2 N.C.
W Q. Q. Q H.. +E W
|-7--------|-10----9----10--|-/14---------(14)S|==7-----|
|-0--------|--8----7-----8--|-/12---------(12)S|==5-----|
| W +W +W +W
War
Q=110
G#5D5 N.D5G#5D5 N.D5 G#5D5 N.D5 Eb5 F5
E E S E S E E S E S E E S E S S E. S E.
||o-----------------------|----------------------|
||o-6\-0-x-5-0-6\-0-x-5-0-|-6\-0-x-5-0-x-1--x-3--|
| E E S E S E E S E S E E S E S S E. S E.
||o--------9----------9---|--------9-------------|
||o-6\-0-x---0-6\-0-x---0-|-6\-0-x---0-x-1--x-3--|
G#5D5 N.D5G#5D5 N.D5 G#5D5 N.D5 Eb5 F5
E E S E S E E S E S E E S E S S E. S E.
|-----------------------|------------------------o||
|-6\-0-x-5-0-6\-0-x-5-0-|-6\-0-x-5-0-x-1--x-3----o||
| E E S E S E E S E S E E S E S S E. S E.
|--------9----------9---|--------9---------------o||
|-6\-0-x---0-6\-0-x---0-|-6\-0-x---0-x-1--x-3----o||
G#5D5N.G#5D5N.G#5D5 N.G#5D5N.C.G#5D5N.C.G#5D5N.C.G#5D5N.G#5
D5N.C. G#5D5N.G#5
Q=145
D5N.N.G#5D5N.G#5D5 N.G#5D5N.G#5D5N.C.
E E E E E E E E E E E E E E E E Q Q Q Q
Walking to Wall Street...
W +W +W +W
| W +W +W +W
...in a straight jacket
D5 N.C.
+W +W E H.. +W
| +W +W H.. E +W
Q=160
D5 N.C. D5 N.C. D5
PM| PM--------| PM|
E E Q Q S S S S E Q. E E Q
||o-----13--13----------|---13-----------|
||o-0-0---------0-0-0-0-|-0-------0-0----|
| PM| PM--------| PM|
| E E Q Q S S S S E Q. E E Q
||o-----13--13----------|---13-----------|
||o-0-0---------0-0-0-0-|-0-------0-0----|
D5 N.C. D5 N.C. D5
PM| PM--------| PM|
E E Q Q S S S S E Q. E E Q
| PM| PM--------| PM|
| E E Q Q S S S S E Q. E E Q
D5 N.C. D5 N.C. D5
PM| PM--------| PM|
E E Q Q S S S S E Q. E E Q
| PM| PM--------| PM|
| E E Q Q S S S S E Q. E E Q
D5 N.C. D5 N.C. D5
PM| PM--------| PM|
E E Q Q S S S S E Q. E E Q
|-----13--13----------|----5-----------o||
|-0-0---------0-0-0-0-|-0-------0-0----o||
| PM| PM--------| PM|
| E E Q Q S S S S E Q. E E Q
|-----13--13----------|---17-----------o||
|-0-0---------0-0-0-0-|-0-------0-0----o||
N.C. D5
PM|
E E E E E E E E E E E E E Q.
| PM|
| E E E E E E E E E E E E E Q.
N.C. D5
PM|
E E E E E E E E E E E E E Q.
| PM|
| E E E E E E E E E E E E E Q.
N.C. D5 N.C. D5
PM| PM|
E E E E E E E E E E E E E Q.
| PM| PM|
| E E E E E E E E E E E E E Q.
N.C. D5
PM|
E E E E E E E E E E E E E Q.
| PM|
| E E E E E E E E E E E E E Q.
N.C. D5 N.C.
PM|
| PM|
>
PM-----------------------|
E E E E E Q. +H +H +W
| >
| PM-----------------------|
| E E E E E Q. +H +H +W
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
(n) - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths