Hell on High Heels Tekst Piosenki Tłumaczenie na Polski

As recorded by Pretty Maids
Jak nagrało Pretty Maids
(From the 1999 Album ANYTHING WORTH DOING IS WORTH OVERDOING)
(Z albumu z 1999 r. WSZYSTKO, CO WARTO ZROBIĆ, WARTO PRZESADZIĆ)
Words and Music by Ronnie Atkins & Ken Hammer
Słowa i muzyka: Ronnie Atkins i Ken Hammer
D5(type 2)
D5 (typ 2)
B5(type 2)
B5 (typ 2)
G5(type 2)
G5 (typ 2)
Gtr I (E A D G B E) - 'piano'
Gtr I (E A D G B E) - „fortepian”
Gtr II (E A D G B E) - 'dist'
Gtr II (E A D G B E) - „odległość”
Gtr III (E A D G B E) - 'dist'
Gtr III (E A D G B E) - „odległość”
Gtr IV (E A D G B E) - 'dist'
Gtr IV (E A D G B E) - „odległość”
Gtr V (E A D G B E) - 'clean'
Gtr V (E A D G B E) - „czysty”
Moderate Rock Q=125
Umiarkowana skała Q=125
Gtr II
Gtr II
W W
W W
Gtr I
Gtr I
H.. E +H.. E
H.. E +H.. E
W H.. E
W H.. E
+H.. E +H.. E
+H.. E +H.. E
+H.. E +H.. E
+H.. E +H.. E
H.. E +H.. E
H.. E +H.. E
+H.. E +W
+H..E +W
+H.. E +W
+H..E +W
Intro solo
Wprowadzenie solo
Gtrs I, II
Gtr I, II
E E E E E E E E Q. Q. Q
E E E E E E E E P. P. P
|-3---3---2h3-5---||o-----------------17---|
|-3---3---2h3-5---||o-----------------17---|
|-----------------||o----------------------|
|----------------||o----------------------|
| Gtr III
| Gtr III
| PM|
| PM|
| W Q. E E E E E
| W P. E E E E E
|-----------------||o----------------------|
|----------------||o----------------------|
|-5---------------||o--5-------5--5-5--5-4-|
|-5--------------||o--5-------5--5-5--5-4-|
Q. Q. Q Q. Q. Q
P. P. P. P. P. P
| PM| PM|
| PM| PM|
| +Q. E E E E E +Q. E E E E E
| +P. E E E E E + P. E E E E E
Q +E Q. Q Q. Q. E E
Q +E P. P. P. P. E E
|-17b19--(17)-17------15----||------------------------17b19-|
|-17b19--(17)-17------15----||-----------------------17b19-|
|--------------------------o||--17b19---17---------15-------|
|--------------------------o||--17b19---17---------15-------|
|--------------------------o||------------------------------|
|-------------------------o||----------------------------|
| PM|
| PM|
| +Q. E E E E E Q. S S E E E E
| +P. E E E E E P. S S E E E
|--------------------------o||-------------------------3----|
|-----------------------------------o||--------------------------------------3----|
|-(5)----------5-------5-5-o||---2-------x--x-/5-4--2-------|
|-(5)-----5-------5-5-o||---2-------x--x-/5-4--2-------|
+H. +Q W
+H. +Q W
|------------------||o----------------|
|--------------------------------||o----------------|
|------------------||o----------------|
|--------------------------------||o----------------|
| Gtr V
| Gtr V
| +W Q. H +E
| +W P. H +E
|--(3)-------------||o-2----3----(3)--|
|--(3)------------||o-2----3----(3)--|
|------------------||o-0----2----(2)--|
|------------------||o-0----2----(2)--|
Gtr V
Gtr V
Q. H +E Q. H E +Q E E E E E E
P. H +E P. H E +Q E E E E E E
|-0----2----(2)-|-2----3----0-|-(0)--3---2---3---o||
|-0----2----(2)-|-2----3----0-|-(0)--3---2---3---o||
|------0----(0)-|-0----2------|------------------o||
|------0----(0)-|-0----2------|------------------o||
$
$
Gtr II
Gtr II
Q. H E +W Q. Q +Q E E E E E Q E S S
P. H E +W P. Q +Q E E E E E Q E S S
|-2----3----3-|-(3)--------||o-----------------|------------------|
|-2----3----3-|-(3)--------||o-----------------|------------------|
|-0----2------|------------||o-2----5--(5)\----|---0-0--------x-x-|
|-0----2------|------------||o-2----5--(5)\----|---0-0--------x-x-|
Q. H E E E Q E E Q Q. Q. E E +H. E E
P. H E E E Q E E Q. P. E E +H. E.E
|-------------|---------------o||---------------|---------------|
|------------|--------------o||--------------|--------------|
|-2----0------|---2-2---------o||-2----0----4-5-|-(5)------4-5--|
|-2----0------|---2-2--------o||-2----0----4-5-|-(5)------4-5--|
PM| PM PM| PM
PM| PM PM| PM
+H.. E +Q E E E E E E +Q E E E E E E +Q E S S E E E E
+H.. E +Q E E E E E E +Q E E E E E E +Q E S S E E E E
|--------------||o------------------|------------------|--------------------|
|-------------||o------------------|--------------------------------|----------------------------------|
|--------------||-------------------|------------------|------------7s6-4-0-|
|-------------||----------------------|--------------------------------|------------7s6-4-0-|
|-(5)--------5-||o-(5)--5-5-5-5-5-4-|-(4)--4-4-4-4-4-2-|-(2)--2-x-x-5s4-2---|
|-(5)-------5-||o-(5)--5-5-5-5-5-4-|-(4)--4-4-4-4-4-2-|-(2)--2-x-x-5s4-2---|
To Coda
Do Cody
Gtr V
Gtr V
+H.. E W +W Q. H +E
+H.. E W +W Q. H +E
|--------------o||----------|------------||o-2----3----(3)--|
|-------------o||----------|------------||o-2----3----(3)--|
|------------5-o||----------|------------||o-0----2----(2)--|
|------------5-o||----------|------------||o-0----2----(2)--|
+W
+W
Q. H +E Q. H E +Q E E E E E E
P. H +E P. H E +Q E E E E E E
|-0----2----(2)-|-2----3----0-|-(0)--3---2---3---o||
|-0----2----(2)-|-2----3----0-|-(0)--3---2---3---o||
|------0----(0)-|-0----2------|------------------o||
|------0----(0)-|-0----2------|------------------o||
D.S. al Coda &
DS al Coda &
us4
my4
Gtr II
Gtr II
PM--------|
PM--------|
Q. H E +W H.. E +Q E E E E E E
P. H E +W H.. E +Q E E E E E E
PM------------------------------------------------------------------|
PM-----------------------------------------------------------------|
Gtr II
Gtr II
W W H.. E
WWH..E
| Gtr III
| Gtr III
| PM------------------------|
| PM-----------------------|
Guitar Solo
Gitara solowa
D5(typeD2) D5(A/C# 2) C# A/C# B5(type
D5(typD2) D5(A/C#2) C# A/C# B5(typ
Gtr III
Gtr III
Q. E E E E E +Q. E E E E E
P. E E E E E + P. E E E E E
/ / o / / / / / o / / /
/ / o / / / / / o / / /
Gtr II
Gtr II
Q. E E E E E +Q. S S E E E E
P. E E E E E + P. S E E E
|-7----7-7h9s11-9-|-(9)---9-9-9h11-11b12-11-|
|-7----7-7h9s11-9-|-(9)---9-9-9h11-11b12-11-|
2) B B5(G5(type 2) G F# G5(D5(type 2)
2) B B5(G5(typ 2) G F# G5(D5(typ 2)
+Q. E E E E E +Q. E E E E E
+P. E E E E E + P. E E E E E
/ / o / / / / / o o / /
/ / o / / / / / o / /
+Q. S S E E a E E +Q. S S E E E E
+P. S S E E a E E +Q. S E E E
|-(11)---11-11-11h12-12s14-12-|-(12)---12-12-12h14-14s16---|
|-(11)---11-11-11h12-12s14-12-|-(12)---12-12-12h14-14s16---|
D5(type 2) D D5(A/C# 2) C# A/CB5(type
D5(typ 2) D D5(A/C#2) C# A/CB5(typ
Q. E E E E E +Q. E E E E E
P. E E E E E + P. E E E E E
/ / o / / / / / o / / /
/ / o / / / / / o / / /
Q E Q E Q E Q E E E E E
Q E Q E Q E Q E E E E E
| Gtr IV
| Gtr IV
| W W
| W W
2) B B5(typG5(type 2)
2) B B5(typG5(typ 2)
+Q. E E E E E +W
+P. E E E E E + W
/ / o / / / /
/ / o / / / /
E S S Q +E S S E E +Q E E E H
E S S Q +E S S E +Q E E E H
|---------------------------------17b19-17b19==|=(17)---17-15-14-15b17============|
|--------------------------------17b19-17b19==|=(17)---17-15-14-15b17============|
|-17b19r17p15-17b19====(17)r17p15--------------|----------------------------------|
|-17b19r17p15-17b19====(17)r17p15-------------|----------------------------------|
| W H.. S S
| W H.. S
Gtr IV
Gtr IV
W W
W W
Gtr II
Gtr II
H.. S S E E E E E E E E
H.. S E E E E E E E
|-17r--------------------14-14-|-14p12-12p10-10p=9--9h10-||
|-17r------14-14-|-14p12-12p10-10p=9--9h10-||
| Gtr III
| Gtr III
| E E E E E E E S S E E E E E E E E
| E E E E E E S ZOBACZ E E E E E E E
|-15p==14-14p12-12p10-10-15-15-|-15p14-14p12-12p10-10h12-||
|-15p==14-14p12-12p10-10-15-15-|-15p14-14p12-12p10-10h12-||
Gtr V
Gtr V
Q. H E +W Q. H E
P. H E + W P. H E
W +W +W
W + W + W
| W +W +W
| W + W + W
+W Q. H E +H.. E W W
+W Q. H E +H.. E W W
W W H.. E +H.. E +H.. E
W W H.. E +H.. E +H.. E
+H.. E +Q. E E E E E
+H.. E +Q. E E E E E
+H.. E +H.. E +H.. E
+H.. E +H.. E +H.. E
||o--------------|--------------|----------------|
||o--------------|----------------------|----------------|
||o-(5)--------7-|-(7)--------9-|-(9)--------5---|
||o-(5)-------7-|-(7)--------9-|-(9)--------5---|
PM| PM
PM| PM
+H.. E +Q E E E E E E
+H.. E +Q E E E E E E
|--------------o||-||o------------------|
|-------------o||-||o--------------------------------|
|-(5)--------5-o||-||o-(5)--5-5-5-5-5-4-|
|-(5)------------5-o||-||o-(5)--5-5-5-5-5-4-|
PM| PM
PM| PM
+Q E E E E E E +Q E S S E E E E
+Q E E E E E E +Q E S E E E E
|------------------|------------7s6-4-0--|
|--------------------------------|------------7s6-4-0--|
|-(4)--4-4-4-4-4-2-|-(2)--2-x-x-5s4-2----|
|-(4)--4-4-4-4-4-2-|-(2)--2-x-x-5s4-2----|
1.,2.,3. 4.=H
1.,2.,3. 4.=H
>
>
+H.. E 4x W +W +W
+H.. E 4x W +W +W
|--------------o||-3--------|-(3)--------|-(3)----*|
|-------------o||-3--------|-(3)--------|-(3)----*|
|------------5-o||----------|------------|--------*|
|------------5-o||----------|------------|--------*|
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - uwaga kropkowana; .. - uwaga podwójna kropka
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - drżenie zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\n – drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= - przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- wzrost głośności (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - bar (czas wolny)
$ - Segno
$ - Segno
& - Coda
& - Koda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty