Armageddon Tekst Piosenki Tłumaczenie na Polski

Pierwotny strach – Armagedon

by Primal Fear

🌐 Polski çevirisi — İngilizce orijinal için tıklayın

Primal Fear Armageddon

Gtr I (E A D G B E) - 'Untitled'
Gtr I (E A D G B E) - „Bez tytułu”
Q=140
Q=140
Gtr I
Gtr I
PM| PM----| PM| PM--------| PM| PM----|
PM| PM----| PM| PM--------| PM| PM----|
E S S E S S S S E S S E S S S S S S E S S E S S S S
E S S E S S S E S S S S S S S E S E S S S S
||o----------------------------|-----------------------------|
||o-----------------------------|--------------------------------------|
||o----------------------------|-----------------------------|
||o-----------------------------|--------------------------------------|
PM| PM----| PM| PM----| PM--------|
PM| PM----| PM| PM----| PM--------|
E S S E S S S S E S S E S S S S E S S S S S S S S S S S
E S S E S S S S E S S S S S E S S S S S S S S S S S
PM| PM----| PM| PM--------| PM| ~~~
PM| PM----| PM| PM--------| PM| ~~~
E S S E S S S S E S S E S S S S S S E S S E +E +E
E S S E S S S S E S S S S S S E S S E +E +E
|-12-----12---------12-----9-|-------------9-----7b8r(7)b8r(7)-|
|-12-----12---------12-----9-|-------------9-----7b8r(7)b8r(7)-|
|-10-----10---------10-----9-|-------------9-----7b8r(7)b8r(7)-|
|-10-----10---------10----------9-|-------------9-----7b8r(7)b8r(7)-|
PM| PM----| PM| PM----------------|
PM| PM----| PM| PM-----------------|
E S S E S S S S E S S E +E S S S S S S S S S S S S S S S
E S S E S S S S E S E +E S S S S S S S S S S S S S S
|-----------------------------|-------------------------------------o||
|----------------------------|-------------------------------------- o||
|-12-----12---------12-----11-|-(11)\---------------------7p5p4------||
|-12-----12---------12-----11-|-(11)\-----------------------------------7p5p4------||
|-10-----10---------10------9-|--(9)\---------------------------7p5--||
|-10-----10-------------10------9-|--(9)\--------------------------7p5--||
|-----------------------------|-------0-0-2-2-0-0-3-3-2-2-----------o||
|----------------------------|-------0-0-2-2-0-0-3-3-2-2-----------o||
$
$
PM| PM----| PM|
PM| PM----| PM|
W E Q +E Q Q E S S E S S S S E S S E
W E Q +E Q Q E S S E S S S E S S E
|----------|--------------------||o-------------------------|
|---------|--------------------||o-----------------------------|
|-5--------|---2b2.5--(2)-2--0--||--------------------------|
|-5-------|---2b2.5--(2)-2--0--||-------------------------|
|-5--------|---2b2.5--(2)-2--0--||--------------------------|
|-5-------|---2b2.5--(2)-2--0--||-------------------------|
|-3--------|--------------------||o-7-----7---------7-----8-|
|-3--------|------||o-7-----7---------7-----8-|
PM--------| PM| PM----| PM| PM----| PM|
PM--------| PM| PM----| PM| PM----| PM|
S S S S S S E S S E S S S S E S S E S S S S E S S E
S S S S S E S E S S S S S E S S S S E S S E
PM------------| ~~~ PM|
PM-------| ~~~ PM|
S S S S S S S S Q Q S S Q +E Q Q
S S S S S S S Q Q S S Q +E Q Q
|---------------------------o||----------------------|
|------------------------------------o||----------------------|
|----------------------------||-----2b2.5--(2)-2--0--|
|----------------------------||-----2b2.5--(2)-2--0--|
|-------------------------||-----2b2.5--(2)-2--0--|
|-------------------------||-----2b2,5--(2)-2--0--|
|------------------------o||----------------------|
|-----------------------o||----------------------|
PM| PM----| PM| PM--------| PM| PM----|
PM| PM----| PM| PM--------| PM| PM----|
E S S E S S S S E S S E S S S S S S E S S E S S S S
E S S E S S S E S S S S S S S E S E S S S S
PM| PM----| PM|
PM| PM----| PM|
E S S E S S S S E S S E
E S S E S S S S E S E
PM------------| ~~~
PM-------| ~~~
S S S S S S S S Q Q H. +E E +W
S S S S S S S Q Q H. +E E +W
PM----------------|
PM-----------------|
H. +E E +E S S S S S S S S S S S S S S S
H. +E E +E S S S S S S S S S S S S S
|-4-------(4)-4-|-(4)---------------------7p5p4-----|
|-4-------(4)-4-|-(4)----------------------------------7p5p4-----|
|-4-------(4)-5-|-(5)---------------------------7p5-|
|-4------(4)-5-|-(5)---------------7p5-|
PM| PM----| PM| PM--------| PM| PM----|
PM| PM----| PM| PM--------| PM| PM----|
E S S E S S S S E S S E S S S S S S E S S E S S S S
E S S E S S S E S S S S S S S E S E S S S S
PM| PM----| PM|
PM| PM----| PM|
E S S E S S S S E S S E
E S S E S S S S E S E
PM----| PM| PM| PM----| PM|
PM----| PM| PM| PM----| PM|
S S S S E S S E E E E E S S E S S S S E S S E
S S S E S S E E E S E S S S S E S S E
PM--------| PM|
PM--------| PM|
S S S S S S E S S a E E E
S S S S S E S a E E
|-8-8-8-8-8-8----8-8-xs8\-4-3--|
|-8-8-8-8-8-8----8-8-xs8\-4-3--|
To Coda
Do Cody
+H +E E E E +Q. E +H
+H +E E E E +Q. E + H
D.S. al Coda
DS al Coda
PM| PM----| PM|
PM| PM----| PM|
E S S E S S S S E S S E E Q +E Q Q
E S S E S S S S E S E Q +E Q Q
|-12-----12---------12-----9-|---2b2.5--(2)-2--0--|
|-12-----12---------12-----9-|---2b2,5--(2)-2--0--|
|-10-----10---------10-----9-|---2b2.5--(2)-2--0--|
|-10-----10-----10-----9-|---2b2,5--(2)-2--0--|
&
&
PM| PM----| PM| PM--------| PM| PM----|
PM| PM----| PM| PM--------| PM| PM----|
E S S E S S S S E S S E S S S S S S E S S E S S S S
E S S E S S S E S S S S S S S E S E S S S S
PM| PM----| PM|
PM| PM----| PM|
E S S E S S S S E S S E
E S S E S S S S E S E
PM----| PM| PM| PM----| PM|
PM----| PM| PM| PM----| PM|
S S S S E S S E E E E E S S E S S S S E S S E
S S S E S S E E E S E S S S S E S S E
PM--------| PM|
PM--------| PM|
S S S S S S E S S a E E E
S S S S S E S a E E
|-8-8-8-8-8-8----8-8-xs8\-3-2--|
|-8-8-8-8-8-8----8-8-xs8\-3-2--|
+H +E E E E +Q. E +H
+H +E E E E +Q. E + H
>
>
W +W
W + W
W W
W W
W W
W W
PM| PM----| PM| PM--------| PM| PM----|
PM| PM----| PM| PM--------| PM| PM----|
E S S E S S S S E S S E S S S S S S E S S E S S S S
E S S E S S S E S S S S S S S E S E S S S S
PM| PM----| PM|
PM| PM----| PM|
E S S E S S S S E S S E
E S S E S S S S E S E
PM------------|
PM-------|
S S S S S S S S Q Q W +W
S S S S S S S Q Q W + W
PM| PM----| PM|
PM| PM----| PM|
W W E S S E S S S S E S S E
W E S E S S S E S S E
PM--------| PM| PM----| PM| PM----| PM|
PM--------| PM| PM----| PM| PM----| PM|
S S S S S S E S S E S S S S E S S E S S S S E S S E
S S S S S E S E S S S S S E S S S S E S S E
PM--------|
PM--------|
S S S S S S E Q Q W +W
S S S S S E Q Q W + W
D.C. al Fine
DC w porządku
W W
W W
Fine
Dobrze
E E H.
EEE H.
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - uwaga kropkowana; .. - uwaga podwójna kropka
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
n
rz
- artificial harmonic
- sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - drżenie zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\n – drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= - przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- wzrost głośności (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - bar (czas wolny)
$ - Segno
$ - Segno
& - Coda
& - Koda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.