Blue Study Paroles Traduction Française

Gtr I (C# G# C# F# A# D#) - 'JIm Root'
Gtr I (C# G# C# F# A# D#) - 'JIm Root'
Gtr II (C# G# C# F# A# D#) - 'Josh Rand'
Gtr II (Do# Sol# Do# Fa# La# Ré#) - 'Josh Rand'
Gtr III (C# G# C# F# A# D#) - 'Lead Guitar (Josh Rand)'
Gtr III (C# G# C# F# A# D#) - 'Guitare solo (Josh Rand)'
Moderately slow rock Q=98
Rock moyennement lent Q=98
Gtr I
RTM I
W H Q E S S
QUELQUES QUALITÉS
a E. S S S E +S E S a E S S E. S S S E +Q Q
a E. S S S E + S E S a E S S E. S S S E + Q Q
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)--7--|
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)--7--|
Gtrs I, II
RTM I, II
a E. S S S E +S E S a E S S E. S S S E +Q Q
a E. S S S E + S E S a E S S E. S S S E + Q Q
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)--7--|
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)--7--|
a E. S S S E +S E S a E S S
une E. S S S E + S E S une E S S
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5---|
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5---|
E. S S S E +H a E. S S S E +S S S S a E S S E. S S S E +H
E. S S S E +H a E. S S S E +S S S S a E S S E. S S S E +H
|-8--8-8-5-7-(7)----|-5h=7--7-7-5-7-(7)-7-7-5-5h=7--7-5-|-8--8-8-5-7-(7)----||
|-8--8-8-5-7-(7)----|-5h=7--7-7-5-7-(7)-7-7-5-5h=7--7-5-|-8--8-8-5-7-(7)----||
$
$
N.C.
N.C.
Gtr I
RTM I
E. S +E a E +E Q E a E. S E a E +H E. S +E a E +E Q E
E. S +E a E +E Q E a E. S E a E +H E. S +E a E +E Q E
||o-----------------------|---------------------|-----------------------|
||o-------------|-----------|---------------------------------|
||-----7-(7)-7s8-(8)-7----|---------------------|----7-(7)-7s8-(8)-7----|
||-----7-(7)-7s8-(8)-7----|---------------------|----7-(7)-7s8-(8)-7----|
||o-5-------------------5-|-5s6--3-3-3s6-(6)----|-5---------------------|
||o-5-------------------5-|-5s6--3-3-3s6-(6)----|-5---------------------|
Gtr II
RTM II
~~~~~~ PM-------------------------------
~~~~~~ MP-------------------------------
a E. S +E E +H S S S S S S S S S S S S S S S S
a E. S +E E +H S S S S S S S S S S S S S S S S
|-7s8--5-(5)-7-(7)----|---------------------------------|
|-7s8--5-(5)-7-(7)----|---------------------------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM-------------------------------
MP -------------------------------
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S a E. S S S E +S E S a E S S
S S S S S S S S S S S S S S S S a E. S S S E +S E S a E S S
|---------------------------------||-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|
|---------------------------------||-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|
E. S S S E +Q Q a E. S S S E +S E S a E S S E. S S S E +H
E. S S S E +Q Q a E. S S S E +S E S a E S S E. S S S E +H
|-8--8-8-5-7-(7)--7--|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)----|
|-8--8-8-5-7-(7)--7--|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)----|
a E. S S S E +S E S a E S S E. S S S E +Q Q
a E. S S S E + S E S a E S S E. S S S E + Q Q
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)--7--|
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|-8--8-8-5-7-(7)--7--|
a E. S S S E +S E S a E S S
une E. S S S E + S E S une E S S
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5---||
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5---||
PM----| PM----|
MP----| MP----|
E. S S S E +Q S S S S E. S +E E +S E. S S S S
E. S S S E +Q S S S S E. S +E E +S E. S S S S
PM----|
MP----|
E. S +E E +S E. S S S S
E. S +E E +S E. S S S S
To Coda
À Coda
PM----| PM----|
MP----| MP----|
E. S +E E +S E. S S S S E. S +E E +S E. S S S S
E. S +E E +S E. S S S S E. S +E E +S E. S S S S
a E. S S S E +S E S a E S S
une E. S S S E + S E S une E S S
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|
|-5h=7--7-7-5-7-(7)-7-5-5h=7--7-5-|
E. S S S E +H a E. S S S E +S S S S a E S S
E. S S S E +H a E. S S S E +S S S S a E S S
|-8--8-8-5-7-(7)----|-5h=7--7-7-5-7-(7)-7-7-5-5h=7--7-5-|
|-8--8-8-5-7-(7)----|-5h=7--7-7-5-7-(7)-7-7-5-5h=7--7-5-|
PM----|
MP----|
E. S S S E +H E. S +E E +S E. S S S S
E. S S S E + H E. S + E E + S E. S S S S
|-------------------o||-----------------------------|
|-----------------------o||----------------------------------|
|-5--5-5-5-6-(6)----o||-6--3-(3)-5-(5)-0------------|
|-5--5-5-5-6-(6)----o||-6--3-(3)-5-(5)-0------------|
Gtr III
RTM III
W W
WW
| Gtr I
| RTM I
| a E. S +E E +S E. Q a E. S +E E +S E. Q
| une E. S +E E +S E. Q une E. S +E E +S E. Q
|-7s8--5-(5)-7-(7)-------|-7s8--5-(5)-7-(7)-------|
|-7s8--5-(5)-7-(7)-------|-7s8--5-(5)-7-(7)-------|
|-5s6--3-(3)-5-(5)-x--x--|-5s6--3-(3)-5-(5)-x--x--|
|-5s6--3-(3)-5-(5)-x--x--|-5s6--3-(3)-5-(5)-x--x--|
W H Q E S S
QUELQUES QUALITÉS
| a E. S +E E +S E. Q a E. S +E E +S E. E E
| une E. S +E E +S E. Q une E. S +E E +S E. E E
|-7s8--5-(5)-7-(7)-------|-7s8--5-(5)-7-(7)-------------||
|-7s8--5-(5)-7-(7)-------|-7s8--5-(5)-7-(7)-------------||
|-5s6--3-(3)-5-(5)-x--x--|-5s6--3-(3)-5-(5)-x--x--x-----||
|-5s6--3-(3)-5-(5)-x--x--|-5s6--3-(3)-5-(5)-x--x--x-----||
Guitar Solo
Solo de guitare
TP TP
TP TP
E. S E S S +S S E Q S S S S S S E Q E. S
E. S E S S + S S E Q S S S S S S E Q E. S
Q S S S S S S S S S S S +S S S S S
Q S S S S S S S S S S S +S S S S S
|-15--------------------13-13----13-13-13b15r(13)-10h13p10----|
|-15--------------------13-13----13-13-13b15r(13)-10h13p10----|
S +S S S S S +S S S Q E E
S +S S S S S +S S S Q E E
|-12b14r(12)p10----10-12b14r(12)-10-----------------|
|-12b14r(12)p10----10-12b14r(12)-10-----------------|
S E S S S S S a E E S +S S S
S E S S S S S a E E S +S S S
|-----------------------------12b13r(12)--------|
|-----------------------------12b13r(12)--------|
|--------------------------10-12b13r(12)-10-12--|
|------------------------------10-12b13r(12)-10-12--|
~~~ TP TP TP TP TP TP
~~~ TP TP TP TP TP TP
E S S +Q Q E E Q S S E S E. E E
E S S +Q Q E E Q S S E S E. E E
|-12--------------------------/13S|=15--15----15----14--13-10-|
|-12---------------------------/13S|=15--15----15----14--13-10-|
|----10-12b14==(12)--12r--12\-----|----------------------x----|
|----10-12b14==(12)--12r--12\-----|----------------------x----|
D.S. al Coda
DS al Coda
S S S S S S +S S S +Q Q
S S S S S S +S S S +Q Q
|-------10----10-12b14r(12)-10---------------||
|-------10----10-12b14r(12)-10---------------||
|-10h12----12------------------12-(12)--12\--||
|-10h12----12------------------12-(12)--12\--||
&
&
Gtrs I, II Gtr II
RTM I, II RTM II
PM----| PM----|
MP----| MP----|
E. S +E E +S E. S S S S E. S +E E +S E. S S S S
E. S +E E +S E. S S S S E. S +E E +S E. S S S S
| Gtr I
| RTM I
| W a E. S +E E +S E. Q
| W a E. S +E E +S E. Q
|---------------------------|-7s8--5-(5)-7-(7)------------|
|-----------------|-7s8--5-(5)-7-(7)------------|
|---------------------------|-5s6--3-(3)-5-(5)-x--x-------|
|-----------------|-5s6--3-(3)-5-(5)-x--x-------|
PM----| PM----|
MP----| MP----|
E. S +E E +S E. S S S S E. S +E E +S E. S S S S
E. S +E E +S E. S S S S E. S +E E +S E. S S S S
| a E. S +E E +S E. Q a E. S +E E +S E. Q
| une E. S +E E +S E. Q une E. S +E E +S E. Q
|-7s8--5-(5)-7-(7)------------|-7s8--5-(5)-7-(7)-------------|
|-7s8--5-(5)-7-(7)------------|-7s8--5-(5)-7-(7)-------------|
|-5s6--3-(3)-5-(5)-x--x-------|-5s6--3-(3)-5-(5)-x--x--------|
|-5s6--3-(3)-5-(5)-x--x-------|-5s6--3-(3)-5-(5)-x--x--------|
PM----| ~~ ~~~~~~ ~ ~~ ~~~~~~ ~
MP----| ~~ ~~~~~~ ~ ~~ ~~~~~~ ~
E. S +E E +S E. S S S S E. S +E E +S E. E E E. S +E E +S E. E E
E. S +E E +S E. S S S S E. S +E E +S E. E E E. S +E E +S E. E E
| a E. S +E E +S E. E E E. S +E E +S E. E E E. S +E E +S E. E E
| une E. S +E E +S E. E E E. S +E E +S E. E E E. S +E E +S E. E E
|-7s8--5-(5)-7-(7)------------||-----------------------|-----------------------|
|-7s8--5-(5)-7-(7)------------||-----------------------|-----------------------|
|-5s6--3-(3)-5-(5)-x----------||-7--------7-(7)----7---|-7--------7-(7)----7---|
|-5s6--3-(3)-5-(5)-x----------||-7--------7-(7)----7---|-7--------7-(7)----7---|
Gtrs I, II
RTM I, II
E. S +E E +S E. E E E. S +E E +S E. E E 3x
E. S +E E +S E. E E E. S +E E +S E. E E 3x
||o-----------------------|-----------------------o||
||o-------------|-----------------------o||
||o-7--------7-(7)----7---|-7--------7-(7)----7---o||
||o-7--------7-(7)----7---|-7--------7-(7)----7---o||
Gtrs I, II
RTM I, II
PM PM PM PM PM PM PM PM
PM PM PM PM PM PM PM PM
E S S +S S E S E S S S E E S S +S S E S E S S S E
E S S +S S E S E S S S E E S S +S S E S E S S S E
|-7---5-(5)---7---5---8s7-5-|-7---5-(5)---7---5---8s7-5-|
|-7---5-(5)---7---5---8s7-5-|-7---5-(5)---7---5---8s7-5-|
|-5---3-(3)---5---3---6s5-3-|-5---3-(3)---5---3---6s5-3-|
|-5---3-(3)---5---3---6s5-3-|-5---3-(3)---5---3---6s5-3-|
PM PM PM PM
PM PM PM PM
E S S +S S E S E S S S E
E S S + S S E S E S S S E
|-7---5-(5)---7---5---8s7-5--|
|-7---5-(5)---7---5---8s7-5--|
|-5---3-(3)---5---3---6s5-3--|
|-5---3-(3)---5---3---6s5-3--|
Gtr I
RTM I
PM PM PM PM PM PM PM PM
PM PM PM PM PM PM PM PM
E S S +S S E S E S S S E E S S +S S E S E S S S E
E S S +S S E S E S S S E E S S +S S E S E S S S E
|-7---5-(5)---7---5---8s7-5-|-7---5-(5)---7---5---8s7-5-|
|-7---5-(5)---7---5---8s7-5-|-7---5-(5)---7---5---8s7-5-|
|-5---3-(3)---5---3---6s5-3-|-5---3-(3)---5---3---6s5-3-|
|-5---3-(3)---5---3---6s5-3-|-5---3-(3)---5---3---6s5-3-|
PM PM PM PM
PM PM PM PM
E S S +S S E S E S S S E
E S S + S S E S E S S S E
|-10---9-(9)---10---9---12s10-9--|
|-10---9-(9)---10---9---12s10-9--|
|--8---7-(7)----8---7---10s=8-7--|
|--8---7-(7)----8---7---10s=8-7--|
H.=H
H.=H
Gtrs I, II
RTM I, II
PM PM PM PM PM PM PM PM----|
PM PM PM PM PM PM PM PM----|
E S S +S S E S E S S S E E S S +S S E S E S E E E
E S S +S S E S E S S S E E S S +S S E S E S E E E
|-10---9-(9)---10---9---12s10-9-|-7---5-(5)---7---5---8-7-5-|
|-10---9-(9)---10---9---12s10-9-|-7---5-(5)---7---5---8-7-5-|
|--8---7-(7)----8---7---10s=8-7-|-5---3-(3)---5---3---6-5-3-|
|--8---7-(7)----8---7---10s=8-7-|-5---3-(3)---5---3---6-5-3-|
Q=98
Q=98
H +Q. +E Q Q H
H+Q. +E QQH
Duration Legend
Légende de durée
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - entier ; H - la moitié ; Q - trimestre ; E - 8ème ; S-16ème ; T - 32e ; X-64ème ; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - note liée à la précédente ; . - note en pointillés ; .. - note double pointillé
Uncapitalized letters represent notes that are staccato (1/2 duration)
Les lettres sans majuscule représentent des notes saccadées (1/2 durée)
Irregular groupings are notated above the duration line
Les regroupements irréguliers sont notés au-dessus de la ligne de durée
Duration letters will always appear directly above the note/fret number it represents the
Les lettres de durée apparaîtront toujours directement au-dessus du numéro de note/frette qu'elles représentent.
duration for. Duration letters with no fret number below them represent rests. Multi-
durée pour. Les lettres de durée sans numéro de frette en dessous représentent des silences. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
les repose-barres sont notés sous la forme Wxn, où n est le nombre de barres pour lesquelles se reposer. Faible
melody durations appear below the staff
les durées des mélodies apparaissent sous la portée
Tablature Legend
Légende des tablatures
h - hammer-on
h - marteler
p - pull-off
p - retrait
b - bend
b - plier
pb - pre-bend
pb - pré-courbure
r - bend release (if no number after the r, then release immediately)
r - relâchez le pliage (s'il n'y a pas de numéro après le r, relâchez immédiatement)
/\ - slide into or out of (from/to "nowhere")
/\ - glisser vers ou hors de (de/vers "nulle part")
s - legato slide
s - diapositive legato
S - shift slide
S - diapositive de changement de vitesse
- natural harmonic
- harmonique naturelle
(n) - artificial harmonic
(n) - harmonique artificielle
n(n) - tapped harmonic
n(n) - harmonique prélevée
~ - vibrato
~ - vibrato
tr - trill
tr - trille
T - tap
T - robinet
TP - trem. picking
TP - trem. cueillir
PM - palm muting
PM - mutation de la paume
\n/ - tremolo bar dip; n = amount to dip
\n/ - trempette de barre de trémolo ; n = quantité à tremper
\n - tremolo bar down
\n - barre de trémolo baissée
n/ - tremolo bar up
n/ - barre de trémolo vers le haut
/n\ - tremolo bar inverted dip
/n\ - trempette inversée de la barre de trémolo
= - hold bend; also acts as connecting device for hammers/pulls
= - tenir le virage ; sert également de dispositif de connexion pour les marteaux/tiroirs
- volume swell (louder/softer)
- augmentation du volume (plus fort/plus doux)
x - on rhythm slash represents muted slash
x - sur le rythme, la barre oblique représente une barre oblique assourdie
o - on rhythm slash represents single note slash
o - la barre oblique sur le rythme représente la barre oblique d'une seule note
Misc Legend
Divers Légende
| - bar
| -barre
|| - double bar
|| - double barre
||o - repeat start
||o - répéter le démarrage
o|| - repeat end
o|| - répéter la fin
*| - double bar (ending)
*| - double barre (fin)
: - bar (freetime)
: - bar (temps libre)
$ - Segno
$ - Segno
& - Coda
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Marqueurs de tempo - = BPM (8/16 = s8/s16), où s8 = swing 8ths, s16 = swing 16ths