Zeitgeist 歌詞 日本語訳

Tabs for every single song on Zeitgiest some found on other websites but
Zeitgiest のすべての曲のタブ譜は他の Web サイトにもありますが、
everything else from UG. These websites are
それ以外はすべてUGから。これらのウェブサイトは、
www.spfc.com
www.spfc.com
www.0bscured.com
www.0bscured.com
Ttabs.com
Ttabs.com
Some of those songs are really tough but sound great played well so good luck but
それらの曲の中には本当に難しいものもありますが、うまく演奏すると素晴らしく聞こえますので、幸運を祈ります
the strumming for some of the tabs is not shone. Im pretty sure that these tabs
一部のタブのかき鳴らしは光りません。これらのタブは確かに
are correct. The Following artists work is in these tabs and they must be
は正しいです。以下のアーティストの作品がこれらのタブにあります。
recognized.
認識されました。
Doomsday Clock - Leah Bush - (www.spfc.com)
終末時計 - リア・ブッシュ - (www.spfc.com)
7 Shades Of Black - bgoold@gmail.com - (www.0bscured.com)
7 Shades Of Black - bgoold@gmail.com - (www.0bscured.com)
Bleeding The Orchid - bgoold@gmail.com - (www.0bscured.com)
蘭の出血 - bgoold@gmail.com - (www.0bscured.com)
That's The Way (My Love Is) - zamarguitar
That's The Way (My Love Is) - ザマルギター
Tarantula - Chad Corgan
タランチュラ - チャド・コーガン
Starz - Leah Bush - (www.spfc.com)
Starz - リア・ブッシュ - (www.spfc.com)
United States - redburstibanez@yahoo.com
米国 - redburstibanez@yahoo.com
Neverlost - bgoold@gmail.com - (www.0bscured.com)
Neverlost - bgoold@gmail.com - (www.0bscured.com)
Bring The Light - bgoold@gmail.com
ブリング・ザ・ライト - bgoold@gmail.com
(Come On) Let's Go! - PumpkinHead94
(カモン) レッツゴー! - パンプキンヘッド94
For God And Country - Unknown
神と国のために - 不明
Pomp And Circumstances - Rincewind - (www.spfc.com)
威風堂々 - リンスウィンド - (www.spfc.com)
Track 1. Doomsday Clock
トラック 1. 終末時計
DOOMSDAY CLOCK
終末時計
As recorded by The Smashing Pumpkins
スマッシング・パンプキンズによる録音
(From the 2007 Album ZEITGEIST)
(2007年アルバム『ZEITGEIST』より)
Words and Music by Billy Corgan
言葉と音楽：ビリー・コーガン
Gtr I (Db Ab Db Gb Bb Eb) - 'Untitled'
Gtr I (Db Ab Db Gb Bb Eb) - 「無題」
Gtr II (Db Ab Db Gb Bb Eb) - 'Untitled'
Gtr II (Db Ab Db Gb Bb Eb) - 「無題」
Q=100
Q=100
Gtr I
Gtr I
||o---------------------------------|---------------------------------o||
||o---------------------------------|---------------------------------o||
||o---------------------------------|---------------------------------o||
||o---------------------------------|---------------------------------o||
$
$
| Gtr II
| GTR II
| Gtr II
| GTR II
Gtrs I, II
GTR I、II
||o---------------------------------|----------------------------------o||
||o---------------------------------|--------------------------------------------o||
||o---------------------------------|----------------------------------o||
||o---------------------------------|--------------------------------------------o||
To Coda
コーダへ
|-0-0-0-0-0-0-0-0-0-3-3-3-3S8-8-(8)-|-/8-8-8-8-8-8-8-8------------|
|-0-0-0-0-0-0-0-0-0-3-3-3-3S8-8-(8)-|-/8-8-8-8-8-8-8-8-----------|
|-0-0-0-0-0-0-0-0-0-3-3-3-3S8-8-(8)-|-/8-8-8-8-8-8-8-8---------7-7-7--|
|-0-0-0-0-0-0-0-0-0-3-3-3-3S8-8-(8)-|-/8-8-8-8-8-8-8-8---------7-7-7--|
||o--------------------------|-----------------------------o||
||o--------------------------|----------------------------o||
||o-------------------8---3--|-/7-7-7-7-7-7-7-7-7-10---5---o||
||o-------------------8---3---|-/7-7-7-7-7-7-7-7-7-10---5---o||
D.S. al Coda
D.S. アル コーダ
&
&
||o--------------------------|----------------------------o||
||o--------------------------|----------------------------o||
||o-------------------8---3--|-7-7-7-7-7-7-7-7-7-10---5---o||
||o-------------------8---3---|-7-7-7-7-7-7-7-7-7-10---5---o||
Bridge I
ブリッジ I
D5 N.C.
D5 ノースカロライナ州
PM----------------------------------------------------|
午後-------------------------------------------------|
||o-------------------------|-----------------------------|
||o-----------------------|----------------------------|
||o-------------------------|-----------------------------|
||o-----------------------|----------------------------|
PM--------------------------------------------|
午後-------------------------------------------------|
|-------------------------|-----------------o---|
|-----------------------|----o---|
|-------------------------|-----------------o---|
|-----------------------|----o---|
Bridge II
ブリッジⅡ
||o----------------------------------------------|
||o----------------------------------------------|
||o----------------------------------------------|
||o----------------------------------------------|
|-----------------------------------------o||
|------------------------------------------------------o||
|-----------------------------------------o||
|------------------------------------------------------o||
||o--------------------------|----------------------------o||
||o--------------------------|----------------------------o||
||o-------------------8---3--|-7-7-7-7-7-7-7-7-7-10---5---o||
||o-------------------8---3---|-7-7-7-7-7-7-7-7-7-10---5---o||
Track 2. 7 Shades Of Black
トラック 2. 7 シェイズ・オブ・ブラック
--title: 7 shades of black
--タイトル: 7 つの黒の色合い
--release: zeitgeist
--リリース: 時代精神
--last updated: 07.08.07
--最終更新日: 07.08.07
--transcription by: bgoold@gmail.com
--転記: bgoold@gmail.com
--website: http://www.0bscured.com
--ウェブサイト: http://www.0bscured.com
--tuning: Db Gb B E Ab Db
--チューニング: Db Gb B E Ab Db
--INTRO
--イントロ
Lead - Play with whammy set to 2 octaves higher
リード - ワーミーを 2 オクターブ高く設定して演奏します
--VERSE
--詩
--PRECHORUS
--プレコーラス
--CHORUS
--コーラス
Lead fill
鉛充填
Guitar 1
ギター1
|Guitar 2
|ギター 2
--BRIDGE
--ブリッジ
Lead
リード
--VERSE
--詩
--PRECHORUS
--プレコーラス
--CHORUS
--コーラス
Lead fill
鉛充填
Guitar 1
ギター1
|Guitar 2
|ギター 2
--SOLO
--ソロ
--Lead
--リード
|-/12-11~~~~-10~~-8-10~~~~gb12--/12-11~~-10~~--8-10b11r10p8\5~~~~~-|
|-/12-11~~~~-10~~-8-10~~~~gb12--/12-11~~-10~~~-8-10b11r10p8\5~~~~~-|
Lead 2
リード2
--BRIDGE
--ブリッジ
Lead
リード
--VERSE
--詩
Lead - Play with whammy set to 2 octaves higher
リード - ワーミーを 2 オクターブ高く設定して演奏します
--PRECHORUS
--プレコーラス
--CHORUS
--コーラス
Lead fill
鉛充填
Guitar 1
ギター1
|Guitar 2
|ギター 2
b - bend
b - 曲げる
r - release
r - リリース
gb - gradual bend
gb - 緩やかな曲がり
gr - gradual release
gr - 段階的リリース
h - hammer on
h - ハンマーオン
p - pull off
p - 引き離す
T - trill
T-トリル
W - whammy bar dive
W - ワーミーバーダイブ
\ - slide down
\ - 下にスライドします
/ - slide up
/ - 上にスライドします
x - mute
× - ミュート
X\ - pick slide
X\ - スライドを選択
~~~ - vibrato
~~~ - ビブラート
*7 - artificial harmonic
*7 - 人工高調波
*7* - natural harmonic
*7* - 自然高調波
... - palm mute
... - パームミュート
(0) - optional note
(0) - オプションのメモ
XXX - tremolo pick
XXX - トレモロピック
alt - variation of riff
alt - リフのバリエーション
Track 3: Bleeding The Orchid
トラック 3: ブリーディング・ザ・オーキッド
--title: bleeding the orchid
--タイトル: 蘭に血を流す
--release: zeitgeist
--リリース: 時代精神
--last updated: 08.19.07
--最終更新日: 07.08.19
--transcription by: bgoold@gmail.com
--転記: bgoold@gmail.com
--website: http://www.0bscured.com
--ウェブサイト: http://www.0bscured.com
--tuning: Db Gb B E Ab Db
--チューニング: Db Gb B E Ab Db
--INTRO
--イントロ
--VERSE
--詩
--PRECHORUS
--プレコーラス
--CHORUS
--コーラス
--SOLO
--ソロ
Lead
リード
--VERSE
--詩
--PRECHORUS
--プレコーラス
--CHORUS
--コーラス
Lead
リード
--INTERLUDE
--間奏
--CHORUS
--コーラス
--SOLO
--ソロ
Lead
リード
|-17b19~~~~----------------------------------------------------------------17gb19~~---|
|-17b19~~~~----------------------------------------------------------------17gb19~~---|
b - bend
b - 曲げる
r - release
r - リリース
gb - gradual bend
gb - 緩やかな曲がり
gr - gradual release
gr - 段階的リリース
h - hammer on
h - ハンマーオン
p - pull off
p - 引き離す
T - trill
T-トリル
W - whammy bar dive
W - ワーミーバーダイブ
\ - slide down
\ - 下にスライドします
/ - slide up
/ -
x - mute
X\ - pick slide
~~~ - vibrato
*7 - artificial harmonic
*7* - natural harmonic
... - palm mute
(0) - optional note
XXX - tremolo pick
alt - variation of riff
Track 4: That's The Way (My Love Is)
Smashing Pumpkins
That's The Way (My Love Is)
Zeitgeist
I tabbed this to be played on acoustic, so the chords are the exact electric ones
played on the CD.
Intro: G D/F#
they say that life ain't easy
they'll say your life's a crime
destroy up all good reason
how i'm alive
they'll say that nothing matters
not even your will to survive
of course i love you baby
'cause i'm alive
yes, i'm alive
whenever i call you out
whenever i draw you round
whenever is here and now
that's the way my love is
that's the way i care
you should call on me baby
i'm always there for you
yeah, i'm always there for you
they'll say you'll lose your nerve soon
to claim identity
disgrace our sacred promise
with no belief
oh, how i believe in you
Ahhhh, ahhhhh that's the way my love is, for you
that's the way my love is, for you!
Solo (over chorus chords)
|--------13--11--9---11\13-?11--14--13-9--11\13?11----------------|
i feel a coming age now
i feel a dawn in me
a certain sun keeps rising
on my belief in you
that's the way my love is
that's the way i care
you should call on me baby
i'm always there for you
that's the way my love is
that's the way i care
you should call on me baby
i'm always there for you
yeah, i'm always there for you
Track 5: Tarantula
Email: sld.potato@gmail.com
INTRO (0:00)
Db|--2~~~--| Easy!
Ab|--2~~~--|
Eb|--0~~~--|
After that, one guitar plays the low Eb string (open) over and over
for sixteen measures. A second guitar plays natural harmonics starting
at the twelth fret and slides all the way down, then back up again
for all sixteen measures.
VERSE (0:16)
A lot of tabs I've seen show the Cb5 chord erroniously played on the Ab
string. If you listen to the recording carefully, you can hear the slide.
This makes the song oddly similar to Doomsday Clock. (Shrug). This whole
song is composed almost entirely of triplets, thus why most of the chords are
played in multiples of three.
PRECHORUS (0:40)
Bb|--------------------------------------| It looks really weird, but I'm
Gb|--------------------------------------| pretty sure that's what's going
Db|--------------------4--4--4//7--7--7--| on here. Just listen to the
Ab|--7--7--7--7--7--7--2--2--2//5--5--5--| song closely and you'll hear it.
CHORUS (0:48)
It's amazing how off some of the tabs were for the chorus. There's
also a second guitar playing clean in the backgroud, but it's too quiet
to make out and be worth tabbing.
POST-CHORUS INTERLUDE BRIDGE THING (1:04)
Riff A
PM . . . . . . . . . . . . . . . .
Riff B
PM . . . . . . . .
You play this part in this order:
Riff A
Riff B
Riff A
Riff B
Riff A
Riff A
Play the palm muted parts with only downstrokes.
There's a specific rhythm (That I poorly tabbed) for this part.
Where the rest of the song is mostly "Play-really-fast-and-pretend-
like-you're-paying-triplets" This is a lot more distinct. Listen
to the recording to figure out how to play it exactly. Also, the
last time you play Riff A there's a slight difference at the very
end. Once again, listen for it.
BUILDUP TO THE FIRST SOLO (1:22)
Gb|--------------------------------------| I'm not sure what Billy's
Db|--------------------------------------| playing here, but this
Ab|--5--5--5--5--5--5--5--5--5--5--5--5--| sounds good enough.
PM . . . . . . . . . . . .
Then one guitar plays the low Eb string (again), and the second guitar
plays natural harmonics down from the twelfth fret (again) for two measures.
FIRST GUITAR SOLO (1:33)
Oh, boy. Here we go. First guitar plays the verse riff four times,
and the second guitar does something a little harder.
To make life easy, I broke up all the lead parts in the tab
into phrases. So, yeah, each box is a phrase, not a measure.
Eb|--10/12p0--10/12p0--10/12p0--10/12p0--10/12p0---------|
Bb|-----------------------------------------------11~~~--|
Eb|--10/12p0--10/12p0--10/12p0--10/12p0--10/12p0--|
Bb|----------17------17--15--14--13~~--|
Eb|---------------------------------8~~--|
Bb|------10h12------10h12-----8h10--8~~--| Technically it's
Gb|--12~--------11~--------9~------------| two guitars doing the
Db|--------------------------------------| solo, but I'm going to
Ab|--------------------------------------| tab it for only one.
Gb|------------------9-----9--7--9--7----------| This is a bit off, but
Db|------------------------------------9-------| laziness says it's OK.
Ab|---------------------------------------7~~--|
There, that wasn't too bad, now was it?
VERSE (1:46) & INTERLUDE
The rhythm guitar for the verse is the same as the begining. For
the interlude, play Riff A four times. There's also a lead bit:
Soloage: (1:57)
Bb|----------12--10b11r10--8\5~~----13/15~~--|
Listen for where all this stuff goes.
PRECHORUS (2:07)
Same as the prechorus in the begining... with a guitar solo.
This is where the lead starts to get really sweet. :D