American Pompeii Tekst Piosenki Tłumaczenie na Polski
Wąglik - Amerykańskie Pompeje
by Anthrax
🌐 Polski çevirisi — İngilizce orijinal için tıklayın
As recorded by Anthrax
Jak nagrał Anthrax
(From the 1995 Album STOMP 442)
(Z albumu STOMP 442 z 1995 r.)
Words by Scott Ian and John Bush Music by Charlie Benate
Słowa: Scott Ian i John Bush Muzyka: Charlie Benate
A5V
A5V
B5VII
B5VII
Gtr I (Eb Ab Db Gb Bb Eb) - 'Scott Ian'
Gtr I (Eb Ab Db Gb Bb Eb) – „Scott Ian”
Gtr II (Eb Ab Db Gb Bb Eb) - 'Paul Crook'
Gtr II (Eb Ab Db Gb Bb Eb) - „Paul Crook”
Gtr III (Db Ab Db Gb Bb Eb) - 'Scott Ian Drop D'
Gtr III (Db Ab Db Gb Bb Eb) - „Scott Ian Drop D”
Gtr IV (Db Ab Db Gb Bb Eb) - 'Paul Crook Drop D'
Gtr IV (Db Ab Db Gb Bb Eb) - „Paul Crook Drop D”
Gtr V (Db Ab Db Gb Bb Eb) - 'Overdubs'
Gtr V (Db Ab Db Gb Bb Eb) - „Nakładki”
Q=98
P=98
A5N.A5 N.A5 N.A5 N.A5B5
A5N.A5 N.A5 N.A5 N.A5B5
Gtr I
Gtr I
F#5 B5VII F#5
F#5 B5VII F#5
E E E E +Q +E E E E E E +Q. +E
E E E E +Q +E E E E E E +Q. +E
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/-|
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/-|
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/-|
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/-|
A5N.A5 N.A5 N.A5 N.A5B5 F#5 B5 F#5
A5N.A5 N.A5 N.A5 N.A5B5 F#5 B5 F#5
Gtr I
Gtr I
E E E E +E E E E E E E E +E E E E E E E E +Q. E E E E E +H
E E E E +E E E E E E +E E E E E E E +Q. E E E E E +H
| Gtr II
| Gtr II
| W H Q E E E E E E +Q. E E E E E +H
| W H Q E E E E E E +Q. E E E E E +H
Q=105
Q=105
A5N.A5 N.A5 N.A5 N.A5B5
A5N.A5 N.A5 N.A5 N.A5B5
Gtrs I, II
Gtr I, II
F#5 B5VII F#5
F#5 B5VII F#5
E E E E +Q +E E E E E E +Q. +E
E E E E +Q +E E E E E E +Q. +E
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/-|
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/-|
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/-|
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/-|
A5N.A5 N.A5 N.A5 N.A5B5
A5N.A5 N.A5 N.A5 N.A5B5
F#5 B5VII F#5
F#5 B5VII F#5
E E E E +Q +E E E E E E +Q. +E
E E E E +Q +E E E E E E +Q. +E
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/-|
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/-|
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/-|
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/-|
++H
++H
A5 E5 N.C.
A5 E5 NC
E E E E E E E E E E E E E E E E S S e E S S e E S E.
E E E E E E E E E E E E E S e E S e E S E.
S S e E S S e E S E. S S e E S S e E S E. S S e E S S e E S E.
S e E S S e E S E. S S S e E S S e E S E. S S e E S S e E S E.
Pre Chorus
Przed refrenem
Q=112
P=112
$
$
F#A5V N.C. F#A5V
F#A5V NC F#A5V
PM--------------------| PM--------------------|
PM----------------------------------| PM----------------------------------|
S S S S S S S S S S S S S E. S S S S S S S S S S S S S E.
S S S S S S S S S S S S E. S S S S S S S S S S S S S E.
N.C. F#A5V N.C. F#A5V
NC F#A5V NC F#A5V
PM--------------------| PM--------------------|
PM----------------------------------| PM----------------------------------|
S S S S S S S S S S S S S E. S S S S S S S S S S S S S E.
S S S S S S S S S S S S E. S S S S S S S S S S S S S E.
B5VII F#5
B5VII F#5
S S S S S S S S S S S S S S S S S E S S E S S E S S S S S
S S S S S S S S S S S S S S S E S E S S E S S S S S
A5V B5VII F#5
A5V B5VII F#5
S S S S S S S S S S S S S S S S S E S S E S S E S S E S
S S S S S S S S S S S S S S S E S E S E S S E S
A5V B5VII A5V B5VII
A5V B5VII A5V B5VII
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
A5V B5VII
A5VB5VII
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S
To Coda
Do Cody
F#5 N.C.
F#5 NC
S E S E S E E S E E S E S E S E S Q.
S E S E S E S E S E S E S Q.
A5N.A5 N.A5 N.A5 N.A5B5
A5N.A5 N.A5 N.A5 N.A5B5
||o-------------------|-------------------|
||o-----|--------------------------------|
||o-0-0-0-0-(0)-0-0-0-|-0-0-0-0-(0)-0-0-2-|
||o-0-0-0-0-(0)-0-0-0-|-0-0-0-0-(0)-0-0-2-|
F#5 B5VII F#5
F#5 B5VII F#5
E E E E +Q +E E E E E E +Q. +E 3x
E E E E +Q +E E E E E E +Q. +E 3x
|--------------------|---------------------o||
|--------------------------------|-----o||
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/--o||
|-2-4-4-4-(4)--(4)S9-|-9-4-4-4-(4)---(4)/--o||
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/---||
|---2-2-2-(2)--(2)S7-|-7-2-2-2-(2)---(2)/---||
++H
++H
A5 E5 N.C.
A5 E5 NC
E E E E E E E E E E E E E E E E S S e E S S e E S E.
E E E E E E E E E E E E E S e E S e E S E.
D.S. al Coda
DS do Cody
S S e E S S e E S E. S S e E S S e E S E. S S e E S S e E S E.
S e E S S e E S E. S S S e E S S e E S E. S S e E S S e E S E.
&
&
Gtrs III, IV
GTR III, IV
S E S E S E S E Q W E E E E E E E E
S E S E S E Q W E E E E E E E E
N.C.
NC
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
||o--------------------|--------------------|
||o---------------------|---------------------------------|
||o---------------3-5--|---------------3-5--|
||o---------------3-5--|--------------3-5--|
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
|--------------------|---------------------o||
|--------------------------------|-----o||
|---------------3-5--|---------------3-5---o||
|--------------3-5--|-------------3-5---o||
D5 N.C.
D5 NC
E. S Q H H Q Q E E S E. S E. S E. E E S E. S E. S E.
E. S Q H H Q Q E E S E. S E. S E. E E S E. S E. S E.
Gtrs III, IV
GTR III, IV
W H Q Q E E S E. S E. S E. E E S E. S E. S E.
W H Q Q E E S E. S E. S E. E E S E. S E. S E.
| Gtr V
| Gtr V
| TP TP TP TP TP TP TP
| TP TP TP TP TP TP TP
| H H H H W H.. +E
| H H H H W H.. +E
|-5----6----|-----------------|-7------------------|-7b8===================(7)-|
|-5----6----|-----------------|-7-----------------|-7b8=================(7)-|
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
| TP TP
| TP TP
| +W W
| +W W
|-(7)r=================|=7------------------|
|-(7)r================|=7-----------------|
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
| TP TP TP
| TP TP TP
| W H.. +E
| W H.. +E
|-7------------------|-7b8===================(7)-|
|-7-----------------|-7b8==================(7)-|
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
| TP TP
| TP TP
| +W +W
| +W +W
|-(7)b10===================|=(7)r=================|
|-(7)b10==================|=(7)r================|
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
| TP TP
| TP TP
| +W +W
| +W +W
F5 G5 N.C.
F5 G5 NC
S S S S S S S S S S S S S S S S E E S E. S E. S E.
S S S S S S S S S S S S S E E S E. S E. S E.
| E S S E +E E S S E +E H Q Q
| E S S E +E E S S E +E H Q P
|--------------------------------------12b14---(12)---|-10--------10\---------|
|------------------------------------12b 14---(12)---|-10--------10\---------|
|------------12b13---(12)-----------------------------|-----------------------|
|------------12b13---(12)----------------------------|----------------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S
| E S S S E S S S E S S S S S S E
| E S S S E S S E S S S S S E
|---------10h13p==10---------10h13p==10---------10h13p==10-8h10p==8-6---|
|---------10h13p==10------------10h13p==10---------10h13p==10-8h10p==8-6---|
N.C.
NC
E E S E. S E. S E.
E E S E. S E. S E.
| H.. +E
| H.. +E
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S
| E S S E +E E S S E +E
| E S S E +E E S S E +E
|------------13b15---(13)--------------15b17---(15)----|
|------------13b15---(13)-------------15b17---(15)----|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S
| E. S Q E +E Q
| E. S Q E + E Q
|-13tr15--------13tr15-------13b15---(13)---18tr20-------|
|-13tr15-------13tr15-------13b15---(13)---18tr20-------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S
| Q Q Q Q
| P P P P P
|-18tr20-------18tr20-------18tr20-------18tr20-------|
|-18tr20-------18tr20-------18tr20-------18tr20-------|
D5 N.C.
D5 NC
S E S E S E E S E E S E S E S E S Q.
S E S E S E S E S E S E S Q.
| Q H Q W
| QH Q W
F5N.F5 N.F5 N.F5 N.F5G5
F5N.F5 N.F5 N.F5 N.F5G5
Gtrs III, IV
GTR III, IV
||o-------------------|-------------------|
||o-----|--------------------------------|
||o-3-2-3-3-(3)-2-3-3-|-3-2-3-3-(3)-2-3-5-|
||o-3-2-3-3-(3)-2-3-3-|-3-2-3-3-(3)-2-3-5-|
E E E E +Q +E E E E E E +Q. +E 3x
E E E E +Q +E E E E E E +Q. +E 3x
|--------------------|--------------------o||
|--------------------------------|--------------------------------o||
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)--o||
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)--o||
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)---||
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)---||
H.=H
H.=H
F5N.F5 N.F5 N.F5 N.F5G5
F5N.F5 N.F5 N.F5 N.F5G5
Q=88
P=88
E E E E +Q +E E E E E E +Q. +E
E E E E +Q +E E E E E E +Q. +E
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)-|
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)-|
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)-|
|-5-0-0-0-(0)--(0)S5-|-5-0-0-0-(0)---(0)-|
+W +W +W
+W +W +W
Q=10H=H
Q=10H=H
N.C.
NC
Gtr III
Gtr III
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
Gtrs III, IV
GTR III, IV
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
Q=130
Q=130
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
||o--------------------|--------------------|
||o---------------------|---------------------------------|
||o---------------3-5--|---------------3-5--|
||o---------------3-5--|--------------3-5--|
E E S E. S E. S E. E E S E. S E. S E.
E E S E. S E. S E. E E S E. S E. S E.
|--------------------|---------------------o||
|--------------------------------|-----o||
|---------------3-5--|---------------3-5---o||
|--------------3-5--|-------------3-5---o||
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - oświetlenie
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - nuta ciepła do poprzedniej; . - uwaga kropkowana; .. - notatka z podwójną kropką
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone powyżej linii czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
podpórki prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, dla których należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - pociąg. zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\n – drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= - przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- głośność puchnięcia (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - bar (czas wolny)
$ - Segno
$ - Znak
& - Coda
& - Koda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty
All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.
