Parasite Tekst Piosenki Tłumaczenie na Polski

As recorded by Anthrax
Jak nagrał Anthrax
(From the 1991 EP ATTACK OF THE KILLER B'S)
(Z EPki ATTACK OF THE KILLER B'S z 1991 r.)
Words and Music by Ace Frehley
Słowa i muzyka: Ace Frehley
E5VII
E5VII
Gtr I (E A D G B E) - 'Scott Ian'
Gtr I (E A D G B E) - „Scott Ian”
Gtr II (E A D G B E) - 'Dan Spitz'
Gtr II (E A D G B E) - „Dan Spitz”
Q=130
Q=130
N.C.
NC
Gtr I
Gtr I
S S S S S e S S S e e S S S S S S S e S S S e Q
S S S S S e S S S e S S S S S S e S S S e Q
||o---------------------------|------------------------o||
||o---------------------------|-----------------------o||
||o---------------------------|------------------------o||
||o---------------------------|-----------------------o||
S S S S S e S S S e E S S S S S S S e S S S e Q
S S S S S e S S S e E S S S S S S e S S S e Q
|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2S14\--|
|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2S14\--|
S S S S S e S S S e e S S S S S S S e S S S e Q
S S S S S e S S S e S S S S S S e S S S e Q
PM
PM
S S S S S e S S S e E S S S S S S S E S S S e E E
S S S S e S S E S S S S S S E S S E E
A5 F#E5 A5 N.F#N.G5 N.C.
A5 F#E5 A5 N.F#N.G5 N.C.
PM--|
PM--|
Q E +E E E E E +E E E E H S S S S S e S S S e E S S
Q E +E E E E E +E E E E H S S S S E S S E E S S
|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|
|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|
A5 F#E5 A5 N.F#N.G5
A5 F#E5 A5 N.F#N.G5
PM PM--|
PM PM--|
S S S S S E S S S e E E Q E +E E E E E +E E E E H
S S S S E S S e E E Q E +E E E E E +E E E E H
|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|
|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|
N.C. A5 F#E5 A5
NC A5 F#E5 A5
PM
PM
S S S S S e S S S e E S S S S S S S E S S S e E E Q E +E E E E E
S S S S S e S S S e S S S S S S E S S e E E Q E +E E E E E
|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5--|
|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5--|
N.F#N.G5 N.C.
N.F#N.G5 NC
PM--|
PM--|
+E E E E H S S S S S e S S S e e S S S S S S S e S S S e Q
+E E E E H S S S S e S S S e e S S S S S S e S S S e Q
|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2-----|
|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2-----|
PM
PM
S S S S S e S S S e E S S S S S S S E S S S e E E
S S S S e S S E S S S S S S E S S E E
$
$
E E E E +E Q. +Q. E E E E E E E Q H +Q. E S e S S S e
E E E E +E P. +P. E E E E E E E Q H + Q. E S e S S E
|-7-/9-9-7-(7)-5----|-(5)---5-7-5-7---|-7-9-9--2----|-(2)---(2)S5-5-5---5-5--|
|-7-/9-9-7-(7)-5----|-(5)---5-7-5-7---|-7-9-9--2----|-(2)---(2)S5-5-5---5-5--|
To Coda
Do Cody
E E E E +E Q. +Q. E E E E E E E Q H +Q. E S e S S S E
E E E E +E P. +P. E E E E E E E Q H + Q. E S e S S S E
|-7-/9-9-7-(7)-5----|-(5)---5-7-5-7---|-7-9-9--2----|-(2)---(2)S5-5-5---5-5--||
|-7-/9-9-7-(7)-5----|-(5)---5-7-5-7---|-7-9-9--2----|-(2)---(2)S5-5-5---5-5--||
N.C.
NC
S S S S S e S S S e e S S S S S S S e S S S e Q
S S S S S e S S S e S S S S S S e S S S e Q
PM
PM
S S S S S e S S S e E S S S S S S S E S S S e E E
S S S S e S S E S S S S S S E S S E E
A5 F#E5 A5 N.F#N.G5 N.C.
A5 F#E5 A5 N.F#N.G5 N.C.
PM--|
PM--|
Q E +E E E E E +E E E E H S S S S S e S S S e E S S
Q E +E E E E E +E E E E H S S S S E S S E E S S
|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|
|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|
A5 F#E5 A5 N.F#N.G5
A5 F#E5 A5 N.F#N.G5
PM PM--|
PM PM--|
S S S S S E S S S e E E Q E +E E E E E +E E E E H
S S S S E S S e E E Q E +E E E E E +E E E E H
|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|
|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5-|-(5)-0-2-0-3----|
N.C. A5 F#E5 A5
NC A5 F#E5 A5
PM
PM
S S S S S e S S S e E S S S S S S S E S S S e E E Q E +E E E E E
S S S S S e S S S e S S S S S S E S S e E E Q E +E E E E E
|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5--|
|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2---0-|-5--5-(5)\-2-0---5--|
N.F#N.G5 N.C. A5
N.F#N.G5 NC A5
PM--|
PM--|
+E E E E H S S S S S e S S S e e S S S S S S S e S S S e Q
+E E E E H S S S S e S S S e e S S S S S S e S S S e Q
|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2-----|
|-(5)-0-2-0-3----|-0h1h2-2---2-2-0h1h2-2-x-x-|-0h1h2-2---2-2-0h1h2-----|
N.C.
NC
PM
PM
S S S S S e S S S e E S S S S S S S E S S S e E E
S S S S e S S E S S S S S S E S S E E
E E E E +E Q. +Q. E E E E E E E Q H +Q. E S e S S S e
E E E E +E P. +P. E E E E E E E Q H + Q. E S e S S E
|-7-/9-9-7-(7)-5----|-(5)---5-7-5-7---|-7-9-9--2----|-(2)---(2)S5-5-5---5-5--|
|-7-/9-9-7-(7)-5----|-(5)---5-7-5-7---|-7-9-9--2----|-(2)---(2)S5-5-5---5-5--|
E E E E +E Q. +Q. E E E E E E E Q W
E E E E +E P. +P. E E E E E E E Q W
Gtr I
Gtr I
+W +W +W
+W +W +W
| Gtr II
| Gtr II
| H Q E E W +W
| H Q E E W + W
|-------------2s|==7---------|-(7)--------|
|------------2s|==7---------|-(7)--------|
+W +W +W +W
+W +W +W +W
| +W +W +W +W
| +W +W +W +W
N.C.
NC
Gtr I
Gtr I
PM| PM| PM|
PM| PM| PM|
H. Q E E Q E E Q E E Q S S S E S S S E
H. Q E E Q E E Q E E Q S S S E S S S E
PM PM PM| PM|
PM PM PM| PM|
E E E E E E E E E E E E Q Q E E Q E E Q
E E E E E E E E E E E E Q Q E E Q E E Q
PM| PM PM
PM| PM PM
E E Q S S S E S S S E E E E E E E E E E E E E E E E E E Q
E E Q S S E S S E E E E E E E E E E E E E E E E E E Q
| Gtr II
| Gtr II
| W W E E E E E E E E E S S S E
| W W E E E E E E E E S S S E
Guitar Solo
Gitara solowa
PM| PM| PM| PM PM
PM| PM| PM| PM PM
E E Q E E Q E E Q S S S E S S S E E E E E E E E E
E E Q E E Q E E Q S S E S S S E E E E E E E E E
|------4------4--|---------4---2h==4p2-------------|---------------2----------|
|------4------4--|---------4--------2h==4p2-------------|---------------2---------------|
|----------------|---------------------4--2h=4p2-0-|---2----------------------|
|----------------|------4--2h=4p2-0-|---2--------------------------------|
| E Q. E E Q E Q. +Q +Q E Q. +Q. E
| E P. E E P E P. +Q +Q E P. +Q. E
PM---| PM----|
PM---| PM----|
E E E E Q Q E E Q E E Q
E E E E Q Q E Q E E Q
| H +H Q a +E E +E a Q.
| H +H Q a +E E +E a Q.
|-17b19-------(17)-----|-17b19---17pb19r(17)----------------------|
|-17b19-------(17)-----|-17b19---17pb19r(17)----------------------|
|----------------------|---------------------14-(14)-16p14tr16----|
|----------------------|-----------14-(14)-16p14tr16----|
PM---|
PM---|
E E Q S S S E S S S E
E E Q S S S E S S E
|-----------4-------2h=4p2--------------------------|
|----------4-------2h=4p2---------------|
|---------------------------4-------2h=4p===2--0----|
|--------------------------4-------2h=4p===2--0----|
| Q +E E +E E +S S S S
| Q +E E +E E +S S S S
|-16b18---(16)-------------16pb18r(16)p==14------14-|
|-16b18---(16)------------16pb18r(16)p==14------14-|
PM PM
PM PM
| a a H Q +E E
| a a H Q + E E
|-14h16p14tr16-------16b18r==(16)\---|
|-14h16p14tr16-------16b18r==(16)\---|
PM| PM|
PM| PM|
E E E E Q Q E E Q E E Q
E E E E Q Q E Q E E Q
| TP TP TPTPTP TP TPTP
| TP TP TPTPTP TP TPTP
| S S S S S S e Q Q Q +E E E Q +E E E
| S S S S S e Q Q Q +E E E Q +E E E
PM-| PM PM
PM-| PM PM
E E Q S S S E S S S E E E E E E E E E
E E Q S S E S S E E E E E E E E E
|--------4----2h=4p2-----------|---------------2-----------|
|--------4---------2h=4p2-----------|---------------2---------------|
| TP TPTPTP TP TPTP TP TP TP TPTP TPTPTPTP TP
| TP TPTPTP TP TPTP TP TP TPTP TPTPTPTP TP
| E. S E E +E E E E +E E E Q E E E E E
| E. S E +E E E E +E E E Q E E E E E
E E E E Q Q
E E E E P P
| TP TPTP TP
| TP TPTP TP
| |--3--| |-------9:8-------|
| |--3--| |-------9:8-------|
| Q E E E S S S S S S S S S
| Q E E S S S S S S S S
|-------------4p2p0-4p2p==0-4p2p0-|
|------------4p2p0-4p2p==0-4p2p0-|
PM----| PM| PM--|
PM----| PM| PM--|
E E Q E E Q E E Q S S S E S S S E
E E Q E E Q E E Q S S S E S S S E
| S S S E E E E E Q S S S S S S S S E S S E S S
| S S S E E E E E Q S S S S S S S E S S E S S
PM PM
PM PM
| S +S +E +Q Q. +E
| S +S +E +Q Pytanie +E
|-4b6r(4)b6-(4)-(4)---pb6-----(4)\--|
|-4b6r(4)b6-(4)-(4)---pb6-----(4)\--|
E E E E Q Q
E E E E P P
| S S S S S S S S E E Q
| S S S S S S S E Q
|-/13------17p14----14-14-17b19-17b19-17b19r=||
|-/13------17p14----14-14-17b19-17b19-17b19r=||
S S S S S e S S S e e S S
S S S S S e S S E S S
|---0h====1h2-2---2-------2-0h1h2-2-x-x-|
|---0h====1h2-2---2-------2-0h1h2-2-x-x-|
| +Q. +E E E Q
| +P. +E E E Q
Gtr I
Gtr I
S S S S S e S S S e Q S S S S S e S S S e e S S
S S S S S e S S S e Q S S S S S e S S E e S S
S S S S S e S S S e Q S S S S S e S S S e e S S
S S S S S e S S S e Q S S S S S e S S E e S S
S S S S S e S S S e Q S S S S S e S S S e E S S
S S S S S e S S S e Q S S S S S e S S S e E S S
D.S. al Coda
DS al Coda
PM
PM
S S S S S E S S S e E E
S S S S E S S E E
&
&
S S S S S e S S S e E S S S S S S S e S S S e S S S S
S S S S S e S S E S S S S S S e S S S e S S S S
S S S S S e S S S e E S S S S S S S e S S S e Q
S S S S S e S S S e E S S S S S S e S S S e Q
N.C.
NC
S S S S S e S S S e E S S S S S S S e S S S e Q
S S S S S e S S S e E S S S S S S e S S S e Q
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - uwaga kropkowana; .. - uwaga podwójna kropka
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - drżenie zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\n – drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= - przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- wzrost głośności (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - bar (czas wolny)
$ - Segno
$ - Segno
& - Coda
& - Koda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty