March to Glory Tekst Piosenki Tłumaczenie na Polski

As recorded by Crimson Glory
Jak nagrał Crimson Glory
(From the 1999 Album ASTRONOMICA)
(Z albumu ASTRONOMICA z 1999 r.)
Music by Jon Drenning, Jeff Lords
Muzyka: Jon Drenning, Jeff Lords
Arranged by Jon Drenning, Jeff Lords
Zaaranżowane przez Jona Drenninga i Jeffa Lordsa
Gtr I (E A D G B E) - 'Untitled'
Gtr I (E A D G B E) - „Bez tytułu”
Gtr II (E A D G B E) - 'Untitled'
Gtr II (E A D G B E) - „Bez tytułu”
Gtr III (E A D G B E) - 'Untitled'
Gtr III (E A D G B E) - „Bez tytułu”
Q=110
P=110
Gtr I
Gtr I
Wx8 Q E E E q E E E q 3x
Sx8 Q E E E q E E E q 3x
|------------|----||o-------------------o||
|------------|----||o-------------------o||
|------------|-4--||o-4-4-4-4--4-4-4-4--o||
|------------|-4--||o-4-4-4-4--4-4-4-4--o||
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| Gtrs II, III
| GTR II, III
| H E. S Q +H Q Q
| H E. S Q + H Q Q
H E. S Q +H Q Q
H E. S Q + H Q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| +H E. S Q +H q Q
| +H E. S Q +H q Q
+H E. S Q +H q Q
+H E. S Q +H q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| Q H Q +H Q Q
| Q H Q + H Q Q
Q H Q +H Q Q
Q H Q + H Q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| +H E. S Q +H q Q
| +H E. S Q +H q Q
+H E. S Q +H q Q
+H E. S Q +H q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| Q Q +E. S q H. Q
| P P + E. Sq H. Q
Q Q +E. S q H. Q
P P + E. Sq H. Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| Q Q +E. S q W
| P P + E. Sq W
Q Q +E. S q W
P P + E. Sq W
$
$
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| H E. S Q +H Q Q
| H E. S Q + H Q Q
H E. S Q +H Q Q
H E. S Q + H Q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| +H E. S Q +H q Q
| +H E. S Q +H q Q
+H E. S Q +H q Q
+H E. S Q +H q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| Q H Q +H Q Q
| Q H Q + H Q Q
Q H Q +H Q Q
Q H Q + H Q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| +H E. S Q +H q Q
| +H E. S Q +H q Q
+H E. S Q +H q Q
+H E. S Q +H q Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| Q Q +E. S q H. Q
| P P + E. Sq H. Q
Q Q +E. S q H. Q
P P + E. Sq H. Q
To Coda
Do Cody
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| Q Q +E. S q W
| P P + E. Sq W
Q Q +E. S q W
P P + E. Sq W
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
||o---------------------|------------------------|
||o----------------------|--------------------------------------|
||o-4--4-4-4--4-4-4--4--|---4--4-4--4--4-4-4--4--|
||o-4--4-4-4--4-4-4--4--|---4--4-4--4--4-4-4--4--|
| H. Q +Q H Q
| H. Q + Q H Q
||o-----------------17--|-(17)---------------16--|
||o--17--|-(17)--------------16--|
||o---------------------|------------------------|
||o----------------------|--------------------------------------|
H. Q +Q H Q
H. Q + Q H Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| +Q H Q +Q H Q
| +Q H Q +Q H Q
+Q H Q +Q H Q
+Q H Q +Q H Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
| +Q H Q +Q H Q
| +Q H Q +Q H Q
+Q H Q +Q H Q
+Q H Q +Q H Q
E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q
|------------------------|---------------------o||
|------------------------|------o||
|---4--4-4--4--4-4-4--4--|-4-4-4-4--4-4-4-4----o||
|---4--4-4--4--4-4-4--4--|-4-4-4-4--4-4-4-4----o||
| +Q H q W
| +Q Hq W
|-(16)---------------14--|---------------------o||
|-(16)---------------14--|--------------------o||
|------------------------|---------------------o||
|------------------------|------o||
+Q H q W
+Q Hq W
D.S. al Coda
DS al Coda
E E E q E E E q E E E q E E E q E E E q E E E q 3x
E E E q E E E q E E E q E E E q E E E q E E E q 3x
|----------------------|---------------------------||o-------------------o||
|----------------------|---------------------------||o-------------------------------- o||
|--4-4-4--4--4-4-4--4--|---4--4-4--4----4---4-4-4--||o-4-4-4-4--4-4-4-4--o||
|--4-4-4--4--4-4-4--4--|---4--4-4--4----4---4-4-4--||o-4-4-4-4--4-4-4-4--o||
| Q H Q +Q Q +Q Q W 3x
| Q H Q +Q Q +Q Q W 3x
|-16---------------16--|-(16)-----16--(16)\--------||o-------------------o||
|-16---------------16--|-(16)-----16--(16)\--------||o-------------------o||
|----------------------|---------------------------||o-------------------o||
|----------------------|---------------------------||o-------------------------------- o||
Q H Q +Q Q +Q Q W
Q H Q +Q Q +Q Q W
&
&
E E E q E E E q E E E q E E E q E E E q E E E q
E E E q E E E q E E E q E E E q E E E q E E E q
| Gtrs II, III
| GTR II, III
| W H. Q Q Q +E. S q
| W H. Q Q Q +E. kw
W H. Q Q Q +E. S q
W H. Q Q Q +E. kw
Gtrs II, III
GTR II, III
E E E q E E E q E E E q E E E Q +W +W
E E E q E E E q E E E q E E E Q +W +W
Wx6
Wx6
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - uwaga kropkowana; .. - uwaga podwójna kropka
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - drżenie zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths