Resurrection Tekst Piosenki Tłumaczenie na Polski

As recorded by Fear Factory
Jak nagrał Fear Factory
(From the 1998 Album OBSOLETE)
(Z albumu OBSOLETE z 1998 r.)
Words by Burton C. Bell Music by Dino Cazares, Raymond Herrera, Christian Olde Wolbers
Słowa: Burton C. Bell Muzyka: Dino Cazares, Raymond Herrera, Christian Olde Wolbers
Gtr I (A E A D Gb B) - 'Dino I'
Gtr I (A E A D Gb B) - „Dino I”
Gtr II (A E A D Gb B) - 'Rhys I'
Gtr II (A E A D Gb B) - „Rhys I”
Gtr III (A E A D Gb B) - 'Rhys II'
Gtr III (A E A D Gb B) - „Rhys II”
Gtr IV (A E A D Gb B) - 'Dino II'
Gtr IV (A E A D Gb B) - „Dino II”
Gtr V (A E A D Gb B) - 'Rhys III'
Gtr V (A E A D Gb B) - „Rhys III”
Intro + Calm Verse
Intro + spokojna zwrotka
N.C.
NC
Gtr II
Gtr II
<
<
Wx5 H. +H. +H.
szer. x 5 wys. + wys. +H.
+H. +H. +H. +H. +H.
+H. +H. +H. +H. +H.
su
su
H. H. H. +H.
H. H. H. +H.
su
su
H. H. H. +H.
H. H. H. +H.
s2/
s2/
Gtr II
Gtr II
H. H. H. +H.
H. H. H. +H.
| Gtr III
| Gtr III
| <
| <
| H. +H. +H. +H.
| H. +H. +H. +H.
su
su
H. H. H. +H.
H. H. H. +H.
| >
| >
| +H. +H. +H. +H.
| +H. +H. +H. +H.
su
su
H. H. H. +H.
H. H. H. +H.
su
su
H. H. H. +H.
H. H. H. +H.
s2/
s2/
Gtr II
Gtr II
H. H. H. +H.
H. H. H. +H.
| Gtr III
| Gtr III
| <
| <
| H. +H. +H. +H.
| H. +H. +H. +H.
Gtrs I, IV
Gtr I, IV
<
<
H. H. Q +Q +Q +Q +Q +Q
H. H. Q +Q +Q +Q +Q +Q
| Gtr II
| Gtr II
| H. H. H. +H.
| H. H. H. +H.
| Gtr III
| Gtr III
| +H. +H. +H. +H.
| +H. +H. +H. +H.
C5 G5/C Bb5 F5/BbN.C.
C5 G5/C Bb5 F5/BbN.C.
Gtrs I, IV
Gtr I, IV
S E E E S Q S E E E S Q S E E E S S E S S E E E S S E S 4x
S E E E S Q S E E S Q S E E S S E S E E E S S E S 4x
||o--------------|--------------|-----------------|------------------o||
||o--------------|--------------|----------------|------------------o||
||o-3-3-3-3-3-3--|-1-1-1-1-1-1--|-----------------|------------------o||
||o-3-3-3-3-3-3--|-1-1-1-1-1-1--|--------------------------------|------------------o||
N.C. N.C. N.C.
NC NC NC
Gtrs I, IV
Gtr I, IV
PM--------------------------------|
PM---------------------------------|
H. H. S E E E S S E S S E E E S S E S 3x
H. H. ZOBACZ 3x
||o---------|----------|------------------|-------------------o||
||o---------|----------|--------------------------------|---------------------------------o||
||o---------|----------|------------------|-------------------o||
||o---------|----------|--------------------------------|---------------------------------o||
| Gtr II
| Gtr II
| H. H. H. H. 3x
| H. H. H. H. 3x
||o---------|-11-------|------------------|-------------------o||
||o-----|-11-------|--------------------------------|---------------------------------o||
||o---------|----------|------------------|-------------------o||
||o---------|----------|--------------------------------|---------------------------------o||
N.C. N.C. N.C.
NC NC NC
PM----------------------------------------------|
PM-------------------------------------------------------|
H. H. S E E E S S E S S E E E S S E S
H. H. ZOBACZ E E S S E S E E S S E S
| <
| <
| H. H. E E E E E E E E E E E E
| H. H. E E E E E E E E E E E
C5 G5/C Bb5 F5/BbN.C.
C5 G5/C Bb5 F5/BbN.C.
Gtrs I, IV
Gtr I, IV
S E E E S Q S E E E S Q S E E E S S E S S E E E S S E S 4x
S E E E S Q S E E S Q S E E S S E S E E E S S E S 4x
||o--------------|--------------|-----------------|------------------o||
||o--------------|--------------|----------------|------------------o||
||o-3-3-3-3-3-3--|-1-1-1-1-1-1--|-----------------|------------------o||
||o-3-3-3-3-3-3--|-1-1-1-1-1-1--|--------------------------------|------------------o||
Gtrs I, IV
Gtr I, IV
E E E. E. E E E Q E Q E E E
E E E. E. E E E Q E Q E E E
||o------------------------|---6-------------6----------|
||o-----------------------------|---6------------6--------------|
||o-3-3--3---5--5-5-5------|--(5)--(5)-(5)--(5)-(5)-(5)-|
||o-3-3--3---5--5-5-5------|--(5)--(5)-(5)--(5)-(5)-(5)-|
| Gtr V
| Gtr V
| Q +E. H +S +W
| Pytanie +E. H + S + W
||o-8---(8)-10--------(10)-|-(10)-----------------------|
||o-8---(8)-10------------(10)-|-(10)----------------------------|
||o------------------------|----------------------------|
||o-----------------------------|--------------------------------------|
|-----------------------|--------------------o||
|----------------------|---------------------- o||
|--3--3-3-3--5--5-5--1--|-(1)-1-1-1-1-1-1-1--o||
|--3--3-3-3--5--5-5--1--|-(1)-1-1-1-1-1-1-1--o||
| H Q. E +W 4x
| H Q. E + W 4x
|--8--------10-------6--|-(6)----------------o||
|--8--------10-------6--|-(6)----------------o||
|-----------------------|--------------------o||
|----------------------|---------------------- o||
| H Q. E W
| H Q. E W
| +W +W +W
| +W +W +W
| +W +W
| +W +W
+E E E E E E E E +E E E E S S E E E
+E E E E E E E E +E E E E S S E E E
| +W +H.. E
| +W +H.. E
| +H. E E +H. E E
| +H. E E + H. E.E
| +H E E E E +H.. E
| +H E E E E +H.. E
| +H. E E +H. E E
| +H. E E + H. E.E
| +H E E E E +W
| +H E E E E +W
Gtrs I, IV
Gtr I, IV
+E S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
+E S S S S S S S S S S S S S S S S S S S S S S S S S S S
Break
Przerwa
Gtrs I, IV
Gtr I, IV
>
>
W +W +W +W +W
W + W + W + W + W
| Gtr II
| Gtr II
| W +W W +W +W
| W + W W + W + W
Synth Interlude
Interludium syntezatorowe
Gtr II
Gtr II
+H. +H. +H. +H. +H.
+H. +H. +H. +H. +H.
su
su
H. H. H. +H.
H. H. H. +H.
su
su
H. H. H. +H.
H. H. H. +H.
s2/
s2/
Gtr II
Gtr II
H. H. H. +H.
H. H. H. +H.
| Gtr III
| Gtr III
| <
| <
| H. +H. +H. +H.
| H. +H. +H. +H.
Gtrs I, IV
Gtr I, IV
<
<
H. H. Q +Q +Q +Q +Q +Q
H. H. Q +Q +Q +Q +Q +Q
| Gtr II
| Gtr II
| H. H. H. +H.
| H. H. H. +H.
| Gtr III
| Gtr III
| +H. +H. +H. +H.
| +H. +H. +H. +H.
C5 G5/C Bb5 F5/BbN.C.
C5 G5/C Bb5 F5/BbN.C.
Gtrs I, IV
Gtr I, IV
S E E E S Q S E E E S Q S E E E S S E S S E E E S S E S 4x
S E E E S Q S E E S Q S E E S S E S E E E S S E S 4x
||o--------------|--------------|-----------------|------------------o||
||o--------------|--------------|----------------|------------------o||
||o-3-3-3-3-3-3--|-1-1-1-1-1-1--|-----------------|------------------o||
||o-3-3-3-3-3-3--|-1-1-1-1-1-1--|--------------------------------|------------------o||
Gtrs I, IV
Gtr I, IV
E E E. E. E E E Q E Q E E E
E E E. E. E E E Q E Q E E E
||o------------------------|---6-------------6----------|
||o-----------------------------|---6------------6--------------|
||o-3-3--3---5--5-5-5------|--(5)--(5)-(5)--(5)-(5)-(5)-|
||o-3-3--3---5--5-5-5------|--(5)--(5)-(5)--(5)-(5)-(5)-|
| Gtr V
| Gtr V
| Q +E. H +S +W
| Pytanie +E. H + S + W
||o-8---(8)-10--------(10)-|-(10)-----------------------|
||o-8---(8)-10------------(10)-|-(10)----------------------------|
||o------------------------|----------------------------|
||o-----------------------------|--------------------------------------|
|-----------------------|--------------------o||
|----------------------|---------------------- o||
|--3--3-3-3--5--5-5--1--|-(1)-1-1-1-1-1-1-1--o||
|--3--3-3-3--5--5-5--1--|-(1)-1-1-1-1-1-1-1--o||
| H Q. E +W 4x
| H Q. E + W 4x
|--8--------10-------6--|-(6)----------------o||
|--8--------10-------6--|-(6)----------------o||
|-----------------------|--------------------o||
|----------------------|---------------------- o||
Interlude #2
Przerywnik nr 2
| >
| >
| H Q. E +W W
| H Q. E + W W
+S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
+S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
Gtrs I, IV
Gtr I, IV
E E E. E. E E E Q E Q E E E
E E E. E. E E E Q E Q E E E
||o------------------------|---6-------------6----------|
||o-----------------------------|---6------------6--------------|
||o-3-3--3---5--5-5-5------|--(5)--(5)-(5)--(5)-(5)-(5)-|
||o-3-3--3---5--5-5-5------|--(5)--(5)-(5)--(5)-(5)-(5)-|
| Gtr V
| Gtr V
| Q +E. H +S +W
| Pytanie +E. H + S + W
||o-8---(8)-10--------(10)-|-(10)-----------------------|
||o-8---(8)-10------------(10)-|-(10)----------------------------|
||o------------------------|----------------------------|
||o-----------------------------|--------------------------------------|
PM PM PM PM
PM PM PM PM
|-----------------------|--------------------o||
|----------------------|---------------------- o||
|--3--3-3-3--5--5-5--1--|-(1)-0-1-0-1-0-1-0--o||
|--3--3-3-3--5--5-5--1--|-(1)-0-1-0-1-0-1-0--o||
| H Q. E +W 4x
| H Q. E + W 4x
|--8--------10-------6--|-(6)----------------o||
|--8--------10-------6--|-(6)----------------o||
|-----------------------|--------------------o||
|----------------------|---------------------- o||
| H Q. E +H. E E
| H Q. E + H. E.E
| +H. E E +H E E E E +H.. E
| +H. E E +H E E E E +H.. E
| H. E E +H. E E
| H. E E + H. E.E
| +H E E E E +W
| +H E E E E + W
| H. E E +H. E E
| H. E E + H. E.E
| +H E E E E +H.. E
| +H E E E E +H.. E
| +H. E E +H. E E +H E E E E
| +H. E E + H. E E + H E E E E
+E S S S S S S S S S S E E
+E S S S S S S S S S E E
| +W
| +W
+H.. E +H.. E +H.. E
+H.. E +H.. E +H.. E
| H.. E +H.. E +H.. E
| H.. E +H.. E +H.. E
PM
PM
+H. q H.. E +H.. E +H.. E
+H. q H.. E +H.. E +H.. E
| +W H.. E +H.. E +H.. E
| +W H.. E +H.. E +H.. E
PM-------|
PM-------|
+E E E E q q H.. E +H.. E +H.. E
+E E E E q q H.. E +H.. E +H.. E
| +W H.. E +H.. E +H.. E
| +W H.. E +H.. E +H.. E
PM
PM
+H. q H.. E +H.. E +W
+H. q H.. E +H.. E +W
| +W H.. E +H.. E +W
| +W H.. E +H.. E +W
>
>
+W +W +W +W
+W +W +W +W
| >
| >
| +W +W +W +W
| +W +W +W +W
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - uwaga kropkowana; .. - uwaga podwójna kropka
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - drżenie zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\n – drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= - przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- wzrost głośności (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - bar (czas wolny)
$ - Segno
$ - Segno
& - Coda
& - Koda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty