Black Sheep Tekst Piosenki Tłumaczenie na Polski

As recorded by Sonata Arctica
Jak nagrała Sonata Arctica
(From the 2001 Album SILENCE)
(Z albumu SILENCE z 2001 roku)
Words by Tony Kakko. Music by Sonata Arctica
Słowa Tony’ego Kakko. Muzyka: Sonata Arctica
A5VII
A5VII
A6VII
A6VII
F5(type 2)
F5 (typ 2)
Gtr I (E A D G B E) - 'Dist Guitar 1 (Lead) - Jani Liimatainen'
Gtr I (E A D G B E) – „Dist Guitar 1 (prowadzący) – Jani Liimatainen”
Gtr II (E A D G B E) - 'Dist Guitar 2 (Rythm) - Jani Liimatainen'
Gtr II (E A D G B E) – „Dist Guitar 2 (Rythm) – Jani Liimatainen”
Fast Metal Q=180
Szybki metal Q=180
$
$
Gtr II
Gtr II
W H. H.
W H.H.
Gtr I
Gtr I
W E S S E E E E E S S E E E E
W E S E E E E S E S E E
|--------||o-13--13h15h17-13-15-17-|-18--17h18-15-17-15-13-|
|------------||o-13--13h15h17-13-15-17-|-18--17h18-15-17-15-13-|
|--------||o-----------------------|-----------------------|
|-------||o-------------------------------------------------------|
H. H.
H.H.
E E E E E E E S S E E E E 4x
E E E E E E S E E E E E 4x
|-12--13-15-12-13-15-|-12--12h13h15-12----15--o||
|-12--13-15-12-13-15-|-12--12h13h15-12----15--o||
|--------------------|------------------------o||
|----------------------------------------------------------------o||
H. H.
H.H.
E E E E E E E S S E E E E
E E E E E E S ZOBACZ E E E
H. +H.
H. +H.
A5VII A5 A6VII A6VII A5VII A5VII C5 G/B
A5VII A5 A6VII A6VII A5VII A5VII C5 G/B
PM| PM| PM| PM| PM| PM|
PM| PM| PM| PM| PM| PM|
E E E E E E E E E E E E E E E E E E Q. Q.
E E E E E E E E E E E E E E E E E E P. P.
||o-------------|---------------|-------------|-----------|
||o-----|------------|---------------|---------------|
||o---0-0---0-0-|----0-0----0-0-|---0-0---0-0-|-3----2----|
||o---0-0---0-0-|----0-0----0-0-|---0-0---0-0-|-3----2----|
H. H. H. Q. Q.
H. H. H. Q. Q.
|---------|---------|---------|------------o||
|--------|--------|--------|
|-7-------|-5-------|-3-------|-3----2-----o||
|-7-------|5-|-3-|-3----2-----o||
Gtr II
Gtr II
o / / / / / o / / / / / o / / / / / o / / / / /
o / / / / / / / / / / / / / / / / / / / /
W W W W
W W W W
F5(type 2) E5/C B/Eb E5 G#5
F5(typ 2) E5/C B/Eb E5 G#5
o / / / / / o / / / / / o / / / / / o / / / o /
o / / / / / / / / / / / / / / / / / / /
W W W W
W W W W
W +H H W +W
W +H W +W
W W W W
W W W W
||o----------|------------|----------|-------|
||o--------|-----|--------|-------|-------|
||o----------|------------|----------|-------|
||o--------|-----|--------|-------|-------|
W +W W +W
W + W W + W
PM------------------------------------|
PM---------------------------------|
W W E E E E E E E E E E E E E E E E
W W E E E E E E E E E E E E E E E E E E
|----------|-----------|--------------------|--------------------o||
-|
|----------|-----------|--------------------|--7-8----7----------o||
|--------|----------|
To CoD.S. al Coda
Kiedy CoD.S. na Ogonie
E E E E E E E E E E E E E E E E E E E E E E E E W
E E E E E E E E E E E E E E E E E E E E E E W
o / / / o / / / o / / / o / / / o / / / o / / / /
o / / / / / / / / / / / / / / / / / / / /
W W W H. Q
W W W H. Q
Harmony Solo
Harmonia Solo
&
&
A5 N.C.(A5)
A5 NC (A5)
Gtr II
Gtr II
W E E E E E E E E E E E E
W E E E E E E E E E E E
|-----------------||o-------------------------------------|
|--------------||o---------------------------------|
|-7---------------||o--0--0--0--7--0--0--0--0--0--8--0--0-|
|-7--------------||o--0--0--0--7--0--0--0--0--0--8--0--0-|
| Gtr I
| Gtr I
| H. E E E E E E E E E E E E E E E
| H. TAK TAK TAK TAK TAK TAK TAK
|-----------10-12-||o-13-12-10----10-12-13-12-10----10-12-|
|-----------10-12-||o-13-12-10----10-12-13-12-10----10-12-|
|-----------------||o-------------------------------------|
|--------------||o---------------------------------|
|--------------------------------------o||
|-----------------------------------o||
|--0--0--0--7--0--0--0--0--0--8--7--0--o||
|--0--0--0--7--0--0--0--0--0--8--7--0--o||
|-13-12-10----10-12-13-12-10-----------o||
|-13-12-10----10-12-13-12-10----------o||
|--------------------------------------o||
|-----------------------------------o||
||o-------------------------------------|
||o---------------------------------------------|
||o-------------------------------------|
||o---------------------------------------------|
||o-18-17-15----15-17-18-17-15----15-17-|
||o-18-17-15----15-17-18-17-15----15-17-|
||o-------------------------------------|
||o---------------------------------------------|
|-------------------------------------o||
|---------------------------------o||
|-------------------------------------o||
|---------------------------------o||
|-18-17-15----15-17-18-17-15----------o||
|-18-17-15----15-17-18-17-15---------o||
|-------------------------------------o||
|---------------------------------o||
Gtr I
Gtr I
||o-13-12-10----10-12-13-12-10----10-12-|
||o-13-12-10----10-12-13-12-10----10-12-|
||o-------------------------------------|
||o---------------------------------------------|
|-13-12-10----10-12-13-12-10-----------o||
|-13-12-10----10-12-13-12-10----------o||
|--------------------------------------o||
|-----------------------------------o||
||o-18-17-15----15-17-18-17-15----15-17-|
||o-18-17-15----15-17-18-17-15----15-17-|
||o-------------------------------------|
||o---------------------------------------------|
E E E E E E E E E E E E E E E Q Q Q
E E E E E E E E E E E E E E E E E Q Q Q
|-18-17-15----15-17-18-17-15----------o||-18-17-15--------------||
|-18-17-15----15-17-18-17-15---------o||-18-17-15--------------||
|-------------------------------------o||-----------------------||
|-----------------------------------------------------------------------------------||
Keyboard Solo
Klawiatura solo
Gtr II
Gtr II
Q. Q. Q Q. Q. Q Q. Q. Q H H
P. P. P. P. P. P. P. Q H H
Gtr I
Gtr I
H H W W W
H H W W W
|-16tr17------17-----|--------------|--------------|-----------|
|-16tr17------17-----|---------------|----------------|---------------|
Q. Q. Q W W W
P. P. P. W. W
W W W W
W W W W
Guitar Solo
Gitara solowa
S S S S E S S S S E S S S S
S S S E S S S E S S S S
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S
S S S S S S S S S S Q.
S S S S S S S Q.
S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S Q
S S S S S S S S S S S S S Q
T T T T T
T T T T T
S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S
T ~~
T ~~
S S S S S S S S H
S S S S S S S H
|-----17s12----12s14-----14-|-------14s9----9s12-----|
|-----17s12----12s14-----14-|------14s9----9s12-----|
H
H
|-12-------12s7----7s9-|----9s12-----12----|
|-12------12s7----7s9-|----9s12-----12----|
F5(type 2)
F5 (typ 2)
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S
Out-Chorus
Out-Chorus
Gtr II
Gtr II
W +W W +W
W + W W + W
Q H. W W W
Q H. W W W
||o-----------------|-----------|----------|-------|
||o-------------|---------|-------|
||o-----------------|-----------|----------|-------|
||o-------------|---------|-------|
W +W W +W
W + W W + W
PM------------------------------------|
PM---------------------------------|
W W E E E E E E E E E E E E E E E E
W W E E E E E E E E E E E E E E E E E E
W +W W +W
W + W W + W
W W W W
W W W W
E E E E E E E E E E E E E E E E E E E E E E E E W
E E E E E E E E E E E E E E E E E E E E E E W
o / / / o / / / o / / / o / / / o / / / o / / / /
o / / / / / / / / / / / / / / / / / / / /
W W W W
W W W W
|-----------------|-----------------|-----------------|------o||
|--------------|--------------------------------------------------------------------------------------------------------------------------------------|
|-----------------|-----------------|-----------------|------o||
|--------------|--------------------------------------------------------------------------------------------------------------------------------------|
H. H.
H.H.
E S S E E E E E S S E E E E
E S ZOBACZ E E S ZOBACZ E E E
||o-13--13h15h17-13-15-17-|-18--17h18-15-17-15-13-|
||o-13--13h15h17-13-15-17-|-18--17h18-15-17-15-13-|
||o-----------------------|-----------------------|
||o-------------------|
H. H.
H.H.
E E E E E E E S S E E E E 4x
E E E E E E S E E E E E 4x
|-12--13-15-12-13-15-|-12--12h13h15-12----15-o||
|-12--13-15-12-13-15-|-12--12h13h15-12----15-o||
|--------------------|-----------------------o||
|--------------------------------|
N.C.(F5)
NC (F5)
E E E E E E E E E E E E Q H W
E E E E E E E E E E Q H W
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - pościg
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - notatka z kropką; .. - notatka z podwójną kropką
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - tramwaj. zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\ n - drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= − przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- głośność puchnięcia (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek.
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - Bar (czas wolny)
$ - Segno
$ - Znak
& - Coda
& - Ogon
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty