You Should Be Ashamed of Myself Paroles Traduction Française

As recorded by The Bled
Tel qu'enregistré par The Bled
(From the 2007 Album SILENT TREATMENT)
(Extrait de l'album 2007 TRAITEMENT SILENT)
Words and Music by The Bled
Paroles et musique du Bled
Gtr I (D G C F A D) - 'Left Channel'
Gtr I (DG C F A D) - « Canal gauche »
Gtr II (D G C F A D) - 'Right Channel'
Gtr II (DG C F A D) - « Canal droit »
Gtr III (D G C F A D) - 'Guitar III'
Gtr III (DG C F A D) - 'Guitare III'
Q=158
Q=158
5s
5s
Gtr II
RTM II
|-----------------|---------3b4==3-3-3-xr-|
|-----------------|---------3b4==3-3-3-xr-|
Gtrs I, II
RTM I, II
aaaa
aaaa
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-||
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-||
"Welcome to the end of.."
"Bienvenue à la fin de..."
N.C. Bbb5N.C. BbN.C. Bbb5
N.C. Bbb5N.C. BbN.C. Bbb5
PM PM PM----|
PM PM PM----|
E E a E E E E E E E E a E E E S S S S E
E E a E E E E E E E E a E E E S S S S E
||o---------------------|-------------------------|
||o-----------|-----------------------------|
||o---2-(2)s8---8-----7-|---2-(2)s8---7---------7-|
||o---2-(2)s8---8-----7-|---2-(2)s8---7---------7-|
N.C. Bbb5 N.C. Bbb5 N.C.
N.C. Bbb5 N.C. Bbb5 N.C.
PM PM--------|
PM PM--------|
E E a E E E E E E +E E Q S S S S S S E +E E Q E E E E
E E a E E E E E E +E E Q S S S S S S E +E E Q E E E E
|---2-(2)s8---8-----7-|-(7)-7-7--------------7-|-(7)-7-7--------------|
|---2-(2)s8---8-----7-|-(7)-7-7--------------7-|-(7)-7-7--------------|
|-0---------0---7-6-6-|-(6)-6-6--0-0-0-0-0-0-6-|-(6)-6-6--1b2==1-1r-1-|
|-0---------0---7-6-6-|-(6)-6-6--0-0-0-0-0-0-6-|-(6)-6-6--1b2==1-1r-1-|
N.C. Bbb5N.C. BbN.C. Bbb5
N.C. Bbb5N.C. BbN.C. Bbb5
PM PM PM----|
PM PM PM----|
E E a E E E E E E E E a E E E S S S S E
E E a E E E E E E E E a E E E S S S S E
|---2-(2)s8---8-----7-|---2-(2)s8---7---------7-|
|---2-(2)s8---8-----7-|---2-(2)s8---7---------7-|
N.C.
N.C.
Gtr I
RTM I
PM
MP
|--------------------|------------------------o||
|------------------------|------------------------o||
|--------------------|------------------------o||
|------------------------|------------------------o||
|-0-1b2==1-1-1-1-1-1-|--1--1r=1--1-1--1--1--1--||
|-0-1b2==1-1-1-1-1-1-|--1--1r=1--1-1--1--1--1--||
| Gtr II
| RTM II
| PM
| MP
| E E E E E E E E E E E Q E E E
| E E E E E E E E E E E Q E E E
|--------------------|------------------------o||
|------------------------|------------------------o||
|---7----7-7-7-7-7-7-|-12-12-12-10----9--9--9-o||
|---7----7-7-7-7-7-7-|-12-12-12-10----9--9--9-o||
N.C.
N.C.
Gtr I
RTM I
PM
MP
|-0-1b2==1-1-1-1-1-1-|--1--1r=1--1--1--1--1--1-||
|-0-1b2==1-1-1-1-1-1-|--1--1r=1--1--1--1--1--1-||
| Gtr II
| RTM II
| PM
| MP
"I'm the bastard kid of a.."
"Je suis le fils bâtard d'un..."
5s
5s
5s
5s
5s
5s
E E E E E E E E E E E E Q Q
E E E E E E E E E E E E Q Q
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-|
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-|
N.Eb D#bEb N.C.
N.Eb D#bEb N.C.
N.Eb D#bEb N.C.
N.Eb D#bEb N.C.
N.Eb D#bEb N.C.
N.Eb D#bEb N.C.
N.Eb EbsEb4
N.Eb EbsEb4
E E E E E E E E E E E E Q Q
E E E E E E E E E E E E Q Q
| E E E E E E E E Q +H.
| E E E E E E E E Q + H.
|---16-16---16-16---16-|-16b17---(16)---------||
|---16-16---16-16---16-|-16b17---(16)---------||
"And you can't tear your.."
"Et tu ne peux pas déchirer ton..."
5s
5s
| Q +H. +W
| Q+H. +W
|-19b20---(19)-----------|-(19)---------------|
|-19b20---(19)-----------|-(19)---------------|
m
m
su
su
Gtr I
RTM I
TP TP TP TP
TP TP TP TP
E a E E E E a E E E Q +Q +Q +Q a
E une E E E E une E E E Q + Q + Q + Q une
|--4-(4)s=5--5--5---6--(6)s=5--5--5-|---4b7=====(4)----(4)----(4)----xr-||
|--4-(4)s=5--5--5---6--(6)s=5--5--5-|---4b7=====(4)----(4)----(4)----xr-||
| Gtr II
| RTM II
| Gtr III
| RTM III
| <
| <
| H H +W
| H H + W
"..I will wait.."
"..J'attendrai..."
Eb5 E5 Eb5 N.Bbb5
Eb5 E5 Eb5 N.Bbb5
Gtrs I, II
RTM I, II
PM--------------| PM
MP-------------| MP
E E E E E S S S S S S S S E E E E E E E
E E E E E S S S S S S S S E E E E E E
||o-----------------------|----------------------|
||o-------------|--------------------------------|
||o-7-7-7-7-7-2-2-2-2-2-2-|-2-2-7-7-7---13-13-13-|
||o-7-7-7-7-7-2-2-2-2-2-2-|-2-2-7-7-7---13-13-13-|
N.D#b5 E5 D#b5 N.Ab5
N.D#b5 E5 D#b5 N.Ab5
PM PM--------------| PM
PM PM--------------| MP
E E E E E S S S S S S S S E E E E E E E
E E E E E S S S S S S S S E E E E E E
Gtr I
RTM I
PM-----------------| PM
MP-----------------| MP
E E E E E S S S S S S S S E E E E E E E
E E E E E S S S S S S S S E E E E E E
| Gtr II
| RTM II
N.C.
N.C.
|-----------------|------------------------o||
|-----------------|--------------o||
|-3-3-3-3-3-3-3-3-|--2--2--2--2-2--6--6--6-o||
|-3-3-3-3-3-3-3-3-|--2--2--2--2-2--6--6--6-o||
| E E E E E E E E E E E Q E E E
| E E E E E E E E E E E Q E E E
|-----------------|------------------------o||
|-----------------|--------------o||
|-7-7-7-7-7-7-7-7-|-12-12-12-10----9--9--9-o||
|-7-7-7-7-7-7-7-7-|-12-12-12-10----9--9--9-o||
N.C. F5
NC F5
PM----|
MP----|
|-1b2==1-1-1-1-1-1-1-|--1--1r=1--1-1-1-1-1-||
|-1b2==1-1-1-1-1-1-1-|--1--1r=1--1-1-1-1-1-||
| PM----|
| MP----|
"I'm the bastard kid of a.."
"Je suis le fils bâtard d'un..."
5s
5s
5s
5s
5s
5s
E E E E E E E E E E E E Q Q
E E E E E E E E E E E E Q Q
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-|
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-|
N.Eb EbsEb4 N.C.
N.Eb EbsEb4 N.C.
N.Eb EbsEb4 N.C.
N.Eb EbsEb4 N.C.
N.Eb EbsEb4 N.C.
N.Eb EbsEb4 N.C.
N.Eb
N.Eb
E E E E E E E E E E E E Q Q Q Q
E E E E E E E E E E E E Q Q Q Q
| E E E E E E E E Q +H. +H
| E E E E E E E E Q +H. +H
|---16-16-16-16-16-16-16-|-16b17---(16)---------|-(16)-----||
|---16-16-16-16-16-16-16-|-16b17---(16)---------|-(16)-----||
"..you just had yourself a.."
"..tu viens de te faire un..."
5s
5s
| Q +H. +W
| Q+H. +W
|-19b20---(19)-----------|-(19)---------------|
|-19b20---(19)-----------|-(19)---------------|
m
m
su
su
Gtr I
RTM I
TP TP TP TP
TP TP TP TP
E a E E E E a E E E Q +Q +Q +Q a
E une E E E E une E E E Q + Q + Q + Q une
|--4-(4)s=5--5--5---6--(6)s=5--5--5-|---4b7=====(4)----(4)----(4)----xr-||
|--4-(4)s=5--5--5---6--(6)s=5--5--5-|---4b7=====(4)----(4)----(4)----xr-||
| Gtr II
| RTM II
| Gtr III
| RTM III
| <
| <
| H H +W
| H H + W
5s
5s
Gtr II
RTM II
| Gtr III
| RTM III
| >
| >
| +W +W
| +W +W
s
s
Gtr II
RTM II
|-----------------|---------3b4==3-3-3-xr-|
|-----------------|---------3b4==3-3-3-xr-|
Eb E F#b5 E Eb E F#b5 E N.C.
Eb E F#b5 Eb E F#b5 E N.C.
aaaaH
aaaaH
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-|------*|
|-4-(4)s5-5-5-6-(6)s5-5-5-|-4-(4)s5-5-5-6-(6)s5-5-5-|------*|
Duration Legend
Légende de durée
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - entier ; H - la moitié ; Q - trimestre ; E - 8ème ; S-16ème ; T - 32e ; X-64ème ; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - note liée à la précédente ; . - note en pointillés ; .. - note double pointillé
Uncapitalized letters represent notes that are staccato (1/2 duration)
Les lettres sans majuscule représentent des notes saccadées (1/2 durée)
Irregular groupings are notated above the duration line
Les regroupements irréguliers sont notés au-dessus de la ligne de durée
Duration letters will always appear directly above the note/fret number it represents the
Les lettres de durée apparaîtront toujours directement au-dessus du numéro de note/frette qu'elles représentent.
duration for. Duration letters with no fret number below them represent rests. Multi-
durée pour. Les lettres de durée sans numéro de frette en dessous représentent des silences. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
les repose-barres sont notés sous la forme Wxn, où n est le nombre de barres pour lesquelles se reposer. Faible
melody durations appear below the staff
les durées des mélodies apparaissent sous la portée
Tablature Legend
Légende des tablatures
h - hammer-on
h - marteler
p - pull-off
p - retrait
b - bend
b - plier
pb - pre-bend
pb - pré-courbure
r - bend release (if no number after the r, then release immediately)
r - relâchez le pliage (s'il n'y a pas de numéro après le r, relâchez immédiatement)
/\ - slide into or out of (from/to "nowhere")
/\ - glisser dans o
s - legato slide
S - shift slide
- natural harmonic
(n) - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site