Missing Sequences Tekst Piosenki Tłumaczenie na Polski
Wojewoda - Brakujące Sekwencje
by Voivod
🌐 Polski çevirisi — İngilizce orijinal için tıklayın
As recorded by Voivod
Jak zanotował wojewoda
(From the 1989 Album NOTHINGFACE)
(Z albumu NICFACE z 1989 r.)
Words and Music by Jean-Yves Theriault, Dennis Damour, Michel Langevin, Dennis Belanger
Słowa i muzyka: Jean-Yves Theriault, Dennis Damour, Michel Langevin, Dennis Belanger
Gtr I (E A D G B E) - 'Untitled'
Gtr I (E A D G B E) - „Bez tytułu”
Gtr II (E A D G B E) - 'Untitled'
Gtr II (E A D G B E) - „Bez tytułu”
Moderately Q=101
Umiarkowanie Q=101
N.C. G#5
NC G # 5
Gtr I
Gtr I
Q Q Q Q Q Q 3x Q Q Q Q Q Q
Q Q Q Q Q Q 3x Q Q Q Q Q Q
||o-------0--|----4--0--o||-------0--|----4--4--|
||o-------0--|----4--0--o||-------0--|----4--4--|
||o----------|----------o||----------|----------|
||o-----|------o||----------|----------|
Faster Q=134
Szybciej Q=134
$
$
N.C.
NC
Gtr II
Gtr II
PM------------|
PM-------|
E S S E S S E E H. 3x
E S S E S S E E H. 3x
||o-----------------|-------o||
||o---|-------o||
||o-----------------|-4-----o||
||o-----------------|-4-----o||
PM------------|
PM-------|
E S S E S S E E H. 3x
E S S E S S E E H. 3x
||o-----------------|-------o||
||o---|-------o||
||o-----------------|-4-----o||
||o-----------------|-4-----o||
B5 N.C.
B5 NC
PM------------|
PM-------|
E S S E S S E E H. 4x
E S S E S S E E H. 4x
||o-----------------|-------o||
||o---|-------o||
||o-2-2-2-2-2-2-2-2-|-6-----o||
||o-2-2-2-2-2-2-2-2-|-6-----o||
B5 N.C.
B5 NC
PM------------|
PM-------|
E S S E S S E E H.
E S S E S S E E H.
| Gtr II
| Gtr II
| E S S E S S E S S E S S E S S E S S
| E S S E S S E S S E S S E S S
B5 N.C.
B5 NC
PM------------------|
PM---------------------------------|
E S S E S S E E H.
E S S E S S E E H.
| E S S E S S E S S E S S E S S E S S
| E S S E S S E S S E S S E S S
B5 N.C.
B5 NC
PM------------------|
PM---------------------------------|
E S S E S S E E H.
E S S E S S E E H.
| E S S E S S E S S E S S E S S E S S
| E S S E S S E S S E S S E S S
B5 N.C.
B5 NC
PM------------------|
PM---------------------------------|
E S S E S S E E H.
E S S E S S E E H.
| E S S E S S E S S E S S E S S E E
| E S S E S S E S S E S S E E
E E E E Q E E E E E E E E Q
E E E E Q E E E E E E E E Q
||o----------------|----------------|
||o-----------------|----------------|
||o-3-----3------3-|-3-3-3-----3----|
||o-3-----3------3-|-3-3-3-----3----|
E E Q E E E E E E E E E E E E 3x
E E Q E E E E E E E E E E E 3x
|----------------|-----------------o||
|----------------|-----------------o||
|-3--------3-----|-3-----3-----3---o||
|-3------------3-----|-3-----3-----3---o||
Much Faster Q=202
Znacznie szybciej Q=202
N.C.
NC
E E E E +E Q E E E E E +E Q E
E E E E +E Q E E E E +E Q E
||o--------8-(8)-------|--------8-(8)-------|
||o--------8-(8)------|--------8-(8)-------|
||--9p8----8-(8)-----8-|-9p8----8-(8)-----8-|
||--9p8----8-(8)-----8-|-9p8----8-(8)-----8-|
||o--------------------|--------------------|
||o---------------------|---------------------------------|
E E E E +E Q E E E E E +E Q E
E E E E +E Q E E E E +E Q E
|-9p8----8-(8)-----8-|-9p8----8-(8)--------|
|-9p8----8-(8)-----8-|-9p8----8-(8)--------|
E E E E +E Q E E E E E +E Q E
E E E E +E Q E E E E +E Q E
|-10p8---8-(8)----8-|-10p8---8-(8)----8-|
|-10p8---8-(8)----8-|-10p8---8-(8)----8-|
E E E E +E Q E E E E E +E Q.
E E E E +E Q E E E E +E Q.
|-10p8---8-(8)----8-|-10p8---8-(8)------o||
|-10p8---8-(8)----8-|-10p8---8-(8)------o||
|-------------------|-------------------o||
|--------------------------------|--------------------------------o||
Slower Q=168
Wolniej Q=168
E E E E Q Q E E E E Q Q
E E E E Q Q E E E E Q Q
E E E E Q Q E E E E Q Q
E E E E Q Q E E E E Q Q
E E E E Q Q E E E E Q Q
E E E E Q Q E E E E Q Q
|-----------5:6------------|
|---------------5:6------------|
E E E E Q Q E S S S S S S S S S S S S Q
E E E E Q Q E S S S S S S S S S S Q
Slower Q=126
Wolniej Q=126
To Coda
Do Cody
N.C.
NC
E S S +E E E E E S S +E E E E E E E E E 4x
E S S +E E E E E S S +E E E E E E E E E 4x
||o-8---8-(8)-8---7-|-8---8-(8)-8----10-|----10-8---7-o||
||o-8---8-(8)-8---7-|-8---8-(8)-8----10-|----10-8---7-o||
||o-----------------|-------------------|-------------o||
||o---|----------------------|------------o||
>
>
W +W
W + W
Guitar Solo
Gitara solowa
N.C.
NC
E E E E E E E E E E E E E Q. +E E E E S S S S E S S
E E E E E E E E E E E E E P. +E E E E S S S E S S
|------------------9----|-9---9----------|-----------5---5-7s9-7h9-|
|------------------9----|-9---9-----|---------------5---5-7s9-7h9-|
|-----------------------|---------7S0----|-(0)---------------------|
|----------------------|---------7S0----|-(0)-----------------------------------|
S T T S S T T S S S Q. +E E S S S S S S S S S S S S S S
S T T S S T T S S S Q. +E E S S S S S S S S S S S S S
|-7h9p7---7h9p7---7h9-6----(6)/-|---------------------------------------------|
|-7h9p7---7h9p7---7h9-6----(6)/-|-------------------------------------------------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S
E Q T T S E T T S S T T S S E S S S S S S E E +Q
E Q T T E T T S S T T S S E S S S S S E E +Q
D.S. al Coda
DS al Coda
Q. E +Q Q. E +Q Q E E Q Q
P. E +Q P. E +Q Q E E P P
||o-15----15-(15)--|-18----15-(15)--|-18--18-15-o||-18--18--|
||o-15----15-(15)--|-18----15-(15)--|-18--18-15-o||-18--18--|
||o----------------|----------------|-----------o||---------|
||o----------------|----------------|-----------o||---------|
&
&
N.C. F5 Eb Db5
NC F5 Eb Db5
E S S +E E E E E S S +E E q Q q Q q Q
E S S +E E E E E E S S +E E q Q q Q q Q
E E Q E Q E E E Q E Q E E E Q E Q E
E E Q E Q E E E Q E Q E E E Q E Q E
||o-11-11-13----11--13-|-11-11-13-----------|-11-11-13----11--13-|
||o-11-11-13----11--13-|-11-11-13-----------|-11-11-13----11--13-|
||o-10-10-12----10--12-|-10-10-12----10--12-|-10-10-12----10--12-|
||o-10-10-12----10--12-|-10-10-12----10--12-|-10-10-12----10--12-|
E E Q E Q E E E Q E Q E E E Q E Q E
E E Q E Q E E E Q E Q E E E Q E Q E
>
>
H E E E E +E E E E E E Q W
H E E E E +E E E E E E Q W
|-14----14----------|------14-------14----14--o||-3----*|
|-14----14----------|------14-------14----14--o||-3----*|
|-13----------------|-------------------------o||-5----*|
|-13--|--------------------------------------o||-5----*|
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - uwaga kropkowana; .. - uwaga podwójna kropka
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - drżenie zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\n – drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= - przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- wzrost głośności (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - bar (czas wolny)
$ - Segno
$ - Segno
& - Coda
& - Koda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty
All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.