Kill Your Mother, Rape Your Dog Letra Traducción al Español

Feto moribundo: mata a tu madre, viola a tu perro

by Dying Fetus

Dying Fetus - Kill Your Mother, Rape Your Dog letra y traducción al español. Lee la letra original con traducción en español, significado de la canción y más idiomas.

Traducción al español - ver letra original

Kill Your Mother, Rape Your Dog - Dying Fetus
Traducciones: TR RO DE ES FR PT RU PL NL IT JA AR
Dying Fetus Kill Your Mother, Rape Your Dog

KILL YOUR MOTHER, RAPE YOUR DOG
MATA A TU MADRE, VIOLA A TU PERRO
As recorded by Dying Fetus
Según lo registrado por Dying Fetus
(From the 1998 Album KILLING ON ADRENALINE)
(Del álbum de 1998 MATAR CON ADRENALINA)
Words by Jason Netherton
Palabras de Jason Netherton
Music by John Gallagher
Música de John Gallagher
Arranged by Dying Fetus
Organizado por Dying Fetus
I was looking at the other version of this tab that on here, and it just looked pretty
Estaba mirando la otra versión de esta pestaña que aparece aquí y se veía bonita.
bad. So I decided to tab out the song myself. So here it is.
malo. Así que decidí tachar la canción yo mismo. Así que aquí está.
Gtr I (C# F# B E G# C#) - 'Guitar 1'
Gtr I (C# F# B E G# C#) - 'Guitarra 1'
Gtr II (C# F# B E G# C#) - 'Guitar 2'
Gtr II (C# F# B E G# C#) - 'Guitarra 2'
Intro Verse 1
Introducción versículo 1
Q=160
Q=160
Gtrs I, II
GTR I, II
PM------------| PM| PM| PM| PM|
MP------------| MP| MP| MP| MP|
E E S E S E E E E E E E E E E E E E E E E E E E E
E E S E S E E E E E E E E E E E E E E E E E E E E
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-0-1-1-1-1-0-1-0---|-7S0-0-0-2S0-0-0-|-7S0-0-0-2S0-0-0-|
|-0-1-1-1-1-0-1-0---|-7S0-0-0-2S0-0-0-|-7S0-0-0-2S0-0-0-|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
PM--| PM--| PM--| PM--|
PM--| PM--| PM--| PM--|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
Q=150
Q=150
PM| PM| PM| PM|
MP| MP| MP| MP|
||o-----------------|-----------------|
||o-----------------|-----------------|
||--4S3-----4S3-----|-4S3-----4S3-----|
||--4S3-----4S3-----|-4S3-----4S3-----|
||o-4S3-----4S3-----|-4S3-----4S3-----|
||o-4S3-----4S3-----|-4S3-----4S3-----|
||--2S1-1-1-2S1-1-1-|-2S1-1-1-2S1-1-1-|
||--2S1-1-1-2S1-1-1-|-2S1-1-1-2S1-1-1-|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|----------------------------------o||
|---------------------------------|---------------------------------o||
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|-4-4-1-1-----1-1-4-4-1-1-----1-1--o||
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|-4-4-1-1-----1-1-4-4-1-1-----1-1--o||
PM| PM|
MP| MP|
Q Q E E E E E E E E E E E E
Q Q E E E E E E E E E E E E
||o---------------|-----------------|
||o---------------|-----------------|
||o-4--7--4-----4-|-4-4-7-7-4-----4-|
||o-4--7--4-----4-|-4-4-7-7-4-----4-|
PM--| PM
PM--| PM
+Q Q E E E E S S S Q. S S S Q E
+Q Q E E E E S S S Q. S S S Q E
|-----------------|--------()-------------()------o||
|-----------------|--------()-------------()------o||
|-(4)--7--4-------|-----------------2--------------------2----o||
|-(4)--7--4-------|-----------2--------------------2----o||
PM| PM|
MP| MP|
Q Q E E E E E E E E E E E E
Q Q E E E E E E E E E E E E
PM--| PM
PM--| PM
+Q Q E E E E S S S Q. S S S Q E
+Q Q E E E E S S S Q. S S S Q E
Q=140
Q=140
PM| PM|
MP| MP|
Q Q E E E E E E E E E E E E
Q Q E E E E E E E E E E E E
||o---------------|-----------------|
||o---------------|-----------------|
||o-4--7--4-----4-|-4-4-7-7-4-----4-|
||o-4--7--4-----4-|-4-4-7-7-4-----4-|
PM--| PM
PM--| PM
+Q Q E E E E S S S Q. S S S Q E
+Q Q E E E E S S S Q. S S S Q E
|-----------------|--------()-------------()-------o||
|-----------------|--------()-------------()-------o||
|-(4)--7--4-------|-----------------2--------------------2-----o||
|-(4)--7--4-------|-----------2--------------------2-------------o||
Interlude 2 Verse 2
Interludio 2 Verso 2
Q=160
Q=160
PM------------| PM| PM| PM| PM|
MP------------| MP| MP| MP| MP|
E E S E S E E E E E E E E E E E E E E E E E E E E
E E S E S E E E E E E E E E E E E E E E E E E E E
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-0-1-1-1-1-0-1-0---|-7S0-0-0-2S0-0-0-|-7S0-0-0-2S0-0-0-|
|-0-1-1-1-1-0-1-0---|-7S0-0-0-2S0-0-0-|-7S0-0-0-2S0-0-0-|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
PM--| PM--| PM--| PM--|
PM--| PM--| PM--| PM--|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM------------|
MP------------|
S S S S S S S S S S S S S S S S E E S E S E E E E
S S S S S S S S S S S S S S S S E E S E S E E E E
Duration Legend
Leyenda de duración
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - entero; H - la mitad; Q - cuarto; mi - 8vo; S - 16; T - 32; X - 64º; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - nota ligada a la anterior; . - nota punteada; .. - nota con doble punto
Uncapitalized letters represent notes that are staccato (1/2 duration)
Las letras sin mayúsculas representan notas entrecortadas (1/2 de duración)
Irregular groupings are notated above the duration line
Las agrupaciones irregulares se anotan encima de la línea de duración.
Duration letters will always appear directly above the note/fret number it represents the
Las letras de duración siempre aparecerán directamente encima de la nota/número de traste que representa.
duration for. Duration letters with no fret number below them represent rests. Multi-
duración para. Las letras de duración sin número de traste debajo representan silencios. multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
Los silencios de compás se anotan en la forma Wxn, donde n es el número de compases en los que se descansará. Bajo
melody durations appear below the staff
Las duraciones de las melodías aparecen debajo del pentagrama.
Tablature Legend
Leyenda de tablatura
h - hammer-on
h - martillo
p - pull-off
p - despegue
b - bend
b - doblar
pb - pre-bend
pb - precurvado
r - bend release (if no number after the r, then release immediately)
r - liberación de curvatura (si no hay ningún número después de la r, suelte inmediatamente)
/\ - slide into or out of (from/to "nowhere")
/\ - deslizarse dentro o fuera de (desde/hacia "ninguna parte")
s - legato slide
s - diapositiva legato
S - shift slide
S - diapositiva de cambio
- natural harmonic
- armónico natural
n
norte
- artificial harmonic
- armónico artificial
n(n) - tapped harmonic
n(n) - armónico aprovechado
~ - vibrato
~ - vibrato
tr - trill
tr - trino
T - tap
T - toque
TP - trem. picking
TP - temblor. recogiendo
PM - palm muting
PM - silenciamiento de la palma
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.