Some Stupid Tomorrow Liedtext Deutsche Übersetzung

Typ O Negativ – Some Stupid Tomorrow

by Type O Negative

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Type O Negative Some Stupid Tomorrow

As recorded by Type O Negative
Wie von Typ O Negativ aufgezeichnet
(From the 2007 Album DEAD AGAIN)
(Aus dem 2007er Album DEAD AGAIN)
Words and Music by Type O Negative
Wörter und Musik von Typ O Negativ
Arranged by Type O Negative
Sortiert nach Typ-O-Negativ
Gtr I (B E A D F# B) - 'Guitar I'
Gtr I (B E A D F# B) – „Gitarre I“
Gtr II (B E A D F# B) - 'Guitar I (Chorus Effect, for MIDI only)'
Gtr II (B E A D F# B) – „Gitarre I (Chorus-Effekt, nur für MIDI)“
Gtr III (B E A D F# B) - 'Guitar II'
Gtr III (B E A D F# B) – „Gitarre II“
Gtr IV (B E A D F# B) - 'Guitar II (Chorus Effect, for MIDI only)'
Gtr IV (B E A D F# B) – „Gitarre II (Chorus-Effekt, nur für MIDI)“
Q=74
Q=74
N.C.
N.C.
Gtrs I, II, III, IV
Gtrs I, II, III, IV
PM
PN
Wx7 H Q S S +E
Bx7 H Q S S +E
|------------|------0--0s12-(12)\-||
|------------|------0--0s12-(12)\-||
Q. +E Q Q Q. +E Q Q Q. E Q Q Q. Q. Q
Q. +E Q Q Q. +E Q Q Q. E Q Q Q. Q. Q
||o-----------------|-----------------|--------------|--------------|
||o-----------------|-----------------|--------------|--------------|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
PM---------------------------|
PM------------|
Q. Q. Q Q. Q. Q E E E E E E E E E E E E E E Q
Q. Q. Q Q. Q. Q E E E E E E E E E E E E E E Q
|--------------|---------------|-----------------|--------------------o||
|--------------|---------------|-----------------|--------------------o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
Pre-Verse
Vorvers
Q=184
Q=184
Gtrs I, II
Gtrs I, II
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| Gtrs III, IV
| Gtrs III, IV
| W W
| W W
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q q Q
| H E Q. Q Q Q Q Q
| H E Q. Q Q Q Q Q
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| W +W
| W + W
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q q Q
| +W Q Q Q q Q
| +W Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
| PM------------------------------------------------------|
| PN ----------------------------------------|
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
| PM------------------------------------------------------|
| PN ----------------------------------------|
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
PM| PM| PM|
PN| PN| PN|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM| PM--|
PN| PN| PN--|
E a E E E E a E E E E a E E E E Q.
E a E E E E a E E E E a E E E E Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9-------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9-------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5-----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5-----|
PM| PM| PM|
PN| PN| PN|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM----| PM
PN| PM----| PN
E a E E E E a E E E E Q. E Q.
E a E E E E a E E E E Q. E Q.
|-7-(7)s9-----7-(7)s9-----|---------------||
|-7-(7)s9-----7-(7)s9-----|---------------||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5----||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5----||
Pre-Verse
Vorvers
#
#
Gtrs I, II
Gtrs I, II
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q Q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q Q Q
| Gtrs III, IV
| Gtrs III, IV
| q H. W H E Q. Q Q Q Q Q
| q H. W H E Q. Q Q Q Q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
| q H. W W Q Q Q q Q
| q H. W W Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| E Q S S E Q S S E Q S S E Q S S
| E Q S S E Q S S E Q S S E Q S S
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q q Q
| E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S Q Q Q q Q
Gtrs I, II, III, IV
Gtrs I, II, III, IV
PM| PM| PM|
PN| PN| PN|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM| PM--| PM
PN| PN| PN--| PN
E a E E E E a E E E E a E E E E Q E
E a E E E E a E E E E a E E E E Q E
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9--------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9--------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5------|
PM| PM| PM|
PN| PN| PN|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM----| PM
PN| PM----| PN
E a E E E E a E E E E Q. E Q.
E a E E E E a E E E E Q. E Q.
|-7-(7)s9-----7-(7)s9-----|---------------||
|-7-(7)s9-----7-(7)s9-----|---------------||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5\---||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5\---||
"Some...Stupid Tomorrow"
„Einige...dummes Morgen“
Q=131
Q=131
N.C. C#5
N.C. C#5
Gtrs I, II
Gtrs I, II
<
<
Wx4 W +W +W +W
Bx4 B +W +W +W
| Gtrs III, IV
| Gtrs III, IV
| <
| <
| Wx4 W +W +W +W
| Bx4 B +W +W +W
Q=133
Q=133
>
>
W +W +W +W
W + W + W + W
||o-----------|-------------|-------------|---------|
||o-----------|-------------|-------------|---------|
||o-----------|-------------|-------------|---------|
||o-----------|-------------|-------------|---------|
| W +W +W +W
| W + W + W + W
||o-----------|-------------|-------------|---------|
||o-----------|-------------|-------------|---------|
||o-----------|-------------|-------------|---------|
||o-----------|-------------|-------------|---------|
>
>
W +W +W +W
W + W + W + W
| W +W +W +W
| W + W + W + W
"Yesterday..."
„Gestern…“
H=H Q=148
H=H Q=148
|-14-/14-14-14-14-14-14-14-|-14\-12-12-12-12-12-12-12--o||
|-14-/14-14-14-14-14-14-14-|-14\-12-12-12-12-12-12-12--o||
|--------------------------|---------------------------o||
|-----------|------------o||
Q=74
Q=74
Gtrs I, II, III, IV
Gtrs I, II, III, IV
Q. +E Q Q Q. +E Q Q Q. E Q Q Q. Q. Q
Q. +E Q Q Q. +E Q Q Q. E Q Q Q. Q. Q
||o-----------------|-----------------|--------------|--------------|
||o-----------------|-----------------|--------------|--------------|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
PM---------------------------|
PM------------|
Q. Q. Q Q. Q. Q E E E E E E E E E E E E E E Q
Q. Q. Q Q. Q. Q E E E E E E E E E E E E E E Q
|--------------|---------------|-----------------|--------------------o||
|--------------|---------------|-----------------|--------------------o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
Q=184
Q=184
Gtrs I, II
Gtrs I, II
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| Gtrs III, IV
| Gtrs III, IV
| W W
| W W
E Q E E Q E Q Q Q Q Q
E Q E E Q E Q Q Q Q Q
| H E Q. Q Q Q Q Q
| H E Q. Q Q Q Q Q
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| W +W
| W + W
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q q Q
| +W Q Q Q q Q
| +W Q Q Q q Q
Duration Legend
Legende zur Dauer
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W – ganz; H - halb; Q - Viertel; E - 8.; S - 16.; T - 32.; X – 64.; a - Acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - Note mit der vorherigen verknüpft; . - Note punktiert; .. - Hinweis doppelt gepunktet
Uncapitalized letters represent notes that are staccato (1/2 duration)
Nicht großgeschriebene Buchstaben stehen für Staccato-Noten (1/2 Dauer).
Irregular groupings are notated above the duration line
Unregelmäßige Gruppierungen werden oberhalb der Dauerlinie vermerkt
Duration letters will always appear directly above the note/fret number it represents the
Die Buchstaben für die Dauer erscheinen immer direkt über der Noten-/Bundnummer, die sie darstellt
duration for. Duration letters with no fret number below them represent rests. Multi-
Dauer für. Längenbuchstaben ohne Bundnummer darunter stellen Pausen dar. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
Taktpausen werden in der Form Wxn notiert, wobei n die Anzahl der Takte ist, für die Pausen gemacht werden sollen. Niedrig
melody durations appear below the staff
Die Melodiedauer wird unterhalb der Notenzeile angezeigt
Tablature Legend
Tabulaturlegende
h - hammer-on
h – Hammer-on
p - pull-off
p - Abzug
b - bend
b - Biegung
pb - pre-bend
pb - Vorbiegung
r - bend release (if no number after the r, then release immediately)
r – Biegefreigabe (wenn nach dem r keine Zahl steht, dann sofort loslassen)
/\ - slide into or out of (from/to "nowhere")
/\ – in oder aus (vom/nach „Nirgendwo“) gleiten
s - legato slide
s – Legato-Slide
S - shift slide
S – Schaltschieber
- natural harmonic
- natürliche Harmonie
(n) - artificial harmonic
(n) – künstliche Harmonische
n(n) - tapped harmonic
n(n) – angezapfte Harmonische
~ - vibrato
~ - Vibrato
tr - trill
tr - Triller
T - tap
T – tippen
TP - trem. picking
TP - trem. pflücken
PM - palm muting
PM – Palm-Stummschaltung
\n/ - tremolo bar dip; n = amount to dip
\n/ - Tremolo-Stab-Dip; n = einzutauchender Betrag
\n - tremolo bar down
\n – Tremolo-Stange nach unten
n/ - tremolo bar up
n/ - Tremolo-Stange nach oben
/n\ - tremolo bar inverted dip
/n\ – Tremolo-Stange mit umgekehrtem Dip
= - hold bend; also acts as connecting device for hammers/pulls
= - Biegung halten; Dient auch als Anschlussvorrichtung für Hämmer/Züge
- volume swell (louder/softer)
- Lautstärkeanstieg (lauter/leiser)
x - on rhythm slash represents muted slash
x – ein Rhythmus-Schrägstrich steht für einen gedämpften Schrägstrich
o - on rhythm slash represents single note slash
o – Ein Rhythmus-Schrägstrich steht für einen einzelnen Noten-Schrägstrich
Misc Legend
Sonstige Legende
| - bar
| - Bar
|| - double bar
|| - Doppelbalken
||o - repeat start
||o – Start wiederholen
o|| - repeat end
o|| - Ende wiederholen
*| - double bar (ending)
*| - Doppeltakt (Ende)
: - bar (freetime)
: - Bar (Freizeit)
$ - Segno
$ - Segno
& - Coda
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Tempomarkierungen – = BPM (8/16 = s8/s16), wobei s8 = Swing-Achtel, s16 = Swing-Sechzehntel

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.