Some Stupid Tomorrow Tekst Piosenki Tłumaczenie na Polski

As recorded by Type O Negative
Jak zarejestrowano przez Type O Negative
(From the 2007 Album DEAD AGAIN)
(Z albumu DEAD AGAIN z 2007 roku)
Words and Music by Type O Negative
Słowa i muzyka według typu O Negative
Arranged by Type O Negative
Ułożone według typu O Negative
Gtr I (B E A D F# B) - 'Guitar I'
Gtr I (B E A D F # B) - „Gitara I”
Gtr II (B E A D F# B) - 'Guitar I (Chorus Effect, for MIDI only)'
Gtr II (B E A D F # B) - „Gitara I (efekt chóru, tylko dla MIDI)”
Gtr III (B E A D F# B) - 'Guitar II'
Gtr III (B E A D F # B) - „Gitara II”
Gtr IV (B E A D F# B) - 'Guitar II (Chorus Effect, for MIDI only)'
Gtr IV (B E A D F # B) - „Gitara II (efekt chóru, tylko dla MIDI)”
Q=74
P=74
N.C.
NC
Gtrs I, II, III, IV
GTR I, II, III, IV
PM
PM
Wx7 H Q S S +E
Sx7 H Q S S + E
|------------|------0--0s12-(12)\-||
|------------|------0--0s12-(12)\-||
Q. +E Q Q Q. +E Q Q Q. E Q Q Q. Q. Q
P. +E Q Q P. +E Q Q P. E Q Q P. P. P
||o-----------------|-----------------|--------------|--------------|
||o---|-----------------|--------------|-------------|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
PM---------------------------|
PM---------------------------------------|
Q. Q. Q Q. Q. Q E E E E E E E E E E E E E E Q
P. P. P. P. Q E E E E E E E E E E E E E E P
|--------------|---------------|-----------------|--------------------o||
|-------------|--------------|--------------------------------|----------------------------------o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
Pre-Verse
Przed wersetem
Q=184
P=184
Gtrs I, II
Gtr I, II
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| Gtrs III, IV
| GTR III, IV
| W W
| W W
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q Q Q
| H E Q. Q Q Q Q Q
| H E Q. Q Q Q Q Q
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| W +W
| W + W
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q Q Q
| +W Q Q Q q Q
| +W Q Q Q Q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E Q E E Q E Q Q Q q Q
| PM------------------------------------------------------|
| PM-------------------------------------------------|
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E Q E E Q E Q Q Q q Q
| PM------------------------------------------------------|
| PM-------------------------------------------------|
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
PM| PM| PM|
PM| PM| PM|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM| PM--|
PM| PM| PM--|
E a E E E E a E E E E a E E E E Q.
E a E E E E A E E E A E E E E P.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9-------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9-------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5-----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5-----|
PM| PM| PM|
PM| PM| PM|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM----| PM
PM| PM----| PM
E a E E E E a E E E E Q. E Q.
E a E E E E a E E E E Q. E Q.
|-7-(7)s9-----7-(7)s9-----|---------------||
|-7-(7)s9-----7-(7)s9-----|---------------||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5----||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5----||
Pre-Verse
Przed wersetem
#
#
Gtrs I, II
Gtr I, II
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q Q Q
E Q E E Q E E Q E E Q E Q E E Q E Q Q Q Q Q
| Gtrs III, IV
| GTR III, IV
| q H. W H E Q. Q Q Q Q Q
| q H. W H E Q. Q Q Q Q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E Q E E Q E Q Q Q q Q
| q H. W W Q Q Q q Q
| q H. W W Q Q Q q Q
E Q E E Q E E Q E E Q E E Q E E Q E Q Q Q q Q
E Q E E Q E E Q E E Q E Q E E Q E Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S E Q S S E Q S S E Q S S E Q S S Q Q Q q Q
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| E Q S S E Q S S E Q S S E Q S S
| E Q S S E Q S S E Q S S E Q S S
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q Q Q
| E Q S S E Q S S Q Q Q q Q
| E Q S S E Q S S Q Q Q Q Q
Gtrs I, II, III, IV
GTR I, II, III, IV
PM| PM| PM|
PM| PM| PM|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM| PM--| PM
PM| PM| PM--| PM
E a E E E E a E E E E a E E E E Q E
E a E E E E A E E E A E E E E Q E
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9--------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9--------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0---5------|
PM| PM| PM|
PM| PM| PM|
E a E E E E a E E E E a E E E E a Q.
E a E E E E a E E E a E E E E a Q.
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-7-(7)s9-----7-(7)s9-----|-7-(7)s9----------------|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
|-5-(5)s7-0-0-5-(5)s7-0-0-|-5-(5)s7-0-0-7-(7)s6----|
PM| PM----| PM
PM| PM----| PM
E a E E E E a E E E E Q. E Q.
E a E E E E a E E E E Q. E Q.
|-7-(7)s9-----7-(7)s9-----|---------------||
|-7-(7)s9-----7-(7)s9-----|---------------||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5\---||
|-5-(5)s7-0-0-5-(5)s7-0-0-|---5------5\---||
"Some...Stupid Tomorrow"
„Niektóre… głupie jutro”
Q=131
P=131
N.C. C#5
NC C # 5
Gtrs I, II
Gtr I, II
<
<
Wx4 W +W +W +W
Sx4 szer. + szer. + szer. + szer
| Gtrs III, IV
| GTR III, IV
| <
| <
| Wx4 W +W +W +W
| Sx4 szer. + szer. + szer. + szer
Q=133
P=133
>
>
W +W +W +W
W + W + W + W
||o-----------|-------------|-------------|---------|
||o-------|-------------|------------|---------|
||o-----------|-------------|-------------|---------|
||o-------|-------------|------------|---------|
| W +W +W +W
| W + W + W + W
||o-----------|-------------|-------------|---------|
||o-------|-------------|------------|---------|
||o-----------|-------------|-------------|---------|
||o-------|-------------|------------|---------|
>
>
W +W +W +W
W + W + W + W
| W +W +W +W
| W + W + W + W
"Yesterday..."
„Wczoraj…”
H=H Q=148
H=H Q=148
|-14-/14-14-14-14-14-14-14-|-14\-12-12-12-12-12-12-12--o||
|-14-/14-14-14-14-14-14-14-|-14\-12-12-12-12-12-12-12--o||
|--------------------------|---------------------------o||
|-------------------------|--------------------------o||
Q=74
P=74
Gtrs I, II, III, IV
GTR I, II, III, IV
Q. +E Q Q Q. +E Q Q Q. E Q Q Q. Q. Q
P. +E Q Q P. +E Q Q P. E Q Q P. P. P
||o-----------------|-----------------|--------------|--------------|
||o---|-----------------|--------------|-------------|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
||o-2----(2)/-5--5--|-5----(5)/-5--4--|-5----0-7--7--|-7----7----7--|
PM---------------------------|
PM---------------------------------------|
Q. Q. Q Q. Q. Q E E E E E E E E E E E E E E Q
P. P. P. P. Q E E E E E E E E E E E E E E P
|--------------|---------------|-----------------|--------------------o||
|-------------|--------------|--------------------------------|----------------------------------o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
|-7----6----5--|-4----3----2\--|-4-4-5-5-6-6-7-7-|-8-8-9-9-10-10-9\---o||
Q=184
P=184
Gtrs I, II
Gtr I, II
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| Gtrs III, IV
| GTR III, IV
| W W
| W W
E Q E E Q E Q Q Q Q Q
E Q E E Q E Q Q Q Q Q
| H E Q. Q Q Q Q Q
| H E Q. Q Q Q Q Q
E Q E E Q E E Q E E Q E
E Q E E Q E E Q E E Q E
| W +W
| W + W
E Q E E Q E Q Q Q q Q
E Q E E Q E Q Q Q Q Q
| +W Q Q Q q Q
| +W Q Q Q Q Q
Duration Legend
Legenda o czasie trwania
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - cały; H - połowa; Q - kwartał; E - 8.; S - 16; T - 32.; X - 64.; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - notatka powiązana z poprzednią; . - uwaga kropkowana; .. - uwaga podwójna kropka
Uncapitalized letters represent notes that are staccato (1/2 duration)
Niewielkie litery oznaczają nuty staccato (1/2 czasu trwania)
Irregular groupings are notated above the duration line
Nieregularne grupowania są zaznaczone nad linią czasu trwania
Duration letters will always appear directly above the note/fret number it represents the
Litery czasu trwania będą zawsze wyświetlane bezpośrednio nad numerem nuty/progu, który reprezentuje
duration for. Duration letters with no fret number below them represent rests. Multi-
czas trwania. Litery czasu trwania bez numeru progu pod nimi oznaczają pauzy. Wielo-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
pauzy prętów są zapisywane w postaci Wxn, gdzie n jest liczbą taktów, przez które należy odpocząć. Niski
melody durations appear below the staff
czas trwania melodii jest wyświetlany poniżej pięciolinii
Tablature Legend
Legenda tabulatury
h - hammer-on
h - wbijanie młotkiem
p - pull-off
p - odciągnięcie
b - bend
b - zginać
pb - pre-bend
pb - wstępne zgięcie
r - bend release (if no number after the r, then release immediately)
r - zwolnienie zgięcia (jeśli po r nie ma liczby, zwolnij natychmiast)
/\ - slide into or out of (from/to "nowhere")
/\ - wsuń się lub wyjdź z (z/do „nigdzie”)
s - legato slide
s - slajd legato
S - shift slide
S - suwak zmiany biegów
- natural harmonic
- naturalna harmonia
(n) - artificial harmonic
(n) - sztuczna harmoniczna
n(n) - tapped harmonic
n(n) - harmoniczna odbita
~ - vibrato
~ - wibrato
tr - trill
tr - tryl
T - tap
T - dotknij
TP - trem. picking
TP - drżenie zbieranie
PM - palm muting
PM - wyciszenie dłoni
\n/ - tremolo bar dip; n = amount to dip
\n/ - dip tremolo; n = ilość do zanurzenia
\n - tremolo bar down
\n – drążek tremolo w dół
n/ - tremolo bar up
n/ - drążek tremolo w górę
/n\ - tremolo bar inverted dip
/n\ - odwrócony spadek taktu tremolo
= - hold bend; also acts as connecting device for hammers/pulls
= - przytrzymaj zgięcie; działa również jako urządzenie łączące dla młotków/ciągnięć
- volume swell (louder/softer)
- wzrost głośności (głośniej/ciszej)
x - on rhythm slash represents muted slash
x – ukośnik rytmiczny reprezentuje wyciszony ukośnik
o - on rhythm slash represents single note slash
o - ukośnik rytmiczny oznacza ukośnik pojedynczej nuty
Misc Legend
Różne legendy
| - bar
| - bar
|| - double bar
|| - podwójny pasek
||o - repeat start
||o - powtórz start
o|| - repeat end
o|| - powtórz koniec
*| - double bar (ending)
*| - podwójny pręt (zakończenie)
: - bar (freetime)
: - bar (czas wolny)
$ - Segno
$ - Segno
& - Coda
& - Koda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Znaczniki tempa - = BPM(8/16=s8/s16), gdzie s8 = zamach 8-ty, s16 = zamach 16-ty