The Kinslayer Letra Traducción al Español

As recorded by Nightwish
Según lo registrado por Nightwish
(From the 2000 Album WISHMASTER)
(Del álbum WISHMASTER de 2000)
Words and Music by Nightwish
Letra y música de Nightwish
Gtr I (E A D G B E) - 'Emppu'
Gtr I (E A D G B E) - 'Emppu'
Gtr II (E A D G B E) - 'Keys'
Gtr II (E A D G B E) - 'Claves'
Moderate Rock Q=90
Roca moderada Q=90
Gtr I
gtr yo
S S E Q E S S Q E S S E S S Q S S S S
S S E Q E S S Q E S S E S S Q S S S S
| Gtr II
| GTR II
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
H S S E Q
H S S E Q
| S S S S S S S S S S S S S S S S
| S S S S S S S S S S S S S S S S
#
#
S S E S E E E S S S E Q E S S Q
S S E S E E E S S S E Q E S S Q
| S S S S S S S E E S S S S S S S S S S S S S S S S S
| S S S S S S S S E E S S S S S S S S S S S S S S S S S
E S S E S S Q S S S S
E S S E S S Q S S S S
| S S S S S S S S S S S S S S S S
| S S S S S S S S S S S S S S S S
H S S E Q S S E S E E E S
H S S E Q S S E S E E E S
| S S S S S S S S S S S S S S S S S S S S S S S S +S E S
| S S S S S S S S S S S S S S S S S S S S S S S S +S E S
N.C.(B5)
NC(B5)
PM| PM| PM PM PM PM PM
MP| MP| PM PM PM PM PM PM
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
| W
| W.
PM| PM|
MP| MP|
S S S S S S E E S S S S S S
S S S S S S E E S S S S S S
PM| PM| PM PM PM PM PM PM| PM|
MP| MP| PM PM PM PM PM PM| MP|
S S S S S S S S S S S S S S S S S S S S S S E E S S S S S S
S S S S S S S S S S S S S S S S S S S S S S E E S S S S S S
N.C.(G#5)
NC (G#5)
PM| PM| PM PM PM PM PM PM| PM|
MP| MP| PM PM PM PM PM PM| MP|
S S S S S S S S S S S S S S S S S S S S S S E E S S S S S S
S S S S S S S S S S S S S S S S S S S S S S E E S S S S S S
PM| PM| PM PM PM PM PM
MP| MP| PM PM PM PM PM PM
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
1st Verse
1er verso
N.C.(Ab5)
NC (Ab5)
PM| PM| PM--| PM--| PM--|
MP| MP| PM--| PM--| PM--|
S S S S S S E E S S S S S S S S S S S S S S S S S S S S S S
S S S S S S E E S S S S S S S S S S S S S S S S S S S S S S
PM--| PM--| PM--------|
PM--| PM--| MP--------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM--| PM--| PM--| PM--| PM--| PM--|
PM--| PM--| PM--| PM--| PM--| PM--|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
N.C.(D5)
NC (D5)
PM--| PM--| PM--|
PM--| PM--| PM--|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM--| PM--| PM--------| PM--| PM--| PM--|
PM--| PM--| MP--------| PM--| PM--| PM--|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
PM--| PM--| PM--|
PM--| PM--| PM--|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM| PM| PM| PM| PM| PM| PM| PM| PM| PM| PM|
MP| MP| MP| MP| MP| MP| MP| MP| MP| MP| MP|
S S E S S E S S E S S E S S E S S E S S E Q S S E S S E S S E S S E
S S E S S E S S E S S E S S E S S E S S E Q S S E S S E S S E S S E
PM| PM| PM| PM| PM| PM| PM| PM| PM|
MP| MP| MP| MP| MP| MP| MP| MP| MP|
S S E S S E S S E Q S S E S S E S S E S S E S S E S S E Q Q
S S E S S E S S E Q S S E S S E S S E S S E S S E S S E Q Q
PM| PM| PM| PM| PM| PM| PM| PM----|
MP| MP| MP| MP| MP| MP| MP| MP----|
S S E S S E S S E S S E S S E S S E S S E S S S S
S S E S S E S S E S S E S S E S S E S S E S S S S
N.C.(B5)
NC(B5)
PM| PM| PM PM PM PM
MP| MP| PM PM PM PM PM
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM| PM| PM| PM| PM PM PM PM PM
MP| MP| MP| MP| PM PM PM PM PM PM
S S S S S S E E S S S S S S S S S S S S S S S S S S S S S S
S S S S S S E E S S S S S S S S S S S S S S S S S S S S S S
PM| PM|
MP| MP|
S S S S S S E E S S S S S S
S S S S S S E E S S S S S S
PM--------------------------------------------| PM| PM|
MP--------------------------------------------------| MP| MP|
S S S S S S S S S S S S S S S S S S S S S S S S S S E S S E
S S S S S S S S S S S S S S S S S S S S S S S S S S E S S E
PM--------------------|
MP--------------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM---------------------------|
MP---------------------------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM------------------| PM----------------------------|
MP------------------| PM----------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
PM------------------| PM------------------------|
MP------------------| MP---------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
PM------------------|
MP------------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM----------------------------|
PM----------------------|
S S S S S S S S S S S S S S S S H. E E
S S S S S S S S S S S S S S S S S H. E E
| Gtr II
| GTR II
| W S S S S S S S S S S S S E E
| W S S S S S S S S S S S S S E E
H. E E
H.E.E.
| S S S S S S S S S S S S S S S S
| S S S S S S S S S S S S S S S S
H. E E H E E E E
H. E E H E E E E
| S S S S S S S S S S S S E E S S S S S S S S E E E E
| S S S S S S S S S S S S E E S S S S S S S S E E E E
H. E E
H.E.E.
| S S S S S S S S S S S S E E
| S S S S S S S S S S S S S E E
H. E E
H.E.E.
| S S S S S S S S S S S S S S S S
| S S S S S S S S S S S S S S S S
H. E E H E E E E
H. E E H E E E E
| S S S S S S S S S S S S E E S S S S S S S S E E E E
| S S S S S S S S S S S S E E S S S S S S S S E E E E
2nd Verse
2do verso
N.C.(G#5)
NC (G#5)
PM| PM| PM PM PM PM PM
MP| MP| PM PM PM PM PM PM
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
||o---------------------------------|
||o---------------------------------|
||o-4-----4-----7---6-------4---6---|
||o-4-----4-----7---6-------4---6---|
PM| PM|
MP| MP|
S S S S S S E E S S S S S S W +W
S S S S S S E E S S S S S S W +W
|-----------------------------|----------|--------o||
|--------------------------------|----------|--------o||
|-7-----7---------7-6-7---6---|-6--------|-(6)----o||
|-7-----7---------7-6-7---6---|-6--------|-(6)----o||
Bridge II
Puente II
PM------------------|
MP------------------|
S S S S S S S S S S S S E E
S S S S S S S S S S S S S E E
| Gtr II
| GTR II
| S S S S S S S S S S S S E E
| S S S S S S S S S S S S S E E
PM------------------| PM------------------|
MP------------------| MP------------------|
S S S S S S S S S S S S E E S S S S S S S S S S S S E E
S S S S S S S S S S S S E E S S S S S S S S S S S S E E
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S E E
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S E E
PM------------------|
MP------------------|
S S S S S S S S S S S S E E
S S S S S S S S S S S S S E E
| S S S S S S S S E E E E
| S S S S S S S S S E E E E
N.C.(G#5)
NC (G#5)
PM| PM| PM PM PM PM PM PM| PM|
MP| MP| PM PM PM PM PM PM| MP|
S S S S S S S S S S S S S S S S S S S S S S E E S S S S S S
S S S S S S S S S S S S S S S S S S S S S S E E S S S S S S
| W W
| WW
PM------------------|
MP------------------|
W +W S S S S S S S S S S S S S S S S
W +W S S S S S S S S S S S S S S S S
PM-------------------|
PM------------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM------------------| PM-------------------------------
MP------------------| MP-------------------------------
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM------------|
MP------------|
S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S
PM------------------| PM--------------|
MP------------------| MP--------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
PM----| PM----| PM----| PM----| PM----| PM----| PM----|
MP----| MP----| MP----| MP----| MP----| MP----| MP----|
T T T T E T T T T E T T T T E T T T T E T T T T E T T T T E T T T T E Q
T T T T E T T T T T T T T T E T T T T E T T T T E T T T T E T T T T E Q
PM----| PM----| PM----| PM----|
MP----| MP----| MP----| MP----|
T T T T E T T T T E T T T T E T T T T E
T T T T E T T T T E T T T T E T T T T E
PM----| PM----| PM----| PM----| PM----| PM----| PM----|
MP----| MP----| MP----| MP----| MP----| MP----| MP----|
T T T T E T T T T E T T T T E Q T T T T E T T T T E T T T T E T T T T E
T T T T E T T T T T T T T T E Q T T T T E T T T T E T T T T E T T T T E
PM----| PM----| PM----|
MP----| MP----| MP----|
T T T T E T T T T E T T T T E E E
T T T T E T T T T E T T T T E E E E
PM----| PM----| PM----| PM----|
MP----| MP----| MP----| MP----|
T T T T E T T T T E T T T T E T T T T E
T T T T E T T T T E T T T T E T T T T E
PM----| PM----| PM----| PM----|
MP----| MP----| MP----| MP----|
T T T T E T T T T E T T T T E S S S S W
T T T T E T T T T E T T T T E S S S S W
Duration Legend
Leyenda de duración
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
W - entero; H - la mitad; Q - cuarto; mi - 8vo; S - 16; T - 32; X - 64º; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
+ - nota ligada a la anterior; . - nota punteada; .. - nota con doble punto
Uncapitalized letters represent notes that are staccato (1/2 duration)
Las letras sin mayúsculas representan notas entrecortadas (1/2 de duración)
Irregular groupings are notated above the duration line
Las agrupaciones irregulares se anotan encima de la línea de duración.
Duration letters will always appear directly above the note/fret number it represents the
Las letras de duración siempre aparecerán directamente encima de la nota/número de traste que representa.
duration for. Duration letters with no fret number below them represent rests. Multi-
duración para. Las letras de duración sin número de traste debajo representan silencios. multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
Los silencios de compás se anotan en la forma Wxn, donde n es el número de compases en los que se descansará. Bajo
melody durations appear below the staff
Las duraciones de las melodías aparecen debajo del pentagrama.
Tablature Legend
Leyenda de tablatura
h - hammer-on
h - martillo
p - pull-off
p - despegue
b - bend
b - doblar
pb - pre-bend
pb - precurvado
r - bend release (if no number after the r, then release immediately)
r - liberación de curvatura (si no hay ningún número después de la r, suelte inmediatamente)
/\ - slide into or out of (from/to "nowhere")
/\ - deslizarse dentro o fuera de (desde/hacia "ninguna parte")
s - legato slide
s - diapositiva legato
S - shift slide
S - diapositiva de cambio
- natural harmonic
- armónico natural
(n) - artificial harmonic
(n) - armónico artificial
n(n) - tapped harmonic
n(n) - armónico aprovechado
~ - vibrato
~ - vibrato
tr - trill
tr - trino
T - tap
T - toque
TP - trem. picking
TP - temblor. recogiendo
PM - palm muting
PM - silenciamiento de la palma
\n/ - tremolo bar dip; n = amount to dip
\n/ - inmersión de la barra de trémolo; n = cantidad a sumergir
\n - tremolo bar down
\n - barra de trémolo hacia abajo
n/ - tremolo bar up
n/ - barra de trémolo arriba
/n\ - tremolo bar inverted dip
/n\ - inmersión invertida de la barra de trémolo
= - hold bend; also acts as connecting device for hammers/pulls
= - mantener doblado; También actúa como dispositivo de conexión para martillos/tiradores.
- volume swell (louder/softer)
- aumento de volumen (más fuerte/más suave)
x - on rhythm slash represents muted slash
x - en la barra rítmica representa una barra silenciada
o - on rhythm slash represents single note slash
o - en la barra rítmica representa una barra de una sola nota
Misc Legend
Leyenda miscelánea
| - bar
| - barra
|| - double bar
|| - doble barra
||o - repeat start
||o - repetir inicio
o|| - repeat end
o|| - repetir fin
*| - double bar (ending)
*| - doble barra (final)
: - bar (freetime)
: - bar (tiempo libre)
$ - Segno
$ - signo
& - Coda
& - coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Marcadores de tempo - = BPM(8/16=s8/s16), donde s8 = 8vos de swing, s16 = 16vos de swing