Get All You Can Take Testo Traduzione Italiana

KISS: prendi tutto quello che puoi prendere

by KISS

🌐 Italiano çevirisi — İngilizce orijinal için tıklayın

KISS Get All You Can Take

Tuned down 1/2-step
Accordato di 1/2 passo
Comments: I like it when Paul plays riffs like these. Rhy. Fig 1 here is
Commenti: Mi piace quando Paul suona riff come questi. Rhy. La figura 1 è questa
in the same mold as Keep me comin' (and the open-string pull-off would
nello stesso stampo di Keep me comin' (e il pull-off a corde aperte lo farebbe
continue on Asylum). And in Rhy. Fig 3 we see the first appearance of
proseguire su Asilo). E in Rhy. Fig 3 vediamo la prima apparizione di
the Gmaj(7) chord that would later fuel such songs as Hide your heart
l'accordo Gmaj(7) che avrebbe poi alimentato canzoni come Hide your heart
and Psycho Circus.
e Psycho Circus.
Key:
Chiave:
/ = slide up
/ = scorrere verso l'alto
\\ = slide down
\\ = scivola verso il basso
b = bend (whole step)
b = piega (intero passo)
b^ = bend (1/2 step)
b^ = piega (1/2 passo)
b^^ = bend (1 1/2 steps)
b^^ = piega (1 passo e 1/2)
pb = pre-bend
pb = pre-piega
r = release-bend
r = piega-rilascio
t = tap with righthand finger
t = toccare con il dito della mano destra
h = hammer-on
h = martello
p = pull-off
p = pull-off
~ = Vibrato
~ = Vibrato
* = Natural Harmonic
* = Armonica naturale
** = Artificial Harmonic
** = Armonica Artificiale
x = Dead notes (no pitch)
x = Note morte (senza altezza)
P.M. = Palm mute (- -> underneath indicates which notes)
PM = Palm muto (- -> sotto indica quali note)
(\\) = Dive w\\bar
(\\) = Immersione w\\bar
(/) = Release w\\bar
(/) = Rilascia w\\bar
Tp = Tap w\\plectrum
Tp = Tocca w\\plettro
Rhythm Fig. 1
Ritmo Fig. 1
Db|--7/9-9-9-9\\----7--7-7--9------------------5~--4--------|
Reb|--7/9-9-9-9\\----7--7-7--9------------------5~--4--------|
Ab|--5/7-7-7-7\\----5--5-5--7---4p0--5p0--7p0--------7-5----|
Ab|--5/7-7-7-7\\----5--5-5--7---4p0--5p0--7p0--------7-5----|
Ab|--5/7-7-7-7\\----5--5-5--7---4p0--5p0--7p0------0--------|
Ab|--5/7-7-7-7\\----5--5-5--7---4p0--5p0--7p0------0--------|
Eb|-------------------------------------------2b-----------|
Mib|------------------------------------------2b-----------|
Ab|--5/7-7-7-7\\----5--5-5--7---4p0--5p0--7p0---------------|
Ab|--5/7-7-7-7\\----5--5-5--7---4p0--5p0--7p0------|
Eb|-------------------------------------------2b-----------|
Mib|------------------------------------------2b-----------|
Rhythm Fig. 2
Ritmo Fig. 2
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2----2p0-------------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2----2p0-------------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2----2p0-------------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2----2p0-------------|
Eb|--------------------------------------------0h2b--------|
Mib|----------------------------------------------------0h2b--------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2--------x-2---------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2--------x-2---------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2--------x-2---------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2--------x-2---------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2--------------------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2--------------------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2--------------------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2--------------------|
Rhythm Fig. 3 (Let ring)
Ritmo Fig. 3 (Lascia suonare)
Rhythm Fig. 4a
Ritmo Fig. 4a
Gb|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0-2p0-0-5\\4-0-5~-------|
Gb|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0-2p0-0-5\\4-0-5~-------|
Db|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0-2p0-0-5\\4-0-5~-------|
Reb|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0-2p0-0-5\\4-0-5~-------|
Rhythm Fig. 4b
Ritmo Fig. 4b
Gb|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0h2----5\\4-0h2---------|
Gb|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0h2----5\\4-0h2---------|
Db|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0h2----5\\4-0h2---------|
Reb|---5\\4-0-2p0-0-5\\4-0-7~------5\\4-0h2----5\\4-0h2---------|
Rhythm Fig. 5a (Let ring)
Ritmo Fig. 5a (Lascia suonare)
< - - - - - 4x - - - - > < - - - - - - 4x - - - - - >
< - - - - - 4x - - - - > < - - - - - - 4x - - - - - >
< - - - - - - 3x - - - - - >
< - - - - - - 3x - - - - - >
Rhythm Fig. 5b
Ritmo Fig. 5b
< 4x > < 4x >
< 4x > < 4x >
< 3x >
< 3 volte >
Bb|--12------15p12------15(12)----------15p12h15~----15p12-|
Bb|--12------15p12------15(12)----------15p12h15~----15p12-|
Gb|--14b---------------------------------------------------|
Gb|--14b--------------------------------------------------|
< - - - 4x - - - > Lower whammy
< - - - 4x - - - > Scontro inferiore
Gb|--14b~-----r14-12h14p(\\/)12---12h14h(\\/)12---p0(\\)------|
Gb|--14b~-----r14-12h14p(\\/)12---12h14h(\\/)12---p0(\\)------|
Eb|-------------------------------------6p3---3------------|
Mib|------------------------------------6p3---3------------|
Bb|--15**-----------------------------------6---6-3h6p3----|
Bb|--15**----------------------------------6---6-3h6p3----|
Gb|----------(/)14p12h(\\/)14p12-------------------------5--|
Gb|----------(/)14p12h(\\/)14p12-------------------------5--|
Bb|--6p3---3-----------------------------------------------|
Bb|--6p3---3----------------------------------------------|
Gb|------5---5-3h5p3---5p3---3------5* (\\/)-(\\/)----5p3p0--|
Gb|------5---5-3h5p3---5p3---3------5* (\\/)-(\\/)----5p3p0--|
Db|------------------5-----5---5p3-------------------------|
REb|------------------5-----5---5p3---------------|
Bb|-----------------------------------------3h6/8----------|
Bb|-----------------------------------------3h6/8----------|
Gb|--5p3p0----------------------------0h3h5----------------|
Gb|--5p3p0----------------------0h3h5----------------|
Db|--------5p3p0-5p3p0(\\)---0h3p0-3h5----------------------|
Db|--------5p3p0-5p3p0(\\)---0h3p0-3h5--------------------|
Eb|--13~---------------------------------------------------|
Mib|--13~---------------------------------------------------|
Bb|---------11h13p(\\/)11-13p(\\/)11-(\\/)---\\----------------|
Bb|---------11h13p(\\/)11-13p(\\/)11-(\\/)---\\----------------|
Gb|--(/)15--------------pb^13----r13-----------------------|
Gb|--(/)15------pb^13----r13-----------------------|
Db|---------------------------------------------10h11h13---|
Db|----------------------------------------------------10h11h13---|
Ab|-------------------------------------10h11h13-----------|
Ab|------------------------------------10h11h13-----------|
Gb|--10h11h13-----------------15~---------------------6-8--|
Gb|--10h11h13-----------15~---------------------6-8--|
Db|--------------------------------------6-8-6-8~----------|
Reb|-------------------------------------6-8-6-8~----------|
Eb|-------------------------(6)-----------16b--16--16b--16-|
Mib|------------------------(6)-----------16b--16--16b--16-|
Bb|------------6-9-6-9~------------------------------------|
Bb|-----------6-9-6-9~------------------------------------|
Gb|--6-8~--------------------------------------------------|
Gb|--6-8~-------------------------------------------------|
Eb|--16b~----18b----r18------------------------------------|
Mib|--16b~----18b----r18------------------------------------|
Bb|----------------------18~-------------------------------|
Bb|---------------------18~------------------------------|
Outro solo
Finale solista
Gb|--5p2p0-2p0-5**b----------------------------------------|
Gb|--5p2p0-2p0-5**b----------------------------------------|
Bb|--15b--15--13--15--13b---r13-(\\)--------------13--15----|
Bb|--15b--15--13--15--13b---r13-(\\)--------------13--15----|
Bb|--13h15-13h15-13h15-----------13--15--13h15-13h15--13~--|
Bb|--13h15-13h15-13h15-----------13--15--13h15-13h15--13~--|
Gb|--14----14----14----14~---14----------14----14----------|
Gb|--14----14----14----14~---14----------14----14----------|
Semi-harmonics - >
Semiarmoniche ->
Eb|--20b---17-20p17----20b---17-20p17----20b---17-20p17----|
Mib|--20b---17-20p17----20b---17-20p17----20b---17-20p17----|
Bb|--20b~------20b-r20p17-20b--\\---------------------------|
Bb|--20b~------20b-r20p17-20b--\\---------------------------|
GET ALL YOU CAN TAKE
OTTIENI TUTTO QUELLO CHE PUOI PRENDERE
Stanley/Weissman
Stanley/Weissmann
Rhy. ig 1 w/ nd 1
Rhy. ig 1 con nd 1
Rhy. ig 2 w/ nd 1
Rhy. ig 2 con 1
I didn't know 'bout the modern ways of life, I didn't really care
Non lo sapevo
I never gave a damn about the future, I never got my share
Somebody said, boy your time's a wastin',
you're movin' much too slow
So many things in life worth tastin',
so much you oughta know - look out
Rhy. ig 3 w/ nd 1
Get down, fool around, if you got half a chance, you take it
Ooh yeah, stand your ground, you gotta bend the rules to make it
Rhy. ig 3 w/ nd 2
Hold tight, see the light, think of all the dues you're payin'
So true, I'm tellin' you, wise up, can't you hear me sayin'
Rhy. ig 1 w/ nd 1
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
dontcha know I'm gonna take what's mine
Rhy. ig 2 w/ nd 2
People lookin', eyes wide open, tell me what you see
Bodies tired, minds 'a chokin', you gotta set 'em free
Don't think about the race they're runnin',
they'll never let you in
With all the rules, it's a race of fools,
and you can never win - look out
Rhy. ig 3 w/ nd 2
Get down, fool around, think of all the dues you're payin'
Oh yeah, stand your ground, wise up, can't you hear me sayin'
Rhy. ig 1 w/ nd 1
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
Rhy. ig 1 w/ nd 2
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
Ooooh!
Rhy. ig 4a
(Yeah you know what I'm talking about,
ah just take a look around you)
Rhy. ig 4b
Solo over Rhy. ig 5a w/ Rhy. ig 5b
Rhy. ig 1 w/ nd 1
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
Ah, dontcha know I'm gonna take what's mine
Rhy. ig 2 w/ nd 1 and Outro solo
Rhy. ig 2 w/ nd 2

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.