Spanish Johnny كلمات أغنية ترجمة عربية

Emmylou Harris Spanish Johnny written by Paul Siebel
إيميلو هاريس (الإسبانية جوني) كتبها بول سيبل
http://www.nashville.net/~kate/
http://www.nashville.net/~kate/
Ricky Skaggs Mandolin
ريكي سكاجز مندولين
Rodney Crowell Guitar
رودني كرويل جيتار
Emmylou Harris Guitar, Vocals
إيميلو هاريس جيتار، غناء
Waylon Jennings Vocals
غناء وايلون جينينغز
Mickey Raphael Harmonica
ميكي رافائيل هارمونيكا
Emory Gordy Bass
إيموري جوردي باس
Frank Reckard Guitar
فرانك ريكارد جيتار
John Ware drums
طبول جون وير
Those other years, the dusty years
تلك السنوات الأخرى، السنوات المتربة
We drove the big herds through
لقد قادنا القطعان الكبيرة عبرنا
I tried to forget the miles we rode
حاولت أن أنسى الأميال التي قطعناها
And Spanish Johnny too
والإسباني جوني أيضًا
He'd sit beside a water ditch when all this herd was in
كان يجلس بجانب خندق الماء عندما يكون كل هذا القطيع فيه
And he'd never harm a child but sing to his mandolin
ولن يؤذي طفلًا أبدًا ولكنه يغني على مندولينه
The old talk, the old ways, and the dealin' of our game
الحديث القديم، والطرق القديمة، والتعامل مع لعبتنا
Spanish Johnny never spoke, but sing a song of Spain
لم يتحدث جوني الإسباني أبدًا، لكنه غنى أغنية أسبانية
And his talk with men was vicious talk
وكان حديثه مع الرجال كلاما فاحشا
When he was drunk on gin
عندما كان في حالة سكر على الجن
Ah, but those were golden things he said to his mandolin
آه، لكن تلك كانت أشياء ذهبية قالها لمندولينه
We had to stand, we tried to judge,
كان علينا أن نقف، وحاولنا أن نحكم،
We had to stop him then
وكان علينا أن نوقفه حينها
For the hand so gentle to a child had killed so many men
لأن اليد الرقيقة جدًا لطفل قتلت الكثير من الرجال
He died a hard death long ago before the roads come in
لقد مات ميتة صعبة منذ وقت طويل قبل أن تصل الطرق
And the night before he swung he sung to his mandolin
وفي الليلة التي سبقت تأرجحه غنى على مندولينه
Well, we carried him out in the mornin' sun
حسنًا، لقد حملناه خارجًا في شمس الصباح
A man that done no good
رجل لم يفعل خيرا
And we lowered him down in the cold clay
وأنزلناه في الطين البارد
Stuck in a cross of wood
عالقة في صليب من الخشب
And a letter he wrote to his kinfolk
وكتب رسالة إلى أقاربه
To tell them where he'd been
ليخبرهم أين كان
And we shipped it out to Mexico,
وقمنا بشحنها إلى المكسيك،
Along with his mandolin
جنبا إلى جنب مع مندولين له
From Emmylou Harris "Evangeline"
من إيميلو هاريس "إيفانجلين"
Warner Bros Records
سجلات وارنر براذرز
Two Ten Music(BMI)
اثنان من الموسيقى (مؤشر كتلة الجسم)
Though other performers sold more records and earned greater fame, few
على الرغم من أن فناني الأداء الآخرين باعوا المزيد من السجلات وحصلوا على شهرة أكبر، إلا أن القليل منهم
left as profound an impact on contemporary music as Emmylou Harris.
ترك تأثيرًا عميقًا على الموسيقى المعاصرة مثل إيميلو هاريس.
Blessed with a crystalline voice, a remarkable gift for phrasing and a
ينعم بصوت بلوري، هدية رائعة للصياغة وأ
restless creative spirit, she travelled a singular artistic path,
بروحها الإبداعية المضطربة، سافرت في طريق فني فريد،
proudly carrying the torch of "Cosmic American music" passed down by
يحمل بفخر شعلة "الموسيقى الأمريكية الكونية" التي مرت بها
her mentor, Gram Parsons. With the exception of only Neil Young -- not
معلمها غرام بارسونز. باستثناء نيل يونج فقط - لا
surprisingly an occasional collaborator -- no other mainstream star
من المثير للدهشة أنه متعاون من حين لآخر - ولا يوجد نجم آخر
established a similarly large body of work as consistently
أنشأت مجموعة كبيرة مماثلة من العمل باستمرار
iconoclastic, eclectic or daring; even more than three decades into
متمردة، انتقائية أو جريئة؛ حتى بعد مرور أكثر من ثلاثة عقود
her career, Harris' latter-day music remained as heartfelt, visionary
خلال مسيرتها المهنية، ظلت موسيقى هاريس في الأيام الأخيرة صادقة وذات رؤية
and vital as her earliest recordings.
وحيوية مثل تسجيلاتها الأولى.
Harris was born on April 2, 1947 to a military family stationed in
ولد هاريس في 2 أبريل 1947 لعائلة عسكرية متمركزة في
Birmingham, Alabama. After spending much of her childhood in North
برمنغهام، ألاباما. بعد أن أمضت معظم طفولتها في الشمال
Carolina, she moved to Woodbridge, Virginia while in her teens, and
كارولينا، انتقلت إلى وودبريدج، فيرجينيا عندما كانت في سن المراهقة، و
graduated high school there as her class valedictorian. After winning
تخرجت من المدرسة الثانوية هناك بصفتها طالبة متفوقة في فصلها. بعد الفوز
a dramatic scholarship at the University of North Carolina, she began
بدأت منحة دراسية مثيرة في جامعة نورث كارولينا
to seriously study music, learning to play songs by Bob Dylan and Joan
لدراسة الموسيقى بجدية، وتعلم العزف على أغاني بوب ديلان وجوان
Baez. Soon, Harris was performing in a duo with fellow UNC student
بايز. وسرعان ما كان هاريس يؤدي دوراً ثنائياً مع زميله في جامعة UNC
Mike Williams, eventually quitting school to move to New York, only to
مايك ويليامز، ترك المدرسة في نهاية المطاف للانتقال إلى نيويورك، فقط ل
find the city's folk music community dying out in the wake of the
اكتشف مجتمع الموسيقى الشعبية في المدينة وهو يموت في أعقاب الحرب العالمية الثانية
psychedelic era.
عصر مخدر.
Still, Harris remained in New York, travelling the Greenwich Village
ومع ذلك، بقي هاريس في نيويورك، مسافرًا إلى قرية غرينتش
club circuit before becoming a regular at Gerdes Folk City, where she
حلبة النادي قبل أن تصبح لاعبًا منتظمًا في Gerdes Folk City، حيث هي
struck up friendships with fellow folkies Jerry Jeff Walker, David
أقام صداقات مع زملائه القوم جيري جيف ووكر وديفيد
Bromberg and Paul Siebel. After marrying songwriter Tom Slocum in
برومبيرج وبول سيبل. بعد زواجها من مؤلف الأغاني توم سلوكم
1969, she recorded her debut LP, 1970's Gliding Bird. Shortly after
في عام 1969، سجلت أول ألبوم لها بعنوان Gliding Bird في السبعينيات. بعد فترة وجيزة
the record's release, however, Harris' label declared bankruptcy, and
ومع ذلك، عند إصدار السجل، أعلنت شركة هاريس إفلاسها، و
while pregnant with her first child, her marriage began to fall apart.
أثناء حملها بطفلها الأول، بدأ زواجها في الانهيار.
After moving to Nashville, she and Slocum divorced, leaving Harris to
بعد انتقالها إلى ناشفيل، انفصلت هي وسلوكوم، وتركت هاريس لها
raise daughter Hallie on her own. After several months of struggle and
تربية ابنتها هالي بمفردها. بعد عدة أشهر من النضال و
poverty, she moved back in with her parents, who had since bought a
بسبب الفقر، عادت للعيش مع والديها، اللذين اشتريا منذ ذلك الحين منزلًا
farm outside of Washington, D.C.
مزرعة خارج واشنطن العاصمة
There she returned to performing, starting a trio with local musicians
هناك عادت إلى الأداء، وبدأت فرقة ثلاثية مع موسيقيين محليين
Gerry Mule and Tom Guidera. One evening in 1971, while playing at an
جيري ميول وتوم جيديرا. في إحدى أمسيات عام 1971، أثناء اللعب في إحدى الحفلات
area club called Clyde's, the trio performed to a crowd which included
نادي المنطقة المسمى Clyde's، قدم الثلاثي عرضًا أمام حشد من بينهم
members of the country-rock pioneers the Flying Burrito Brothers. In
أعضاء رواد موسيقى الروك الريفية Flying Burrito Brothers. في
the wake of the departure of Gram Parsons, the band's founder, the
في أعقاب رحيل جرام بارسونز، مؤسس الفرقة
Burritos were then led by ex-Byrd Chris Hillman, who was so impressed
ثم قاد بوريتوس السابق بيرد كريس هيلمان، الذي كان معجبًا جدًا
by Harris' talents that he considered inviting her to join the group.
بمواهب هاريس التي اعتبرها تدعوها للانضمام إلى المجموعة.
Instead, Hillman himself quit to join Stephen Stills' Manassas, but he
بدلاً من ذلك، استقال هيلمان نفسه للانضمام إلى ماناساس لستيفن ستيلز، لكنه
recommended her to Parsons, who wanted a female vocalist to flesh out
أوصى بها بارسونز، الذي أراد أن تتجسد المطربة
the sound of his solo work, a trailblazing fusion of country and rock
صوت له
'n' roll he dubbed "Cosmic American music." Their connection was
instant, and soon Harris was learning about country music and singing
harmony on Parsons' solo debut, 1972's GP. A tour with Parsons'
back-up unit the Fallen Angels followed, and in 1973 they returned to
the studio to cut his landmark LP Grievous Angel.
On September 19, just weeks after the album sessions ended, Parsons'
fondness for drugs and alcohol finally caught up to him, and he was
found dead in a hotel room outside of the Joshua Tree National
Monument in California. At the time, Harris was back in Washington,
collecting her daughter for a planned move to the West Coast. Instead,
she remained in D.C., reuniting with Tom Guidera to form the Angel
Band. The group signed to Reprise and relocated to Los Angeles to
begin work on Harris' solo major label debut, 1975's acclaimed Pieces
of the Sky, an impeccable collection made up largely of diverse covers
ranging in origin from Merle Haggard to the Beatles. Produced by Brian
Ahern, who would go on to helm Harris' next ten records--as well as
becoming her second husband--Pieces of the Sky's second single, a
rendition of the Louvin Brothers' "If I Could Only Win Your Love,"
became her first Top Five hit. "Light of the Stable,' a Christmas
single complete with backing vocals from Dolly Parton, Linda Ronstadt
and Neil Young, soon followed; Harris then repaid the favor by singing
on Ronstadt's "The Sweetest Gift" and Young's "Star of Bethlehem."
For her second LP, 1976's Elite Hotel, Harris established a new
backing unit, the Hot Band, which featured legendary Elvis Presley
sidemen James Burton and Glen D. Hardin as well as a young songwriter
named Rodney Crowell on back-up vocals and rhythm guitar. The
resulting album proved to be a smash, with covers of Buck Owens'
"Together Again" and the Patsy Cline perennial "Sweet Dreams" both
topping the charts. Before beginning sessions for her third effort,
1977's Luxury Liner, Harris guested on Bob Dylan's Desire and appeared
in Martin Scorsese's filmed document of the Band's legendary final
performance, The Last Waltz. Quarter Moon in a Ten Cent Town followed
in 1978, led by the single "Two More Bottles of Wine," her third
Number One. The record was Crowell's last with the Hot Band; one of
the tracks, "Green Rolling Hills," included backing from Ricky Skaggs,
soon to become Crowell's replacement as Harris' vocal partner.
1979's Blue Kentucky Girl was her most country-oriented work to date,
an indication of what was to come a year later with Roses in the Snow,
a full-fledged excursion into acoustic bluegrass. In the summer of
1980, a duet with Roy Orbison, "That Lovin' You Feelin' Again," hit
the Top Ten; a yuletide LP, Light of the Stable: The Christmas Album,
followed at the end of year, at a time during which Harris had quit
touring to focus on raising her second daughter, Meghann. Evangeline,
a patchwork of songs left off of previous albums, appeared in 1981.
Shortly after, Skaggs left the Hot Band to embark on a solo career;
his replacement was Barry Tashian, a singer/songwriter best known for
fronting the 1960s rock band the Remains.
In 1982, drummer John Ware, the final holdover from the first Hot Band
line-up, left the group; at the same time, Harris' marriage to Ahern
was also beginning to disintegrate. After 1981's Cimarron, Harris and
the Hot Band cut a live album, Last Date, named in honor of the
album's chart-topping single "(Lost His Love) On Our Last Date," a
vocal version of the Floyd Cramer instrumental. Quickly, they returned
to the studio to record White Shoes, Harris' final LP with Ahern at
the helm. Her most far-ranging affair yet, it included covers of Donna
Summer's "On the Radio," Johnny Ace's "Pledging My Love," and Sandy
Denny's "Old-Fashioned Waltz."
After leaving Ahern, she and her children moved back to Nashville.
There, Harris joined forces with singer/songwriter Paul Kennerley, on
whose 1980 concept album The Legend of Jesse James she had sung
back-up. Together, they began formulating a record called The Ballad
of Sally Rose, employing the pseudonym Harris often used on the road
to veil what was otherwise a clearly autobiographical portrait of her
own life. Though a commercial failure, the 1985 record proved pivotal
in Harris' continued evolution as an artist and a risk-taker; it also
marked another chapter in her personal life when she and Kennerley wed
shortly after concluding their tour. Angel Band, a subtle, acoustic
collection of traditional country spirituals, followed, although the
record was not issued until 1987, after the release of its immediate
follow-up, Thirteen.
Harris, Dolly Parton and Linda Ronstadt had first toyed with the idea
of recording an album together as far back as 1977, only to watch the
project falter in light of touring commitments and other red tape.
Finally, in 1987, they issued Trio, a collection which proved to be
Harris' best-selling album to date, generating the hits "To Know Him
Is to Love Him" (a cover of the Phil Spector classic), "Telling Me
Lies" and "Those Memories of You." The record's success spurred the
1990 release of Duets, a compilation of her earlier hits in
conjunction with George Jones, Willie Nelson, Gram Parsons and others.
Fronting a new band, the Nash Ramblers, in 1992 she issued At the
Ryman, a live set recorded at Nashville's legendary Ryman Auditorium,
the former home of the Grand Ole Opry. At the time of the record's
release, Harris was also serving a term as President of the Country
Music Foundation.
In 1993, she ended her long association with Warner Bros./Reprise to
move to Asylum Records, where she released Cowgirl's Prayer shortly
after her separation from Paul Kennerley. Two years later, at a stage
in her career at which most performers retreat to the safety of
rehashing their greatest hits again and again, Harris issued Wrecking
Ball, perhaps her most adventuresome record to date. Produced by
Daniel Lanois, the New Orleans-based artist best known for his
atmospheric work with U2, Peter Gabriel and Bob Dylan, Wrecking Ball
was a hypnotic, staggeringly beautiful work comprised of songs ranging
from the Neil Young-penned title track (which featured its writer on
backing vocals) to Jimi Hendrix's "May This Be Love" and the talented
newcomer Gillian Welch's "Orphan Girl." A three-disc retrospective of
her years with Warner Bros., Portraits, appeared in 1996, and in 1998
Harris resurfaced with Spyboy. -- Jason Ankeny, All-Music Guide