Spanish Johnny Şarkı Sözleri Türkçe Çevirisi

Emmylou Harris Spanish Johnny written by Paul Siebel
Emmylou Harris İspanyol Johnny, Paul Siebel tarafından yazılmıştır.
http://www.nashville.net/~kate/
http://www.nashville.net/~kate/
Ricky Skaggs Mandolin
Ricky Skaggs Mandolin
Rodney Crowell Guitar
Rodney Crowell Gitar
Emmylou Harris Guitar, Vocals
Emmylou Harris Gitar, Vokal
Waylon Jennings Vocals
Waylon Jennings Vokal
Mickey Raphael Harmonica
Mickey Raphael Armonika
Emory Gordy Bass
Emory Gordy Bas
Frank Reckard Guitar
Frank Reckard Gitar
John Ware drums
John Ware davulları
Those other years, the dusty years
O diğer yıllar, tozlu yıllar
We drove the big herds through
Büyük sürüleri sürdük
I tried to forget the miles we rode
Kat ettiğimiz kilometreleri unutmaya çalıştım
And Spanish Johnny too
Ve İspanyol Johnny de
He'd sit beside a water ditch when all this herd was in
Bütün bu sürü içeri girdiğinde bir su hendeğinin yanında otururdu.
And he'd never harm a child but sing to his mandolin
Ve asla bir çocuğa zarar vermez ama mandoliniyle şarkı söylerdi
The old talk, the old ways, and the dealin' of our game
Eski konuşmalar, eski yöntemler ve oyunumuzun işleyişi
Spanish Johnny never spoke, but sing a song of Spain
İspanyolca Johnny hiç konuşmadı ama bir İspanya şarkısı söyledi
And his talk with men was vicious talk
Ve erkeklerle konuşması kısır bir konuşmaydı
When he was drunk on gin
Cin içip sarhoş olduğu zaman
Ah, but those were golden things he said to his mandolin
Ah ama bunlar mandolinine söylediği altın değerindeki şeylerdi
We had to stand, we tried to judge,
Ayağa kalkmak zorundaydık, yargılamaya çalıştık,
We had to stop him then
O zaman onu durdurmak zorundaydık
For the hand so gentle to a child had killed so many men
Çünkü bir çocuğa karşı bu kadar nazik olan el, pek çok adamı öldürmüştü.
He died a hard death long ago before the roads come in
Uzun zaman önce, yollar gelmeden önce zor bir ölümle öldü
And the night before he swung he sung to his mandolin
Ve sallanmadan önceki gece mandolinine şarkı söyledi
Well, we carried him out in the mornin' sun
Onu sabah güneşinde taşıdık
A man that done no good
Hiçbir işe yaramayan bir adam
And we lowered him down in the cold clay
Ve onu soğuk çamurun içine indirdik
Stuck in a cross of wood
Tahtadan bir haça sıkışmış
And a letter he wrote to his kinfolk
Ve akrabalarına yazdığı bir mektup
To tell them where he'd been
Onlara nerede olduğunu söylemek için
And we shipped it out to Mexico,
Ve onu Meksika'ya gönderdik.
Along with his mandolin
Mandoliniyle birlikte
From Emmylou Harris "Evangeline"
Emmylou Harris'ten "Evangeline"
Warner Bros Records
Warner Bros. Kayıtları
Two Ten Music(BMI)
İki On Müzik (BMI)
Though other performers sold more records and earned greater fame, few
Diğer sanatçılar daha fazla plak satıp daha fazla üne kavuşsa da çok azı
left as profound an impact on contemporary music as Emmylou Harris.
çağdaş müzik üzerinde Emmylou Harris kadar derin bir etki bıraktı.
Blessed with a crystalline voice, a remarkable gift for phrasing and a
Kristal bir ses ile kutsanmış, olağanüstü bir ifade etme yeteneği ve
restless creative spirit, she travelled a singular artistic path,
huzursuz yaratıcı ruhuyla benzersiz bir sanatsal yolda ilerledi,
proudly carrying the torch of "Cosmic American music" passed down by
nesilden nesile aktarılan "Kozmik Amerikan müziği"nin meşalesini gururla taşıyor
her mentor, Gram Parsons. With the exception of only Neil Young -- not
akıl hocası Gram Parsons. Sadece Neil Young hariç -- hayır
surprisingly an occasional collaborator -- no other mainstream star
şaşırtıcı bir şekilde ara sıra işbirlikçisi - başka ana akım yıldız yok
established a similarly large body of work as consistently
tutarlı bir şekilde benzer şekilde geniş bir çalışma grubu oluşturdu
iconoclastic, eclectic or daring; even more than three decades into
ikonoklastik, eklektik veya cüretkar; hatta otuz yılı aşkın bir süredir
her career, Harris' latter-day music remained as heartfelt, visionary
Kariyeri boyunca Harris'in son zamanlardaki müziği aynı içten ve ileri görüşlü olarak kaldı.
and vital as her earliest recordings.
ve ilk kayıtları kadar hayati önem taşıyor.
Harris was born on April 2, 1947 to a military family stationed in
Harris, 2 Nisan 1947'de askeri bir ailenin çocuğu olarak dünyaya geldi.
Birmingham, Alabama. After spending much of her childhood in North
Birmingham, Alabama. Çocukluğunun çoğunu Kuzey'de geçirdikten sonra
Carolina, she moved to Woodbridge, Virginia while in her teens, and
Carolina, ergenlik çağındayken Woodbridge, Virginia'ya taşındı ve
graduated high school there as her class valedictorian. After winning
liseyi orada sınıf birincisi olarak bitirdi. Kazandıktan sonra
a dramatic scholarship at the University of North Carolina, she began
Kuzey Carolina Üniversitesi'nde dramatik bir burs kazandı ve başladı
to seriously study music, learning to play songs by Bob Dylan and Joan
Ciddi bir şekilde müzik çalışmak, Bob Dylan ve Joan'ın şarkılarını çalmayı öğrenmek
Baez. Soon, Harris was performing in a duo with fellow UNC student
Baez. Kısa süre sonra Harris, UNC öğrencisi arkadaşıyla ikili olarak performans sergiledi.
Mike Williams, eventually quitting school to move to New York, only to
Mike Williams sonunda okulu bırakıp New York'a taşındı.
find the city's folk music community dying out in the wake of the
şehrin halk müziği camiasının terörün ardından yok olduğunu görüyoruz
psychedelic era.
psychedelic dönem.
Still, Harris remained in New York, travelling the Greenwich Village
Harris yine de New York'ta kaldı ve Greenwich Village'ı gezdi.
club circuit before becoming a regular at Gerdes Folk City, where she
Gerdes Folk City'nin müdavimi olmadan önce kulüp turu yaptı ve burada
struck up friendships with fellow folkies Jerry Jeff Walker, David
dostlarım Jerry Jeff Walker, David ile arkadaşlıklar kurdum
Bromberg and Paul Siebel. After marrying songwriter Tom Slocum in
Bromberg ve Paul Siebel. Şarkı yazarı Tom Slocum ile evlendikten sonra
1969, she recorded her debut LP, 1970's Gliding Bird. Shortly after
1969'da ilk LP'si olan 1970'lerdeki Gliding Bird'ü kaydetti. Kısa bir süre sonra
the record's release, however, Harris' label declared bankruptcy, and
ancak plağın yayınlanmasıyla birlikte Harris'in plak şirketi iflas ilan etti ve
while pregnant with her first child, her marriage began to fall apart.
İlk çocuğuna hamileyken evliliği dağılmaya başladı.
After moving to Nashville, she and Slocum divorced, leaving Harris to
Nashville'e taşındıktan sonra o ve Slocum boşandı ve Harris'i
raise daughter Hallie on her own. After several months of struggle and
kızı Hallie'yi tek başına büyütmek. Birkaç ay süren mücadelenin ardından
poverty, she moved back in with her parents, who had since bought a
yoksulluk nedeniyle, o zamandan beri bir ev satın alan ebeveynlerinin yanına geri döndü.
farm outside of Washington, D.C.
Washington, D.C. dışındaki çiftlik
There she returned to performing, starting a trio with local musicians
Orada yerel müzisyenlerle bir üçlü kurarak performansa geri döndü.
Gerry Mule and Tom Guidera. One evening in 1971, while playing at an
Gerry Mule ve Tom Guidera. 1971 yılında bir akşam, oyun oynarken
area club called Clyde's, the trio performed to a crowd which included
Clyde's adlı bölge kulübünde üçlü, aralarından birinin de bulunduğu kalabalığa performans sergiledi.
members of the country-rock pioneers the Flying Burrito Brothers. In
Country rock öncüleri Flying Burrito Brothers'ın üyeleri. içinde
the wake of the departure of Gram Parsons, the band's founder, the
Grubun kurucusu Gram Parsons'ın ayrılmasının ardından
Burritos were then led by ex-Byrd Chris Hillman, who was so impressed
Burritolar daha sonra çok etkilenen eski Byrd Chris Hillman tarafından yönetiliyordu.
by Harris' talents that he considered inviting her to join the group.
Harris'in yeteneklerine göre onu gruba katılmaya davet etmeyi düşündü.
Instead, Hillman himself quit to join Stephen Stills' Manassas, but he
Bunun yerine Hillman, Stephen Stills'in Manassas'ına katılmak için istifa etti ama
recommended her to Parsons, who wanted a female vocalist to flesh out
onu bir kadın vokalistin ortaya çıkmasını isteyen Parsons'a tavsiye etti
the sound of his solo work, a trailblazing fusion of country and rock
onun sesi
'n' roll he dubbed "Cosmic American music." Their connection was
instant, and soon Harris was learning about country music and singing
harmony on Parsons' solo debut, 1972's GP. A tour with Parsons'
back-up unit the Fallen Angels followed, and in 1973 they returned to
the studio to cut his landmark LP Grievous Angel.
On September 19, just weeks after the album sessions ended, Parsons'
fondness for drugs and alcohol finally caught up to him, and he was
found dead in a hotel room outside of the Joshua Tree National
Monument in California. At the time, Harris was back in Washington,
collecting her daughter for a planned move to the West Coast. Instead,
she remained in D.C., reuniting with Tom Guidera to form the Angel
Band. The group signed to Reprise and relocated to Los Angeles to
begin work on Harris' solo major label debut, 1975's acclaimed Pieces
of the Sky, an impeccable collection made up largely of diverse covers
ranging in origin from Merle Haggard to the Beatles. Produced by Brian
Ahern, who would go on to helm Harris' next ten records--as well as
becoming her second husband--Pieces of the Sky's second single, a
rendition of the Louvin Brothers' "If I Could Only Win Your Love,"
became her first Top Five hit. "Light of the Stable,' a Christmas
single complete with backing vocals from Dolly Parton, Linda Ronstadt
and Neil Young, soon followed; Harris then repaid the favor by singing
on Ronstadt's "The Sweetest Gift" and Young's "Star of Bethlehem."
For her second LP, 1976's Elite Hotel, Harris established a new
backing unit, the Hot Band, which featured legendary Elvis Presley
sidemen James Burton and Glen D. Hardin as well as a young songwriter
named Rodney Crowell on back-up vocals and rhythm guitar. The
resulting album proved to be a smash, with covers of Buck Owens'
"Together Again" and the Patsy Cline perennial "Sweet Dreams" both
topping the charts. Before beginning sessions for her third effort,
1977's Luxury Liner, Harris guested on Bob Dylan's Desire and appeared
in Martin Scorsese's filmed document of the Band's legendary final
performance, The Last Waltz. Quarter Moon in a Ten Cent Town followed
in 1978, led by the single "Two More Bottles of Wine," her third
Number One. The record was Crowell's last with the Hot Band; one of
the tracks, "Green Rolling Hills," included backing from Ricky Skaggs,
soon to become Crowell's replacement as Harris' vocal partner.
1979's Blue Kentucky Girl was her most country-oriented work to date,
an indication of what was to come a year later with Roses in the Snow,
a full-fledged excursion into acoustic bluegrass. In the summer of
1980, a duet with Roy Orbison, "That Lovin' You Feelin' Again," hit
the Top Ten; a yuletide LP, Light of the Stable: The Christmas Album,
followed at the end of year, at a time during which Harris had quit
touring to focus on raising her second daughter, Meghann. Evangeline,
a patchwork of songs left off of previous albums, appeared in 1981.
Shortly after, Skaggs left the Hot Band to embark on a solo career;
his replacement was Barry Tashian, a singer/songwriter best known for
fronting the 1960s rock band the Remains.
In 1982, drummer John Ware, the final holdover from the first Hot Band
line-up, left the group; at the same time, Harris' marriage to Ahern
was also beginning to disintegrate. After 1981's Cimarron, Harris and
the Hot Band cut a live album, Last Date, named in honor of the
album's chart-topping single "(Lost His Love) On Our Last Date," a
vocal version of the Floyd Cramer instrumental. Quickly, they returned
to the studio to record White Shoes, Harris' final LP with Ahern at
the helm. Her most far-ranging affair yet, it included covers of Donna
Summer's "On the Radio," Johnny Ace's "Pledging My Love," and Sandy
Denny's "Old-Fashioned Waltz."
After leaving Ahern, she and her children moved back to Nashville.
There, Harris joined forces with singer/songwriter Paul Kennerley, on
whose 1980 concept album The Legend of Jesse James she had sung
back-up. Together, they began formulating a record called The Ballad
of Sally Rose, employing the pseudonym Harris often used on the road
to veil what was otherwise a clearly autobiographical portrait of her
own life. Though a commercial failure, the 1985 record proved pivotal
in Harris' continued evolution as an artist and a risk-taker; it also
marked another chapter in her personal life when she and Kennerley wed
shortly after concluding their tour. Angel Band, a subtle, acoustic
collection of traditional country spirituals, followed, although the
record was not issued until 1987, after the release of its immediate
follow-up, Thirteen.
Harris, Dolly Parton and Linda Ronstadt had first toyed with the idea
of recording an album together as far back as 1977, only to watch the
project falter in light of touring commitments and other red tape.
Finally, in 1987, they issued Trio, a collection which proved to be
Harris' best-selling album to date, generating the hits "To Know Him
Is to Love Him" (a cover of the Phil Spector classic), "Telling Me
Lies" and "Those Memories of You." The record's success spurred the
1990 release of Duets, a compilation of her earlier hits in
conjunction with George Jones, Willie Nelson, Gram Parsons and others.
Fronting a new band, the Nash Ramblers, in 1992 she issued At the
Ryman, a live set recorded at Nashville's legendary Ryman Auditorium,
the former home of the Grand Ole Opry. At the time of the record's
release, Harris was also serving a term as President of the Country
Music Foundation.
In 1993, she ended her long association with Warner Bros./Reprise to
move to Asylum Records, where she released Cowgirl's Prayer shortly
after her separation from Paul Kennerley. Two years later, at a stage
in her career at which most performers retreat to the safety of
rehashing their greatest hits again and again, Harris issued Wrecking
Ball, perhaps her most adventuresome record to date. Produced by
Daniel Lanois, the New Orleans-based artist best known for his
atmospheric work with U2, Peter Gabriel and Bob Dylan, Wrecking Ball
was a hypnotic, staggeringly beautiful work comprised of songs ranging
from the Neil Young-penned title track (which featured its writer on
backing vocals) to Jimi Hendrix's "May This Be Love" and the talented
newcomer Gillian Welch's "Orphan Girl." A three-disc retrospective of
her years with Warner Bros., Portraits, appeared in 1996, and in 1998
Harris resurfaced with Spyboy. -- Jason Ankeny, All-Music Guide