The Whore, the Cook and the Mother Tekst Piosenki Tłumaczenie na Polski

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by My Dying Bride

My Dying Bride - The Whore, the Cook and the Mother tekst piosenki i tłumaczenie na polski. Czytaj oryginalne lyrics z polskim tłumaczeniem, znaczeniem utworu i innymi językami.

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The Whore, the Cook and the Mother - My Dying Bride
Tłumaczenia: TR RO DE ES FR PT RU PL NL IT JA AR
My Dying Bride — The Whore, the Cook and the Mother

M Y D Y I N G B R I D E
M Y D Y I N G B R I D E
T H E W H O R E, T H E C O O K A N D T H E M O T H E R
T E W H O R E, T E C O K I D T E M O T H E R
37.788%... COMPLETE
37,788%... KOMPLETNE
(c) Peaceville Records - 1998
(c) Zapisy Peaceville – 1998
http://www.mydyingbride.org/
http://www.mydyingbride.org/
Tempo = 120 BPM
Tempo = 120 BPM
Time Signature = 4/4
Sygnatura czasu = 4/4
PADDY MCMULLAN
PADDY MCMULLAN
stinkypoohpants@yahoo.co.uk
stinkypoohpants@yahoo.co.uk
Version 1.3
Wersja 1.3
(Corrections Outlined at Bottom of Tab)
(Poprawki przedstawiono na dole zakładki)
Tablature Symbols Used:
Stosowane symbole tabulaturowe:
p - Pull-Off
p - Odrywanie
h - Hammer-On
h - Hammer-On
\ - Slide Down to/Down From
\ - Przesuń w dół do/w dół z
/ - Slide Up To/Up From
/ - Przesuń w górę do/w górę od
( / ) - Legato Slide
( / ) - Slajd Legato
b - Bend (Blank space indicates bend's length)
b - Zagięcie (puste miejsce oznacza długość zagięcia)
~~~ - Vibrato
~~~ - Wibracja
( ) - Ghost Note/Tied Note/Implied Note
( ) - Notatka duchowa/Notatka powiązana/Notatka dorozumiana
|__3__| - Triplet Notes
|__3__| - Notatki potrójne
Intro Riff for Guitar 1 with heavy distortion and stereo delay (Play once)
Intro Riff na gitarę 1 z mocnym przesterem i opóźnieniem stereo (odtwórz raz)
(Gradual bend)
(Stopniowe zgięcie)
This riff can be recreated with two guitars if stereo delay is unavailable;
Ten riff można odtworzyć na dwóch gitarach, jeśli opóźnienie stereo jest niedostępne;
simply play the second guitar's part a quarter note later than the first. This
po prostu zagraj partię drugiej gitary ćwierćnutę później niż pierwszą. To
technique is only required for the first 4 bars of the song, so it shouldn't
technika jest wymagana tylko w przypadku pierwszych 4 taktów utworu, więc nie powinna
present too much of a problem.
stanowi zbyt duży problem.
Riff 1a: Guitar 1 and 2 with heavy distortion (Play 4 times) (Stereo Delay OFF)
Riff 1a: Gitara 1 i 2 z mocnym zniekształceniem (Odtwórz 4 razy) (Opóźnienie stereo wyłączone)
*These notes are to be strummed in an strict down-up or up-down fashion, with
*Nuty te należy grać ściśle w dół lub w górę, z naciskiem
some moderate variations in the notes played i.e. both notes may not be struck
pewne umiarkowane różnice w granych nutach, tj. obie nuty mogą nie zostać uderzone
with every strum*
przy każdym uderzeniu*
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |_____3_____| |___3____|
|__3__| |__3__| |______3____| |___3____|
|___3____| |____3____| |____3____| |____3____|
|___3____| |____3____| |____3____| |____3____|
|___3____| |____3____| |____3____| |____3____|
|___3____| |____3____| |____3____| |____3____|
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |_____3_____| |___3____|
|__3__| |__3__| |______3____| |___3____|
|___3____| |____3____| |____3____| |____3____|
|___3____| |____3____| |____3____| |____3____|
|___3____| |____3____| |____3____| |____3____|
|___3____| |____3____| |____3____| |____3____|
Riff 1b: Guitar 3 with heavy distortion (Play 4 times)
Riff 1b: Gitara 3 z mocnym przesterem (Zagraj 4 razy)
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
|____3___| |____3___| |____3___| |____3___|
|____3___| |____3___| |____3___| |____3___|
Riff 2a: Guitar 3 (Play 8 times)
Riff 2a: Gitara 3 (Zagraj 8 razy)
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
Riff 2b: Guitar 2 (Play 8 times)
Riff 2b: Gitara 2 (Zagraj 8 razy)
|__3__| |__3__| |__3__| |__3__|
|__3__| |__3__| |__3__| |__3__|
|___3___| |__3__| |__3__| |__3__|
|___3___| |__3__| |__3__| |__3__|
Riff 2c: Guitar 1 (Play Once)
Riff 2c: Gitara 1 (Zagraj raz)
|___3__| |___3__|
|___3__| |___3__|
|___3__| |___3__|
|___3__| |___3__|
|___3__| |___3__|
|___3__| |___3__|
|___3__| |___3__|
|___3__| |___3__|
|______3_____| |______3______|
|______3_____| |______3______|
|_____3_____| |____3___|
|______3____| |____3___|
The last bar of this riff actually belongs to the first bar of Riff 1a, although
Chociaż ostatni takt tego riffu należy do pierwszego taktu Riffu 1a
it has a slight variation which warrants a re-tab of the bar.
ma niewielką różnicę, która wymaga ponownego zaczepienia paska.
All guitars play their respective parts again from Riff 1 to Riff 2
Wszystkie gitary ponownie grają swoje partie od Riffu 1 do Riffu 2
Riff 3: Guitars 1, 2 and 3 (Play 5 times) (Tempo changes to 90 BPM)
Riff 3: Gitary 1, 2 i 3 (Zagraj 5 razy) (Tempo zmienia się na 90 BPM)
PM.. ....
PM.....
Riff 4: Guitar 4 with clean tone (Repeats are indicated above tab) (Tempo = 120)
Riff 4: Gitara 4 z czystym tonem (Powtórzenia są wskazane powyżej) (Tempo = 120)
*Let all notes ring out whenever possible*
*Niech wszystkie nuty rozbrzmiewają, kiedy tylko jest to możliwe*
| Part 1 x 2 |
| Część 1 x 2 |
|_____3____| |_____3____| |_____3____| |_____3____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
| Part 2 x 2 |
| Część 2 x 2 |
|_____3____| |_____3____| |_____3____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3____| |_____3____| |_____3____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
| Part 3 x 2 |
| Część 3 x 2 |
|_____3____| |_____3_____| |_____3____| |_____3____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3____| |_____3____| |_____3____|
|______3____| |______3____| |______3____| |______3____|
| Part 4 x 4 |
| Część 4 x 4 |
|_____3____| |_____3_____| |_____3____| |_____3____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3____| |_____3____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
| Part 5 x 1 |
| Część 5 x 1 |
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
| Part 6 x 2 |
| Część 6 x 2 |
|_____3____| |_____3____| |_____3____| |_____3____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3____| |_____3____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
|_____3____| |_____3_____| |_____3_____| |_____3_____|
|______3____| |______3____| |______3____| |______3____|
Part 2 x 1
Część 2
Part 3 x 2
Part 4 x 4
Part 5 x 1
Play Riff 1 and Riff 2 once each, and play Riff 4 to end the song
nd
Tab summary: Intro x 1
Riff 1a + 1b x 4
Riff 2a + 2b x 4 + Riff 2c x 1
Riff 1a + 1b x 4
Riff 2a + 2b x 4 + Riff 2c x 1
Riff 3 x 5
Riff 4:
Part 1 x 2
Part 2 x 2
Part 3 x 2
Part 4 x 4
Part 5 x 1
Part 6 x 2
Part 2 x 1
Part 3 x 2
Part 4 x 4
Part 5 x 1
Riff 1a + 1b x 4
Riff 2a + 2b x 4 + Riff 2c x 1
Riff 3 x 5 (Let last notes ring out)
END
Corrections (18/01/05):
* Corrected slide directions
Corrections (18/01/05):
* Mended Riff 3
Corrections (09/01/05):
* Improved slides
* Improved bends
* Minor adjustments to layout

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.