Face of Melinda Liedtext Deutsche Übersetzung

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Composition:Face of Melinda
Zusammensetzung: Gesicht von Melinda
Transcription:Idar Wiik (idarwiik@hotmail.com)
Transkription:Idar Wiik (idarwiik@hotmail.com)
Version:1.0
Version:1.0
|=a bar line (an actual bar line)
|=ein Taktstrich (ein tatsächlicher Taktstrich)
( )=a ghost note
( )=eine Geisternotiz
< >=a sustained note
< >=eine anhaltende Note
b=a (pre-)bent note
b=eine (vor)gebogene Note
>=an emphasized note/chord
>=eine betonte Note/Akkord
*=a transcriber´s note
*=Notiz eines Transkribierers
Time 4/4
Zeit 4/4
Riff a
Riff a
Gtr.1 (acoustic), pick w/fingers
Gtr.1 (akustisch), Pick mit den Fingern
(let all notes ring)
(Lass alle Töne klingen)
1st time play an open E
Spielen Sie zum ersten Mal ein offenes E
|*5-----3-----------|-------------------4s5---0h1-----|
|*5-----3-----------|-------------------4s5---0h1-----|
|-------------------|-----0h2---------------------2s4-|
|-----|-----0h2------2s4-|
*=4th time there´s a rest before C/A chord
*=4. Mal gibt es eine Pause vor dem C/A-Akkord
C/A Bm/G# (Badd-9) 4 times
C/A Bm/G# (Badd-9) 4 Mal
|-5-----4-----------|---------s5------------|
|-5-----4-----------|---------s5------------|
Riff B notes in parentheses are sometimes
Riff-B-Noten in Klammern sind manchmal
(Segno) substituted for each other...
(Segno) haben sich gegenseitig ersetzt...
(Dm) (Amsus2) *=16th note triplet N.C. 4 times
(Dm) (Amsus2) *=16tel-Triole N.C. 4-mal
|---------1p0----------*----------|------(0)-----------0-------|
|---------1p0----------*----------|------(0)-----------0-------|
|*------------0-------------------|s7-------------------------*|
|*------------0-------------------|s7-------------------------*|
Gtrs.2&3 (clean electrics.) gtr.2 higher, gtr.3 lower
Gtr.2 und 3 (saubere Elektrik). Gtr.2 höher, Gtr.3 niedriger
Gtr.1 w/riff B *=both gtrs. 4 times
Gtr.1 mit Riff B *=beide Gtrs. 4 Mal
Gtr.1
Gtr.1
Gtrs.2&3 w/riff B once *=16th note triplet
Gtrs.2&3 mit Riff H einmal *=16tel-Triole
(Dm) (Amsus2) N.C.
(Dm) (Amsus2) N.C.
|-------------0-------------------|s7-------------------------0-|
|-------------0-----|s7-------------------------0-|
Gtr.1 cont. time 2/4 *=both are fine
Gtr.1 Fortsetzung Zeit 2/4 *=beide sind in Ordnung
|--1h3----------5-----7--|---7s-5--------|
|--1h3----------5-----7--|---7s-5--------|
|---------2-----3-----5--|---9s-7--------|
|---------2-----3-----5--|---9s-7--------|
Gtr.2 *=there are three triplets there...
Gtr.2 *=da sind drei Drillinge...
q=a quarter rest time 2/4
q=ein Viertel Ruhezeit 2/4
|------------4-7s8p7-5-7s10*8*7*|---------------|
|------------4-7s8p7-5-7s10*8*7*|---------------|
|-q--2s4-5----------------------|----9*7*--7*5*-|
|-q--2s4-5-------|----9*7*--7*5*-|
Riff C *=This part was quite tuf to figure
Riff C *=Dieser Teil war ziemlich schwer zu verstehen
Gtr.1 out, but I gave my best shot
Gtr.1 raus, aber ich habe mein Bestes gegeben
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-----5-------------2s4-----------|---------------------------------|
|-----5-------------2s4-----------|---------------------------------|
|---------------------------------|-0-------------------2s4---------|
|---------------------------------|-0-------------------2s4---------|
Gtr.2
Gtr.2
|-4-------------------------------|----------------------------11s12|
|-4----------------|----------------------------11s12|
Gtr.1 *=triplet based
Gtr.1 *=Triplett-basiert
|------------s8-----7-----5-------|------4--------4-----------------|
|------------s8-----7-----5-------|------4--------4-----------------|
Gtr.2 *=bend, release and pull-off
Gtr.2 *=beugen, loslassen und abziehen
|12--12(let ring)-----------------|---0-----------------------------|
|12--12(klingeln lassen)-----------------|---0-----------------------------|
|---------------------------------|s5---5-3---0--*------------------|
|---------------------------------|s5---5-3---0--*----|
Gtr.1
Gtr.1
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-----5-------------2s4-----------|---------------------------------|
|-----5-------------2s4-----------|---------------------------------|
|---------------------------------|-0-----------------2s4-----------|
|---------------------------------|-0-----------------2s4-----------|
Gtr.2
Gtr.2
|-2s4-----------------------------|----------------------------11s12|
|-2s4--------------|----------------------------11s12|
Gtr.1 *=the notes in parentheses
Gtr.1 *=die Anmerkungen in Klammern
To Coda are almost inaudible (D.S.al Coda)
Zu Coda sind fast unhörbar (D.S.al Coda)
|-0-----------0----2----2---------|---*(4)---(4)---(back to riff D)-|
|-0-----------0----2----2---------|---*(4)---(4)---(zurück zu Riff D)-|
Gtr.2 gtr.2 out
Gtr.2 Gtr.2 raus
|12--12s14s15---------------------|---------------------------------|
|12--12s14s15--------------------|---------------------------------|
|--12-----------------------------|--------(rest)-------------------|
|--12---------------|--------(Ruhe)-------------------|
Coda *=16th note triplet
Coda *=16tel-Triole
Gtr.1 N.C. *=not too sure... (Fm) (Am)
Gtr.1 N.C. *=nicht ganz sicher... (Fm) (Am)
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|---------------3---s7----3---2---|-1-------------------------------|
|---------------3---s7----3---2---|-1-------------------------------|
Gtr.2 *=don´t strike
Gtr.2 *=nicht zuschlagen
|-------------(rest)--------------|---------5-------4----5p4-2(2)---|
|-------------(Ruhe)--------------|---------5-------4----5p4-2(2)---|
Gtr.1
Gtr.1
N.C. Ebaug+9 Gm A/C#
N.C. Ebaug+9 Gm A/C#
|-------0----s6-------------------|*--1---1-----1s4-----------------|
|-------0----s6------------------|*--1---1-----1s4-----------------|
|-0----------->-------------------|-3-------------------------------|
|-0----------->------------------|-3-----------------|
Gtr.2 (pick ´n fingers)
Gtr.2 (pick ´n finger)
|s7-----5-----4-------------------|-----------6---------------------|
|s7-----5-----4-----|-----------6------|
Gtr.1
Gtr.1
1.-3. ending.....................> 4. ending.......................>
1.-3. Ende......................> 4. Ende....................>
|-5s6----------------------------*|-5s6-----------------------------|
|-5s6---------------------------*|-5s6----------------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-----|
|--------------------s3---2------*|---------------------------------|
|------s3---2------*|---------------------------------|
Gtr.2 pick ´n fingers
Gtr.2 Pick ´n Fingers
|--------------------s5----4------|---------------------------------|
|-----s5----4------|---------------------------------|
|--------------------s5----4------|---------------------------------|
|-----s5----4------|---------------------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
|-5-----s7----2-----|-5-----s7----2----|
Bridge riff D
Brückenriff D
(2x tempo, the bars consist mostly of 8th notes)
(2x Tempo, die Takte bestehen größtenteils aus Achtelnoten)
Time 6/4 4/4
Zeit 6/4 4/4
Endings 1&2...............>
Endungen 1&2.............>
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
Time 7/8 4/4 9/8
Zeit 7/8 4/4 9/8
3. ending......>
3. Ende......>
Gtrs.4&5 w/dist.
Gtrs.4&5 mit Dist.
|----(rest)-----|-----(rest)------|-------------------|
|----(Ruhe)-----|-----(Ruhe)------|-------------------|
Gtr.1 *=Because of the previous bar´s time
Gtr.1 *=Aufgrund der Zeit des vorherigen Takts
signature, the acoustic line gets a bit twisted gtr.1 out
Signatur, die Akustik
|-*-------2---2---|--------%--------|--------%--------|--------%--------|
Gtrs.4&5
> > >
Riff E
Gtrs.4&5 *=on repeats only
Am6 Am Dsus2 Dm Gm N.C.
|-*-7-7---7-7-----|-0---0--(0)5-5---|-2h3-------0-----|
|-------pm--------|---------------pm|-------------3---|
*=let ring throughout the bar
Riff F
G#m G(barre) F#m F
|-4-----4--4-4-|4----4-4-4(x)|-similar---|-----%-----|-----%-----|
|-6-----6--6-6-|6-6--6-6-6(x)|-strumming-|-----|-----|-----|-----|
Riff E 2 times
Riff F 2 times
Riff E 4 times
(The notes in
Riff G parentheses are
Gtr.1 (acoustic) virtually inaudible)
(Dsus2) (Dsus2/C) (Bm7) (G5) (Fmaj7-5) N.C.
|-0---------------|-----------------|---------------2-|--s5----3---2---|
I have FIVE! gtrs. playing here! When I listened one speaker at time,
I could block these voices represented by gtrs.4,5,6&7. All gtrs.
have different volumes and some notes are heavily on the back ground,
almost inaudible. When you play this make your own combination.
Gtr.1 w/riff H
Gtr.4 (higher notes)
Gtr.5 to the left of slash (lower notes) *=note below only by gtr.4
Gtr.6 (higher notes) repeat and
Gtr.7 to the left of slash (lower notes) *=both gtrs. fade out