Face of Melinda Testo Traduzione Italiana

Visit MetalTabs.com for more metal tablature
Visita MetalTabs.com per ulteriori tablature metalliche
Composition:Face of Melinda
Composizione:Volto di Melinda
Transcription:Idar Wiik (idarwiik@hotmail.com)
Trascrizione:Idar Wiik (idarwiik@hotmail.com)
Version:1.0
Versione:1.0
|=a bar line (an actual bar line)
|=una stanghetta (una stanghetta vera e propria)
( )=a ghost note
( )=una nota fantasma
< >=a sustained note
< >=una nota sostenuta
b=a (pre-)bent note
b=una nota (pre)piegata
>=an emphasized note/chord
>=una nota/accordo enfatizzato
*=a transcriber´s note
*=nota del trascrittore
Time 4/4
Tempo 4/4
Riff a
Riff a
Gtr.1 (acoustic), pick w/fingers
Gtr.1 (acustico), plettro con le dita
(let all notes ring)
(lascia che tutte le note suonino)
1st time play an open E
La prima volta suona un E aperto
|*5-----3-----------|-------------------4s5---0h1-----|
|*5-----3-----------|-------------4s5---0h1-----|
|-------------------|-----0h2---------------------2s4-|
|-------------------|-----0h2---------------------2s4-|
*=4th time there´s a rest before C/A chord
*=4a volta c'è una pausa prima dell'accordo di C/A
C/A Bm/G# (Badd-9) 4 times
DO/LA SIm/SOL# (Badd-9) 4 volte
|-5-----4-----------|---------s5------------|
|-5-----4-----------|---------s5------------|
Riff B notes in parentheses are sometimes
A volte ci sono note del riff B tra parentesi
(Segno) substituted for each other...
(Segno) si sostituirono a vicenda...
(Dm) (Amsus2) *=16th note triplet N.C. 4 times
(Rem) (Amsus2) *=terzina di semicrome N.C. 4 volte
|---------1p0----------*----------|------(0)-----------0-------|
|---------1p0----------*----------|------(0)-----------0-------|
|*------------0-------------------|s7-------------------------*|
|*------------0-------------|s7------------------------*|
Gtrs.2&3 (clean electrics.) gtr.2 higher, gtr.3 lower
Gtrs.2&3 (impianto elettrico pulito.) gtr.2 più alto, gtr.3 più basso
Gtr.1 w/riff B *=both gtrs. 4 times
Gtr.1 con riff B *=entrambe le Gtr. 4 volte
Gtr.1
Gtr.1
Gtrs.2&3 w/riff B once *=16th note triplet
Sol.2&3 con riff SI una volta *=terzina di sedicesimi
(Dm) (Amsus2) N.C.
(Dm) (Amsus2) N.C.
|-------------0-------------------|s7-------------------------0-|
|-------------0-------------|s7------------------------0-|
Gtr.1 cont. time 2/4 *=both are fine
Gtr.1 cont. tempo 2/4 *=entrambi vanno bene
|--1h3----------5-----7--|---7s-5--------|
|--1h3----------5-----7--|---7s-5--------|
|---------2-----3-----5--|---9s-7--------|
|---------2-----3-----5--|---9s-7--------|
Gtr.2 *=there are three triplets there...
Gtr.2 *=ci sono tre terzine lì...
q=a quarter rest time 2/4
q=un quarto di riposo 2/4
|------------4-7s8p7-5-7s10*8*7*|---------------|
|------------4-7s8p7-5-7s10*8*7*|---------------|
|-q--2s4-5----------------------|----9*7*--7*5*-|
|-q--2s4-5---------------------|----9*7*--7*5*-|
Riff C *=This part was quite tuf to figure
Riff C *=Questa parte era davvero incredibile da capire
Gtr.1 out, but I gave my best shot
Gtr.1 fuori, ma ho dato il massimo
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-----5-------------2s4-----------|---------------------------------|
|-----5-------------2s4-----------|--------------------------|
|---------------------------------|-0-------------------2s4---------|
|----------------------------------|-0-------------2s4---------|
Gtr.2
Gtr.2
|-4-------------------------------|----------------------------11s12|
|-4-------------------------------|----------------------11s12|
Gtr.1 *=triplet based
Gtr.1 *=basato su tripletta
|------------s8-----7-----5-------|------4--------4-----------------|
|-----------s8-----7-----5-------|------4--------4-----------------|
Gtr.2 *=bend, release and pull-off
Gtr.2 *=piega, rilascia e tira fuori
|12--12(let ring)-----------------|---0-----------------------------|
|12--12(lascia squillare)-----------------|---0----------------------|
|---------------------------------|s5---5-3---0--*------------------|
|---------------------------------|s5---5-3---0--*------------------|
Gtr.1
Gtr.1
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-----5-------------2s4-----------|---------------------------------|
|-----5-------------2s4-----------|--------------------------|
|---------------------------------|-0-----------------2s4-----------|
|------------------|-0-----------------2s4-----------|
Gtr.2
Gtr.2
|-2s4-----------------------------|----------------------------11s12|
|-2s4----------------------|----------------------11s12|
Gtr.1 *=the notes in parentheses
Gtr.1 *=le note tra parentesi
To Coda are almost inaudible (D.S.al Coda)
A Coda sono quasi impercettibili (D.S.al Coda)
|-0-----------0----2----2---------|---*(4)---(4)---(back to riff D)-|
|-0-----------0----2----2---------|---*(4)---(4)---(torna al riff D)-|
Gtr.2 gtr.2 out
Gtr.2 gtr.2 fuori
|12--12s14s15---------------------|---------------------------------|
|12--12s14s15---------------------|--------------------------|
|--12-----------------------------|--------(rest)-------------------|
|--12-----------------------|--------(resto)--------------------|
Coda *=16th note triplet
Coda *=terzina di semicrome
Gtr.1 N.C. *=not too sure... (Fm) (Am)
Gtr.1 N.C. *=non troppo sicuro... (Fm) (Am)
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|---------------3---s7----3---2---|-1-------------------------------|
|---------------3---s7----3---2---|-1------------------------------||
Gtr.2 *=don´t strike
Gtr.2 *=non colpire
|-------------(rest)--------------|---------5-------4----5p4-2(2)---|
|-------------(resto)--------------|---------5-------4----5p4-2(2)---|
Gtr.1
Gtr.1
N.C. Ebaug+9 Gm A/C#
NC Ebaug+9 Gm A/C#
|-------0----s6-------------------|*--1---1-----1s4-----------------|
|-------0----s6------------------|*--1---1-----1s4-----------------|
|-0----------->-------------------|-3-------------------------------|
|-0----------->-------------|-3-------------------------------|
Gtr.2 (pick ´n fingers)
Gtr.2 (pick 'n finger)
|s7-----5-----4-------------------|-----------6---------------------|
|s7-----5-----4-------------|-----------6---------------------|
Gtr.1
Gtr.1
1.-3. ending.....................> 4. ending.......................>
1.-3. fine.................> 4. fine.................>
|-5s6----------------------------*|-5s6-----------------------------|
|-5s6---------------------*|-5s6----------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|--------------------s3---2------*|---------------------------------|
|--------------------s3---2------*|---------------------------|
Gtr.2 pick ´n fingers
Gtr.2 pick 'n finger
|--------------------s5----4------|---------------------------------|
|--------------------s5----4------|---------------------------------|
|--------------------s5----4------|---------------------------------|
|--------------------s5----4------|---------------------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
|-5-----s7----2-----|-5-----s7----2--------------------|
Bridge riff D
Riff del ponte D
(2x tempo, the bars consist mostly of 8th notes)
(2x tempo, le misure sono costituite principalmente da crome)
Time 6/4 4/4
Tempo 6/4 4/4
Endings 1&2...............>
Finali 1 e 2..............>
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
Time 7/8 4/4 9/8
Tempo 7/8 4/4 9/8
3. ending......>
3. fine......>
Gtrs.4&5 w/dist.
Gtrs.4&5 con dist.
|----(rest)-----|-----(rest)------|-------------------|
|----(resto)-----|-----(resto)------|-------------------|
Gtr.1 *=Because of the previous bar´s time
Gtr.1 *=A causa del tempo della battuta precedente
signature, the acoustic line gets a bit twisted gtr.1 out
firma, l'acustica
|-*-------2---2---|--------%--------|--------%--------|--------%--------|
Gtrs.4&5
> > >
Riff E
Gtrs.4&5 *=on repeats only
Am6 Am Dsus2 Dm Gm N.C.
|-*-7-7---7-7-----|-0---0--(0)5-5---|-2h3-------0-----|
|-------pm--------|---------------pm|-------------3---|
*=let ring throughout the bar
Riff F
G#m G(barre) F#m F
|-4-----4--4-4-|4----4-4-4(x)|-similar---|-----%-----|-----%-----|
|-6-----6--6-6-|6-6--6-6-6(x)|-strumming-|-----|-----|-----|-----|
Riff E 2 times
Riff F 2 times
Riff E 4 times
(The notes in
Riff G parentheses are
Gtr.1 (acoustic) virtually inaudible)
(Dsus2) (Dsus2/C) (Bm7) (G5) (Fmaj7-5) N.C.
|-0---------------|-----------------|---------------2-|--s5----3---2---|
I have FIVE! gtrs. playing here! When I listened one speaker at time,
I could block these voices represented by gtrs.4,5,6&7. All gtrs.
have different volumes and some notes are heavily on the back ground,
almost inaudible. When you play this make your own combination.
Gtr.1 w/riff H
Gtr.4 (higher notes)
Gtr.5 to the left of slash (lower notes) *=note below only by gtr.4
Gtr.6 (higher notes) repeat and
Gtr.7 to the left of slash (lower notes) *=both gtrs. fade out