Face of Melinda Tekst Piosenki Tłumaczenie na Polski

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Composition:Face of Melinda
Skład:Twarz Melindy
Transcription:Idar Wiik (idarwiik@hotmail.com)
Transkrypcja: Idar Wiik (idarwiik@hotmail.com)
Version:1.0
Wersja: 1.0
|=a bar line (an actual bar line)
|=linia taktowa (rzeczywista linia taktowa)
( )=a ghost note
( ) = notatka ducha
< >=a sustained note
< >=trwała nuta
b=a (pre-)bent note
b = (wstępnie) wygięta nuta
>=an emphasized note/chord
>=podkreślona nuta/akord
*=a transcriber´s note
*=notatka tłumacza
Time 4/4
Czas 4/4
Riff a
Riff A
Gtr.1 (acoustic), pick w/fingers
Gtr.1 (akustyczny), kostka z palcami
(let all notes ring)
(niech zabrzmią wszystkie nuty)
1st time play an open E
Pierwszy raz zagraj w otwarte E
|*5-----3-----------|-------------------4s5---0h1-----|
|*5-----3-------|------------------4s5---0h1-----|
|-------------------|-----0h2---------------------2s4-|
|--------------------------------|-----0h2-----------------------------------2s4-|
*=4th time there´s a rest before C/A chord
*=4. raz następuje pauza przed akordem C/A
C/A Bm/G# (Badd-9) 4 times
C/A Bm/G# (Badd-9) 4 razy
|-5-----4-----------|---------s5------------|
|-5-----4---------------|--------s5------------|
Riff B notes in parentheses are sometimes
Czasami w nawiasach znajdują się nuty riffu B
(Segno) substituted for each other...
(Segno) zastąpili się sobą...
(Dm) (Amsus2) *=16th note triplet N.C. 4 times
(Dm) (Amsus2) *=triola szesnastkowa N.C. 4 razy
|---------1p0----------*----------|------(0)-----------0-------|
|---------1p0----------*----------|------(0)---------------0-------|
|*------------0-------------------|s7-------------------------*|
|*------------0---------|s7--------------------------------------||
Gtrs.2&3 (clean electrics.) gtr.2 higher, gtr.3 lower
Gtrs.2 i 3 (czysta elektryka). Gtr.2 wyżej, Gtr.3 niżej
Gtr.1 w/riff B *=both gtrs. 4 times
Gtr.1 z riffem B *= oba gtr. 4 razy
Gtr.1
Gtr.1
Gtrs.2&3 w/riff B once *=16th note triplet
Gtrs.2 i 3 z riffem B raz *= triola 16-tonowa
(Dm) (Amsus2) N.C.
(Dm) (Amsus2) NC
|-------------0-------------------|s7-------------------------0-|
|------------0---------|s7--------------0-|
Gtr.1 cont. time 2/4 *=both are fine
Gtr.1 cd. czas 2/4 *=oba są w porządku
|--1h3----------5-----7--|---7s-5--------|
|--1h3-----5-----7--|---7s-5--------|
|---------2-----3-----5--|---9s-7--------|
|---------2-----3-----5--|---9s-7--------|
Gtr.2 *=there are three triplets there...
Gtr.2 *=są tam trzy trójki...
q=a quarter rest time 2/4
q = ćwierć czasu odpoczynku 2/4
|------------4-7s8p7-5-7s10*8*7*|---------------|
|------------4-7s8p7-5-7s10*8*7*|---------------|
|-q--2s4-5----------------------|----9*7*--7*5*-|
|-q--2s4-5----------------------|--------9*7*--7*5*-|
Riff C *=This part was quite tuf to figure
Riff C *=Ta część była dość trudna do zrozumienia
Gtr.1 out, but I gave my best shot
Gtr.1 odpadło, ale dałem z siebie wszystko
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-----5-------------2s4-----------|---------------------------------|
|---------5------------2s4-----------|--------------------------------|
|---------------------------------|-0-------------------2s4---------|
|--------------------------------|-0-----------------------2s4-------------|
Gtr.2
Gtr.2
|-4-------------------------------|----------------------------11s12|
|-4-----------------------------------|--------------------------------------11s12|
Gtr.1 *=triplet based
Gtr.1 *=na podstawie trójek
|------------s8-----7-----5-------|------4--------4-----------------|
|------------s8-----7-----5-------|------4--------4-------|
Gtr.2 *=bend, release and pull-off
Gtr.2 *=zgięcie, zwolnienie i ściągnięcie
|12--12(let ring)-----------------|---0-----------------------------|
|12--12(pozwól dzwonić)----------------|---0----------------------------|
|---------------------------------|s5---5-3---0--*------------------|
|--------------------------------|s5---5-3---0--*------------------|
Gtr.1
Gtr.1
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-----5-------------2s4-----------|---------------------------------|
|---------5------------2s4-----------|--------------------------------|
|---------------------------------|-0-----------------2s4-----------|
|--------------------------------|-0-----------------2s4---------------|
Gtr.2
Gtr.2
|-2s4-----------------------------|----------------------------11s12|
|-2s4-----------------------------|--------------------------------------11s12|
Gtr.1 *=the notes in parentheses
Gtr.1 *=notatki w nawiasach
To Coda are almost inaudible (D.S.al Coda)
Do Coda są prawie niesłyszalne (D.S.al Coda)
|-0-----------0----2----2---------|---*(4)---(4)---(back to riff D)-|
|-0-----------0----2----2---------|---*(4)---(4)---(powrót do riffu D)-|
Gtr.2 gtr.2 out
Gtr.2 Gtr.2 na zewnątrz
|12--12s14s15---------------------|---------------------------------|
|12--12s14s15---------------------|------------------------------------------------|
|--12-----------------------------|--------(rest)-------------------|
|--12-----------------------------|------------(odpoczynek)-----------------------|
Coda *=16th note triplet
Koda *=triola szesnastkowa
Gtr.1 N.C. *=not too sure... (Fm) (Am)
Gtr.1 N.C. *=nie jestem pewien... (Fm) (Am)
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)------------|
|---------------3---s7----3---2---|-1-------------------------------|
|--------------3---s7----3---2---|-1-------------------------------|
Gtr.2 *=don´t strike
Gtr.2 *=nie uderzaj
|-------------(rest)--------------|---------5-------4----5p4-2(2)---|
|------------(reszta)-------------|-------------5-------4----5p4-2(2)---|
Gtr.1
Gtr.1
N.C. Ebaug+9 Gm A/C#
NC Ebaug+9 Gm A/C#
|-------0----s6-------------------|*--1---1-----1s4-----------------|
|-------0----s6-----|*--1---1-----1s4-----------------|
|-0----------->-------------------|-3-------------------------------|
|-0----------->--------------------------------|-3----------------------------------------|
Gtr.2 (pick ´n fingers)
Gtr.2 (wybierz palcami)
|s7-----5-----4-------------------|-----------6---------------------|
|s7-----5-----4-----------------------|----------6-----------------------------------|
Gtr.1
Gtr.1
1.-3. ending.....................> 4. ending.......................>
1.-3. zakończenie...........................> 4. zakończenie...........................>
|-5s6----------------------------*|-5s6-----------------------------|
|-5s6----------------------------*|-5s6----------------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|--------------------s3---2------*|---------------------------------|
|-------------------s3---2-*|--------------------------------|
Gtr.2 pick ´n fingers
Gtr.2 wybierz palcami
|--------------------s5----4------|---------------------------------|
|-------------------s5----4------|--------------------------------|
|--------------------s5----4------|---------------------------------|
|-------------------s5----4------|--------------------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
Bridge riff D
Riff mostkowy D
(2x tempo, the bars consist mostly of 8th notes)
(tempo 2x, takty składają się głównie z ósemek)
Time 6/4 4/4
Czas 6/4 4/4
Endings 1&2...............>
Zakończenia 1 i 2...........>
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
Time 7/8 4/4 9/8
Czas 7/8 4/4 9/8
3. ending......>
3. zakończenie......>
Gtrs.4&5 w/dist.
Gtrs.4 i 5 z odległością
|----(rest)-----|-----(rest)------|-------------------|
|----(odpoczynek)-----|-----(odpoczynek)------|-------------------|
Gtr.1 *=Because of the previous bar´s time
Gtr.1 *=Ze względu na czas poprzedniego taktu
signature, the acoustic line gets a bit twisted gtr.1 out
podpis, akustyka
|-*-------2---2---|--------%--------|--------%--------|--------%--------|
Gtrs.4&5
> > >
Riff E
Gtrs.4&5 *=on repeats only
Am6 Am Dsus2 Dm Gm N.C.
|-*-7-7---7-7-----|-0---0--(0)5-5---|-2h3-------0-----|
|-------pm--------|---------------pm|-------------3---|
*=let ring throughout the bar
Riff F
G#m G(barre) F#m F
|-4-----4--4-4-|4----4-4-4(x)|-similar---|-----%-----|-----%-----|
|-6-----6--6-6-|6-6--6-6-6(x)|-strumming-|-----|-----|-----|-----|
Riff E 2 times
Riff F 2 times
Riff E 4 times
(The notes in
Riff G parentheses are
Gtr.1 (acoustic) virtually inaudible)
(Dsus2) (Dsus2/C) (Bm7) (G5) (Fmaj7-5) N.C.
|-0---------------|-----------------|---------------2-|--s5----3---2---|
I have FIVE! gtrs. playing here! When I listened one speaker at time,
I could block these voices represented by gtrs.4,5,6&7. All gtrs.
have different volumes and some notes are heavily on the back ground,
almost inaudible. When you play this make your own combination.
Gtr.1 w/riff H
Gtr.4 (higher notes)
Gtr.5 to the left of slash (lower notes) *=note below only by gtr.4
Gtr.6 (higher notes) repeat and
Gtr.7 to the left of slash (lower notes) *=both gtrs. fade out