Face of Melinda Paroles Traduction Française

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Composition:Face of Melinda
Composition :Visage de Melinda
Transcription:Idar Wiik (idarwiik@hotmail.com)
Transcription : Idar Wiik (idarwiik@hotmail.com)
Version:1.0
Version : 1.0
|=a bar line (an actual bar line)
|=une ligne de mesure (une véritable ligne de mesure)
( )=a ghost note
( )=une note fantôme
< >=a sustained note
< >=une note soutenue
b=a (pre-)bent note
b=une note (pré-)pliée
>=an emphasized note/chord
>=une note/un accord accentué
*=a transcriber´s note
*= note du transcripteur
Time 4/4
Temps 4/4
Riff a
Riff un
Gtr.1 (acoustic), pick w/fingers
Gtr.1 (acoustique), médiator avec les doigts
(let all notes ring)
(que toutes les notes sonnent)
1st time play an open E
1ère fois, joue un E ouvert
|*5-----3-----------|-------------------4s5---0h1-----|
|*5-----3-----------|------------------4s5---0h1-----|
|-------------------|-----0h2---------------------2s4-|
|-------------------|-----0h2---------------------2s4-|
*=4th time there´s a rest before C/A chord
*=4ème fois il y a un silence avant l'accord C/A
C/A Bm/G# (Badd-9) 4 times
C/A Bm/G# (Badd-9) 4 fois
|-5-----4-----------|---------s5------------|
|-5-----4-----------|---------s5------------|
Riff B notes in parentheses are sometimes
Les notes du riff B entre parenthèses sont parfois
(Segno) substituted for each other...
(Segno) se sont substitués l'un à l'autre...
(Dm) (Amsus2) *=16th note triplet N.C. 4 times
(Dm) (Amsus2) *= triolet de doubles croches N.C. 4 fois
|---------1p0----------*----------|------(0)-----------0-------|
|-------------1p0--------------*--------------|------(0)---------------0-------|
|*------------0-------------------|s7-------------------------*|
|*------------0---------|s7-----------------------------*|
Gtrs.2&3 (clean electrics.) gtr.2 higher, gtr.3 lower
RTM.2 et 3 (électricité propre.) RTM.2 plus haut, RTM.3 inférieur
Gtr.1 w/riff B *=both gtrs. 4 times
RTM.1 avec riff B *=les deux RTM. 4 fois
Gtr.1
RTM.1
Gtrs.2&3 w/riff B once *=16th note triplet
Gtrs.2&3 avec riff B une fois *= triolet de doubles croches
(Dm) (Amsus2) N.C.
(Dm) (Amsus2) N.C.
|-------------0-------------------|s7-------------------------0-|
|-------------0---------|s7------------------------0-|
Gtr.1 cont. time 2/4 *=both are fine
RTM.1 suite. temps 2/4 *=les deux vont bien
|--1h3----------5-----7--|---7s-5--------|
|--1h3----------5-----7--|---7s-5--------|
|---------2-----3-----5--|---9s-7--------|
|---------2-----3-----5--|---9s-7--------|
Gtr.2 *=there are three triplets there...
Gtr.2 *=il y a trois triplets là-bas...
q=a quarter rest time 2/4
q=un quart de temps de repos 2/4
|------------4-7s8p7-5-7s10*8*7*|---------------|
|------------4-7s8p7-5-7s10*8*7*|---------------|
|-q--2s4-5----------------------|----9*7*--7*5*-|
|-q--2s4-5------------|----9*7*--7*5*-|
Riff C *=This part was quite tuf to figure
Riff C *=Cette partie était assez compliquée à comprendre
Gtr.1 out, but I gave my best shot
Gtr.1 sorti, mais j'ai fait de mon mieux
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-----5-------------2s4-----------|---------------------------------|
|----------5--------2s4-----------|---------------------------------|
|---------------------------------|-0-------------------2s4---------|
|---------------------------------|-0-------------------2s4---------|
Gtr.2
RTM.2
|-4-------------------------------|----------------------------11s12|
|-4------------------------------|----------------------------11s12|
Gtr.1 *=triplet based
Gtr.1 *=basé sur un triplet
|------------s8-----7-----5-------|------4--------4-----------------|
|------------s8-----7-----5-------|------4--------4-----------------|
Gtr.2 *=bend, release and pull-off
Gtr.2 *=plier, relâcher et retirer
|12--12(let ring)-----------------|---0-----------------------------|
|12--12(laisser sonner)---|---0---------------------------------------|
|---------------------------------|s5---5-3---0--*------------------|
|---------------------------------|s5---5-3---0--*------------------|
Gtr.1
RTM.1
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-----5-------------2s4-----------|---------------------------------|
|----------5--------2s4-----------|---------------------------------|
|---------------------------------|-0-----------------2s4-----------|
|---------------------------------|-0-----------------2s4----------------|
Gtr.2
RTM.2
|-2s4-----------------------------|----------------------------11s12|
|-2s4-----------------------------|----------------------------11s12|
Gtr.1 *=the notes in parentheses
RTM.1 *=les notes entre parenthèses
To Coda are almost inaudible (D.S.al Coda)
To Coda est presque inaudible (D.S.al Coda)
|-0-----------0----2----2---------|---*(4)---(4)---(back to riff D)-|
|-0-----------0----2----2--------|---*(4)---(4)---(retour au riff D)-|
Gtr.2 gtr.2 out
RTM.2 RTM.2 sorti
|12--12s14s15---------------------|---------------------------------|
|12--12s14s15---------------------|---------------------------------|
|--12-----------------------------|--------(rest)-------------------|
|--12-----------------------------|--------(repos)-----------------------|
Coda *=16th note triplet
Coda * = triolet de doubles croches
Gtr.1 N.C. *=not too sure... (Fm) (Am)
Gtr.1 N.C. *=pas trop sûr... (Fm) (Am)
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|---------------3---s7----3---2---|-1-------------------------------|
|---------------3---s7----3---2---|-1-------------------------------|
Gtr.2 *=don´t strike
Gtr.2 *=ne pas frapper
|-------------(rest)--------------|---------5-------4----5p4-2(2)---|
|-------------(repos)--------------|---------5-------4----5p4-2(2)---|
Gtr.1
RTM.1
N.C. Ebaug+9 Gm A/C#
N.C. Ebaug+9 Gm A/C#
|-------0----s6-------------------|*--1---1-----1s4-----------------|
|-------0----s6-------------------|*--1---1-----1s4-----------------|
|-0----------->-------------------|-3-------------------------------|
|-0----------->---------|-3---------------------------------------------|
Gtr.2 (pick ´n fingers)
Gtr.2 (pick 'n doigts)
|s7-----5-----4-------------------|-----------6---------------------|
|s7-----5-----4-------------------|---------------6---------------------|
Gtr.1
RTM.1
1.-3. ending.....................> 4. ending.......................>
1.-3. fin..................> 4. fin.....................>
|-5s6----------------------------*|-5s6-----------------------------|
|-5s6----------------------------*|-5s6---------------------------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|--------------------s3---2------*|---------------------------------|
|----------------------------------s3--------2------*|---------------------------------|
Gtr.2 pick ´n fingers
Gtr.2 pick 'n doigts
|--------------------s5----4------|---------------------------------|
|----------------------------------s5---------4------|---------------------------------|
|--------------------s5----4------|---------------------------------|
|----------------------------------s5---------4------|---------------------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
Bridge riff D
Riff de pont D
(2x tempo, the bars consist mostly of 8th notes)
(2x tempo, les mesures sont principalement constituées de croches)
Time 6/4 4/4
Temps 6/4 4/4
Endings 1&2...............>
Fins 1&2..............>
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
Time 7/8 4/4 9/8
Temps 7/8 4/4 9/8
3. ending......>
3. fin......>
Gtrs.4&5 w/dist.
Gtrs.4&5 avec dist.
|----(rest)-----|-----(rest)------|-------------------|
|----(repos)-----|-----(repos)------|-------------------|
Gtr.1 *=Because of the previous bar´s time
Gtr.1 *=En raison de l'heure de la mesure précédente
signature, the acoustic line gets a bit twisted gtr.1 out
signature, l'acoustique
|-*-------2---2---|--------%--------|--------%--------|--------%--------|
Gtrs.4&5
> > >
Riff E
Gtrs.4&5 *=on repeats only
Am6 Am Dsus2 Dm Gm N.C.
|-*-7-7---7-7-----|-0---0--(0)5-5---|-2h3-------0-----|
|-------pm--------|---------------pm|-------------3---|
*=let ring throughout the bar
Riff F
G#m G(barre) F#m F
|-4-----4--4-4-|4----4-4-4(x)|-similar---|-----%-----|-----%-----|
|-6-----6--6-6-|6-6--6-6-6(x)|-strumming-|-----|-----|-----|-----|
Riff E 2 times
Riff F 2 times
Riff E 4 times
(The notes in
Riff G parentheses are
Gtr.1 (acoustic) virtually inaudible)
(Dsus2) (Dsus2/C) (Bm7) (G5) (Fmaj7-5) N.C.
|-0---------------|-----------------|---------------2-|--s5----3---2---|
I have FIVE! gtrs. playing here! When I listened one speaker at time,
I could block these voices represented by gtrs.4,5,6&7. All gtrs.
have different volumes and some notes are heavily on the back ground,
almost inaudible. When you play this make your own combination.
Gtr.1 w/riff H
Gtr.4 (higher notes)
Gtr.5 to the left of slash (lower notes) *=note below only by gtr.4
Gtr.6 (higher notes) repeat and
Gtr.7 to the left of slash (lower notes) *=both gtrs. fade out