Stockholm كلمات أغنية ترجمة عربية

MAIN RIFF: a lot of everywhere in the first half
الريف الرئيسي: الكثير في كل مكان في النصف الأول
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G#|-----------------------------------------------|--------------|
F#|---------7---------7-------7---|---------7---------7-------7---|
F#|---------7---------7-------7---|---------7---------7-------7---|
C#|-0---------------------0-------|-0---------------------0-------|
C#|-0-----0--------------------------------------|-0-----0-------|
c#|-------------------------------|--------------------------------||--------------------------------|
ج#|-----------------------------------------------|--------------------------------||--------------------------------|
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F#|---------7---------7-------7---|-----10-\-7---7-----7-------7---||-----10-\-7---7-----7-------6-7-|
F#|---------7---------7-------7---|-----10-\-7---7------7---||-----10-\-7---7-------6-7-|
C#|-0---------------------0-------|-0----------------------0-------||-0---------------------0--------|
C#|-0-----0--------------------------------------|-0------0-------||----------------------0--------|
FIRST INTERLUDE
المداخلة الأولى
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c#|---------15--14---------------|---------------------------------|
c#|---------15--14--------------|---------------------------------|
G#|------------------------------|-15-----------12-----------------|
G#|----------------------------------------------|-15-----------12-----------------|
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c#|---------15--14---------------|---------19---20-----------------|
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G#|---------18--17---------------|---------------------------------|
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TRANSITION MATERIAL TO "BLOOD"
مادة الانتقال إلى "الدم"
(also "he is calling his house/eyes fixed at the gun" and after "half-light")
(أيضًا "ينادي منزله/عينيه مثبتتين على البندقية" وبعد "نصف الضوء")
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G#|----------16-------------17--------------|----------------------16-------------17---------|
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PR: 1 2 3 4 5 1 2 3
العلاقات العامة: 1 2 3 4 5 1 2 3
He is cal ling
هو كال لينغ
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G#|----16----------------------------16-------------|-17----------------------------16------------16-|
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PR: 4 5 1 2 3 4 5 1
العلاقات العامة: 4 5 1 2 3 4 5 1
his house eyes fixed
عيون منزله ثابتة
c#|-------------------------------------------------|-----
ج#|-------------------------------------------------|-----
G#|-------------17-------------16-------------------|-----
G#|-------------17-----------------------------16---|-----
F#|-------------------------------------------------|-----
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C#|-------------------------------------------------|-----
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PR: 2 3 4 5 1
العلاقات العامة: 2 3 4 5 1
at the gun
عند البندقية
RHYTHM DISTORTION GUITAR (second time for "he is calling his house")
جيتار إيقاع التشويه (المرة الثانية لـ "إنه يتصل بمنزله")
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F#|-2-2-2-----------2---------------|---------2-----2-----2-2---------|
F#|-2-2-2----------------------------2-----2-----2---------|
C#|-0-0-0-----------0---------------|---------0-----0-----0-0---------|
C#|-0-0-0----------------------------0-----0-----0----------|
m m m m m m m m
م م م م م م م م
PR: 1 2 3 4 5 1 2 3
العلاقات العامة: 1 2 3 4 5 1 2 3
1: he is call - ing
1: هو الدعوة - جي
2: gun
2: بندقية
3: a lan - guage she don't know tell - ing
3: مقياس لا تعرفه
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ج#|---------------------------------|---------------------------------|
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G#|---------------------------------|---------------------------------|
F#|-----------------2-2-2-----------|-2-----------------------2-----2-|
F#|-----------------2-2-2-----------|-2----------------------2-----2-|
C#|-0-3-5-----------0-0-0-----------|-0-----------------------0-----0-|
C#|-0-3-5-----------0-0-0----------|-0----------------------0-----0-|
m m m m m m m m m
م م م م م م م م م
PR: 4 5 1 2 3 4 5 1
العلاقات العامة: 4 5 1 2 3
1: his house eyes fixed
2:
3: her a - bout love she lets him in
c#|----------------------------------||
G#|----------------------------------||
F#|-----2-2--------------------------||
C#|-----0-0---------0-3-5-0-6--------||
m m
PR: 2 3 4 5
1: at the
2:
3: he takes his chance