Stockholm Paroles Traduction Française
OSI - Stockholm
by OSI
OSI - Stockholm paroles et traduction française. Lis les lyrics originales avec la traduction en français, le sens de la chanson et d’autres langues.
Traduction française - voir les paroles originales
MAIN RIFF: a lot of everywhere in the first half
MAIN RIFF : beaucoup de partout en première mi-temps
c#|-------------------------------|-------------------------------|
c#|-------------------------------|---------------------------------------------|
G#|-------------------------------|-------------------------------|
G#|-------------------------------|---------------------------------------------|
F#|---------7---------7-------7---|---------7---------7-------7---|
F#|--------7-------7-------7-------|---------7--------7-------7-------|
C#|-0---------------------0-------|-0---------------------0-------|
C#|-0---------------------0-------|-0-------------------------0-------|
c#|-------------------------------|--------------------------------||--------------------------------|
c#|-------------------------------|--------------------------------||--------------------------------|
G#|-------------------------------|--------------------------------||--------------------------------|
G#|---------------------------------------------|--------------------------------||--------------------------------|
F#|---------7---------7-------7---|-----10-\-7---7-----7-------7---||-----10-\-7---7-----7-------6-7-|
F#|---------7---------7-------7---|---------10-\-7---7-----7-------7---||---------10-\-7---7----7-------6-7-|
C#|-0---------------------0-------|-0----------------------0-------||-0---------------------0--------|
C#|-0----------0-------|-0----------------------0-------||-0-------------------------0--------|
FIRST INTERLUDE
PREMIER INTERMÈDE
c#|---------15--14---------------|---------19---20-----------------|
c#|--------15--14---------------|---------19---20-----------------|
G#|------------------------------|---------------------------------|
G#|------------------------------|---------------------------------|
F#|------------------------------|---------------------------------|
F#|-----------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
c#|---------15--14---------------|---------------------------------|
c#|--------15--14---------------|---------------------------------|
G#|------------------------------|-15-----------12-----------------|
G#|------------------------------|-15---------------12-----------------|
F#|------------------------------|---------------------------------|
F#|-----------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
c#|---------15--14---------------|---------19---20-----------------|
c#|--------15--14---------------|---------19---20-----------------|
G#|------------------------------|---------------------------------|
G#|------------------------------|---------------------------------|
F#|------------------------------|---------------------------------|
F#|-----------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
c#|------------------------------|---------------------------------|
c#|------------------------------|---------------------------------|
G#|---------18--17---------------|---------------------------------|
Sol#|--------18--17---------------|---------------------------------|
F#|------------------------------|---------------------------------|
F#|-----------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
TRANSITION MATERIAL TO "BLOOD"
MATÉRIEL DE TRANSITION VERS LE « SANG »
(also "he is calling his house/eyes fixed at the gun" and after "half-light")
(aussi "il appelle sa maison/les yeux fixés sur le pistolet" et après "pénombre")
c#|-------------------------------------------------|-------------------------------------------------|
c#|-------------------------------------------------|-------------------------------------------------|
G#|----------16-------------17-------------16-------|----------------------16-------------17----------|
Sol#|--------------16-------------17-------------16-------|----------------------16-------------17--------------|
F#|-------------------------------------------------|-------------------------------------------------|
F#|-------------------------------------------------|-------------------------------------------------|
C#|-------------------------------------------------|-------------------------------------------------|
C#|-------------------------------------------------|-------------------------------------------------|
PR: 1 2 3 4 5 1 2 3
RP : 1 2 3 4 5 1 2 3
He is cal ling
Il appelle
c#|-------------------------------------------------|-------------------------------------------------|
c#|-------------------------------------------------|-------------------------------------------------|
G#|----16----------------------------16-------------|-17-------------16----------------------------16-|
Sol#|---------16------------------16-------------|-17-------------16----------------------------16-|
F#|-------------------------------------------------|-------------------------------------------------|
F#|-------------------------------------------------|-------------------------------------------------|
C#|-------------------------------------------------|-------------------------------------------------|
C#|-------------------------------------------------|-------------------------------------------------|
PR: 4 5 1 2 3 4 5 1
RP : 4 5 1 2 3 4 5 1
his house eyes fixed
sa maison a les yeux fixés
c#|-------------------------------------------------|-----
c#|-------------------------------------------------|-----
G#|-------------17-------------16-------------------|-----
Sol#|-------------17-------------16---------|---------
F#|-------------------------------------------------|-----
F#|--------------------------------------------------|--------------------
C#|-------------------------------------------------|-----
C#|-------------------------------------------------|--------------------
PR: 2 3 4 5 1
RP : 2 3 4 5 1
at the gun
au pistolet
RHYTHM DISTORTION GUITAR (second time for "he is calling his house")
GUITARE DE DISTORSION RYTHMIQUE (deuxième fois pour "il appelle sa maison")
c#|---------------------------------|---------------------------------|
c#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
F#|-2-2-2-----------2---------------|---------2-----2-----2-2---------|
F#|-2-2-2----------2--------------|---------2-----2-----2-2---------|
C#|-0-0-0-----------0---------------|---------0-----0-----0-0---------|
C#|-0-0-0-----------0--------------|---------0-----0-----0-0---------|
m m m m m m m m
m m m m m m m m
PR: 1 2 3 4 5 1 2 3
RP : 1 2 3 4 5 1 2 3
1: he is call - ing
1 : il appelle
2: gun
2 : pistolet
3: a lan - guage she don't know tell - ing
3 : une langue qu'elle ne connaît pas
c#|---------------------------------|---------------------------------|
c#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
F#|-----------------2-2-2-----------|-2-----------------------2-----2-|
F#|-----------------2-2-2-----------|-2-----------------------2-----2-|
C#|-0-3-5-----------0-0-0-----------|-0-----------------------0-----0-|
C#|-0-3-5----------0-0-0---------------|-0-----------------------0-----0-|
m m m m m m m m m
m m m m m m m m m
PR: 4 5 1 2 3 4 5 1
RP : 4 5 1 2 3
1: his house eyes fixed
2:
3: her a - bout love she lets him in
c#|----------------------------------||
G#|----------------------------------||
F#|-----2-2--------------------------||
C#|-----0-0---------0-3-5-0-6--------||
m m
PR: 2 3 4 5
1: at the
2:
3: he takes his chance
All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.