Stockholm Tekst Piosenki Tłumaczenie na Polski
OSI – Sztokholm
by OSI
🌐 Polski çevirisi — İngilizce orijinal için tıklayın
MAIN RIFF: a lot of everywhere in the first half
GŁÓWNY RIFF: dużo wszędzie w pierwszej połowie
c#|-------------------------------|-------------------------------|
c#|---------------------------------------------|--------------------------------------|
G#|-------------------------------|-------------------------------|
G#|--------------------------|--------------------------------------------|
F#|---------7---------7-------7---|---------7---------7-------7---|
F#|--------7---------7-------7------7-------|--------7---------7-------7---|
C#|-0---------------------0-------|-0---------------------0-------|
C#|-0-------0-------|-0-----0--------|
c#|-------------------------------|--------------------------------||--------------------------------|
c#|---------------------------------------------|--------------------------------||--------------------------------|
G#|-------------------------------|--------------------------------||--------------------------------|
G#|---------------------------------------|--------------------------------||--------------------------------|
F#|---------7---------7-------7---|-----10-\-7---7-----7-------7---||-----10-\-7---7-----7-------6-7-|
F#|--------7--------7-------7---|-----10-\-7---7-----7-------7---||-----10-\-7---7-----7-------6-7-|
C#|-0---------------------0-------|-0----------------------0-------||-0---------------------0--------|
C#|-0-------0-------|-0----------------------0-------||-0-----------------------------------0--------|
FIRST INTERLUDE
PIERWSZA PRZERWA
c#|---------15--14---------------|---------19---20-----------------|
c#|---------15--14-------------------|---------19---20--------|
G#|------------------------------|---------------------------------|
G#|---------------------------------------|--------------------------------|
F#|------------------------------|---------------------------------|
F#|---------------------------------------|--------------------------------|
C#|------------------------------|---------------------------------|
C#|---------------------------------------------|--------------------------------|
c#|---------15--14---------------|---------------------------------|
c#|---------15--14-------------------|--------------------------------|
G#|------------------------------|-15-----------12-----------------|
G#|-----------------------------|-15----------12-----------------|
F#|------------------------------|---------------------------------|
F#|---------------------------------------|--------------------------------|
C#|------------------------------|---------------------------------|
C#|---------------------------------------------|--------------------------------|
c#|---------15--14---------------|---------19---20-----------------|
c#|---------15--14-------------------|---------19---20--------|
G#|------------------------------|---------------------------------|
G#|---------------------------------------|--------------------------------|
F#|------------------------------|---------------------------------|
F#|---------------------------------------|--------------------------------|
C#|------------------------------|---------------------------------|
C#|---------------------------------------------|--------------------------------|
c#|------------------------------|---------------------------------|
c#|---------------------------------------|--------------------------------|
G#|---------18--17---------------|---------------------------------|
G#|--------18--17--------------|--------------------------------|
F#|------------------------------|---------------------------------|
F#|---------------------------------------|--------------------------------|
C#|------------------------------|---------------------------------|
C#|---------------------------------------------|--------------------------------|
TRANSITION MATERIAL TO "BLOOD"
MATERIAŁ PRZEJŚCIOWY W „KREW”
(also "he is calling his house/eyes fixed at the gun" and after "half-light")
(także „dzwoni do swojego domu/oczy wpatrzone w broń” i po „półmroku”)
c#|-------------------------------------------------|-------------------------------------------------|
c#|----------------------------------------------------------------|------------------------------------------------|
G#|----------16-------------17-------------16-------|----------------------16-------------17----------|
G#|-------------16------------17------------16-------|----------------------16-------------17--------------|
F#|-------------------------------------------------|-------------------------------------------------|
F#|-------------------------------------------------|----------------------------------------------------------------|
C#|-------------------------------------------------|-------------------------------------------------|
C#|----------------------------------------------------------------|------------------------------------------------|
PR: 1 2 3 4 5 1 2 3
PR: 1 2 3 4 5 1 2 3
He is cal ling
On dzwoni
c#|-------------------------------------------------|-------------------------------------------------|
c#|------------------------------------------------|----------------------------------------------------------------|
G#|----16----------------------------16-------------|-17-------------16----------------------------16-|
G#|----16----------------------------16-------------|-17------------16----------------------------16-|
F#|-------------------------------------------------|-------------------------------------------------|
F#|-------------------------------------------------|----------------------------------------------------------------|
C#|-------------------------------------------------|-------------------------------------------------|
C#|----------------------------------------------------------------|------------------------------------------------|
PR: 4 5 1 2 3 4 5 1
PR: 4 5 1 2 3 4 5 1
his house eyes fixed
oczy jego domu były utkwione
c#|-------------------------------------------------|-----
c#|----------------------------------------------------------------|-----
G#|-------------17-------------16-------------------|-----
G#|------------17------------16--------------------------------|----------
F#|-------------------------------------------------|-----
F#|-------------------------------------------------|-----
C#|-------------------------------------------------|-----
C#|----------------------------------------------------------------|-----
PR: 2 3 4 5 1
PR: 2 3 4 5 1
at the gun
przy broni
RHYTHM DISTORTION GUITAR (second time for "he is calling his house")
Gitara RHYTHM DISTORTION (drugi raz za „dzwoni do swojego domu”)
c#|---------------------------------|---------------------------------|
c#|--------------------------------|--------------------------------|
G#|---------------------------------|---------------------------------|
G#|---------------------------------|------------------------------------------------|
F#|-2-2-2-----------2---------------|---------2-----2-----2-2---------|
F#|-2-2-2------2---------------|---------2---------2-----2-2---------|
C#|-0-0-0-----------0---------------|---------0-----0-----0-0---------|
C#|-0-0-0------0--------------|---------0---------0-----0-0---------|
m m m m m m m m
m m m m m m m
PR: 1 2 3 4 5 1 2 3
PR: 1 2 3 4 5 1 2 3
1: he is call - ing
1: on dzwoni - ing
2: gun
2: pistolet
3: a lan - guage she don't know tell - ing
3: język, którego nie zna
c#|---------------------------------|---------------------------------|
c#|--------------------------------|--------------------------------|
G#|---------------------------------|---------------------------------|
G#|---------------------------------|------------------------------------------------|
F#|-----------------2-2-2-----------|-2-----------------------2-----2-|
F#|---2-2-2------|-2----------------------2-----2-|
C#|-0-3-5-----------0-0-0-----------|-0-----------------------0-----0-|
C#|-0-3-5-----------0-0-0---------------|-0----------------------0-----0-|
m m m m m m m m m
m m m m m m m m m
PR: 4 5 1 2 3 4 5 1
PR: 4 5 1 2 3
1: his house eyes fixed
2:
3: her a - bout love she lets him in
c#|----------------------------------||
G#|----------------------------------||
F#|-----2-2--------------------------||
C#|-----0-0---------0-3-5-0-6--------||
m m
PR: 2 3 4 5
1: at the
2:
3: he takes his chance
All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.
