Stockholm Letra Traducción al Español

MAIN RIFF: a lot of everywhere in the first half
RIFF PRINCIPAL: mucho por todas partes en la primera mitad
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c#|----------------------------------------|-------------------------------|
G#|-------------------------------|-------------------------------|
G#|-------------------------------|-------------------------------|
F#|---------7---------7-------7---|---------7---------7-------7---|
F#|---------7---------7-------7---|---------7---------7-------7---|
C#|-0---------------------0-------|-0---------------------0-------|
C#|-0---------------------0---------------|-0---------------------0----------------|
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c#|----------------------------------------|--------------------------------||--------------------------------|
G#|-------------------------------|--------------------------------||--------------------------------|
G#|-------------------------------|--------------------------------||--------------------------------|
F#|---------7---------7-------7---|-----10-\-7---7-----7-------7---||-----10-\-7---7-----7-------6-7-|
F#|---------7---------7-------7---|-----10-\-7---7-----7-------7---||-----10-\-7---7-----7-------6-7-|
C#|-0---------------------0-------|-0----------------------0-------||-0---------------------0--------|
C#|-0---------------------0---------------|-0----------------------0---------------||-0---------------------0--------|
FIRST INTERLUDE
PRIMER INTERLUDIO
c#|---------15--14---------------|---------19---20-----------------|
c#|---------15--14---------------|---------19---20-----------------|
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C#|------------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
c#|---------15--14---------------|---------------------------------|
c#|---------15--14---------------|---------------------------------|
G#|------------------------------|-15-----------12-----------------|
G#|------------------------------|-15-----------12-----------------|
F#|------------------------------|---------------------------------|
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C#|------------------------------|---------------------------------|
C#|------------------------------|---------------------------------|
c#|---------15--14---------------|---------19---20-----------------|
c#|---------15--14---------------|---------19---20-----------------|
G#|------------------------------|---------------------------------|
G#|------------------------------|---------------------------------|
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C#|------------------------------|---------------------------------|
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c#|------------------------------|---------------------------------|
c#|------------------------------|---------------------------------|
G#|---------18--17---------------|---------------------------------|
G#|---------18--17---------------|---------------------------------|
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TRANSITION MATERIAL TO "BLOOD"
MATERIAL DE TRANSICIÓN A "SANGRE"
(also "he is calling his house/eyes fixed at the gun" and after "half-light")
(también "está llamando a su casa/ojos fijos en el arma" y después de "media luz")
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G#|----------16-------------17-------------16-------|----------------------16-------------17----------|
G#|----------16-------------17-------------16---------------|----------------------16-------------17----------|
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PR: 1 2 3 4 5 1 2 3
PR: 1 2 3 4 5 1 2 3
He is cal ling
el esta llamando
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G#|----16----------------------------16-------------|-17-------------16----------------------------16-|
G#|----16----------------------16-------------|-17-------------16----------------------16-|
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PR: 4 5 1 2 3 4 5 1
PR: 4 5 1 2 3 4 5 1
his house eyes fixed
los ojos de su casa fijos
c#|-------------------------------------------------|-----
c#|-------------------------------------------------|-----
G#|-------------17-------------16-------------------|-----
G#|-------------17-------------16-------------------|-----
F#|-------------------------------------------------|-----
F#|-------------------------------------------------|-----
C#|-------------------------------------------------|-----
C#|--------------------------------------------------|-----
PR: 2 3 4 5 1
PR: 2 3 4 5 1
at the gun
en el arma
RHYTHM DISTORTION GUITAR (second time for "he is calling his house")
GUITARRA CON DISTORSIÓN RITMICA (segunda vez para "él está llamando a su casa")
c#|---------------------------------|---------------------------------|
c#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
F#|-2-2-2-----------2---------------|---------2-----2-----2-2---------|
F#|-2-2-2-----------2---------------|---------2-----2-----2-2---------|
C#|-0-0-0-----------0---------------|---------0-----0-----0-0---------|
C#|-0-0-0-----------0---------------|---------0-----0-----0-0---------|
m m m m m m m m
m m m m m m m m
PR: 1 2 3 4 5 1 2 3
PR: 1 2 3 4 5 1 2 3
1: he is call - ing
1: él está llamando
2: gun
2: arma
3: a lan - guage she don't know tell - ing
3: un idioma que no sabe contar
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c#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
G#|---------------------------------|---------------------------------|
F#|-----------------2-2-2-----------|-2-----------------------2-----2-|
F#|-----------------2-2-2-----------|-2-----------------------2-----2-|
C#|-0-3-5-----------0-0-0-----------|-0-----------------------0-----0-|
C#|-0-3-5-----------0-0-0-----------|-0-----------------------0-----0-|
m m m m m m m m m
m m m m m m m m m
PR: 4 5 1 2 3 4 5 1
PR: 4 5 1 2 3
1: his house eyes fixed
2:
3: her a - bout love she lets him in
c#|----------------------------------||
G#|----------------------------------||
F#|-----2-2--------------------------||
C#|-----0-0---------0-3-5-0-6--------||
m m
PR: 2 3 4 5
1: at the
2:
3: he takes his chance