A Presence Inexplicable كلمات أغنية ترجمة عربية

تفرخ الحيازة - وجود لا يمكن تفسيره

by Spawn of Possession

Spawn of Possession - A Presence Inexplicable كلمات الأغنية مع الترجمة العربية. اقرأ lyrics الأصلية ومعناها بالعربية وترجمات أخرى بعدة لغات.

ترجمة عربية - عرض كلمات الأغنية الأصلية

A Presence Inexplicable - Spawn of Possession
الترجمات: TR RO DE ES FR PT RU PL NL IT JA AR
Spawn of Possession A Presence Inexplicable

Copyright (c) Unique Leader Records (2002)
حقوق الطبع والنشر (ج) شركة Unique Leader Records (2002)
Version 1.0 - February 14, 2005
الإصدار 1.0 - 14 فبراير 2005
. - palm mute / - slide up to
. - كتم راحة اليد / - قم بالتمرير لأعلى
\ - slide down to ~ - vibrato
\\ - مرر لأسفل إلى ~ - اهتزاز
h - hammer on b - Bend e.g.: 10b(12) = bend 1 tone
h - المطرقة على b - الانحناء على سبيل المثال: 10b(12) = ثني نغمة واحدة
p - pull off pb - pre-Bend
p - سحب pb - الانحناء المسبق
T - tap dv - dive (tremolo bar)
T - اضغط على DV - الغوص (شريط الاهتزاز)
p.h. pinched harmonic |--3--| - triplets
ح. التوافقي المقروص |--3--| - ثلاثة توائم
* - commentary r - release bend
* - التعليق ص - إطلاق الانحناء
x - Stuccatto ~ - vibrato bend
س - ستوكاتو ~ - انحناء الاهتزاز
, - slight palm mute () - ghost note, sustained note
، - كتم صوت الكف الطفيف () - نغمة شبحية، نغمة مستمرة
" - tremolo note tr - Trill
" - نغمة اهتزاز tr - Trill
Most of the times, two (-) are equal to one 8th note (this may vary
في معظم الأوقات، اثنان (-) يساويان نغمة ثامنة واحدة (قد يختلف هذا
when I have to transcribe fret numbers above 9 ; in these case,
عندما يتعين علي نسخ أرقام الحنق فوق 9؛ في هذه الحالة،
just follow your logic).
فقط اتبع المنطق الخاص بك).
The numbers above the measures are the time signatures.
الأرقام الموجودة فوق المقاييس هي التوقيعات الزمنية.
As always, I'm not claiming that this is THE perfect tab. It's
كما هو الحال دائمًا، لا أدعي أن هذه هي علامة التبويب المثالية. إنه
simply my interpretation of the song, or how I like to play it.
ببساطة تفسيري للأغنية، أو الطريقة التي أحب تشغيلها بها.
Of course, any suggestions, improvements or comments are welcome.
وبطبيعة الحال، أي اقتراحات أو تحسينات أو تعليقات هي موضع ترحيب.
By the way, the first guitar (Bryssling) is panned in the left speaker
بالمناسبة، يتم تحريك الجيتار الأول (Bryssling) في السماعة اليسرى
and the second guitar (Karlsson) is panned in the right speaker.
ويتم تحريك الجيتار الثاني (كارلسون) في مكبر الصوت الأيمن.
A PRESENCE INEXPLICABLE
حضور لا يمكن تفسيره
Guitar 1 (Bryssling) : tuned in B (B-E-A-D-F#-B)
جيتار 1 (بريسلينج): تم ضبطه على B (B-E-A-D-F#-B)
Guitar 2 (Karlsson) : Regular 7 strings (B-E-A-D-G-B-E)
جيتار 2 (كارلسون): عادي 7 أوتار (B-E-A-D-G-B-E)
(For some riffs that don't require the high strings, I sometimes
(بالنسبة لبعض المقطوعات الموسيقية التي لا تتطلب أوتارًا عالية، أحيانًا ما أقوم بذلك
merged both guitars in one because the low strings are similar).
تم دمج كلا القيثارات في واحد لأن الأوتار المنخفضة متشابهة).
INTRO (play 3x)
مقدمة (العب 3x)
T=200
تي = 200
Above : guitar 1
أعلاه: الغيتار 1
Below : guitar 2
أدناه: الغيتار 2
(this applies for everytime there are two staves)
(ينطبق هذا على كل مرة يوجد فيها عصيان)
F#||------3--/4-------------|------3--/4-------------|------------||
F#||------3--/4------------3--/4------------|------------||
T=270
تي = 270
F#||------------------------|------------------------||
F#||----------------------------------------|--------||
D ||------------------------|------------3-2-3-6p3p2-||
د ||------------------------|------------3-2-3-6p3p2-||
A ||4-------4---3-------3---|4-3-4-7p4p3-------------||
أ ||4-------4---3-------3---|4-3-4-7p4p3------------||
RIFF 1 (play the whole thing 2x and the first 2 bars 1 more time)
RIFF 1 (العب كل شيء مرتين وأول شريطين مرة أخرى)
T=270
تي = 270
F#||------------------------|--------------------------|
F#||----------------------------------------|----------|
A ||4-------4---6---7---6---|7-6-7-10p7p6-8-7-8-11p8p7-|
أ ||4-------4---6---7---6---|7-6-7-10p7p6-8-7-8-11p8p7-|
A ||4-------4---3---4---3---|4-3-4-7p4p3--5-4-5-8p5p4--|
أ ||4-------4---3---4---3---|4-3-4-7p4p3--5-4-5-8p5p4--|
F#|------------------------|-------------------------||
F#|------------------------|-------------------------||
D |------------------------|-------------6-5-6-9p6p5-||
د |------------------------|-------------6-5-6-9p6p5-||
A |4-------4---3-------3---|7-6-7-10p7p6-------------||
أ |4-------4---3-------3---|7-6-7-10p7p6-------------||
D |------------------------|-------------3-2-3-6p3p2-||
د |------------------------|------------3-2-3-6p3p2-||
A |4-------4---3-------3---|4-3-4-7p4p3--------------||
أ |4-------4---3-------3---|4-3-4-7p4p3-------------||
RIFF 2 (play 1x)
RIFF 2 (تشغيل 1x)
T=270
تي = 270
F#||----------------|----------------|--------------------|
F#||----------------|----------------|--------------------|
F#|--------101010109999|6-6-7-7---------|----------------|
F#|--------101010109999|6-6-7-7---------|----------------|
F#|--------------------|----------------|-----------p.h.-||
F#|--------------------|----------------|----------p.h.-||
G |--------------------|----------------|-----------p.h.-||
G |--------------------|----------------|----------p.h.-||
RIFF 3 (Verse) (play 1x)
RIFF 3 (الآية) (تشغيل 1x)
T=270
تي = 270
Be careful, 111111 = 11's, not 1's
كن حذرا، 111111 = 11، وليس 1
Often this riff follows a simple pattern (e.g.: in bar 3,4,7,8,etc.)
غالبًا ما تتبع هذه الحثالة نمطًا بسيطًا (على سبيل المثال: في الشريط 3،4،7،8، وما إلى ذلك)
which consists of 8th, 8th, 16th, 16th, 8th notes. The frets above 9
والذي يتكون من الملاحظات الثامنة والثامنة والسادسة عشرة والسادسة عشرة والثامنة. الحنق فوق 9
make it hard to follow, but just listen to the song for an exact rythm.
تجعل من الصعب المتابعة، ولكن فقط استمع إلى الأغنية للحصول على الإيقاع الدقيق.
4/4 (in spite of the size of certain bars, it's all in 4/4)
4/4 (على الرغم من حجم بعض الأشرطة، كل ذلك في 4/4)
F#||------------------------|--------------------|----------------|
F#||------------------------|--------------------|----------------|
F#|------------------|----------------------|----------------|
F#|--|--------------------------------------|----------------|
F#|------------------|----------------|-----------------------|
F#|------------------|----------------|-----------------------|
F#|--------------------|------------------|--------------------||
F#|--------------------|------------------|--------------------||
RIFF 4a (Chorus) (play 1x all the boxes)
RIFF 4a (الجوقة) (تشغيل 1x جميع الصناديق)
T=270
تي = 270
All in 1/4 notes triplets.
الكل في 1/4 ملاحظات ثلاثية.
Guitars 1 & 2 play :
العزف على الجيتار 1 و2:
F#||------------------------|------------------------|------------------------|
F#||------------------------|---------------------------------------|--------|
__________________________________________________
____________________________________
F#|------------------------|-------------------------|
F#|------------------------|------------------------|
__________________________________________________
____________________________________
F#|------------------------|-------------------------||
F#|------------------------|-------------------------||
RIFF 4b (Chorus) (Play 1x all the boxes)
RIFF 4b (الكورس) (تشغيل 1x جميع المربعات)
T=270
تي = 270
All in 1/4 notes triplets.
الكل في 1/4 ملاحظات ثلاثية.
F#||------------------------|------------------------|------------------------|
F#||------------------------|---------------------------------------|--------|
__________________________________________________
____________________________________
F#|------------------------|-------------------------|
F#|------------------------|------------------------|
__________________________________________________
____________________________________
F#|------------------------|2-----------5------------||
F#|------------------------|2-----------5------------||
Then, play RIFF 1 (1x) but begin with the last two bars of it
بعد ذلك، قم بتشغيل RIFF 1 (1x) ولكن ابدأ بالشريطين الأخيرين منه
(and then play the two first bars).
(ثم قم بتشغيل الشريطين الأولين).
Then, play RIFF 3 (verse) again.
ثم قم بتشغيل RIFF 3 (الآية) مرة أخرى.
Then :
ثم :
RIFF 4 (play 1x all the boxes)
RIFF 4 (العب 1× جميع الصناديق)
T=270 _________________ _________________________________
ت=270 _________________ _________________________________
4/4 |1.3. |2.4. (p.h.)
4/4 |1.3. |2.4. (الرقم الهيدروجيني)
F#||----------------|-----------------|----------------|--------5555----||
F#||----------------|-----------
B ||----------------|-----------------|----------------|----------(p.h.)||
RIFF 4b (play 1x all the boxes)
T=270 ________________ ________________
4/4 |1.2. (p.h.)|3.
B ||----------------|------------6---|----------(p.h.)||
F#||----------------|--------5555----|--------55554---||
B ||----------------|----------(p.h.)|----------------||
G ||----------------|--------44445---|----------(p.h.)||
RIFF 5 (play 1x all the boxes)
T=270 ________________
F#||----------------|----------------|
A ||----------------|-------(p.h.)---|
E ||8-7-5-8-7-5-8---|5--------4~-----|
B ||6-5-3-6-5-3-6---|3---5h6p5-------|
D ||----------------|-------(p.h.)---|
A ||----------------|---------6~-----|
B ||6-5-3-6-5-3-6---|3---5h6p5-------|
_____________________________________________________________
F#|---------------------------|---------------------------------|
A |---------------------------|---T-----------T-----------T-----|
E |--T---------T---------T----|10h13p10p7-h10h13p10p7-h10h13p10-|
B |9h12p9p6-h9h12p9p6-h9h12p9-|---------------------------------|
A |---------------------------|---T-----------T-----------T-----|
E |--T---------T---------T----|10h13p10p7-h10h13p10p7-h10h13p10-|
B |9h12p9p6-h9h12p9p6-h9h12p9-|---------------------------------|
____________________________________________________
F#|---------------------------|------------------------|
E |--T---------T---------T----|--T--------T--------T---|
B |9h12p9p6-h9h12p9p6-h9h12p9-|6h9p6p3-h6h9p6p3-h6h9p6-|
E |--T--------T--------T------|--T--------T--------T---|
B |6h9p6p3-h6h9p6p3-h6h9p6----|3h6p3p0-h3h6p3p0-h3h6h3-|
_____________________________________________________________________
F#|---------------------------------|-----------------------------------|
A |---------------------------------|---T-----------T-----------T-------|
E |---T-----------T-----------T-----|13h16p13p10-h13h16p13p10-h13h16p13-|
B |12h15p12p9-h12h15p12p9-h12h15p12-|-----------------------------------|
A |---------------------------------|---T-----------T-----------T-------|
E |--T---------T---------T----------|10h13p10p7-h10h13p10p7-h10h13p10---|
B |9h12p9p6-h9h12p9p6-h9h12p9-------|-----------------------------------|
_____________________________________________________________
F#|---------------------------------|---------------------------||
E |---T-----------T-----------T-----|--T---------T---------T----||
B |12h15p12p9-h12h15p12p9-h12h15p12-|9h12p9p6-h9h12p9p6-h9h12---||
E |--T---------T---------T----------|--T--------T--------T------||
B |9h12p9p6-h9h12p9p6-h9h12p9-------|6h9p6p3-h6h9p6p3-h6h9------||
Then there's a 4 beats drum fill and...
T=270
F#||----------------|----------------|----------------|----------------||
A ||3----let ring---|----------------|----------------|----------------||
A ||5----let ring---|----------------|----------------|----------------||
SOLO RYTHM (play 4x)
T=270
The notes marked with an * are played in a triplet feel.
Listen to the CD for a better idea of the rythm.
F#||------------------|------------*-------*---|
F#|------------------|----------------||
SOLO (played by Karlsson)
T=270
A lot of effects on that one, but I'm not specialist in effects
so find out by yourself.
For rythm, listen to the CD. The only indication I can give is the
separation between each 4 times bar.
Played during the bridge :
D ||7---dive--------|----------------|----------------|----------------||
Then :
E ||------------------------|------------------------|T-------T-------T-------|
B ||------------------------|T-------T-------T-------|14p9h10-14p9h10-14p9h10-|
G ||T-------T-------T-------|13p7h11-13p7h11-13p7h11-|------------------------|
D ||12p7h11-12p7h11-12p7h11-|------------------------|------------------------|
T T T
E |9h14p9p7-9h14p9p7-9h14p9p7-|T-------T-------T-------|
B |---------------------------|14p10p9-14p10p9-14p10p9-|
B |T-----------T-------T-------|--------------------------|-------------------|
G |13p11p7-h11h13p11p7-13p11p7-|T-----------T-------------|-------------------|
D |----------------------------|12p11p7-h11h12p11p7-6h7p6-|-------------------|
A |----------------------------|--------------------------|9p7p5-----5-----11-|
(harmonized gtr.....................................
E |------------------------|14--/16~--------|----------------|----------------|
B |--------------------14--|15--/17~--------|----------------|----------------|
E |----------------|------------10~-|----------9h10p9|7~--------------||
B |----------------|----9---10--12~-|--------10h12p10|9~--------------||
RIFF 6 (play 1x)
T=210
F#||----------------|----------------|----------------|----------(p.h.)|
D ||----------------|----------------|----------------|--------5---8~--|
G ||----------------|----------------|----------------|----------(p.h.)|
D ||----------------|----------------|----------------|------------5~--|
F#|----------------|----------------|----------------|----------------||
A |5-----------4---|--------7-------|8---5-------8---|7tr8------------||
A |----------------|--------4-------|5-----------5---|4tr5------------||
RIFF 6a (play 2x)
T=125
F#||----------------|----------------||
RIFF 6a (play 2x)
T=190
(Same riff, I know, but p.m. changes)
F#||----------------|----------------||
Then play RIFF 6a 4x again, but at TEMPO=230.
SOLO RYTHM (play 1x the whole riff)
T=270
Same as RIFF 5, but play bar 2 differently :
F#|----------------|----------------|
E |8-7-5-8-7-5-8---|5---3h4p3-6~----|
A |----------------|---------4~-----|
B |6-5-3-6-5-3-6---|3---5h6p5-------|
SOLO (played by Karlsson, again)
T=270
Lot of effects again.
G ||14--dive--------|----------------|----------------|-----------11h13|
D ||----------------|----------------|12~-----12h14p12|11~---12h14-----|
B |12~-----12h14p12|11~-------------|-----------------------------------------|
G |----------------|---------8h10h12|------------------T--------T-------------|
D |----------------|----------------|10h12h13-10h12h13h17-13h15h17-10h12h13h15|
G |T-------------------------------|---------------------------------|
D |17p15p13p12p10----------12p8----|---------------------------------|
A |---------------13p11h12------12-|10-12---------12-----------------|
pick these notes in artificial harmonics.............
B |----------------|------------6b(7)|7b(8)-6b(7)------|-----------------|
G |----------------|6b(7)-7b(8)-5b(6)|6b(7)-5b(6)-7b(8)|6b(7)-7b(8)-6b(7)|
D |----------------|6b(7)-7b(8)------|------------7b(8)|6b(7)-7b(8)-6b(7)|
A |10~-------------|-----------------|-----------------|-----------------|
..same here.....
E |----------------|-VERY approximative sweep-----------||
B |----------------|------------------------------------|| then there's the
G |4b(5)-3---------|---------15-20-18-------------------|| delay effect with
D |4b(5)-3---------|-------16---------------------------|| some strange noise
E |----------------|14h18-------------------------------||
T=270
F#||------------------------|------------------------|
F#|------------------------|------------------------||
Then play the chorus again (RIFF 4a + RIFF 4b)
Then play the last bar of the intro
Then play the intro 4x, which you could also call outro now.
There's a slight variation the last time you play it, but I
think you can find it yourself.
THE END

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.