Live for the Kill Tekst Piosenki Tłumaczenie na Polski

"Live For the Kill" by Amon Amarth (from "Twilight of the Thundergod")
„Live For the Kill” Amona Amartha (z „Zmierzchu boga piorunów”)
B standard tuning
Standardowe strojenie B
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I'd like to point out that you can ALMOST play this song in E standard. But if you're
Chciałbym zaznaczyć, że PRAWIE możesz zagrać ten utwór w standardzie E. Ale jeśli jesteś
along with
wraz z
the CD you'l want to be in B standard to be able to go between songs easily. There is
płytę CD, którą chcesz mieć w standardzie B, aby móc łatwo przełączać się między utworami. Jest
a rhythm part
część rytmiczna
that requires to be in B standard.
co wymaga standardu B.
Main SOLO credit - Sam B
Główna zasługa SOLO – Sam B
. = Palm Mute
. = Wyciszenie dłoni
x = staccato stop. hit the note than stop it
x = zatrzymanie staccato. uderz w notatkę, niż ją zatrzymaj
' = tremolo pick
' = kilof tremolo
/ = slide
/ = slajd
h = hammer on
h = wbijaj młotkiem
Riff A
Riff A
Intro riff
Wstępny riff
Guitar I
Gitara I
F#|---------------------------------|----------------------------------||
F#|---------------------------------|------------------------------------------------||
Guitar II
Gitara II
F#|---------------------------------|----------------------------------||
F#|---------------------------------|------------------------------------------------||
Guitar I
Gitara I
F#|---------------------------------|----------------------------------||
F#|---------------------------------|------------------------------------------------||
Guitar II
Gitara II
F#|---------------------------------|------------------------------------||
F#|---------------------------------|------------------------------------------------||
Then main song starts:
Następnie rozpoczyna się główny utwór:
Riff A
Riff A
Guitar I & II (X2)
Gitara I i II (X2)
F#|---------------------------------|----------------------------------||
F#|---------------------------------|------------------------------------------------||
Riff B
Riff B
Guitar I & II (whole thing x2) - Those are 10's at the end on the first section and
Gitara I i II (całość x2) – To są dziesiątki na końcu pierwszej sekcji i
at the end of second
pod koniec sekundy
F#|----------------------------------------------------------------------------|
F#|---------------------------------------------------------------------------------------|
A |--10-----9-----10-----12-----10---9---9h10-----------------1010101010101010-|
A |--10-----9-----10-----12-----10---9---9h10---1010101010101010-|
F#|----------------------------------------------------------------------------||
F#|---------------------------------------------------------------------------------------||
A |--10-----9-----10-----12-----10---9---9h10-1010101010101010-7777-9-9-9-9----||
A |--10-----9-----10-----12-----10---9---9h10-1010101010101010-7777-9-9-9-9----||
. . . . . . . . . . (powerchord)
. . . . . . . . . . (zasilacz)
Riff C (x3)
Riff C (x3)
Guitar I - kind of spaced to show the length each note is tremolo picked
Gitara I – trochę rozmieszczona, aby pokazać długość każdej nuty, na której gra tremolo
F#|-----------------------------------------------------|
F#|-------------------------------------------------------------------|
A |--10'-9'---------------------10'-9'-----12'-10'-9'---|
A |--10'-9'-------10'-9'-----12'-10'-9'---|
E |---------10'-12'--------------------10'--------------|
E |---------10'-12'------------------------10'-------------|
F#|-----------------------------------------------------||
F#|-----------------------------------------------------------------||
D |--12'-10'-9'---------------12'-10'-9'---10'---12'----||
D |--12'-10'-9'--------------------12'-10'-9'---10'---12'----||
Guitar II - This places as the rhythm, I spaced out the note starting points to line
Gitara II - To miejsce w rytmie, rozmieściłem punkty początkowe nuty w linii
pwith the lead riff
pz głównym riffem
F#|-----------------------------------------------------|
F#|-------------------------------------------------------------------|
B |--5'-----------------------------------3'------------|
B |--5'---------------------------------------3'------------|
F#|-----------------------------------------------------||
F#|-----------------------------------------------------------------||
E |---------------------------------------3'------------||
E |--------------------------------------3'------------||
B |--1'-------------------------------------------------||
B |--1'------------------------------------------------||
Riff A x2
Riff A x2
Riff B x3
Riff B x3
Bridge (x2)
Most (x2)
Guitar I
Gitara I
F#|-----------------------------------------------------||
F#|-----------------------------------------------------------------||
Guitar II
Gitara II
F#|-----------------------------------------------------||
F#|-----------------------------------------------------------------||
Pre Solo
Przed solo
Guitar I
Gitara I
F#|-------------------------------|----------------------------------||
F#|--------------------------|---------------------------------||
D |--9--7-5-4-5-7-9--7-5-4-5-7----|--9-10-9----------9-10h12-10-9-10-||
D |--9--7-5-4-5-7-9--7-5-4-5-7----|--9-10-9----------9-10h12-10-9-10-||
Guitar II
Gitara II
F#|-------------------------------|----------------------------------||
F#|--------------------------|---------------------------------||
Guitar I
Gitara I
This overlaps with guitar 2 playing Riff A
Nakłada się to na sytuację, w której gitara 2 gra Riff A
F#|--------------------||
F#|-----||
D |--9h10p9h10p9p10p9--||
D |--9h10p9h10p9p10p9--||
Riff A x2
Riff A x2
Rhythm guitar plays the rhythm for Riff C behind the solo
Gitara rytmiczna gra rytm Riffa C za solówką
SOLO CREDIT GOES TO SAM B (this was taken from his Guitar pro tab for completeness
KREDYT SOLO PRZYCHODZI DO SAM B (podano to z jego zakładki Guitar pro dla kompletności
it's correct and saves me time :) )
to prawda i oszczędza mi czas :) )
Some of this uses a wah pedal, check his pro tab for where.
Niektóre z nich wykorzystują pedał wah. Sprawdź, gdzie w zakładce „Pro”.
F#|--------------------------------------------------------------------------------|
F#|------------------------------------------------------------------------------------------------|
D |-----------------------9----------------------\12-10h12p10-9-10-12--------------|
D |-------------9----------------------\12-10h12p10-9-10-12--------------|
A |---------7-9-10-9~~~~~---10-9-7-9-10-9~~~~~~-----------------------10h12--------|
A |--------7-9-10-9~~~~~---10-9-7-9-10-9~~~~~~-------------10:12--------|
B |-15p13p12-15p13p12-15p13p12-15p13p12-17p15p13-17p15p13-17p15p13-17p15p13--------|
B |-15p13p12-15p13p12-15p13p12-15p13p12-17p15p13-17p15p13-17p15p13-17p15p13--------|
F#|--------------------------------------------------------------------------------|
F#|------------------------------------------------------------------------------------------------|
B |-15--13--12--13--15--------20-19h20p19-17-19-20--20-19-17~~~~~~~~~~~~~~~~~~~~--|
B |-15--13--12--13--15--------20-19h20p19-17-19-20--20-19-17~~~~~~~~~~~~~~~~~~~~~--|
F#|--------------------13h15------------------------------------------------------|
F#|----------------------------------13h15----------------------------------------------------------------|
Cello/violins kick in
Włączają się wiolonczela/skrzypce
after that guitars join in with Riff C x2
po tym gitary dołączają do Riff C x2
(pasted for good measure)
(wklejone na dokładkę)
Riff C
Riff C
Guitar I - kind of spaced to show the length each note is tremolo picked
Gitara I – trochę rozmieszczona, aby pokazać długość każdej nuty, na której gra tremolo
F#|-----------------------------------------------------|
F#|-------------------------------------------------------------------|
A |--10'-9'---------------------10'-9'-----12'-10'-9'---|
A |--10'-9'-------10'-9'-----12'-10'-9'---|
E |---------10'-12'--------------------10'--------------|
E |---------10'-12'------------------------10'-------------|
F#|-----------------------------------------------------||
F#|-----------------------------------------------------------------||
D |--12'-10'-9'---------------12'-10'-9'---10'---12'----||
D |--12'-10'-9'--------------------12'-10'-9'---10'---12'----||
Guitar II - This places as the rhythm, I spaced out the note starting points to line
Gitara II - To miejsce w rytmie, rozmieściłem punkty początkowe nuty w linii
pwith the lead riff
pz głównym riffem
F#|-----------------------------------------------------|
F#|-------------------------------------------------------------------|
B |--5'-----------------------------------3'------------|
B |--5'---------------------------------------3'------------|
F#|-----------------------------------------------------||
F#|-----------------------------------------------------------------||
E |---------------------------------------3'------------||
E |--------------------------------------3'------------||
B |--1'-------------------------------------------------||
B |--1'------------------------------------------------||
Guitar I & II
Gitara I i II
F#|---------------------------------|-----------------------------------------||
F#|---------------------------------|------------------------------------------------------||
D |--7/9---7/9-----9-----7----------|--7/9---7/9-\slide up the neck-----------||
D |--7/9---7/9-----9-----7----------|--7/9---7/9-\wsuń pod szyję-----------||
A |--5/7---5/7-----7-----8----------|--5/7---5/7-\slide up the neck-----------||
A |--5/7---5/7-----7-----8--------------|--5/7---5/7-\wsuń w górę szyi---------------||