Across the Lines Letra Traducción al Español

Tracy Chapman - Más allá de las líneas

by Tracy Chapman

🌐 Español çevirisi — İngilizce orijinal için tıklayın

Tracy Chapman Across the Lines

PUNXT
PUNTAJE
GUITAR / Tracy Chapman
GUITARRA / Tracy Chapman
GUITAR CHORDS
ACUERDOS DE GUITARRA
TRACY CHAPMAN
TRACY CHAPMAN
Image
Imagen
Across The Lines
A través de las líneas
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Imagen
Baby Can I Hold You
Bebé, ¿puedo abrazarte?
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Imagen
Fast Car
coche rapido
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Imagen
For My Lover
Para mi amante
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Imagen
For You
Para ti
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Imagen
If Not Now
Si no es ahora
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Mountains O' Things
Montañas o cosas
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Imagen
She's Got Her ticket
Ella tiene su boleto
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Talkin 'Bout A Revolution
Hablando de una revolución
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Why ?
¿Por qué?
ACROSS THE LINES
A TRAVÉS DE LAS LÍNEAS
Pretty much just four chords, F#m (244222), E (022100), Bm (x244322) and D
Prácticamente solo cuatro acordes, F#m (244222), E (022100), Bm (x244322) y D
(xx0232). If I recall correctly there's a break that goes between an A and
(xx0232). Si mal no recuerdo hay una ruptura que va entre una A y
A(add9) (x02420) and back to A, but am not sure. Also not sure, but in the
A(add9) (x02420) y de regreso a A, pero no estoy seguro. Tampoco estoy seguro, pero en el
outro I think she's playing G and A.
Outro Creo que ella está jugando G y A.
Across the lines
A través de las líneas
Who could dare to go
¿Quién podría atreverse a ir?
Under the bridge
debajo del puente
Over the tracks
sobre las pistas
dd9
dd9
That separates whites from blacks
que separa a los blancos de los negros
Choose sides
Elige lados
Or run for your life
O corre por tu vida
Tonight the riots behin
Esta noche los disturbios detrás
On back streets of America
En las calles secundarias de América
They kill the dream of America
Matan el sueño de América
Little black girl gets assaulted
Niña negra es agredida
Ain't no reason why
No hay ninguna razón por la cual
Newspaper prints the story
El periódico imprime la historia.
And racist tempers fly
Y los ánimos racistas vuelan
Next day it start a riot
Al día siguiente comienza un disturbio.
Knives and guns are drawn
Se sacan cuchillos y pistolas.
Two black boys get killed
Matan a dos niños negros
One white boy goes blind
Un niño blanco se queda ciego
Little black girl gets assaulted
Niña negra es agredida
Don't no one know her name
¿Nadie sabe su nombre?
Lots of people hurt and angry
Mucha gente herida y enojada
She's the one to blame
ella es la culpable
BABY CAN I HOLD YOU
BEBÉ ¿Puedo abrazarte?
D A7sus A7
D A7 sus A7
e=====2===2==2=0===2===|0===0===0========
e=====2===2==2=0===2===|0===0===0========
B==T==3===3==3=3===3=0=|3===3=0=2========
B==T==3===3==3=3===3=0=|3===3=0=2========
G==A==2===2==2=2===2===|0===0===0========
G==A==2===2==2=2===2===|0===0===0========
D==B==0===0==0=0===0===|2===2===2========
D==B==0===0==0=0===0===|2===2===2========
A======================|0===0===0========
A======================|0===0===0========
E======================|=================
E======================|==================
Sorry
Lo siento
Is all that you can't say
Es todo lo que no puedes decir
Years gone by and still
Años pasados y todavía
Words don't come easily
Las palabras no salen fácilmente
Like sorry like sorry
como lo siento como lo siento
Forgive me
Perdóname
Is all that you can't say
Es todo lo que no puedes decir
Years gone by and still
Años pasados y todavía
Words don't come easily
Las palabras no salen fácilmente
Like forgive me forgive me
como perdoname perdoname
But you can say baby
Pero puedes decir bebé
baby, can I hold you tonight.
Cariño, ¿puedo abrazarte esta noche?
Baby, if I told you the right words,
Cariño, si te dijera las palabras correctas,
ooh, at the right time, you'd be mine.
ooh, en el momento adecuado, serías mía.
I love you
te amo
Is all that you can't say
Es todo lo que no puedes decir
Years gone by and still
Años pasados y todavía
Words don't come easily
Las palabras no salen fácilmente
Like I love you I love you
como te amo te amo
D A7sus A7
D A7 sus A7
B--T--3---3--3-3---3-0-|3---3-0-2--------
B--T--3---3--3-3---3-0-|3---3-0-2--------
This is played and repeated twice, the second time it's repeated the vocals
Esto se reproduce y se repite dos veces, la segunda vez se repite la voz.
come in: "Sorry- is all that you can't say." However on "say" an Em chord is
entra: "Lo siento, es todo lo que no puedes decir". Sin embargo, en "say" se escucha un acorde Em.
played. Repeat the chord changes, but go to a D on "still" in "years go by
jugado. Repita los cambios de acordes, pero vaya a D en "todavía" en "pasan los años"
and still." Repeat once more landing on an Em, then change to a G, then A
y todavía." Repita una vez más aterrizando en Em, luego cambie a G, luego A
each time "sorry" is repeated. Watch for the time signature changes around
cada vez que se repite "lo siento". Esté atento a los cambios de tipo de compás
the G. This entire sequence is repeated, with the exception of the opening
la G. Toda esta secuencia se repite, con la excepción de la apertura
strums before the singing begins. Of course, substitute the next verses,
rasguea antes de que comience el canto. Por supuesto, sustituye los siguientes versos,
i.e. "Forgive me..."
es decir, "Perdóname..."
The remaining part of the song goes:
La parte restante de la canción dice:
Baby, can I hold you tonight.
Cariño, ¿puedo abrazarte esta noche?
Baby, if I told you the right words,
Cariño, si te dijera las palabras correctas,
oo- at the right time,
oo- en el momento adecuado,
D Em F#m G A repeat.
D Em F#m G A repetir.
you'd be mine.
serías mía.
FAST CAR
COCHE RÁPIDO
B--T------------------------|---------------------
B--T------------------------|---------------------
Repeat this over and over, until the bridge "I remember we were driving...".
Repita esto una y otra vez, hasta que aparezca el puente "Recuerdo que estábamos conduciendo...".
D for one measure, A for one measure, F#m(244222) for a measure, Esus
D para un compás, A para un compás, F#m(244222) para un compás, Esus
(022200) for a measure, then a measure in which a D and F#m are given equal
(022200) para un compás, entonces un compás en el que D y F#m son iguales
time, followed by a measure of E. Repeat the last two measures, then play
tiempo, seguido de un compás de E. Repita los dos últimos compases, luego toque
one with a D and E. Back to the repeating riff.
uno con D y E. Volvamos al riff repetido.
This is what I've got for Fast Car by Tracy Chapman:
Esto es lo que tengo para Fast Car de Tracy Chapman:
I'm not going to post the words, b/c I don't know them. But this is a decent
No voy a publicar las palabras porque no las conozco. Pero este es un decente
compromise on the continual riff throughout the song, considering I can't
comprometer el riff continuo a lo largo de la canción, considerando que no puedo
play bass and acoustic guitars at the same time. Oh, and yes, I did this by
tocar el bajo y la guitarra acústica al mismo tiempo. Ah, y sí, hice esto por
listening to the CD.
escuchando el CD.
1 2 3 4 1 2 3 4 repeat...
1 2 3 4 1 2 3 4 repetir...
B-T-|-2-3-2----------|----------------|
B-T-|-2-3-2----------|----------------|
I apologize if my notation is unconventional, but this is my first TAB post
Pido disculpas si mi notación no es convencional, pero esta es mi primera publicación TAB.
attempt. It's a little tricky to play this version, but I can manage it by
intento. Es un poco complicado jugar esta versión, pero puedo manejarla
keeping my index finger on the G, and by cheating with my thumb for the E
manteniendo mi dedo índice en la G y haciendo trampa con el pulgar en la E
bass notes.
notas de bajo.
FOR MY LOVER
PARA MI AMANTE
I use "^" for hammer-on, and the "d" and "u" to indicate downward and upward
Utilizo "^" para martillar y la "d" y la "u" para indicar hacia abajo y hacia arriba.
strums. Here's the intro:
rasgueos. Aquí está la introducción:
d u d u d u d u
d u d u d u d u
B--T--0---0-----------0---0-----------|3---3---3---0---------|
B--T--0---0-----------0---0-----------|3---3---3---0---------|
A-----2---2---0^2-----2---2---0^2-----|------------3---------|
A-----2---2---0^2-----2---2---0^2-----|------------3-----------------|
The intro is repeated, and then:
Se repite la introducción y luego:
Two weeks in a Virginia jail
Dos semanas en una cárcel de Virginia
For my lover, for my lover.
Para mi amante, para mi amante.
Twenty thousand dollar bail
Fianza de veinte mil dólares
For my lover, for my lover.---
Para mi amante, para mi amante.
And everybody thinks
A(add9) (x02420)
I'm the fool.
They don't get---any
love from you.
Things we won't do for love---
A(add9)
I'd climb a mountain if I had to,
risk my life so I could have you---
you- you- you- you...
you- you -you -you -you.
Repeat this progression with these lyrics:
Everyday I'm psychoanalyzed
for my lover, for my lover.
Dope me up and I tell them lies
for my lover, for my lover.---
And everybody thinks... etc.
Stay on the Cmaj7 the second time through an extra measure, for:
I follow my heart
and leave my head to ponder
deep in this love--- no
man can shake.
Keep with these chord changes for the remaining lyrics:
I follow my heart
and leave my mind to wonder,
is this love worth- the sacri-
fices I make?
Now repeat the from the "Two weeks in a Virginia jail" verse.
v ^ v ^ v ^ v ^
D=2==2======0= ==0==0======0=
Em A=2==2==0_2== G ==2==2==0_2== D Cmaj7
Two weeks in a Virginia jail
For my lover, for my lover.
Twenty thousand dollar bail
For my lover, for my lover...
And everybody thinks
I'm the fool. (x02420)
They don't get
any love from you.
Things we won't do for love...
I'd climb a mountain if I had to,
risk my life so I could have you
you, you, you, you...
yo, you, you, you, you. (x32000)
Everyday I'm psychoanalyzed
for my lover, for my lover.
Dope me up and I tell them lies
for my lover, for my lover....
And everybody thinks... etc.
I follow my heart
and leave my head to ponder
deep in this love
no man can shake.
I follow my heart
and leave my mind to wonder,
is this love worth,
the sacrifices I make?
FOR YOU
B--T--3---0-0------0---|3---0-2-----2---|3---0-1-----1---|1---0-3---3---|
This is what is played in the intro, but watch for changes in the pattern
once she begins singing, as the order of the bars varies. Perhaps despite
first appearances, not very complex left hand fingering.
Basically, finger-picking between G, D, and C chords. Pattern changes to
strumming right before "Look at me losing control,".
Use Em (022000), C (x32010), Am7 (x02010) and another C. Upon "emotions" the
finger picking pattern is resumed.
IF NOT NOW
Use a capo barred at the second fret to match the pitch of this one. Follow
the transcription as you would any TAB, disregarding the fact that you're
two frets up. A pitch of "2" is played by plucking the notated string two
frets above the capo, not the nut.
C#-T--1------1--1------1--|0--1----1------3---|1------1--1------1--|0--1----1-----1--
This is repeated a few times; when Tracy sings "then- why make your
promises" the chords change between D, Bm, A, Fm, and G. Again remember that
the song is capoed at the second fret, so the shape of the D will be a C,
the Bm and Am, etc. In case it's still unclear, here are the actual chord
forms to shape:
D (x32010), Bm (x02210), A (320003), F#m (022000, and G (133211).
Change to an F#m7 (010000) when the sequence is repeated immediately
thereafter. Change between G and A on the bridge to the repeat.
MOUNTAINS O' THINGS
Use the following chords and repeat them over and over:
Am, Dm, F and G.
She's Got Her Ticket
She's got her ticket
I think she gonna use it
I think she going to fly away
No one should try and stop her
Persuade her with their power
She says that her mind is made
Up
This scheme is repeated until the end of the song.
Talkin 'Bout A Revolution
G(320003), Cadd9(x32030), Em (022000) and D(xx0232).
To be repeated until the end of the song.
Don't you know
They're talkin' about a revolution
Itsounds like a whisper
Don't you know
They're talkin' about a revolution
It sounds like a whisper
While they're standing in the welfare lines
Crying at the doorsteps of those armies of salvation
Wasting time in the enemployment lines
Sitting around waiting for a promotion
Poor people gonna rise up
And get their share
Poor people gonna rise up
And take what's theirs
Don't you know
You better run, run, run...
Oh I said you better
Run, run, run...
Finally the tables are starting to turn
Talkin' bout a revolution
Meaning of the symbols: ^ strike the strings down, v strike the strings up.
_______ _______
^ ^ v v ^ v ^ ^ v v ^ v
These 2 measures are repeated all along the song.
Why ?
The chords used in this are Bm (x24432), G (320003), A (x02220),
D(add9)(xx0230), and A(add9)(x02420).
The intro is merely alternating between Bm and G, and adding hammers-on. In
the case of the Bm hammer-on the three fingers other than the one barring at
the second fret. With the G hammer on the pointer finger.
After that:
Why do the babies starve, there's enough food to feed the world?
Why, when there's so many of us are there people still alone?
Why are the missiles called peacekeepers, when they're aimed to kill?
Why is a woman still not safe when she's in her home?
D(add9)
Love is hate
A(add9)
war is peace,
no is yes,-
we're all free.---- But, some-
body's gonna have to answer, the time is coming soon. Amidst
all these questions and contradictions there're
some who seek the truth. Tell me...
Then repeat.
Why do the babies starve
when there's enough food to feed the world?
Why when there's so many of us are there people still alone?
Why are the missiles called peacekeepers when they're aimed to kill?
Why is a woman still not safe when she's in her home?
Love is hate
war is peace,
no is yes,-
we're all free...
But, somebody's gonna have to answer, the time is coming soon.
Amidst all these questions and contradictions
there're some who seek the truth. Tell me...
Why do the babies starve, When there's enough food to feed the world
Why when there're so many of us, Are there people still alone
Why are the missiles called peace keepers, When they're aimed to kill
Why is a woman still not safe, When she's in her home?
Love is hate
War is peace
No is yes
And we're all free
But somebody's gonna have to answer
The time is coming soon
When the blind remove their blinders
And the speechless speak the truth

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.