Across the Lines Testo Traduzione Italiana

Tracy Chapman - Oltre le linee

by Tracy Chapman

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Tracy Chapman Across the Lines

PUNXT
PUNXT
GUITAR / Tracy Chapman
CHITARRA / Tracy Chapman
GUITAR CHORDS
ACCORDI PER CHITARRA
TRACY CHAPMAN
TRACY CHAPMAN
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Immagine
Across The Lines
Oltre le linee
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Immagine
Baby Can I Hold You
Tesoro, posso tenerti
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Fast Car
Macchina veloce
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For My Lover
Per il mio amante
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For You
Per te
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If Not Now
Se non adesso
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Mountains O' Things
Montagne O' Cose
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She's Got Her ticket
Ha il suo biglietto
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Talkin 'Bout A Revolution
Stiamo parlando di una rivoluzione
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Why ?
Perché?
ACROSS THE LINES
ATTRAVERSO LE LINEE
Pretty much just four chords, F#m (244222), E (022100), Bm (x244322) and D
Praticamente solo quattro accordi, Fa#m (244222), Mi (022100), Sim (x244322) e Re
(xx0232). If I recall correctly there's a break that goes between an A and
(xx0232). Se ricordo bene c'è una pausa tra A e
A(add9) (x02420) and back to A, but am not sure. Also not sure, but in the
A(aggiungi9) (x02420) e torna ad A, ma non ne sono sicuro. Inoltre non sono sicuro, ma nel
outro I think she's playing G and A.
outro Penso che stia interpretando Sol e La.
Across the lines
Oltre le linee
Who could dare to go
Chi potrebbe osare andare?
Under the bridge
Sotto il ponte
Over the tracks
Sopra i binari
dd9
gg9
That separates whites from blacks
Ciò separa i bianchi dai neri
Choose sides
Scegli i lati
Or run for your life
Oppure corri per salvarti la vita
Tonight the riots behin
Stasera ci sono le rivolte alle spalle
On back streets of America
Nelle strade secondarie d'America
They kill the dream of America
Uccidono il sogno dell’America
Little black girl gets assaulted
La piccola ragazza nera viene aggredita
Ain't no reason why
Non c'è alcuna ragione per cui
Newspaper prints the story
Il giornale stampa la storia
And racist tempers fly
E gli animi razzisti volano
Next day it start a riot
Il giorno dopo scoppiò una rivolta
Knives and guns are drawn
Vengono estratti coltelli e pistole
Two black boys get killed
Due ragazzi neri vengono uccisi
One white boy goes blind
Un ragazzo bianco diventa cieco
Little black girl gets assaulted
La piccola ragazza nera viene aggredita
Don't no one know her name
Nessuno conosce il suo nome
Lots of people hurt and angry
Molte persone sono ferite e arrabbiate
She's the one to blame
Lei è quella da incolpare
BABY CAN I HOLD YOU
BAMBINO, POSSO ABBRACCIARTI
D A7sus A7
RE LA7sus LA7
e=====2===2==2=0===2===|0===0===0========
e=====2===2==2=0===2===|0===0===0========
B==T==3===3==3=3===3=0=|3===3=0=2========
B==T==3===3==3=3===3=0=|3===3=0=2========
G==A==2===2==2=2===2===|0===0===0========
SOL==LA==2===2==2=2===2===|0===0===0========
D==B==0===0==0=0===0===|2===2===2========
D==B==0===0==0=0===0===|2===2===2========
A======================|0===0===0========
A======================|0===0===0========
E======================|=================
E======================|=================
Sorry
Mi dispiace
Is all that you can't say
È tutto ciò che non puoi dire
Years gone by and still
Anni passati e ancora
Words don't come easily
Le parole non vengono facilmente
Like sorry like sorry
Mi dispiace, mi dispiace
Forgive me
Perdonami
Is all that you can't say
È tutto ciò che non puoi dire
Years gone by and still
Anni passati e ancora
Words don't come easily
Le parole non vengono facilmente
Like forgive me forgive me
Come perdonami, perdonami
But you can say baby
Ma puoi dire tesoro
baby, can I hold you tonight.
tesoro, posso tenerti stasera?
Baby, if I told you the right words,
Tesoro, se ti dicessi le parole giuste,
ooh, at the right time, you'd be mine.
ooh, al momento giusto, saresti mio.
I love you
Ti amo
Is all that you can't say
È tutto ciò che non puoi dire
Years gone by and still
Anni passati e ancora
Words don't come easily
Le parole non vengono facilmente
Like I love you I love you
Come ti amo, ti amo
D A7sus A7
RE LA7sus LA7
B--T--3---3--3-3---3-0-|3---3-0-2--------
B--T--3---3--3-3---3-0-|3---3-0-2--------
This is played and repeated twice, the second time it's repeated the vocals
Questo viene riprodotto e ripetuto due volte, la seconda volta viene ripetuta la parte vocale
come in: "Sorry- is all that you can't say." However on "say" an Em chord is
entra: "Mi dispiace, è tutto ciò che non puoi dire." Tuttavia su "say" c'è un accordo di Em
played. Repeat the chord changes, but go to a D on "still" in "years go by
giocato. Ripeti i cambi di accordo, ma vai su un Re su "still" in "years go by".
and still." Repeat once more landing on an Em, then change to a G, then A
e ancora." Ripeti ancora una volta atterrando su un Em, poi cambia in G, poi A
each time "sorry" is repeated. Watch for the time signature changes around
ogni volta che si ripete "scusa". Osserva i cambiamenti in termini di indicazione del tempo
the G. This entire sequence is repeated, with the exception of the opening
il G. L'intera sequenza si ripete, ad eccezione dell'apertura
strums before the singing begins. Of course, substitute the next verses,
strimpella prima che inizi il canto. Naturalmente, sostituisci i versi successivi,
i.e. "Forgive me..."
cioè "Perdonami..."
The remaining part of the song goes:
La restante parte della canzone dice:
Baby, can I hold you tonight.
Tesoro, posso tenerti stasera?
Baby, if I told you the right words,
Tesoro, se ti dicessi le parole giuste,
oo- at the right time,
oo- al momento giusto,
D Em F#m G A repeat.
RE MI FA#m SOL LA ripetizione.
you'd be mine.
saresti mio.
FAST CAR
AUTO VELOCE
B--T------------------------|---------------------
B--T------------------------|---------------------
Repeat this over and over, until the bridge "I remember we were driving...".
Ripeti l'operazione ancora e ancora, fino al ponte "Ricordo che stavamo guidando...".
D for one measure, A for one measure, F#m(244222) for a measure, Esus
D per una battuta, A per una battuta, F#m(244222) per una battuta, Esus
(022200) for a measure, then a measure in which a D and F#m are given equal
(022200) per una misura, quindi una misura in cui Re e Fa#m sono uguali
time, followed by a measure of E. Repeat the last two measures, then play
tempo, seguito da una misura di E. Ripetere le ultime due misure, quindi suonare
one with a D and E. Back to the repeating riff.
uno con un Re e un Mi. Torniamo al riff ripetuto.
This is what I've got for Fast Car by Tracy Chapman:
Questo è quello che ho per Fast Car di Tracy Chapman:
I'm not going to post the words, b/c I don't know them. But this is a decent
Non pubblicherò le parole, perché non le conosco. Ma questo è decente
compromise on the continual riff throughout the song, considering I can't
compromesso sul riff continuo per tutta la canzone, considerando che non posso
play bass and acoustic guitars at the same time. Oh, and yes, I did this by
suonare il basso e la chitarra acustica contemporaneamente. Oh, e sì, l'ho fatto
listening to the CD.
ascoltando il CD.
1 2 3 4 1 2 3 4 repeat...
1 2 3 4 1 2 3 4 ripeti...
B-T-|-2-3-2----------|----------------|
B-T-|-2-3-2----------|----------------|
I apologize if my notation is unconventional, but this is my first TAB post
Mi scuso se la mia notazione non è convenzionale, ma questo è il mio primo post TAB
attempt. It's a little tricky to play this version, but I can manage it by
tentativo. È un po' complicato giocare a questa versione, ma posso farcela
keeping my index finger on the G, and by cheating with my thumb for the E
tenendo l'indice sul sol e barando con il pollice sul mi
bass notes.
note basse.
FOR MY LOVER
PER IL MIO AMANTE
I use "^" for hammer-on, and the "d" and "u" to indicate downward and upward
Io uso "^" per martello e "d" e "u" per indicare verso il basso e verso l'alto
strums. Here's the intro:
strimpellate. Ecco l'introduzione:
d u d u d u d u
d u d u d u d u
B--T--0---0-----------0---0-----------|3---3---3---0---------|
B--T--0---0-----------0---0-----------|3---3---3---0---------|
A-----2---2---0^2-----2---2---0^2-----|------------3---------|
A-----2---2---0^2-----2---2---0^2-----|------------3---------|
The intro is repeated, and then:
L'introduzione viene ripetuta e poi:
Two weeks in a Virginia jail
Due settimane in una prigione della Virginia
For my lover, for my lover.
Per il mio amante, per il mio amante.
Twenty thousand dollar bail
Ventimila dollari di cauzione
For my lover, for my lover.---
Per il mio amante, per il mio amante.
And everybody thinks
A(add9) (x02420)
I'm the fool.
They don't get---any
love from you.
Things we won't do for love---
A(add9)
I'd climb a mountain if I had to,
risk my life so I could have you---
you- you- you- you...
you- you -you -you -you.
Repeat this progression with these lyrics:
Everyday I'm psychoanalyzed
for my lover, for my lover.
Dope me up and I tell them lies
for my lover, for my lover.---
And everybody thinks... etc.
Stay on the Cmaj7 the second time through an extra measure, for:
I follow my heart
and leave my head to ponder
deep in this love--- no
man can shake.
Keep with these chord changes for the remaining lyrics:
I follow my heart
and leave my mind to wonder,
is this love worth- the sacri-
fices I make?
Now repeat the from the "Two weeks in a Virginia jail" verse.
v ^ v ^ v ^ v ^
D=2==2======0= ==0==0======0=
Em A=2==2==0_2== G ==2==2==0_2== D Cmaj7
Two weeks in a Virginia jail
For my lover, for my lover.
Twenty thousand dollar bail
For my lover, for my lover...
And everybody thinks
I'm the fool. (x02420)
They don't get
any love from you.
Things we won't do for love...
I'd climb a mountain if I had to,
risk my life so I could have you
you, you, you, you...
yo, you, you, you, you. (x32000)
Everyday I'm psychoanalyzed
for my lover, for my lover.
Dope me up and I tell them lies
for my lover, for my lover....
And everybody thinks... etc.
I follow my heart
and leave my head to ponder
deep in this love
no man can shake.
I follow my heart
and leave my mind to wonder,
is this love worth,
the sacrifices I make?
FOR YOU
B--T--3---0-0------0---|3---0-2-----2---|3---0-1-----1---|1---0-3---3---|
This is what is played in the intro, but watch for changes in the pattern
once she begins singing, as the order of the bars varies. Perhaps despite
first appearances, not very complex left hand fingering.
Basically, finger-picking between G, D, and C chords. Pattern changes to
strumming right before "Look at me losing control,".
Use Em (022000), C (x32010), Am7 (x02010) and another C. Upon "emotions" the
finger picking pattern is resumed.
IF NOT NOW
Use a capo barred at the second fret to match the pitch of this one. Follow
the transcription as you would any TAB, disregarding the fact that you're
two frets up. A pitch of "2" is played by plucking the notated string two
frets above the capo, not the nut.
C#-T--1------1--1------1--|0--1----1------3---|1------1--1------1--|0--1----1-----1--
This is repeated a few times; when Tracy sings "then- why make your
promises" the chords change between D, Bm, A, Fm, and G. Again remember that
the song is capoed at the second fret, so the shape of the D will be a C,
the Bm and Am, etc. In case it's still unclear, here are the actual chord
forms to shape:
D (x32010), Bm (x02210), A (320003), F#m (022000, and G (133211).
Change to an F#m7 (010000) when the sequence is repeated immediately
thereafter. Change between G and A on the bridge to the repeat.
MOUNTAINS O' THINGS
Use the following chords and repeat them over and over:
Am, Dm, F and G.
She's Got Her Ticket
She's got her ticket
I think she gonna use it
I think she going to fly away
No one should try and stop her
Persuade her with their power
She says that her mind is made
Up
This scheme is repeated until the end of the song.
Talkin 'Bout A Revolution
G(320003), Cadd9(x32030), Em (022000) and D(xx0232).
To be repeated until the end of the song.
Don't you know
They're talkin' about a revolution
Itsounds like a whisper
Don't you know
They're talkin' about a revolution
It sounds like a whisper
While they're standing in the welfare lines
Crying at the doorsteps of those armies of salvation
Wasting time in the enemployment lines
Sitting around waiting for a promotion
Poor people gonna rise up
And get their share
Poor people gonna rise up
And take what's theirs
Don't you know
You better run, run, run...
Oh I said you better
Run, run, run...
Finally the tables are starting to turn
Talkin' bout a revolution
Meaning of the symbols: ^ strike the strings down, v strike the strings up.
_______ _______
^ ^ v v ^ v ^ ^ v v ^ v
These 2 measures are repeated all along the song.
Why ?
The chords used in this are Bm (x24432), G (320003), A (x02220),
D(add9)(xx0230), and A(add9)(x02420).
The intro is merely alternating between Bm and G, and adding hammers-on. In
the case of the Bm hammer-on the three fingers other than the one barring at
the second fret. With the G hammer on the pointer finger.
After that:
Why do the babies starve, there's enough food to feed the world?
Why, when there's so many of us are there people still alone?
Why are the missiles called peacekeepers, when they're aimed to kill?
Why is a woman still not safe when she's in her home?
D(add9)
Love is hate
A(add9)
war is peace,
no is yes,-
we're all free.---- But, some-
body's gonna have to answer, the time is coming soon. Amidst
all these questions and contradictions there're
some who seek the truth. Tell me...
Then repeat.
Why do the babies starve
when there's enough food to feed the world?
Why when there's so many of us are there people still alone?
Why are the missiles called peacekeepers when they're aimed to kill?
Why is a woman still not safe when she's in her home?
Love is hate
war is peace,
no is yes,-
we're all free...
But, somebody's gonna have to answer, the time is coming soon.
Amidst all these questions and contradictions
there're some who seek the truth. Tell me...
Why do the babies starve, When there's enough food to feed the world
Why when there're so many of us, Are there people still alone
Why are the missiles called peace keepers, When they're aimed to kill
Why is a woman still not safe, When she's in her home?
Love is hate
War is peace
No is yes
And we're all free
But somebody's gonna have to answer
The time is coming soon
When the blind remove their blinders
And the speechless speak the truth

All lyrics are property and copyright of their respective owners. Translation provided for educational purposes only.