Across the Lines Paroles Traduction Française

PUNXT
PUNXT
GUITAR / Tracy Chapman
GUITARE / Tracy Chapman
GUITAR CHORDS
ACCORDS DE GUITARE
TRACY CHAPMAN
TRACY CHAPMAN
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Across The Lines
À travers les lignes
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Baby Can I Hold You
Bébé, puis-je te tenir
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Fast Car
Voiture rapide
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For My Lover
Pour mon amoureux
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For You
Pour toi
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If Not Now
Si ce n'est pas maintenant
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Mountains O' Things
Montagnes O' Things
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She's Got Her ticket
Elle a son billet
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Talkin 'Bout A Revolution
Je parle d'une révolution
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Why ?
Pourquoi ?
ACROSS THE LINES
À TRAVERS LES LIGNES
Pretty much just four chords, F#m (244222), E (022100), Bm (x244322) and D
Quasiment seulement quatre accords, F#m (244222), E (022100), Bm (x244322) et D
(xx0232). If I recall correctly there's a break that goes between an A and
(xx0232). Si je me souviens bien, il y a une pause entre un A et
A(add9) (x02420) and back to A, but am not sure. Also not sure, but in the
A(add9) (x02420) et retour à A, mais je ne suis pas sûr. Je ne suis pas sûr non plus, mais dans le
outro I think she's playing G and A.
outro, je pense qu'elle joue G et A.
Across the lines
À travers les lignes
Who could dare to go
Qui pourrait oser y aller
Under the bridge
Sous le pont
Over the tracks
Au fil des pistes
dd9
dd9
That separates whites from blacks
Cela sépare les blancs des noirs
Choose sides
Choisissez votre camp
Or run for your life
Ou cours pour ta vie
Tonight the riots behin
Ce soir, les émeutes derrière
On back streets of America
Dans les ruelles d'Amérique
They kill the dream of America
Ils tuent le rêve de l'Amérique
Little black girl gets assaulted
Une petite fille noire se fait agresser
Ain't no reason why
Il n'y a aucune raison pour que
Newspaper prints the story
Le journal publie l'histoire
And racist tempers fly
Et les esprits racistes s'envolent
Next day it start a riot
Le lendemain, ça déclenche une émeute
Knives and guns are drawn
Les couteaux et les fusils sont dégainés
Two black boys get killed
Deux garçons noirs sont tués
One white boy goes blind
Un garçon blanc devient aveugle
Little black girl gets assaulted
Une petite fille noire se fait agresser
Don't no one know her name
Personne ne connaît son nom
Lots of people hurt and angry
Beaucoup de gens sont blessés et en colère
She's the one to blame
C'est elle qui est à blâmer
BABY CAN I HOLD YOU
BÉBÉ, PUIS-JE TE TENIR
D A7sus A7
D A7sus A7
e=====2===2==2=0===2===|0===0===0========
e=====2===2==2=0===2===|0===0===0========
B==T==3===3==3=3===3=0=|3===3=0=2========
B==T==3===3==3=3===3=0=|3===3=0=2========
G==A==2===2==2=2===2===|0===0===0========
G==A==2===2==2=2===2===|0===0===0========
D==B==0===0==0=0===0===|2===2===2========
D==B==0===0==0=0===0===|2===2===2========
A======================|0===0===0========
A======================|0===0===0========
E======================|=================
E=======================|=================
Sorry
Désolé
Is all that you can't say
C'est tout ce que tu ne peux pas dire
Years gone by and still
Des années passées et toujours
Words don't come easily
Les mots ne viennent pas facilement
Like sorry like sorry
Comme désolé, comme désolé
Forgive me
Pardonne-moi
Is all that you can't say
C'est tout ce que tu ne peux pas dire
Years gone by and still
Des années passées et toujours
Words don't come easily
Les mots ne viennent pas facilement
Like forgive me forgive me
Comme pardonne-moi, pardonne-moi
But you can say baby
Mais tu peux dire bébé
baby, can I hold you tonight.
bébé, puis-je te tenir ce soir.
Baby, if I told you the right words,
Bébé, si je te disais les bons mots,
ooh, at the right time, you'd be mine.
ooh, au bon moment, tu serais à moi.
I love you
je t'aime
Is all that you can't say
C'est tout ce que tu ne peux pas dire
Years gone by and still
Des années passées et toujours
Words don't come easily
Les mots ne viennent pas facilement
Like I love you I love you
Comme je t'aime, je t'aime
D A7sus A7
D A7sus A7
B--T--3---3--3-3---3-0-|3---3-0-2--------
B--T--3---3--3-3---3-0-|3---3-0-2--------
This is played and repeated twice, the second time it's repeated the vocals
Ceci est joué et répété deux fois, la deuxième fois, c'est le chant qui est répété.
come in: "Sorry- is all that you can't say." However on "say" an Em chord is
entrez : "Désolé, c'est tout ce que vous ne pouvez pas dire." Cependant sur "dire", un accord Em est
played. Repeat the chord changes, but go to a D on "still" in "years go by
joué. Répétez les changements d'accords, mais passez à un D sur "toujours" dans "les années passent
and still." Repeat once more landing on an Em, then change to a G, then A
et toujours." Répétez encore une fois l'atterrissage sur un Em, puis changez pour un G, puis un A.
each time "sorry" is repeated. Watch for the time signature changes around
à chaque fois « désolé » est répété. Surveillez les changements de signature rythmique autour
the G. This entire sequence is repeated, with the exception of the opening
le G. Toute cette séquence est répétée, à l'exception de l'ouverture
strums before the singing begins. Of course, substitute the next verses,
gratte avant que le chant ne commence. Bien sûr, remplacez les vers suivants,
i.e. "Forgive me..."
c'est-à-dire "Pardonne-moi..."
The remaining part of the song goes:
La partie restante de la chanson dit :
Baby, can I hold you tonight.
Bébé, puis-je te tenir ce soir.
Baby, if I told you the right words,
Bébé, si je te disais les bons mots,
oo- at the right time,
oo- au bon moment,
D Em F#m G A repeat.
D Em F#m G Une répétition.
you'd be mine.
tu serais à moi.
FAST CAR
VOITURE RAPIDE
B--T------------------------|---------------------
B--T--------------|-------------------------
Repeat this over and over, until the bridge "I remember we were driving...".
Répétez cela encore et encore, jusqu'au pont "Je me souviens que nous roulions...".
D for one measure, A for one measure, F#m(244222) for a measure, Esus
D pour une mesure, A pour une mesure, F#m(244222) pour une mesure, Esus
(022200) for a measure, then a measure in which a D and F#m are given equal
(022200) pour une mesure, puis une mesure dans laquelle a D et F#m sont donnés égaux
time, followed by a measure of E. Repeat the last two measures, then play
temps, suivi d'une mesure de E. Répétez les deux dernières mesures, puis jouez
one with a D and E. Back to the repeating riff.
un avec un D et un E. Retour au riff répétitif.
This is what I've got for Fast Car by Tracy Chapman:
Voici ce que j'ai pour Fast Car de Tracy Chapman :
I'm not going to post the words, b/c I don't know them. But this is a decent
Je ne vais pas publier les mots, car je ne les connais pas. Mais c'est un bon
compromise on the continual riff throughout the song, considering I can't
faire un compromis sur le riff continu tout au long de la chanson, étant donné que je ne peux pas
play bass and acoustic guitars at the same time. Oh, and yes, I did this by
jouer de la basse et de la guitare acoustique en même temps. Oh, et oui, je l'ai fait en
listening to the CD.
écouter le CD.
1 2 3 4 1 2 3 4 repeat...
1 2 3 4 1 2 3 4 répéter...
B-T-|-2-3-2----------|----------------|
B-T-|-2-3-2----------|----------------|
I apologize if my notation is unconventional, but this is my first TAB post
Je m'excuse si ma notation n'est pas conventionnelle, mais c'est mon premier message TAB
attempt. It's a little tricky to play this version, but I can manage it by
tentative. C'est un peu délicat de jouer à cette version, mais je peux y parvenir en
keeping my index finger on the G, and by cheating with my thumb for the E
en gardant mon index sur le G, et en trichant avec mon pouce pour le E
bass notes.
notes de basse.
FOR MY LOVER
POUR MON AMANT
I use "^" for hammer-on, and the "d" and "u" to indicate downward and upward
J'utilise "^" pour marteler, et le "d" et "u" pour indiquer vers le bas et vers le haut.
strums. Here's the intro:
gratte. Voici l'introduction :
d u d u d u d u
mec
B--T--0---0-----------0---0-----------|3---3---3---0---------|
B--T--0---0-----------0---0---------------|3---3---3---0---------|
A-----2---2---0^2-----2---2---0^2-----|------------3---------|
A-----2---2---0^2-----2---2---0^2-----|------------3---------|
The intro is repeated, and then:
L'intro est répétée, puis :
Two weeks in a Virginia jail
Deux semaines dans une prison de Virginie
For my lover, for my lover.
Pour mon amant, pour mon amant.
Twenty thousand dollar bail
Caution de vingt mille dollars
For my lover, for my lover.---
Pour mon amant, pour mon amant.
And everybody thinks
A(add9) (x02420)
I'm the fool.
They don't get---any
love from you.
Things we won't do for love---
A(add9)
I'd climb a mountain if I had to,
risk my life so I could have you---
you- you- you- you...
you- you -you -you -you.
Repeat this progression with these lyrics:
Everyday I'm psychoanalyzed
for my lover, for my lover.
Dope me up and I tell them lies
for my lover, for my lover.---
And everybody thinks... etc.
Stay on the Cmaj7 the second time through an extra measure, for:
I follow my heart
and leave my head to ponder
deep in this love--- no
man can shake.
Keep with these chord changes for the remaining lyrics:
I follow my heart
and leave my mind to wonder,
is this love worth- the sacri-
fices I make?
Now repeat the from the "Two weeks in a Virginia jail" verse.
v ^ v ^ v ^ v ^
D=2==2======0= ==0==0======0=
Em A=2==2==0_2== G ==2==2==0_2== D Cmaj7
Two weeks in a Virginia jail
For my lover, for my lover.
Twenty thousand dollar bail
For my lover, for my lover...
And everybody thinks
I'm the fool. (x02420)
They don't get
any love from you.
Things we won't do for love...
I'd climb a mountain if I had to,
risk my life so I could have you
you, you, you, you...
yo, you, you, you, you. (x32000)
Everyday I'm psychoanalyzed
for my lover, for my lover.
Dope me up and I tell them lies
for my lover, for my lover....
And everybody thinks... etc.
I follow my heart
and leave my head to ponder
deep in this love
no man can shake.
I follow my heart
and leave my mind to wonder,
is this love worth,
the sacrifices I make?
FOR YOU
B--T--3---0-0------0---|3---0-2-----2---|3---0-1-----1---|1---0-3---3---|
This is what is played in the intro, but watch for changes in the pattern
once she begins singing, as the order of the bars varies. Perhaps despite
first appearances, not very complex left hand fingering.
Basically, finger-picking between G, D, and C chords. Pattern changes to
strumming right before "Look at me losing control,".
Use Em (022000), C (x32010), Am7 (x02010) and another C. Upon "emotions" the
finger picking pattern is resumed.
IF NOT NOW
Use a capo barred at the second fret to match the pitch of this one. Follow
the transcription as you would any TAB, disregarding the fact that you're
two frets up. A pitch of "2" is played by plucking the notated string two
frets above the capo, not the nut.
C#-T--1------1--1------1--|0--1----1------3---|1------1--1------1--|0--1----1-----1--
This is repeated a few times; when Tracy sings "then- why make your
promises" the chords change between D, Bm, A, Fm, and G. Again remember that
the song is capoed at the second fret, so the shape of the D will be a C,
the Bm and Am, etc. In case it's still unclear, here are the actual chord
forms to shape:
D (x32010), Bm (x02210), A (320003), F#m (022000, and G (133211).
Change to an F#m7 (010000) when the sequence is repeated immediately
thereafter. Change between G and A on the bridge to the repeat.
MOUNTAINS O' THINGS
Use the following chords and repeat them over and over:
Am, Dm, F and G.
She's Got Her Ticket
She's got her ticket
I think she gonna use it
I think she going to fly away
No one should try and stop her
Persuade her with their power
She says that her mind is made
Up
This scheme is repeated until the end of the song.
Talkin 'Bout A Revolution
G(320003), Cadd9(x32030), Em (022000) and D(xx0232).
To be repeated until the end of the song.
Don't you know
They're talkin' about a revolution
Itsounds like a whisper
Don't you know
They're talkin' about a revolution
It sounds like a whisper
While they're standing in the welfare lines
Crying at the doorsteps of those armies of salvation
Wasting time in the enemployment lines
Sitting around waiting for a promotion
Poor people gonna rise up
And get their share
Poor people gonna rise up
And take what's theirs
Don't you know
You better run, run, run...
Oh I said you better
Run, run, run...
Finally the tables are starting to turn
Talkin' bout a revolution
Meaning of the symbols: ^ strike the strings down, v strike the strings up.
_______ _______
^ ^ v v ^ v ^ ^ v v ^ v
These 2 measures are repeated all along the song.
Why ?
The chords used in this are Bm (x24432), G (320003), A (x02220),
D(add9)(xx0230), and A(add9)(x02420).
The intro is merely alternating between Bm and G, and adding hammers-on. In
the case of the Bm hammer-on the three fingers other than the one barring at
the second fret. With the G hammer on the pointer finger.
After that:
Why do the babies starve, there's enough food to feed the world?
Why, when there's so many of us are there people still alone?
Why are the missiles called peacekeepers, when they're aimed to kill?
Why is a woman still not safe when she's in her home?
D(add9)
Love is hate
A(add9)
war is peace,
no is yes,-
we're all free.---- But, some-
body's gonna have to answer, the time is coming soon. Amidst
all these questions and contradictions there're
some who seek the truth. Tell me...
Then repeat.
Why do the babies starve
when there's enough food to feed the world?
Why when there's so many of us are there people still alone?
Why are the missiles called peacekeepers when they're aimed to kill?
Why is a woman still not safe when she's in her home?
Love is hate
war is peace,
no is yes,-
we're all free...
But, somebody's gonna have to answer, the time is coming soon.
Amidst all these questions and contradictions
there're some who seek the truth. Tell me...
Why do the babies starve, When there's enough food to feed the world
Why when there're so many of us, Are there people still alone
Why are the missiles called peace keepers, When they're aimed to kill
Why is a woman still not safe, When she's in her home?
Love is hate
War is peace
No is yes
And we're all free
But somebody's gonna have to answer
The time is coming soon
When the blind remove their blinders
And the speechless speak the truth