Come On Come On Songtekst Nederlandse Vertaling

COME ON COME ON (Mary Chapin Carpenter)
KOM OP KOM OP (Mary Chapin Carpenter)
[This is mostly based on Mary Chapin's performance of the song on the
[Dit is grotendeels gebaseerd op de uitvoering van het nummer door Mary Chapin op de
TV show "Austin City Limits" in early 1993. Thanks to Julie Tissue
TV-programma "Austin City Limits" begin 1993. Met dank aan Julie Tissue
for the start.]
om te beginnen.]
[I've written this tablature as if all six strings were played on every
[Ik heb deze tabulatuur geschreven alsof alle zes de snaren op elke snaren werden bespeeld
chord, but that isn't really accurate. I only wrote out the tab to show
akkoord, maar dat is niet echt nauwkeurig. Ik heb het tabblad alleen uitgeschreven om te laten zien
the rhythm and fingerings.]
het ritme en de vingerzettingen.]
[Every strum notated here is a downstroke with the thumb (no pick, no
[Elke hier genoteerde tokkel is een neerwaartse slag met de duim (geen plectrum, nr
fingernails). There are a few upstrokes in between the downstrokes, but
vingernagels). Er zitten een paar opwaartse bewegingen tussen de neerwaartse bewegingen, maar
I haven't shown those.]
Die heb ik niet laten zien.]
[Some possible names for the chords are at the end of the file. I didn't
[Enkele mogelijke namen voor de akkoorden staan aan het einde van het bestand. Dat deed ik niet
put chord names about the tab because it would just be confusing. Oh,
plaats akkoordnamen rond het tabblad, omdat dit alleen maar verwarrend zou zijn. O,
and the lyrics aren't lined up with the rhythm...sorry.]
en de teksten kloppen niet met het ritme...sorry.]
ctually in ; capo 3.
eigenlijk in; capo 3.
F#|1-----1-1-----1-|1---1-1-1---1-1-|0-----0-0-----0-|0-----0-0---0-0-|
F#|1-----1-1-----1-|1---1-1-1---1-1-|0-----0-0-----0-|0-----0-0---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
F#|1---1-1-1---1-1-|0-----0-0---0-0-|1---1-1-1---1-1-|0-----0-0---0-0-|
F#|1---1-1-1---1-1-|0-----0-0---0-0-|1---1-1-1---1-1-|0-----0-0---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Some people remember the first time, some can't forget the last
Sommige mensen herinneren zich de eerste keer, anderen kunnen de laatste niet vergeten
F#|6---6-6-6---6-6-|8---8-8-8---8-8-|3-----3-3---3-3-|3---3-3-3---3-3-|
F#|6---6-6-6---6-6-|8---8-8-8---8-8-|3-----3-3---3-3-|3---3-3-3---3-3-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Some just select what they want to from the past
Sommigen selecteren gewoon wat ze willen uit het verleden
F#|1---1-1-1---1-1-|0-----0-0---0-0-|1---1-1-1---1-1-|0-----0-0---0-0-|
F#|1---1-1-1---1-1-|0-----0-0---0-0-|1---1-1-1---1-1-|0-----0-0---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
It's a song that you danced to in high school,
Het is een liedje waar je op danste op de middelbare school,
it's a moon you tried to bring down
het is een maan die je probeerde neer te halen
F#|6---6-6-6---6-6-|8---8-8-8---8-8-|3-----3-3-----3-|3---3-3-1---0-0-|
F#|6---6-6-6---6-6-|8---8-8-8---8-8-|3-----3-3-----3-|3---3-3-1---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
On a four-in-the-morning drive through the streets of town
Op een rit van vier uur 's ochtends door de straten van de stad
F#|0---1-1-----1-1-|0---0-0-1---0-0-|0---1-1-----1-1-|0---0-0-1---0-0-|
F#|0---1-1-----1-1-|0---0-0-1---0-0-|0---1-1-----1-1-|0---0-0-1---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Come on come on, it's getting late now; Come on come on, take my hand
Kom op, het wordt nu laat; Kom op, pak mijn hand
F#|0---1-1-----1-1-|0---0-0-1---0-0-|0---1-1-----1-1-|0---0-0-1---0-0-|
F#|0---1-1-----1-1-|0---0-0-1---0-0-|0---1-1-----1-1-|0---0-0-1---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Come on come on, you just have to whisper; Come on come on, I will understand
Kom op, je hoeft alleen maar te fluisteren; Kom op, ik zal het begrijpen
F#|1-----1-1-----1-|1---1-1-1---1-1-|0---0-0-0-----0-|0-----0-0---0-0-|
F#|1-----1-1-----1-|1---1-1-1---1-1-|0---0-0-0-----0-|0-----0-0---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
instrumental
instrumentaal
It's a photograph taken in Paris, at the end of the honeymoon
Het is een foto genomen in Parijs, aan het einde van de huwelijksreis
In 1948, late in the month of June
In 1948, eind juni
Your parents smile for the camera in sienna shades of light
Je ouders glimlachen naar de camera in sienna-lichttinten
Now you're older than they were then that summer night
Nu ben je ouder dan zij toen die zomeravond waren
Come on come on, it's getting late now; Come on come on, take my hand
Kom op, het wordt nu laat; Kom op, pak mijn hand
Come on come on, you just have to whisper; Come on come on, I will understand
Kom op, je hoeft alleen maar te fluisteren; Kom op, ik zal het begrijpen
F#|1---1-1-1---1-1-|1-----1-1---1-1-|0-----0-0-----0-|0-----0-0---0-0-|
F#|1---1-1-1---1-1-|1-----1-1---1-1-|0-----0-0-----0-|0-----0-0---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
It's a need you never get used to, so fierce and so confused
Het is een behoefte waar je nooit aan went, zo fel en zo verward
F#|1-----1-1---1-1-|1---1-1-1---1-1-|0-----0-0-----0-|0---0-0-1---0-0-|
F#|1-----1-1---1-1-|1---1-1-1---1-1-|0-----0-0-----0-|0---0-0-1---0-0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
It's a loss you never get over the first time you lose
Het is een verlies waar je de eerste keer dat je verliest nooit overheen komt
[instrumental solo: same chords as the chorus, except the last measure is 000020
[instrumentale solo: dezelfde akkoorden als het refrein, behalve dat de laatste maat 000020 is
throughout (no 020100-020000). See tablature below for the lead guitar part.]
overal (nr. 020100-020000). Zie de tabulatuur hieronder voor de leadgitaarpartij.]
And tonight I am thinking of someone, seventeen years ago
En vanavond denk ik aan iemand, zeventien jaar geleden
skip two measures
sla twee maten over
We rode in his daddy's car down the river
We reden in de auto van zijn vader de rivier af
(road) Come on come on, it's getting late now; Come on come on, take my hand
(weg) Kom op, kom op, het wordt nu laat; Kom op, pak mijn hand
Come on come on, you just have to whisper; Come on come on, I will understand
Kom op, je hoeft alleen maar te fluisteren; Kom op, ik zal het begrijpen
Come on come on, it's getting late now; Come on come on, take my hand
Kom op, het wordt nu laat; Kom op, pak mijn hand
Come on come on, you just have to whisper; Come on come on, I will understand
Kom op, je hoeft alleen maar te fluisteren; Kom op, ik zal het begrijpen
Come on come on
Kom op, kom op
[instrumental ending: same chords as chorus, but end on G (020100). Again, tab
[instrumentaal einde: zelfde akkoorden als refrein, maar eindigend op G (020100). Nogmaals, tabblad
for the lead guitar part is at the end of the file.]
voor de leadgitaarpartij staat aan het einde van het bestand.]
CHORDS:
Akkoorden:
020100 = G/D 030100 = C(9)/D 000020 = D
020100 = G/D 030100 = C(9)/D 000020 = D
777600 = Am7(4) 999800 = Gmaj7/B 450300 = D(4)/F#
777600 = Am7(4) 999800 = Gmaj7/B 450300 = D(4)/F#
020000 = Gmaj7/D 230000 = C(9)addF#/E 230100 = C(9)/E
020000 = Gmaj7/D 230000 = C(9)addF#/E 230100 = C(9)/E
yuck!
bah!
222000 = Em9
222000 = Em9
LEAD GUITAR:
LEIDGITAAR:
In the recorded version of this song, the piano kind of dominates the
In de opgenomen versie van dit nummer domineert de piano het geheel
guitar, especially in the solo. However, the version that I've transcribed
gitaar, spec
here is from a 1993 tape of "Austin City Limits", because John Jennings'
lead guitar part is more interesting on "ACL" than on the album. And since
I have both video and audio for this song, it's probably the first time
I'm 100% sure that I've got the fingerings right!
Jennings' guitar, like MCC's, has a capo on the third fret, but his is in
the real chords have horrible names.
The slashes are slides up (/) and down (\), and the equal signs (=) are
pull-offs. Obviously, the "02," "242," and "353" sequences are hammer-ons
and pull-offs. "Triplet" or "tri" denote triplets. In the beginning of
each phrase (the part that sounds like "come on come on," put some vibrato
on the 3rd fret of the B string. Arpeggiate the triple stops (places where
you play three strings at once).
Guitar solo:
lead-in: G ----------------0-----------0---|
A triplet-triplet-triplet---------|
^ . ^ . ^ . ^ .
D 4-------------------0-----------|----------4-----tri---------0---|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
A --------------------------------|----------------------0-2=3-----|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
D 4-------------------2-------0---|----------4-----tri-----------0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
A --------------------------------|0----------------------------harmonic
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^
And tonight...
Ending:
lead-in: G ------------------------0---0=2-|
^ . ^ . ^ . ^ .
B --3-3-3-/-8-8-8-------\---5-----|--------------1-1=3-0---------3-|
D ----------------------- * = slide left finger -------------0-----|
A --------------------------- but pick string ---------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
A --------------------------------|------------tri---------2=3-----|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
G ----0---------------0-------2---|------------0=2-420---------0---|
D(4)------------------2-------0---|----------4-----tri-----------0-|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
- Adam Schneider, schn0170maroon.tc.umn.edu