Beneath, Between & Behind Songtekst Nederlandse Vertaling

Rush: Beneath, Between, and Behind
Rush: onder, tussen en achter
From the album Fly by Night (Mercury Records)
Van het album Fly by Night (Mercury Records)
Copyright 1975 Core Music Publishing
Copyright 1975 Core Music Publishing
Music by Lifeson
Muziek van Lifeson
Lyrics by Peart
Tekst van Peart
(written in Seatle, Toronto)
(geschreven in Seatle, Toronto)
Transcription by:
Transcriptie door:
C.D. Bruce (cbruce@erols.com)
CD Bruce (cbruce@erols.com)
Previously Transcribed by:
Eerder getranscribeerd door:
Bob Anderson (no email avialable)
Bob Anderson (geen e-mailadres beschikbaar)
Sean Carroll ()
Sean Caroll ()
Doug Du Plessis ()
Doug Du Plessis ()
Comments/corrections to:
Opmerkingen/correcties op:
C. D. Bruce (cbruce@erols.com)
CD Bruce (cbruce@erols.com)
Overdriven tone (doubled throughout)
Overdreven toon (overal verdubbeld)
Q Q qw Q Q Q Q q q
Q Q qw Q Q Q Q q
4ox-----x-----x---|----------------o|-x-----x-----x---|---x-----x---x---|
4ox-----x-----x---|----------------o|-x-----x-----x---|---x-----x---x---|
4o2/----4/----5---|--------------\-o|-2/----4/----5/--|---7/----9-\(7)--|
4o2/----4/----5---|--------------\-o|-2/----4/----5/--|---7/----9-\(7)--|
Repeat 3 times, vocal enters 2nd time
Herhaal dit 3 keer, de stem komt voor de 2e keer binnen
_3_ Eno3rd A Bm C D Em D
_3_ Eno3e A Bm C D Em D
eee Q Q w Q Q Q Q q q
eee Q Q w Q Q Q Q q
|-----------------|-0---------------|-----------------|-----------s-----|
|----------------|-0--------------|----------------|-----------s-----|
|--hp-------------|-0---------------|-2/----3/----5/--|---7/----8-\(7)\-|
|--hp-------------|-0---------------|-2/----3/----5/--|---7/----8-\(7)\-|
|-020-------------|-4---------------|ox-----x-----x---|---x-----x---x---|
|-020-------------|-4---------------|os-----x-----x---|---x-----x---x--|
|-----2-----2-----|-2---------------|o2/----4/----5/--|---7/----9-\(7)\-|
|-----2-----2-----|-2---------------|o2/----4/----5/--|---7/----9-\(7)\-|
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Be - neath the no - ble bird...
Wees - naast de nobele vogel...
_3_ Eno3rd D G D G D A
_3_ Eno3e D G D G D A
eee Q Q w Q Q Q Q q q
eee Q Q w Q Q Q Q q
|-020-------------|-4--------------o|-2-----0-----2---|---0-----2---2---|
|-020-------------|-4--------------o|-2-----0-----2---|---0-----2---2---|
|-----2-----2-----|-2--------------o|-0-----0-----0---|---0-----0---2---|
|-----2-----2-----|-2--------------o|-0-----0-----0---|---0-----0---2---|
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Once with hands held high...
Eén keer met opgeheven handen...
Repeat 3 times
Herhaal 3 keer
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Q Q qw Q Q Q Q q q
Q Q qw Q Q Q Q q
4ox-----x-----x---|----------------o|-x-----x-----x---|---x-----x---x---|
4ox-----x-----x---|----------------o|-x-----x-----x---|---x-----x---x---|
4o2/----4/----5---|--------------\-o|-2/----4/----5/--|---7/----9-\(7)--|
4o2/----4/----5---|--------------\-o|-2/----4/----5/--|---7/----9-\(7)--|
2nd time only-*
Alleen 2e keer-*
Watch the ci - ties rise...
Kijk hoe de steden oprijzen...
_3_ Eno3rd A Bm C D Em D
_3_ Eno3e A Bm C D Em D
eee Q Q w Q Q Q Q q q
eee Q Q w Q Q Q Q q
|--hp-------------|-0---------------|-2/----3/----5/--|---7/----8-\(7)\-|
|--hp-------------|-0---------------|-2/----3/----5/--|---7/----8-\(7)\-|
|-020-------------|-4---------------|ox-----x-----x---|---x-----x---x---|
|-020-------------|-4---------------|os-----x-----x---|---x-----x---x--|
|-----------------|-2---------------|o2/----4/----5/--|---7/----9-\(7)\-|
|----------------|-2---------------|o2/----4/----5/--|---7/----9-\(7)\-|
*-2nd gtr omitts this note
*-2e gtr laat deze opmerking weg
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Be - neath the no - ble bird...
Wees - naast de nobele vogel...
Repeat 3 times
Herhaal 3 keer
_3_ Eno3rd D G D G D A
_3_ Eno3e D G D G D A
eee Q Q w Q Q Q Q q q
eee Q Q w Q Q Q Q q
|-020-------------|-4--------------o|-2-----0-----2---|---0-----2---2---|
|-020-------------|-4--------------o|-2-----0-----2---|---0-----2---2---|
|-----------2-----|-2--------------o|-0-----0-----0---|---0-----0---2---|
|-----------2-----|-2--------------o|-0-----0-----0---|---0-----0---2---|
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Once with hands held high...
Eén keer met opgeheven handen...
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
e e e e e e e e e e e e e e q e e e e e e e e e e e e e e q
e e e e e e e e e e e e q e e e e e e e e e e e e e q
|o----------------|---------2-3-5---|-----------------|---------4-5-7\--|
|o---------------|---------2-3-5---|----------------|---------4-5-7\--|
|o------2-2-2-3-3-|-3-5-5-5---------|-------4-4-4-5-5-|-5-7-7-7---------|
|o------2-2-2-3-3-|-3-5-5-5---------|-------4-4-4-5-5-|-5-7-7-7---------|
e e e e e e e e e e e e e e q e e e e e e e e e e e e e e q
e e e e e e e e e e e e q e e e e e e e e e e e e e q
|-----------------|-----------------|-----------------|----------------o|
|---------------|-----------------|---------------|---------------o|
|-----------------|---------0-1-3---|-----------------|---------2-3-5--o|
|----------------|---------0-1-3---|----------------|---------2-3-5--o|
e e e e e e e e e e e e e e q e e e e e e e e e e e e e e q
e e e e e e e e e e e e q e e e e e e e e e e e e e q
Q Q Q Q q q Q Q qw
Q Q Q Q q q Q Q qw
|-2-----0-----2---|---0-----2-------|ox-----x-----x---|----------------o|
|-2-----0-----2---|---0-----2-------|os-----x-----x---|---------------o|
|-0-----0-----0---|---0-----0-------|o2/----4/----5---|--------------\-o|
|-0-----0-----0---|---0-----0-------|o2/----4/----5---|-------------\-o|
A Bm C D Em D _3_ Eno3rd
A Bm C D Em D _3_ Eno3rd
Q Q Q Q q q eee Q Q w
Q Q Q Q q eee Q Q w
w/slap back delay
met terugslagvertraging
q q h q h q q h q h
q q h q h q q h q h
|o2-----2-----2---|-----------------|-2-----2-----2---|-----------------|
|o2-----2-----2---|-----------------|-2-----2-----2---|----------------|
|o2-----2-----2---|-----------------|-2-----2-----2---|-----------------|
|o2-----2-----2---|-----------------|-2-----2-----2---|----------------|
A D E delay off
A D E vertraging uit
q q h q h q q w
q q h q h q q w
|-2-----2-----2---|-----------------|-7-----7-----9---|------------(9)\o|
|-2-----2-----2---|-----------------|-7-----7-----9---|------------(9)\o|
|-2-----2-----2---|-----------------|-7-----7-----9---|------------(9)\o|
|-2-----2-----2---|-----------------|-7-----7-----9---|------------(9)\o|
Be - neath the no - ble bird...
Wees - naast de nobele vogel...
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Once with hands held high...
Eén keer met opgeheven handen...
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
w/slap back delay
met terugslagvertraging
D G D G D A *-delay off
D G D G D A *-vertraging uit
e e e e e e Q Q Q Q q q
e e e e e e Q Q Q Q q
Q Q Q Q q q Q Q Q Q q q
Q Q Q Q q q Q Q Q Q q
ww
ww
Lyrics
Songteksten
Ten score years ago
Tientallen jaren geleden
Defeat the kingly foe
Versla de koninklijke vijand
A wondrous dream came into being
Er ontstond een wonderbaarlijke droom
Tame the trackless waste
Tem het ongebaande afval
No virgin land left chaste
Geen maagdelijk land blijft kuis
All shining eyes but never seeing
Allemaal stralende ogen maar nooit ziend
Beneath the noble bird
Onder de edele vogel
Between the proudest words
Tussen de meest trotse woorden
Behind the beauty cracks appear
Achter de schoonheid verschijnen scheuren
Once with hands held high
Eén keer met opgeheven handen
They sang out to the sky
Ze zongen naar de hemel
Why do their shadows bow in fear
Waarom buigen hun schaduwen van angst?
Watch the cities rise
Kijk hoe de steden verrijzen
Another ship arrives
Er komt nog een schip aan
Earth's melting pot, and ever growing
De smeltkroes van de aarde, en steeds groter
Fantastic Dreams come true
Fantastische dromen komen uit
Inventing something new
Iets nieuws bedenken
The greatest minds, but never knowing
De grootste geesten, maar nooit wetend
Beneath the noble bird
Onder de edele vogel
Between the proudest words
Tussen de meest trotse woorden
Behind the beauty cracks appear
Achter de schoonheid verschijnen scheuren
Once with hands held high
Eén keer met opgeheven handen
They sang out to the sky
Ze zongen naar de hemel
Why do their shadows bow in fear
Waarom buigen hun schaduwen van angst?
The guns replace the plow
De kanonnen vervangen de ploeg
Facades are tarnished now
Gevels zijn nu aangetast
The principles have been betrayed
De principes zijn verraden
The dreams gone stale
De dromen zijn muf geworden
But still let hope prevail
Maar laat de hoop toch zegevieren
History's debt won't be repaid
De schulden van de geschiedenis zullen niet worden terugbetaald
Beneath the noble bird
Onder de edele vogel
Between the proudest words
Tussen de meest trotse woorden
Behind the beauty cracks appear
Achter de schoonheid verschijnen scheuren
Once with hands held high
Eén keer met opgeheven handen
They sang out to the sky
Ze zongen naar de hemel
Why do their shadows bow in fear
Waarom buigen hun schaduwen van angst?
Tablature Contributors:
Tabellatuur Bijdragers:
This transcription was created by C. D. Bruce (cbruce@erols.com)
Deze transcriptie is gemaakt door C.D. Bruce (cbruce@erols.com)
in the format described below. It was previously transcribed by
in het hieronder beschreven formaat. Het is eerder getranscribeerd door
Bob Anderson (no email avialable). Other comments from Doug
Bob Anderson (geen e-mailadres beschikbaar). Andere opmerkingen van Doug
Du Plessis and Sean Carroll (xamolleh@ix.netcom.com) have also
Du Plessis en Sean Carroll (xamolleh@ix.netcom.com) hebben dat ook gedaan
been incorporated.
opgenomen.
Disclaimer:
Disclaimer:
This tablature represents how the song is played as closely as reasonably
Deze tablatuur geeft weer hoe het nummer zo nauwkeurig als redelijkerwijs wordt gespeeld
achievable to the studio recording. Alex Lifeson may have played it
haalbaar voor de studio-opname. Alex Lifeson heeft het misschien gespeeld
slightly differently.
iets anders.
Revision History:
Revisiegeschiedenis:
Rev. 1: Submitted 04-xx-1999
Rev. 1: Ingediend op 04-xx-1999
Tablature Explanation:
Tablatuur uitleg:
(+) = This symbol stands for "Coda". A passage at the end of a movement
(+) = Dit symbool staat voor "Coda". Een passage aan het einde van een beweging
or composition that brings it to a formal close.
of compositie die het formeel afsluit.
AC = "Al coda" - means "to the tail", tells you that you must go
AC = "Al coda" - betekent "naar de staart", vertelt je dat je moet gaan
to the end section which starts with the Coda sign (+).
naar het eindgedeelte dat begint met het Coda-teken (+).
DC = "Da capo" - means "from the head", when you see these initials
DC = "Da capo" - betekent "uit het hoofd", als je deze initialen ziet
you go back to the beginning of the piece of music.
je gaat terug naar het begin van het muziekstuk.
DS = "Dal segno" - means "from the sign", go back in the tabulature
DS = "Dal segno" - betekent "van het teken", ga terug in de tabel
only as far as the (%) sign.
alleen tot aan het teken (%).
(.) = Fermata, the prolongation of a tone, chord, or rest beyond
(.) = Fermata, de verlenging van een toon, akkoord of rust daarbuiten
its indicated time value.
de aangegeven tijdswaarde.
RF = repeat and fade
RF = herhalen en vervagen
Rit = "Ritardando" - Gradually slowing in tempo; retarding.
Rit = "Ritardando" - Geleidelijk vertragend in tempo; vertragend.
~ = vibrato
~ = vibrato
. = staccato; mute the note immediately after striking it
. = staccato; demp de noot onmiddellijk nadat u deze hebt aangeslagen
^ = bend string up to indicated pitch/fret shown in parenthesis ()
^ = buig de snaar omhoog tot de aangegeven toonhoogte/fret tussen haakjes ()
h = hammer
h = hamer
p = pull
p = trekken
r = release bend (string/fret may be indicated)
r = release bend (snaar/fret kan worden aangegeven)
s = slide (used when back slash "" or forward slash "/" don't fit)
s = slide (gebruikt als back slash "" of forward slash "/" niet past)
t = fret board tap (not many of these with Rush)
t = fretboard-tap (niet veel hiervan bij Rush)
u = unison bend, the lower note is bent to achieve unison with the
u = unisono bend, de onderste noot wordt gebogen om unisono te bereiken met de
higher note
hogere noot
x = percussive note with no pitch or a muted note
x = percussieve noot zonder toonhoogte of een gedempte noot
| = bar separating measures
| = balkscheidingsmaten
/ = slide up the neck towards the bridge
/ = schuif langs de nek omhoog richting de brug
\ = slide down the neck towards the nut
\ = schuif langs de nek naar de moer
x/ = pick slide up
x/ = pick-up schuif omhoog
x\ = pick slide down
x\ = pick naar beneden glijden
= natural harmonic (lightly touch the string above the fret
= natuurlijke harmonische (raak de snaar lichtjes aan boven de fret
indicated)
aangegeven)
(5) = artificial harmonic (use thumb to follow through the pick attack)
(5) = kunstmatige harmonische (gebruik de duim om de pikhouweelaanval te volgen)
o =\ repeat sign
o =\ herhaal teken
o =/
o =/
LT = "Lifeson Tuning" or Modified Nashville Tuning. When the low E, A,
LT = "Lifeson Tuning" of gewijzigde Nashville-stemming. Wanneer de lage E, A,
and D strings (usually on a 6 string acoustic) are replaced with
en D-snaren (meestal op een akoestische 6-snarige) worden vervangen door
lighter gauge strings and tuned one octave higher than normal
lichtere snaren en één octaaf hoger gestemd dan normaal
(different from Nashville tuning which would also include the G
(anders dan de Nashville-stemming, waar ook de G
string being tuned one octave higher).
snaar die een octaaf hoger is gestemd).
Other pertinent information:
Andere relevante informatie:
Tempo: 1/4 note = 221
Tempo: 1/4 noot = 221
Key signature: D
Toonsoortsignatuur: D
Effects: Overdrive/Distortion, delay
Effecten: Overdrive/Distortion, vertraging
Chord & Scale Chart Below: See tablature
Akkoord- en toonladderschema hieronder: zie tabulatuur
Tablature Format:
Tablatuurformaat:
This Tablature is primarily based on the formats indicated below.
Deze tablatuur is voornamelijk gebaseerd op de hieronder aangegeven formaten.